Canvas Furniture

After Alfred de DREUX Amazone wearing a beret on her grey horse - 19th Century Provenance: This striking painting appears in the Catalogue raisonne curated by Marie-Christine RENAUL...

A Louis Vuitton steamer travel bag covered monogram canvas and natural tan leather, serves as a quintessential representation of the brand's unwavering commitment to a design that ha...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

Immaculate Conception. Oil on canvas. Colonial school, 18th century. Oil on canvas showing the Virgin Mary among angels, in a landscape and standing on a crescent moon, wearing a wh...

Inspired by the sculptural forms, Frame Lounge Chair is a seating piece with a wider and lower design that presents a cocoon feeling to the person who sinks into it. With the idea of...

Louis Vuitton, Steamer Trunk, Monogram Canvas, Leather, Special Order Style m12031 Custom with a wait time of up to two years. We are pleased to offer one of two large and impressi...

Louis Vuitton, Large Steamer Trunk or Wardrobe Case, Monogram Canvas, Leather, Special Order Model number m12010 with a wait time of two years. We are pleased to offer one of two special order large and impressive Louis Vuitton steamer trunks...

Original 19th Century Ancestor Painting on canvas. In original condition as pictured. Acquired in northern China outside of Beijing. Each wearing Winter Court Hats. In fair condi...

Remarkable Spanish colonial late 18th/early 19th-century painting of Lady of the Rosary, Madonna and Child, or Virgin Mary. Oil on canvas Cuzco school painting...

A very large vintage Impressionist oil painting on canvas by Bardolli. It features a children's carnival / amusement park / circus theme with kids, balloons, a Merry Go Round and a ...

Very sensual, large original oil on canvas of a beautiful reclining red headed nude woman, by famous deceased listed Dutch artist, Leo Jansen (1930-1980). T...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Stainless steel and canvas Cantilever MR lounge chair & ottoman after Mies van der Rohe, 1960. Original.

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

17th Century Italian School Oil on Canvas - Soldiers and Travellers Resting by a Rocky Cove The painting carries a plaque with the name of the attributed artist Salvator Rosa (1615-...

Armchair with Ottoman in Bentwood and Canvas Webbing, Czech Republic, 1930s – Restored A rare and beautifully restored lounge chair with matching ottoman, designed in 1930s Czechosl...

A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...

Sleek and refined, the chair from Stephen Kenn's Inheritance Collection is a great addition to nearly any space. This variation is upholstered in natural canvas. The foam seat cushi...

Lovely trumeau mirror with upper oil on canvas section painted with fruits and gourds in basket with parrot perched on edge. At just under 6' tall, its will make a dramatic addition...

Large 19th Century English Oil Painting -Five Hunting Dogs- signed E. Armfield. Large, signed painting in oil on canvas. This ...

19th century American oil on canvas painting of landscape in gold gilt frame. Scene depicts two people walking among trees next to a body...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

This is a Period of the King Louis XV, very colorful and a deep green paint on the frame, those kind of trumeau are originally situate above a marble mantel.

The item for sale is an original desk lamp in the style of Black Forest or possibly Swiss artisanal craftsmanship. Foot and lampshade are both hand carved from medium-dark wood. The ...

A very large and super cool, 1960s, oil on canvas abstract painting signed by Lee Reynolds. Colors are white, gray, brown, black and yellow. 49" tall x 61" wide, with the original po...

A beautiful antique oil painting, flower still life with roses in a basket, made by the Belgian female artist Célinge Genyn. It is an atmospheric painting that captures a quiet, tim...

Possibly late 18th century but most likely 19th century painted arched painted panel. Either a panel intended for a trumeau or to be inset into wall boiserie as a trumeau. The upper ...

Rare Limited Edition GUCCI x adidas golf ball case handbag or shoulder bag in green and white color ways, with removable and adjustable shoulder strap and push closure / made in Ital...

Early 19th century French school featuring poet Homer and Glaucus' daughter after Francois Gerard's work, oil on canvas circa 1815 - 1820. The painting depicts the time when Homer ha...

Splendid oil portrait on canvas of a gentleman in uniform, identified as Professor Moses Bosisio, mayor of Monza, who died in 1846, as reported on a plaque on the back of the paintin...

Peasant. Oil on canvas. VELA ZANETTI, José. 1972. Signed and dated (bottom right). José Vela Zanetti (Milagros, Burgos, 1913–Burgos, 1999) was a painter best known for his murals...

The category Antique Paintings, Landscape with Small Lake, features an Oil Painting on Canvas from the late 19th century era. Old landscape paintings offering a painting made in a n...

Large Vintage French Style 58" x 70" Gold Frame Still Life Oil Painting with Bouquet of Flowers. Item features a large gold carved wood frame, oil on canvas, stately impressive size,...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Contemporary School (American, 20th c.), "Strata XVII', signed, titled and dated in pencil verso, unframed with canvas on wood stretchers. An abstract oil and wax work on linen. Dimensions: 70"h x 83"w x 2"d Condition: Good. No visible condition issues observed. About the Artist: Alfonse Borysewicz...

Oil on Canvas Landscape Painting of Hardangerfjord in Norway Signed by D. Larm C1913. Measures - 10"H x 14.25"W x .75"D. An oil on canvas painting depicting the serene landscap...

Known to many as 'the man who illuminated Finland', the legendary designer and met- alsmith Paavo Tynell is one of the leading lights of 20th-century industrial design . A classic 19...

Fine danish expressive / abstract oilpainting 1930s-1950s. Oil on canvas. Signed back "P-Østergard".or " P-Ødtgård " Original frame. Incl frame: H. 80 cm / W. 70 cm / D. 4 cm pain...

The first chair design by James de Wulf. Weighing 750 pounds, the Block Chair is a grounded landscape fixture. High loft cushions are molded into the seat, removable for laundering. ...

Oil on canvas "Devant le Miroir" by Delphin Enjolras (France 1857-1945). The painting depicts a beautiful woman in her boudoir at her vanity table. She is in a silk slip or night-dre...

The Inheritance Two Seat Sofa by Stephen Kenn is as comfortable as it is unique. The design features an exposed construction composed of three elements - a steel frame, plush upholstery, and supportive belts. The deep seating area is perfect for a relaxing lounge experience. This two seat sofa comes with removable cushion covers to allow for easy cleaning should the need arise. Every Stephen Kenn piece is made to order through our Los Angeles studio in partnership with a number of small businesses and fabricators in the LA area. With this highly customizable two seat sofa you can select from a wide range of finishes and materials to complement your home and lifestyle  - please message us to see our Customization Guide with all available options. This version of our Inheritance Two Seat Sofa is upholstered in indigo canvas. The foam seat cushions have been wrapped in polyfiber for added softness and comfort. Sitting atop an antique copper frame...

Paavo Tynell '1967' Counterweight Pendant Lamp for GUBI. Originally designed by Paavo Tynell, encompassing several variations of a classic 1950s Tynell design, this family of classi...

A wonderful and quite colorful oil on canvas painting by Swedish-American California artist Magnus Engstrom (1936- ). The painting features a futurist cityscape and is done in the neo-cubist abstract expressionist artistic painting style that Engstrom embraced. The painting is signed and dated (1970) by Engstrom. Would be a great addition to any Mid-Century Modern or California art painting collection...

Pair of Bamboo canvas paintings. Each is framed in burlwood and can hang separately or combined to be used as a folding screen or room divider. Each frame has hinges on the outside...

Large Mid Century Lee Reynolds Vanguard studio Painting on canvas. Large abstract composition in yellows, whites and greens with a chrome fram...

Custom vintage Louis Vuitton trunk from the 1940s. Stunning display piece with irregular shape/opening. Perfect for storing papers, books o...

This painting shows a portrait of a gentleman wearing a red jacket. His face and his hands are very well detailed. It wears age and use. The painting is in France and will be shippe...

Abner Dubic original signed painting of Haiti Village. Dubic was born 1944 in Haiti. Started painting in 1966. Exhibitions in Paris, Strasbourg, and US....

Beautiful large canvas landscape featuring peacock, owl, hawk, and a variety of birds landscape. Vivid colors. Signed L. Cassidy. Wonderfully framed. Curbside to NYC/Philly $450

Presenting a stunning piece of Indian antiquity from the 17th century, namely, a pair of indian erotic paintings from a kama sutra series. India, Orissa, 17th century. Hand-painted on cloth canvas. These have impeccable Provenance! They were purchased by a Private Dallas Collector at Christie’s New York Auction on 19th September 2002. Sale Number 1115, Lot No. 251. Christie’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. The Lot was described as: “Two Erotic Paintings from a Karma Sutra...

Painting “Venice by Moonlight” by K. Nufer, Munich Late 19th Century Magnificent antique painting in oil on canvas. Painted by K. Nufer Munich in the late 19th century. The painting...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

Fantastic pair of Chinese carved rosewood sofas or benches featuring geometric armrests and gently curved spindle backs. Each bench has a spring cushion constructed in the frame for ...

An iconic grey leather 'Falcon' sling chair and ottoman by Sigurd Ressell for Vatne Møbler, signed on both the chair frame and the ottoman. A more rare variation of the Falcon design...

Large Early 20th century Oil on Canvas Painting of Civil War Scene by W. Smithson Broadhead (British, 1888-1960). Broadhead lived in United Kingdom ...

1970s, Swedish design by Ake Fribyter, "Kroken" lounge chair. Original upholstery in dark brown leather with nice patina. Removable headrest and sea...

Large and expressive painting with a flower still life of sunflowers in a vase. Beautiful in impressionistic touch and thickly painted. A clear reference to the of Vincent van Gogh, ...