Fabric Table Lamps

Gallotti & Radice Italian design table Lamp Crystall Metal chrome 1970 Pop Art.

Whimsical small rope table lamp in the shape of a rooster by Adrien Audoux & Frida Minet, France, 1960s. Beautiful twisted rainbow rope body and tail with tripod rope base. New petit...

Vintage ceramic globe lamp from France, 1960s. Matte glazed ceramic base in neutral brown tones and speckled coloring. Newly rewired with new linen shade.

Vintage French cement table lamp with hand carved angular base with spiral detail in stone. New off-white tapered linen shade and newly re-wired. Meas...

Vintage ceramic bulbous lamp from France, 1960s. Matte glazed ceramic base in neutral tones with light brown speckled coloring. Newly rewired with new tapered linen shade.

This is a very unique table lamp with a nice shade of green glaze. Its a higher piece than usual. This is a real lamp not a vase that was transformed later. You can see the glaze around the cable hole on the detail picture. A signature under the base. Made by hand by Master ceramicist Eva Stæhr-Nielsen at famous Danish Saxbo atelier. The lamp shade (34.4 x H24.2cm) received a new white stripped cotton (by Audrey). The feet (34 x 13cm diameter) was professionally cleaned by a craftsman (her name is Sophie). Eva Stæhr-Nielsen a grandi dans un environnement créatif. Le père, qui était le fils d'un propriétaire terrien et avait une formation de libraire, a organisé certains des premiers voyages touristiques au Danemark et est devenu plus tard le chef de l'agence de voyage danoise. L'oncle était le peintre Johannes Wilhjelm. Sa mère a été l'une des premières femmes à fréquenter l'école d'art pour femmes de l'Académie des arts, mais elle n'a pas travaillé comme artiste après son mariage. Eva Stæhr-Nielsen a su très tôt qu'elle voulait être céramiste, mais ses parents pensaient qu'elle devrait passer un examen de fin d'études, et c'est pourquoi elle est venue à l'école Marie Kruse. Cependant, elle n'a pas terminé et en 1930, elle est entrée à la nouvelle école des artisans, située dans le pavillon du Musée d'art et d'industrie. Ici, elle a rencontré le professeur central de la classe de céramique, le sculpteur de 15 ans Olaf S-N., qui a eu une grande influence sur sa vie et son développement artistique. Ils se sont mariés en 1935 et au fil des ans ont eu une vie fructueuse avec une inspiration mutuelle. En 1932, Eva Stæhr-Nielsen entre dans l'atelier Saxbo de Nathalie Krebs, un atelier devenu leader non seulement au Danemark, mais dans toute l'Europe dans la production de grès...

A beautiful table or side lamp from the 1970s with a turned base made of dark wood and a refurbished lampshade with a lovely premium leaf pattern fabric. A very decorative light in t...

French white alabaster table lamp with solid carved base and new tapered linen shade. Modern shape with beautiful veins in stone. Newly rewired.

This beautiful and very rare French Floral Art Nouveau table lamp was made in Paris around 1910. It is cast in bronze and features a rosebush sitting on a real stone base. The velvet...

This is a very unique table lamp with the very famous Japanese glaze (tenmoku). Its a higher piece than usual. This is a real lamp not a vase that was transformed later. You can see ...

Wonderful pair of balustrade lamps Converted from architectural elements, 19th century Turned sandstone. Original aged patina. Grey velvet shades included. Re-wire...

Artisan made white ceramic table lamps, orbs with reveals at top and bottom, with chrome fittings and sockets and silk cords, American 1970's. These lamps are simple yet elegant. Chr...

A beautiful architectural Art Deco style Hollywood Regency skyscraper table or side lamp from the 1980s, designed and signed by Paolo Gucci. It has a base made of translucent resin a...

Our "TABLE" table lamp is larger than normal, she'd sit comfortably on a sideboard or entrance hall. Made using stacked earthenware spheres sitting atop a hand-turned oak base. The b...

Inspired by Chinese lanterns with a touch of elegance to la Française, Nomade is a collection of lighting from table, reading and even to put on a console. Structure in brass with...

Travelling to the beat of a different design drum... If you Love Lucy, late 40's/ early 50's Hollywood, wanted to dance all night at the Tropicana to Ricky Ricardo's band, you may love this lamp by the Continental Lamp Co. The male figural plaster lamp and original hand woven cotton shade are in good vintage condition. The Continental Lamp Co. produced and wide variety of styles during the mid 20th century and lamps by the company have become quite collectible. This mid-century Saxon crusader Robin Hood wood nymph themed chalk-ware figural table lamp. Continental Art Lamp Company was a Chicago based manufacturer located on the famous Division Street. The owners were John Matanky, the son of Russian immigrants, and three Italian nationals. Plaster lamps were made from molds of sculptures by Italian designers. Production began in 1948 or 1949 and ended in 1962. The plaster lamp base...

Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. Read our article “Josef Frank – Modernism Undone” for further information about this pioneer of 20th-century Swedish design. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

Pair of ceramic pineapple shaped lamps with our handcrafted lampshades. The double-color lampshades are handmade in our internal laboratory using ruffled double-color silk chiffon, orange on the outside and acid green on the inside. The colors mix each other creating an amazing effect when the light is on. The lamp without the shade measure diameter cm 12 x cm h 21. The size fits perfectly also for bedside light...

All original Martz ceramic table lamp with shade having beige and brown hand painted glazes with both vertical and horizontal design patterns across the center of the lamp resting on...

Base: 9” L x 6” W x 18” H , Shade: 14” x 14” x 10”H About Amorph: Working with geometrics and the morphology of forms stands at the core of AMORPH – an innovative furniture...

Set of 2 oceanus table lamp, Modern Collection, handcrafted in Portugal - Europe by GF Modern. Oceanus is an elegant table lamp and an attractive addition to a modern home. The beig...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a cop...

One of a kind ceramic lamp, hand built and assembled by hand. The lamp base is made with speckled clay manufactured regionally to the East Coast with custom made matte finish white g...

‘Lucifer’ literally means ‘Bearer of light’ from the Latin lucifer (Lux/Light and Ferre/Carry) and in both pagan and astrological contexts it indicates the so-called ‘morning star’, the planet Venus. Flaminia Veronesi starts from the myth of the fallen angel to bring her magical world, populated by fantastic and mythological characters, to Oxilia Gallery. The result is a production of customized lamps from the Roma and Sonora collections by Nassi, a new brand founded by Francesca de Giorgi. Each lamp is unique and handmade in THE South of Italy, the base is in travertine marble and the lampshade is in pure linen, which has been painted by the artist. Flaminia Veronesi is a Milan based artist. Her solo exhibitions include "Lucifer" (2022), “Masculin Féminin” (2021), “Immediato Giocondo” (2019), “Tette Fotoniche” (2018) In 2023 Flaminia Veronesi’s installation of paintings and sculptures entitled "The Hermitcrab’s Wundershell" inhabit the sprawling MARNI flagship store in Milan, Italy. The Italian artist’s solo exhibition transforms the already jovial space, designed by Brinkworth and the Wilson Brothers, into a whimsical microcosm conceived as the wunderkammer of a family of hermit crabs. Also, Marni’s Spring Summer 2023 collection, currently in stores is featuring a collaboration between creative director Francesco Risso and Flaminia Veronesi. The work of Flaminia Veronesi appeared in T Magazine (NY Times), Vogue Italia, V Magazine, Flash Art...

One of a kind ceramic lamps, thrown on the potters wheel and assembled by hand. The lamp base is comprised of three different clay bodies and features a ...

Pair of large “Molto Pagoda” lamps PRODUCT DETAILS Dimensions: 30w x 68h x 30d cm Materials: fabric Production: Italian manufacturing.

A pair of English new Classical Greek style Empire revival with small brass handles in the form of swans with gilt decoration mounted on 13.5cm shade wooden pedestal bases with a brass design base holder. Complete with original pleated lamp...

A large table lamp by Rupert Nikoll, Vienna, Austria, manufactured in midcentury, circa 1960 (late 1950s or 1960s). The textured glass base has a bulb socket for a small screw base ...

This Table lamp is a contemporary piece, entirely made in Tuscany and manufactured in an artisanal way. The elegant brass tube has a node in the middle of it. The lampshade is made o...

Pretty lamp is entirely hand-made in Tuscany, Italy. The structure of table and standing versions is composed by a brass tube and its base with a mat finish gold or white. The lampsh...

This light object is a contemporary piece, entirely made in Tuscany-Italy and 100% of Italian origin. Daisy is inspired by flowering of the daisy with her timeless simple charm. At...

PAGODA This object is a contemporary piece, entirely made in Tuscany, Italy and 100% of Italian origin. Inspired by the Pagoda temple and the modern artistic movement of cubism, i...

This light object is a contemporary piece, entirely made in Tuscany-Italy and 100% of Italian origin. Daisy is inspired by flowering of the daisy with her timeless simple charm. Att...

A good sized table lamp in brass by Hans Agne Jakobsson, and made by his company in Markaryd, Sweden, mid-20th century. Labelled to the base. A simple design with a height-adjustabl...

“Hoshigame” table lamp designed by Issey Miyake for Artemide, iF Product design Award 2013. The art of lighting has a conceptual and technological heritage at the Miyake Design St...

The beauty of this table lamps is the blown grey glass: they are handmade by Italian Masters with horizontal signs following the Midcentury design. The result is a piece of elegance...

This striking Art Deco table lamp was produced in Austria in the late 1930s. The design is marked by the elegant shape of the beech base which has been finished in a vermilion (red/o...

These Swedish Mid-Century Modern table lamps effortlessly blend form and function, serving as both practical lighting solutions and exquisite decorative accents. The ceramic bases sh...

Table lamp from Herman August Kähler's ceramic workshop in Denmark. Made ca 1960s. The design is attributed to Nils Kähler. The lamp base has an incised pattern and the glossy gla...

Calee XS table lamp by Pool Dimensions: D22 X H42 cm Materials: solid brass, polycarbonate, textile cable (2m). Others finishes and dimensions are available. All our lamps can ...

Set of 2 table lamps of different sizes Salina model produced in the 80s by the Italian glass factory VeArt. Each single lamp was made with a spherical Murano glass in shades of pink...

2 Art Deco table lamps vienna around 1920s Polished and stove enamelled The fabric shades are replaced (new).

Table lamp with fabric shade vienna around 1950s Brass polished and stove enameled The fabric shade is replaced ( new ) Wood polished.

2 Art deco nickel - plated table lamps with fabric shades, Vienna, around 1920s Brass nickel - plated. The fabric shades are replaced (new).

Pair of Danish Teak Table Lamps, 1960s. 40 watts E-26 medium base incandescent bulb recommended or higher if LED/CFL. Rewired with E-26 medium base socket, original brown plastic ...

Two Art Deco Table lamp, Vienna, around 1920s Polished and stove enameled. The fabric shades are replaced (new).

Midcentury Hollywood regency alabaster table lamp by Marbro Lamp Company with original silk lined pleated shade. Shade meas...

Table lamp designed by Nils Kähler and made by Herman August Kähler´s ceramic workshop in Denmark in the 1960s. The lamp base has an incised zigzag pattern and the glossy glaze is...

A rare large ceramic table lamp by Bernard Rooke, England, 1960s. Sculptural piece, made of handmade ceramic elements in natural tones of terracotta and stone. With a special custom ...

A rare large ceramic table lamp from late-20th century Germany. Sculptural piece, made of handmade ceramic elements in brown and orange tones. With a special custom made lamp shade b...

Ellis table lamp by Hervé Langlais Dimensions: D 39 x H 33 cm Materials: Solid brass, lampshade drop paper® M1, Black textile cable (2m). Others finishes and dimensions are available. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. A step back in time for this remake of a classical 1930’s floor lamp...

Ellis Floor Lamp by Hervé Langlais Dimensions: D60x H55 cm Materials: Solid brass, Lampshade Drop Paper® M1, Black textile cable (2m). Others finishes and dimensions are available. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. A step back in time for this remake of a classical 1930’s floor lamp...

An intriguingly iridescent pair of blue ceramic lamps by Lotte and Gunnar Bostlund. Canada, 1960s. Sterling examples of the Bostlunds' work in pristine condition, exhibiting exceptio...

Tall classical column lamp in alabaster and brass accents attributed to Marbo Lamp Co. Comes with original silk lined shade and brass finial.

Curve XS floor lamp by Emilie Cathelineau Dimensions: D 40 x W 40 x H 50 cm Materials: solid brass, textile lampshade, black textile cable (2m) Others finishes and dimensions are ...

Curve XS floor lamp by Emilie Cathelineau Dimensions: D 40 x W 40 x H 50 cm Materials: solid brass, textile lampshade, black textile cable (2m) Others finishes and dimensions are ...

Curve XL floor lamp by Emilie Cathelineau Dimensions: D44 x W44 X H50 cm Materials: Solid brass,Textile lampshade, Black textile cable (2m) Others finishes and dimensions are avai...

A highly decorative pair of 1960s Asian Dogs of Foo table lamps in a gilt chinoiserie finish, on stepped cast brass bases with original vintage Pergoda shade...