Canvas Furniture

A compelling early 17th Century three-quarter profile portrait of a bearded gentleman. Probably Dutch/Flemish School. His face emerging from a deep, near-black ground and lit from t...

Title: Tali-Sandhills Artist: Yukultji Napangat (1970s-) Medium: Acrylic on canvas Painted in early 2023. Provenance: Comes with Certificate of Authenticity from the Australia Dream ...

Landscape painting by Gustave Fontaine (1877-1952) ,Belgium, oil on canvas. Gustave FONTAINE ( Etterbeek 1877-1952 Brussels). Sculptor–painter. Took courses in Saint-Josse-ten-Noode,...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

A rare screen printed canvas wall hanging by the respected British graphic artist Abram Games. He designed this whimsical horse as an advertisement for the Times of London in 1962. G...

This oil on canvas painting depicts a stormy seascape, executed by the artist Hilder and dated 1923. The visible signature 'Hilder' and date '1923' are located in the lower right cor...

Poul Kjærholm 'PK22' Lounge Chair for Fritz Hansen in Canvas. Established in 1872, Fritz Hansen has become synonymous with legendary Danish design. Combining timeless craftsmanship ...

"Fruit Bowl" acrylic on canvas, by Swedish abstract expressionist painter Peter Astrom, b. 1946. The monumental painting measures 5' x 5' , canvas is str...

Original early 1900s French steamer trunk wardrobe chest. In all original good condition with original interior fitting, compartments, hangers and hardware. The interior and drawer c...

A charming mid century bullfight painting by Epifanio Ortega, A Mexican artist, ca' 1969. Born in 1947, Ortega's paintings have a very modern, Cub...

Adam and Eve Oil on canvas signed below left «E.R. Ménard 1923» Labels on the back, including one from the Carnegie Institute in Pittsburgh, Pennsylvania in 1925. Titled in a cartou...

Maurice Alvo. Very interesting screen for the Galerie Jean Royere. An important and rare oil on canvas mounted in two panels of a wooden screen, depicting musical Harlequins. The o...

This superb Louis Vuitton steamer trunk features stenciled monogram canvas, honey color lozine trim, LV stamped solid brass locks and studs as well as leather side handles and brass ...

Timberline Table Lamp in Oak and Birch by Mads Caprani for GUBI Originally designed by Mads Caprani in the 1970s, this scaled-down format retains the signature swan-necked shape an...

An abstract oil painting 1950’s with beautiful hues of blue from France. Daniel Clesse (French, 1932–2016) dedicated his life to painting with quiet discipline and unwavering purpos...

19th Century China Trade Ship Portrait of the American Clipper Ship ORIENTAL, under full sail on starboard tack leaving Hong Kong Harbor for Bost...

An expansive view of the flood plains of the Nile with people, palm trees, buildings and camel along the banks in the foreground and Pyramids in the background. - Oil on Canvas, sign...

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Canvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...

19th century, by Giovanni Battista Salvi, known as Sassoferrato (Sassoferrato, 1609 - Rome, 1685) Praying Madonna Oil on canvas, 44 x 54 cm Framed, 88 x 60 cm Giovanni Battista S...

Monumental WPA Style Painting by Chicago Artist Amelia Helper Offered for sale is a monumental and dramatic painting created in the WPA style. This overscale work is monochromatic a...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

Oil on canvas, orientalist scene, signed Louis Saphier. This lovely painting was executed around 1920. Louis Saphier was active and lived in both New Yor...

Pair of Siesta High-Back Lounge Chairs by Ingmar Relling for Westnofa, Norway, 1960s These are very comfortable. Inghmar Relling designrd for Wesnofa and won the 1964 Norwegen design...

Mid-Century Modern Abstract Oil on Canvas by Frank Walcutt At first glance, this abstract oil painting on canvas is a delight to the eye. Frank Walcutt'...

Marine peinte par G. Barloy école française du début du 20ème siècle. Le tableau représente un bateau échoué près d'une rive rocheuse.

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterf...

This French 19th century trumeau mirror combines the architectural with the artistic, fusing an oil on canvas work in the top panel above the rectangular mirror plate below. Set with...

Large Vintage Lee Reynolds Abstract Butterfly Painting, Framed Offered for sale is a large late 20th-century framed abstract painting of a...

This lovely and decorative painting of peasants in a bucolic setting with numerous farm animals is typical of the period and is designed to illustrate happier moments and a getting b...

This is a beautiful English antique oil on canvas riverscape painting "Shipping on the Lower Thames" by Edward Henry Eugene Fletcher (1857 -1945) circa 1890 in date. This painting...

A luminous and atmospheric oil painting by French artist Jean Jacques Balitran (1930-2024) depicting a serene female profile cradling a Siamese cat. Executed in a restrained palette ...

A fine French oil painting on canvas of a Mediterranean harbour scene, featuring a view of sailboats and a picturesque town in an Impressionist style, signed in bottom right facing c...

Mid Century Moody, Stormy Abstract Painting in a fabulous gilt frame. Some see mountains, others see an ocean. Great color, composition and movement. Signed by artist. Curbside to NY...

Art Deco French brown carved framed lithograph etching from a nude resting by the Artist Louis Icart, Paris 1928. These paintings hung in the master bedroom in the French apartments...

Oil painting is composed of vibrant orange tones mingled with neutral brown and grey tones. Verso is titled and signed illegibly. Canvas measures approximate 20 inches squared in height and width. Signed original artwork, abstract Modernist art...

This original mixed media artwork by local Texas artist, Scott Kerr, combines modern design, layered texture, and neutral colors to create a statement piece for any interior. Featuring tones of white, beige, gray, and taupe, the composition highlights movement and depth, making it versatile for both contemporary and transitional spaces. Handcrafted in Texas, this neutral wall art...

French shepherdess at twilight by Jean Beauduin (1851-1916). Oil on canvas mounted on board. Original Barbizon frame. I believe the dog is a bergere Picard. The bergere Picard or Picardy Shepherd is a French herding originating in Picardy. These dogs nearly became extinct after both World War I and World War II and remain a rare breed Jean Beauduin was a painter, draughtsman and illustrator of genre scenes, portraits and landscapes. He received his artistic training at the Academy of Antwerp. He moved to Paris shortly afterward. He exhibited at the Salon des Artistes Francaises as well as many expositions in the US and Europe. # collection collector american large carved paris rome new york salon important provenance historical fine not signed. museum original unique rare # American Russian figure landscape portrait old master impressionist sheep...

A fine oil on canvas painting by Agnes Augusta Talboys (1863-1940/41) signed lower right and Inscribed ‘Pussies in Conference’ on a label verso, late 19th Century in date. The paint...

Elegant 17th-century oil on canvas depicting the Return from Egypt, a deeply spiritual and tender representation of the Holy Family. At the heart of the composition, the Virgin Mary...

This 19th-century Biedermeier oil portrait shows Friedericke Dreysel, wife of Julius Ferdinand Dreysel, who took over the family textile business in Plauen after her husband’s early ...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Handsome richly rendered pair of vintage hunt scenes depicting men in period red jackets on white horses galloping through the landscape with their hound dogs. Framed beautifully in...

Beautiful large canvas landscape featuring peacock, owl, hawk, and a variety of birds landscape. Vivid colors. Signed L. Cassidy. Wonderfully framed. Curbside to NYC/Philly $450

Come and browse our selection of South African Zebra Rugs. With our superb craftsmanship and quality stock, we can assure you that this stable luxury item will last for years to come...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Lovely large French room divider or screen with three leaves in canvas hand painted in vivid colors with birds and foliage scrolls on blue base, after a pattern from a wall canvas pr...

A vintage crossbody type Goyard bag with its iconic chevron printed canvas, leather trims and brass hardware circa post 1965 when the flexible canvas was introduced, likely from 1970-80s. The bag has a streamer rectangular shape, but it is completely foldable into a smaller purse...

Monumental Antique Hudson River School Oil On Canvas Painting Of Pacific Northwest Mountain River Scene With Original Gilt Wood Frame C1920 Measures - 43 3/4" x 72 1/4" x 2 7/8"

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Large, impressive, abstract, dimensional, wall sculpture in distressed, neutral tan and taupe hues features a rough-hewn, brutalist texture. The painting is uniquely constructed of u...

Pair of French commodes covered in canvas accented with leather, wood, and brass. Dimensions: 36" W x 16" D x 32" H

Superb Louis Vuitton steamer trunk featuring stenciled canvas, all leather trim in deep chocolate color, solid brass Louis Vuitton stamped clasps, lock and studs, solid brass corners...

Early 19th century Neoclassical carved and gilded wall brackets realized with a white ivory color majolica demi vase of the Italian manufacture Gi...

This very nice large Louis Vuitton motor trunk in black canvas, features stamped Louis Vuitton solid brass locks and studs and leather and brass side handl...

Early ‘Bachelor’ chair with a rare matching ottoman designed by Verner Panton for Fritz Hansen in 1953. Both items have the signature minimalist tubular steel frame original canvas u...

Dynamic and brilliant American Primitive modern expressionist oil painting on canvas in period wood frame by Zoute (Leon Salter, 1903-1976) North Rose, NY - signed lower right Zoute ...

Vintage Warren Fischer figurative abstract painting. Offered for sale is a figurative abstract painting on canvas by the American artist Warren Fischer (1943-2001). The painting is ...

Memento Moro still life oil painting. Remains in stunning original condition. Signed by the artist, Orren C. Richards, in upper left corner.

This fine old painting is a typical pastiche of the kind popular throughout Italy and the world in the 17th, 18th and 19th centuries. The most commonly associated artist who really m...

French victorian style still life painting of a floral bouquet in a golden vase near the edge of a table, oil on canvas in a gilt painted frame