Canvas Furniture

A large Cubist still life oil on canvas by French painter, designer, engraver and illustrator, Clément Serveau (1886-1972), 1931. Serveau was known for his work in cubism and Abstra...

Beautiful rare lounge chair model 'Superstar' designed by Sigurd Ressel and made by Trygg Mobler in Denmark. These models were made in a limited edition. Also famous under the name "...

In this listing you will find an extra large oil painting depicting an abstract head of a figure, in dark tones. The painting is done by an unknown artist, with a heavy influence of of the work of Vladimir Velickovic and Francis Bacon, featuring some of their prominent motifs. Painting was featured in a horror movie "The Serbian Film", shot in 2010. Painting has been examined by an expert in Yugoslav and Serbian art...

This French vintage Mid-century abstract painting on canvas is signed by the artist, Katzyi. View all images to see the current condition.

A fantastic cottagecore rollable wall chart by famous Jung Koch Quentell showing the profil of the lovely kangaroo. The chart is published by Lehrmittelverlag Hagemann, Duesseldorf. ...

This painting has heavily textured acrylics in shades of greys and white on canvas. The artist created the piece using multiple techniques like palette knife, brush and chalk. The bl...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

1999 Limited Edition Print on Canvas of “Carmel, Sunset on Ocean Avenue” by Thomas Kinkade. This limited EP edition is #418 of 680 and features a romantic, nostalgic street scene of ...

A countrycore Jung Koch Quentell pull-down wall chart showing the brown hair and the common rabbit. Used as teaching material in German schools. Colorful print on paper reinforced wi...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Gered Mankowitz Jimi Hendrix London 1967 print on canvas in color orange, gold and purple, size 121 x157cm. One Off - Made By The Artist For Exhibition In 1994, 3 different print...

Original oil on canvas nature landscape of sheep grazing among hillside heather in Scottish highlands. Unsigned, but in likeness of William II Watson (1847-1921) Canvas shows craquel...

This is an early edition Wassily from Berlin based manufacturer, Standard-Möbel. It exhibits the original black Eisengarn canvas. A truly iconic design, deserving to be in a museum. The model for this chair is the traditional overstuffed club chair...

A Bold, Colorful Cubist Abstract Painting in the Manner of Jacques Villon Signed and dated lower right: “M. Jardet” Presented in a striking m...

Francisco Bores – "La Ferme" (The Farm) A remarkable and highly collectible painting by the celebrated Spanish modernist Francisco Bores (1898-1972). "La Ferme" is a prime example of...

Large Vintage Russian Illustration for Alexander Pushkin’s Fairy Tale of Tsar Saltan Extraordinary Illustration of Pushkin’s Fairy Tale “Tsar Saltan” in oil on canvas. The large for...

A beautifully composed vintage French oil painting on stretched canvas, dated 1935 and signed by the artist B. Salmon in the lower left corner. This refined still life depicts a bowl...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

Astounding vintage Goyard trunk in a rare extra large size. The oldest and largest antique Goyard trunk available for sale anywhere. Completely or...

After Claude Lorrain - Embarkation of the Queen of Sheba. The original painting which was painted in 1648 is housed in the National Gallery, Londo...

Armchair with Ottoman in Bentwood and Canvas Webbing, Czech Republic, 1930s – Restored A rare and beautifully restored lounge chair with matching ottoman, designed in 1930s Czechosl...

Maxwell Mays (1918-2009) American painter and illustrator. Signed and dated 1983. This painting titled "Cascade Springs" is an intricate and lively depiction of a bustling Colorado town during its historical boom period. The painting illustrates the vibrant energy of the town with details of trains, trolleys, horse-drawn carriages, and pedestrians in a winter landscape. The scene captures the essence of Victorian and Edwardian architecture alongside the Rockies, representing a mix of rural charm and the burgeoning industrial presence with trains labeled "Atchison, Topeka & Santa Fe" and freight cars marked "Rock Island" and "DRG." The composition is filled with movement: people strolling on the sidewalks, horses pulling carts loaded with goods, and trains arriving and departing, indicating a hub of economic and social activity. The detailed rendering of buildings, including "William M. Baxter Hay & Grain" and market scenes, emphasizes the town's industry and commerce. The snowy mountains and rooftops in the background further ground the painting in the Colorado Springs region, showcasing the rugged, wintry landscape that frames the town. The palette of subdued winter tones, combined with bright pops of color in the trains and clothing of the figures, enhances the painting’s nostalgic and whimsical quality typical of Mays' work. The title plaque on the back provides historical context, describing how people came to Colorado Springs for both riches and health, symbolizing a new society born from the merging of the West with industrial advancement. This picturesque narrative combined with Mays’ folk art style makes it a remarkable piece evoking both history and community. Overall, "Cascade Springs" is a celebration of early American life in a rapidly modernizing town, capturing both its charm and progressiveness through Mays' detailed and stylized artistic lens. Dimensions: 45.5"w x 35"h x 1.5"d (sight) Condition: Good. No issues observed. Ready to hang. About the Artist" Maxwell Mays was born in Rhode Island in 1918, and focused his art on celebrating the landscapes of his home state. Known for their birds-eye perspectives and nostalgic style, Mays' prints have appeared multiple times on the cover of Yankee Magazine. His paintings hang in many establishments, including the University of Rhode Island, and are particular favorites of Rhode Island residents. Mays' artwork often depicts scenes from throughout Rhode Island and the surrounding areas of New England but he did produce works depicting communities from across America . Featuring town squares, farm lands, and harbors, Maxwell Mays' prints celebrate the Americana found in small towns. A graduate of RISD, he began painting seriously while serving in the US Air Force in Brazil during WWII. His first one-man commercial show was at the Ferargil Gallery in New York in 1948. In the ensuing years he became notable for a number of highly successful art shows and magazine covers, and was a highly sought-after speaker and storyteller. As a successful businessman, he was Treasurer of Mays Manufacturing Company, a family business until its sale in the mid-1980s. He was Past President and Director Emeritus of the Providence Art...

Born in Lisbon in 1881, Francis Smith was a French-Portuguese painter of English parentage, who lived in Paris from 1907. He took part in several exhibitions in Portugal, the free ex...

A gorgeous very large floral still-life with striking black background and roses that practically pop off the canvas. Frame is equally impressive. Signed lower right, R. L. Bryant 18...

This refined mid-19th-century oil on canvas is the work of French painter and illustrator Amédée Greux (1836–1879), an accomplished artist known for his richly detailed compositions ...

19th Century, Empire Period Portrait of the Comte Gustave de Galard (1779–1841), French School, c. 1805, Oil on canvas Canvas: 15.75" W × 21.5" H Framed: 19" W × 24.5" H A refined ...

French Victorian gilt framed oil painting of seated black and white terrier (signed DUBOUY, 1904).    

19th century Spanish Colonial carved giltwood Triptych of Virgin Mary & Christ Child Late 19th century, South America Of exceptional quality, the hinged three panel devotional ic...

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right, 'A Pollen...

A very large and super cool, 1960s, oil on canvas abstract painting signed by Lee Reynolds. Colors are white, blue, and pink with hints of green and teal. 49" tall x 61" wide, with t...

Evoke a sense of serene movement and vibrant energy with this captivating vintage abstract oil painting. Rooted in the Boho Chic aesthetic, this original artwork features a dynamic i...

An exceptional large Mid-19th century American School Victorian Folk Art portrait. The painting features a young, well-dressed mother seated in a tufted balloon-back chair with her ...

French Mid-Century Ash Stool with Original Canvas Webbing, 1950s — 3 Available A refined example of French mid-century craftsmanship, this ash stool from the 1950s pairs minimalism ...

CULLEN YATES American, 1866-1945 "Midsummer" Oil on canvas Signed lower right "Cullen Yates" exhibition label retained noting its title and "no. 6702 Item # 406KKL02P A bold an...

A four-panel folding screen, hand-painted with a classical landscape scene, evoking the grandeur of European-inspired capriccio paintings. This piece showcases architectural ruins, l...

George Sotter's Studio in Bucks County Pa, a brisk winter night. Chimney smoke gently kisses the air. The starry night sparkles over deciduous trees as lush snow covers the ground. D...

We were fortune enough to purchase a collection of Roland David’s oil paintings in France and although he is not known very well in the states, ...

This abstract painting titled "AZ-TEP" was created by contemporary Venezuelan artist Susana Amundarain. Her work has been included in many group and ...

LAI FONG OF CALCUTTA Hong Kong/India, active 1875-1910 Four-Masted Sailing Ship "County of Peebles" in Rough Seas (1900) Oil on canvas signed lower right "Lai Fong / Calcutta / 19...

1970s, Scandinavian design. Chair in safari style, original very good condition: no smells and no stains. Original brown leather, brown canvas, and oak wood construction. Leather str...

A Safari armchair designed by Elias Svedberg, Sweden, 1940s. Made of wood, brown harness leather armrests and dark blue canvas. The chair is in a very good used condition, beautiful ...

Oil on Canvas by José Herrera (Spanish, 1943-). Signed and dated 1973. Original stainless steel frame. A beautiful piece.

1970s, Norwegian design by Ingmar Relling for Westnofa, model "Siesta". Light brown furniture leather, bent beech wood, canvas. Original very good condition: no smells, no stains and...

Our Stock # 24760 This is an antique riverside painting. A Scottish, oil on canvas landscape in gilt frame, dating to the late 19th century, circa 1900. Appealing colour and subjec...

Alfonso Caliendo Abstract "3 Women" Large Oil on Canvas Mid Century Modern Art. Signed to lower left corner and rear. Circa Late 20th Century. Measurements: 49.5" H x 49.5" W x 1.5" D.

Antique Oil On Canvas Portrait Of A Debutant Unsigned C1820 $800-$1,500 Measures - 29 3/4" x 25" x 1/16" An exquisite antique oil on canvas portrait depicting a young woman debutant ...

This beautiful and very rare Moynat trunk features beautiful checkers canvas, honey color leather trim, large leather side handles with stamped Moynat flanges and solid brass stamped...

Large abstract oil painting titled: "Connected Green Deal" Natural pigment on vintage Belgian linen canvas Textured green iguana abstract...

Original Gilbert Stuart oil painting portrait of Henrietta Hillegas (Mrs. Joseph Anthony), ca. 1796 Exquisite portrait by the American painter Gilber...

This is an Oil Painting of a Flamboyant or Royal Poinciana Tree. It depicts a large leafy Flamboyant Tree in a breezy countryside road in Puerto Rico. Some red petals have fallen in ...

Set of 6 canvas and wood chairs by Afra and Tobia Scarpa. Model: Monk. Seat height: 45 cm. Wear due to time and age of the chairs. FOR SHIPPING, REQUEST US FOR RECEIVE THE BEST PRICE

Beautiful early 19th century portrait dated and signed at the back. Portrait attributed to Berthon, student of David "The young girl and the c...

Decorate a wall with this large and colorful oil on canvas painting. Painted in Paris circa 1970 and set in a thick carved gilt frame, the artwork beautifully captures the vibrant at...

Paint on canvas stretched on a metal armature by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” show in 202...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Maxwell Mays (1918-2009) American painter and illustrator. Signed and dated 1975, a framed oil on canvas. This painting captures a lively and nostalgic scene of a carnival featurin...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Large Floral Still Life Oil on Canvas. Soft pastels with blue and gray , pink and white. Flowers are hydrangeas and tulips. Housed in a silver gray gesso frame. Perfect romantic piec...