Canvas Furniture

A pair of domestic conversation pieces, one showing a girl teasing kitten with her mother's skein of silk, the other a mother dressing daughter for fancy dress party. Both oils on c...

Vibrant and captivating abstract oil on canvas artwork by Dorothy Gillespie, an esteemed American painter and sculptor. Created in 1960's this piece is framed in a black frame, addin...

A large English oil painting depicting three sheep in a barn with chickens from the late 19th century, signed W. Topham and set in a giltwoo...

Edouard Cortes (French 1882-1969) oil on canvas in a fine gilt frame. From a fine Madison CT estate. Turn of the century. Guaranteed as authentic. 13 by 18 1/2" Unframed. Cortès was...

Jørgen Kastholm & Preben Fabricius for Kill International, 'Grasshopper' lounge chair, model FK87, leather, canvas, chrome-plated steel, Germany, 1965. The FK87 'Grasshopper' chaise...

The Antique Painting, Vase Of Flowers paintings on canvas depicts a beautiful bouquet of flowers with Dahlias, Asters and Chrysanthemums above a table. The flowers are gathered in a...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Painted linen canvas representing a toucan perched on its branch, on a foliage and gold background. Contemporary French work. Dimensions: H 220 x L 120 cm Reference: LS60301260A ...

Come and browse our selection of South African Zebra Rugs. With our superb craftsmanship and quality stock, we can assure you that this stable luxury item will last for years to come...

Vintage Mid-Century Decorative Wall Panel - Iconic Retro Art Elevate your interior with this striking vintage decorative wall panel that embodies the spirit of mid-century modern de...

This captivating, large-scale work of art by renowned American artist Henry Randolph Martz is a must-have for any maritime enthusiast or collector. Expertly crafted with Martz’s sign...

Classic vintage Louis Vuitton steamer bag. Large, oversized bag, perfect for weekend trips. LV monogram print with saddle leather and bra...

After several years of using indigo canvas to upholster our sofas and chairs from the Inheritance collection, we have accumulated a great deal of scrap material. Most are just pieces...

Signed Oil on Canvas by Jean Hubert Gautier (1872-1930). Nice heavy impasto technique of a classic french riverscape. The composition includes heavy clouds with a basilica in the bac...

An iconic grey leather 'Falcon' sling chair and ottoman by Sigurd Ressell for Vatne Møbler, signed on both the chair frame and the ottoman. A more rare variation of the Falcon design...

Steeped in classical elegance, this four-panel folding screen features an architectural trompe-l'œil design, bringing depth and artistry to any space. Inspired by Renaissance and neoclassical ornamentation, its panels depict ornate urns and Corinthian capitals, rendered in a timeworn, fresco-style finish. The warm, parchment-toned background enhances its aged aesthetic, while the arched top and riveted trim lend a refined, structured presence. Versatile and decorative, this screen functions as both art and design element. Use it as a room divider, creating intimacy in a living space or bedroom. Leaned against a wall, it serves as a grand architectural backdrop behind a sofa, dining table, or console. For a unique bedroom statement, it can be repurposed as an ornate headboard...

Italian School, 18th century. A masterful example of 18th-century Italian School artistry, this Old Master landscape painting captures the sublime beauty of an idealized European co...

A Louis Vuitton steamer travel bag covered monogram canvas and natural tan leather, serves as a quintessential representation of the brand's unwavering commitment to a design that ha...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

Celebrated as an unsurpassed colorist and for the beauty of his large-scale abstract works, Robert Natkin was a Chicago-born artist associated with the Color Field and Lyrical Abstra...

This superb Louis Vuitton steamer trunk features stenciled monogram canvas, honey color lozine trim, LV stamped solid brass locks and studs as well as leather side handles and brass ...

Fauvist painting by the Spanish artist Molgra, circa 1995. In original condition, with minor wear consistent with age and use, preserving a beautif...

Abstract oil on canvass of tonal greens, pinks and yellows with back wandering line structure, signed and dated Lois Foley '81. This example is in very fine original condition, clean...

Large 1945 John Sennhouser Abstract Oil Painting On Canvas, Framed and Signed Offered for sale is a large 1945 John Sennhouser ((Swiss-American 1907-1978) abstract oil painting on ...

A very rare pair of Danish Mid Century Børge Jensen & Sønner ‘Safari’ lounge chairs that are reminiscent of many of Alvar Aalto’s bentwood chair designs, but also shares similarities with both Marcel Breuer’s Isokon chair...

Inspired by the sculptural forms, Frame Lounge Chair is a seating piece with a wider and lower design that presents a cocoon feeling to the person who sinks into it. With the idea of creating a cozy chair that ensures freedom to the body, it presents a great comfort thanks to its generous size. Hence, you can sit for longer periods of time and enjoy it both indoors and outdoors. In the meantime, it has a well-thought armrest that you can work or eat by putting your laptop or bowl on it. Frame Lounge Chair is made from oak-veneer plywood which is a robust material. It is flatpack; the parts gently join each other with just six screws and no need for glue. The wooden pieces are obtained from sustainable forests, and coated with natural lacquer that provides durability and feel to the material. Features Flat pack Easy to assemble Materials Info: Armrest and Skeleton: Oak veneer birch plywood Legs: Solid oak wood Seat and Backrest: Natural canvas fabric Finish: Mist coloured natural oil Designer Gökhan Eryaman & İsmail Dağlı

A stunning early 20th century Louis Vuitton wardrobe trunk covered in the world famous LV monogrammed canvas. With its lozine borders and brass fittings it would have been the top of...

"Young Male Nudes At A Forest Waterfall" Vibrant Colored Hand Painting A rare and unique oil painting by self taught outsider surrealist folk artist Gloria Antoinette Laposka (1922...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A French Barbizon school painting of a herd of sheep with shepherd and dog by French artist Pablo Martinez Del Rio from the late 19th century in giltwood frame. This French Barbizon ...

Voices of a Generation: Solomon's Graffiti Muse This striking original oil painting by Solomon, created in 1982, captures the raw energy of a tumultuous era. Depicting a nude female ...

This magnificent early 18th century painting of an Angel Arcabucero. In eighteenth century Peru, extraordinary depictions of ángeles arcabuceros or an...

Vintage mid-century modern oil on canvas Seascape Painting. Painting features a calm tranquil coastal scene with sailboats docked in a marina. All in soft colors of blue, green and w...

A gorgeous pair of Grand Tour style framed oil paintings of an Italian Capriccio landscape with ruins Italy, Mid-20th Century Oil on canvas, gilt frame Measures: 9.5"W x 1"D x 9.5...

GUIDO HAMPE German, 1839-1902 Alpine Landscape with Waterfall (1881) Oil on canvas signed lower right "G. Hampe '81" Item # 106QJY03C An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature. Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020. The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation. An article on the Charles S. Schultz home can be found by clicking here. Artist Listings & Bibliography: *. E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105 Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame] Condition Report: A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...

Guatemalan folk art oil on canvas painting of native Mayan women vending fruit from baskets. They are dressed in the hand woven native clothing of Santiago Atitlan, which is located on Lake Atitlan, Guatemala. Juan Sisay...

The 1850-1960 Cram's Superior Latest Federal Census Texas Map, crafted from pine wood, steel, and canvas, is a valuable historical cartographic piece. Publi...

When she created Oscar chair with wooden arms, Alessandra Delgado was inspired by the master architect Oscar Niemeyer´s work. The Oscar chair i...

Brilliant red and black abstract modernist painting on canvas from the 1970s. This original acrylic painting is an iconic example of mid-century modern art. The bold red color appli...

White Wassily chair designed by Marcel Breuer, circa 1925. Manufactured circa 1960 by Gavina, Italy. Made in off-white canvas with chromed tubula...

Seven-leaf painted canvas screen depicting a lakeside with a few sailboats on the water, a wooded path animated by characters, a horseman watching over a herd of cows drinking, an op...

An 18th century French Louis XVI style trumeau mirror with a large oil painting depicting The Abduction of Deianira after Guido Reni. Gilded wood frame with bright gilt finish is in ...

Floral Still Life, Oil Painting in Gilded Oak Frame, Late 19th Century This oil painting on canvas, is dating from late 19th to early 20th century. A striking floral still life wit...

Abstract Expressionism Modern Art Painting signed M Chavez geometric art abstract expressionism painting signed M Chavez oil on canvas board  in the style of Mark Rothko  original pr...

Large Mid Century Lee Reynolds Vanguard studio Painting on canvas. Large abstract composition in yellows, whites and greens with a chrome fram...

Immaculate Conception. Oil on canvas. Colonial school, 18th century. Oil on canvas showing the Virgin Mary among angels, in a landscape and standing on a crescent moon, wearing a wh...

Wonderful painterly, thickly impastoed oil painting of a New York street with Paint store fascade and black parked car. A riot of color and noise packed into a medium sized canvas. By renowned plein air painter Ken McIndoe.

Beautiful floral painting depicting amber roses and verdigris background. Canvas stretched on a giltwood hand-carved frame. Back affixed with a hanging wire. Perfect for a gallery wa...

Dimensions- Frame: H: 32 3/4in W: 39 1/4in D: 2 1/2in Painting: H: 25 1/2in W: 32 1/4in This Oil Painting On Canvas Titled "Checkmated" by Alex De Andreis (1880-1939) is truly ...

Maharam Bag Three Large by Konstantin Grcic 002 Vellum/Neon Konstantin Grcic (b. 1965, Germany) is a Munich-based industrial designer who combines deep research with an investigati...

A master-level painting surrounded by a thick and detailed gold leaf frame, this large oval oil on canvas has an impressive scale for a nature morte (still-life) painting. The painting, which dates to circa 1850, is by an unknown, yet extremely talented French artist. In stark contrast to the dark gray background, the subject of the painting is a brightly colored floral bouquet. The vibrant flowers (blue, red, yellow, pink, and white) reside in a brown woven basket that sits atop a stone baluster railing. A cluster of darkly colored grapes is strewn across the top of the railing, next to the basket, as two butterflies flutter above the bouquet. If you look closely, you will even see a third butterfly perched on one of the large green leaves that accompany the irises, carnations, and sunflowers. The equally impressive original frame is adorned with rings of beading, foliate rinceaux, and spiral fluting, with a deep convex molding carved with additional fluting. In 19th-century France, an entire school devoted to floral still-life paintings emerged, located in Lyon, which was the capital of floral design. Although originally still-life art was classified as unimportant, acceptance by art historians of the 20th century elevated the public opinion of nature mortes. A painting such as our large and striking oval floral...

Beautiful reproduction Vermeer painting in a gilt frame. This piece is oil on canvas. Canvas is secured to a wood frame with nails. Craquelure throug...

Introducing Oscar, a bold reinterpretation of a classic armchair, drawing inspiration from modernist architecture. With clean lines and functional elegance, Oscar seamlessly marries ...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

This elegant Louis Vuitton features the very sought after checkers pattern.In some of the checkers, it is written "L.Vuitton marque de fabrique déposée". It also features silver stee...

One of a kind Pair of oils on linen “Paisajes”, French School of the XVIIIth Century – France Extraordinary pair of paintings made in oil on canvas, belonging to the French School o...

Title: Nature Morte A still life composition featuring vibrant flowers in a vase alongside a potted rubber plant. Oil on canvas, signed A.H. (1911-12). Exhibited at Ordrupgaard Museum, Denmark, in the "Astrid Holm...

Sleek and refined, the chair from Stephen Kenn's Inheritance Collection is a great addition to nearly any space. This variation is upholstered in natural canvas. The foam seat cushi...

Set of two noble male and female oil paintings in period delicate ornate Rococo wood frames. This pair of highly detailed portraits were purchased at a Swedish estate in the 1970's. ...

Capture the essence of Venice with this exquisite pair of Italian paintings, each offering a serene glimpse of the iconic harbor scene. The artworks are elegantly crafted, and framed...

Saint Dominic. Oil on canvas. Spanish school, 18th century. It has some faults. Oil on canvas with a horizontal layout depicting a Dominican wearing the characteristic habit of the ...

Great Italian painting from the second half of the 16th century. Oil on canvas painting depicting a Holy Family from the Tuscan school of remarkable pictorial quality. We find the typical stylistic features of the Renaissance with a wonderful pyramidal composition, a refined chromatic palette and particular attention to the drapery. In the center is the Madonna with the baby Jesus in her arms who reaches out toward Saint John the Baptist with a lamb at his side, a symbol of Christ's sacrifice. At the top left we see Saint Joseph sleeping...

A stunning early 20th century Louis Vuitton wardrobe trunk covered in the world famous LV monogrammed canvas. With its lozine borders and brass fittings it would have been the top of...

This magnificent Madonna and Child belongs to an Itlalian (Roman) school of painting and is a masterpiece of Carlo Maratta /Maratti (1625-1713). Maratta's style of Baroque painting ...

Austrian School, 19th century, An Orientalist Portrait of a Turkish Sultan. Oil on Canvas, a very high quality painting, realistically painted of a ...

Large and expressive painting with a flower still life of sunflowers in a vase. Beautiful in impressionistic touch and thickly painted. A clear reference to the of Vincent van Gogh, ...

The Soleia Collection is a series of artistic furniture pieces, including the Soleia Sofa and Armchair, designed to elevate living spaces with their sculptural forms and hand-crafted...

The Inheritance Barstool by Stephen Kenn is comfortable, stackable, and extensively customizable. It has been designed to withstand the rigors of a bar or restaurant environment, while still elegant enough to fit well in a residential home. Every Stephen Kenn piece is made to order through our Los Angeles studio in partnership with a number of small businesses and fabricators in the LA area. The design is highly customizable, so you can select from a range of metal finishes and upholstery materials that will complement your space and durability needs - please message us to see our Customization Guide with all available options. Since the development of the Inheritance Collection, Stephen Kenn has been inspired by the history inherent in vintage military-issue materials. This version of our Inheritance Barstool is upholstered with salvaged vintage military canvas...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

Still life by Frederick Arthur Jessup entitled " Garden gourds ". Framed and signed work. Born in Victoria in 1920, Frederick Arthur JESSUP educated at East Sydney Tecnichal College ...

Louis Vuitton, Steamer Trunk, Monogram Canvas, Leather, Special Order Style m12031 Custom with a wait time of up to two years. We are pleased to offer one of two large and impressi...

Louis Vuitton, Large Steamer Trunk or Wardrobe Case, Monogram Canvas, Leather, Special Order Model number m12010 with a wait time of two years. We are pleased to offer one of two special order large and impressive Louis Vuitton steamer trunks...

A lovely bucolic landscape depicting the Cotswold canal, which can be seen cutting through the landscape with a white horse grazing from the green grass flanking the canal. Adrian Pa...