Canvas Furniture

A fine Louis Vuitton steamer trunk dating to the 1930s, executed in the iconic monogram canvas with natural leather trim, brass studwork, and reinforced brass corners. The proportion...

In this listing you will find a stunning Eastern Orthodox icon, painted in a post-Byzantine / Balkan iconographic style painted by Konstantin Pantelic (1802-1882), a prominent Serbia...

Large 32" X 23" oil on canvas painting. This vibrant painting depicts a serene tropical lagoon framed by lush, towering palm trees and dense jungle foliage. A winding turquoise wate...

This monumental original oil painting on canvas is a vibrant celebration of biomorphic abstraction, offering a serene yet energetic visual experience. Set against a luminous chartreu...

Polly King (1901-1993) American Born: U.S. Polly King was a painter and sketcher with a special love of travel and water. Born in West Virginia, King mo...

Abstract oil painting on canvas of a Venetian cityscape. Unframed. No signature. It is attributed to Sadanand k. Bakre. In muted colors consistent with his early work in Europe. ...

A Louis Vuitton Cabin Trunk Constructed in wood and monogrammed canvas and edged with brass guards, triple hinged, opening to reveal a tan l...

18th Century Italian Pastoral landscape painting of the Neapolitan School, circle of Paolo Anesi. Depicting the oft painted aristocratic subject of the stag hunt, the piece is cente...

Paris Street Scene Oil Painting of Horse and Carriage. Artist signed I distinctly lower left.

Toni (Anton) von Stadler, Austrian, 1850-1917. Rural Landscape with Rainbow Signed, inscribed, and dated 'T Stadler. / M 1906' in the lower right. A stunning painting depicting a la...

Large "Surrealist" Painting by Julia Zanes, 1990's Julia Zanes, American, b. 1963 pencil signed on back / not dated / unframed surrealist, dreamy, colorfull, reflective .......... ...

1970s, Norwegian design by Ingmar Relling. Lounge chair model "Siesta". Original black furniture leather with nice patina. Bent beech wood, canvas. Original good condition: no smells...

Vintage Oil Painting on Canvas of Venice Canal Scene professionally framed in a beautiful Gold Giltwood frame in Atlanta, Georgia. Painting is signed in the lower right corner. Pa...

France / 1926 / Oil Painting / canvas, wood / Antique A captivating early 20th century French oil painting, signed and dated Paris, 1926. This beautifully composed landscape capture...

This charming original still life oil painting beautifully captures a classic domestic scene with an impressionist touch. The composition features a metallic pitcher, a vase of vibra...

This charming vintage floral still life captures the timeless elegance of traditional European art. Executed in oil on canvas, the piece features a vibrant bouquet of wildflowers ren...

Superb oil painting on canvas, original set with its frame. Signed and dated Jean Charles … and dated 1971. A Mediterranean theme, harmonious whole. Discount price for Shipping !

The Inheritance Two Seat Sofa by Stephen Kenn is as comfortable as it is unique. The design features an exposed construction composed of three elements - a steel frame, plush upholst...

A superb early 19th Century Continental (likely French) oil on canvas painting depicting a scene outside a tavern. Very well painted, on a grand scale and in excellent condition.

A very handsome late 19th century Dutch Oil On Canvas Painting by Ed. Jacobs housed in its ebonized frame depicting a marine scene with many sailing ships.

The upper two lines show Months of Year form September to February and March to August, below the scenes of life. with Ge'ez language inscriptions.

This is a Pair of Oil Paintings of Concert of Birds. They depict different birds perched in a branch of a tree. It appears that there is a music paper attached to the tree in one of ...

A large panoramic landscape in oil on canvas, depicting a pastoral river valley with a winding waterway, clustered village houses, haystacks, and a windmill on the rise in the distan...

This captivating vintage oil painting presents a bold, expressive portrait that draws significant influence from Fauvist and Expressionist traditions. The artist, D. Marinelli, utili...

Italian born Gio Colucci (1892-1974) was mainly a painter but he also worked in ceramics, glass, and even did book illustrations. He studied architecture at the Fine Art School in Pa...

Francois Gall 1912-1987 Gall was the recipient of the Medaille D'ore at the Paris salon of 1947. This fine painting in the path of the great impressionist, Pissarro, represents the ...

This evocative French oil on canvas depicts Montmartre’s celebrated Place du Tertre, animated by strolling figures and framed by the unmistakable silhouette of the Sacré-Cœur rising ...

GORGEOUS! MID CENTURY MODERN CUBIST/BRUTALIST PAINTED MULTI-MEDIA WALL SCULPTURE In the manner of Picasso's Synthetic Cubist Period 50" wide by 17" high by 3" deep Magnifi...

Impressionist and scenic Bucks County Pa, a fresh morning on the Delaware River. Depicting the views across the Delaware River of the quaint village banks of Lumberville. The village...

Michele Antonio Rapos (Turin 1733-1819), Still life of flowers and fruits, Oil on canvas frame: cm H 133 x W 124 x D 8 (canvas: cm 108.5 x 108.5) The painting depicts a triumph of ...

Bronze with a brown patina shaded with green representing a seated hunting dog signed on the base "F. PAUTROT". Very beautiful piece in good condition. Dimensions Height 45.5cm...

Still life painting in original wood frame, signed Lenfest. Oil on canvas. Frank Alger Lenfest (1909 - 1968) was active/lived in California. Frank Lenfest is known for Painter, com...

Hand-Painted Flowers Bouquet Spanish Oil on Canvas, 1940s-1950s Colorful bunch of flowers with glass vase. Eye-catching hand-painted red, pink, yellow, blue and and off-white bouquet...

Superb Ammi Phillips American Folk Art Portrait painting, circa 1840 We are proud of our acquisition of this authentic masterpiece by Ammi Phillips (1788-1865). The finely rendered portrait depicts an attractive young girl in a delightful lifelike quality. The pretty face is a refreshing change from the stern expressions of most of the paintings showing mature female or male sitters. Phillips palette is dark with a strikingly dramatic use of light to her face. The painting, on its original stretchers, is in untouched condition. The frame is period. This painting is unsigned, as are most of his works, but bares the unmistakable characteristics of a Phillips painting. Portrait of a young girl holding a book and wearing a golden whistle. From the New England estate of the renowned Folk Art Collector and scholar, John Bauer...

A circa 1725 oil on canvas portrait of Louis George Simpert, as Hereditary Prince, the future Margrave of Baden-Baden (Deutsch: Ludwig Georg Simpert, Markgraf von Baden-Baden) portrayed one-quarter length in powdered wig and wearing ceremonial armor and crimson sash newly fitted in a period molded giltwood frame with bead-and-reel inner border from the Eli Wilner collection. Canvas measures 24.5" x 19.25". A related, but later portrait of circa 1735, attributed to the same unknown painter, is held in the collection of Lichtenthal Abbey, Baden-Baden. Biography: Louis George or Ludwig Georg Simpert, Margrave of Baden-Baden, born June 7, 1702 at Ettlingen Palace was the son of Louis William, Margrave of Baden-Baden and his wife, Princess Sibylle of Saxe-Lauenburg. Hereditary Prince of Baden-Baden from birth, at the death of his father in 1707, he succeeded as Margrave of Baden-Baden at the age of four. As such, his mother was regent of Baden-Baden until he reached his majority on 22 October 1727 at the age of 25. He married Maria Anna of Schwarzenberg April 8, 1721 at Český Krumlov Castle. The couple were the parents of four children, of whom only one survived infancy. After the death of the first Maria Anna in 1755, he married the Princess Maria Anna Josepha of Bavaria on July 10, 1755; the daughter of Charles VII, Holy Roman Emperor and his Austrian wife Archduchess Maria Amalia. The second marriage remained childless. Due to his passion for hunting instead of military service, he became known as "Jägerlouis", "hunter Louis", a play on his father's nickname of Türkenlouis ("Turk Louis") due to his famous heroics against the Turkish army at the Siege of Vienna...

Fitted Steamer Trunk or Cabin Wardrobe, by Excelsior USA A Superb piece of history dating back to the time when your luggage would be taken to your cabin. This one is canvas and me...

Important still life painting by Cuban artist Mario Carreño. (Mario Carreño y Morales (1913–1999) Provenance: Private collection UK – Commissioned in 1976 directly from the artist...

American Victorian style (20th Century) oil painting on canvas depicting a black steamship with American flag in carved gilt frame.

Important painting by Leonard Maurer (1912-1976), titled "Bridge #2", 1949. A great example of American 1940's modernism with clear influences of Jackso...

Abstract oil on canvas painting, probably American, circa 1960s. Artist signed lower right. It measures 30"H x 36"W, framed. The canvas measures 17.5"H x 23.25"W.

Mixed media abstract painting by Edward R. Lewis (American, 1914-1992). Signed and dated 1984.

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Designed in 1947, Alvar Aalto's Y61 stool required a special technique to create the unique Y-leg. This vintage example was sold in the US by ICF and has a rich patina attesting to y...

A splendid 19th-century Flemish painting. This oil on canvas painting, first canvas, depicts Christ carrying the Cross surrounded by a powerful group of penitent figures. Clearly ins...

A fantastic vintage hand-painted fish study depicting a catfish, painted on artist board and set in its original thin brass frame. Each piece in this series was created by the same u...

French victorian style still life featuring a bouquet of flowers in a gold vase with a 5 leaf yellow flower resembling a star in floral coloured oils on canvas in a gilt frame

Jean Baptiste Anthony, (Belgian, 1854-1930) Young lady with a bird Oil on panel, signed J. Anthony l/r. Measures: Panel height 25 1/4in. (63.5cm) b...

This evocative oil on canvas captures The Wrapped Reichstag, Christo’s landmark installation realized in Berlin in 1995, translating a fleeting moment of contemporary art history int...

The Netherlands / 1920 / Painting / Henri Wouters / canvas, wood / Classic / Antique Beautiful oil painting in baroque wooden and gilded frame by the Dutch Artist Henri Wouters titl...

This is a vintage Plymouth Sound painting. An English, framed oil on canvas nautical picture by Stuart Bolton, dating to the late 20th century, circa 1970. A delightful seascape with...

French victorian style still life painting of a floral bouquet in a golden vase near the edge of a table, oil on canvas in a gilt painted frame

This continental large size turn of the century (19th-20th) oil painting on canvas is set in an antique giltwood frame. The scene is placed in w...

A moody oil on canvas portrait "Bust of a Lady", by American artist William Skilling (1862-1964), depicting a classical female bust within a dark arched niche reserve. Executed in a ...

19th Century French Overdoor Oil On Canvas Painting, Still Life Featuring Flowers. Wonderfully large still life of urns full of flowers in recessed wall. These types of paintings wer...

A 19th century Barbizon style landscape painting by notable English artist James Vivien de Fleury (1847-1902) entitled Montfort, Brittany. Beautifully detailed scene with women washi...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Oil on canvas paintings by Laurent Hours (French, b. 1946). Each signed by the artist. Hours is a French painter and artist known for his dreamlike, mixed-media, and oil-on-canvas co...

Great oil on canvas depicting Madonna and Child. Carved, gilded and polychrome wooden frame with floral arrangements. Venetian, 18th Century. Dimensions in centimeters: CANVAS 69cm H x 51cm / FRAME 107cm H x 80cm. In art, a Madonna is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is from Italian ma donna 'my lady' (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the Theotokos of Vladimir...

An oil on canvas depicting European ships in a turbulent storm, signed bottom right. - Framed dimensions: 54 in x 37 in

Handmade ethnic aged Borneo Ajat basket made from natural Rattan. Motifs of Burung Kenyalang / Hornbill Bird. Traditional ethnic Borneo woven natural organic fiber rattan basket A ...