Canvas Furniture

Graffiti street art painting. Acrylic on canvas.

Rare and iconic Bambole sofa, designed in 1973, featuring bold, sculptural lines and unmistakable Italian flair. Upholstered in its original cotton twill fabric, this piece captures ...

Colorful abstract painting of a modern urban landscape apparently at night. Fast and moving is the theme. Actual painting size is 24 x 30. Can be parcel posted. In excellent vintage ...

Hand-painted in France, this handsome grisaille overdoor painting is from the neoclassical period, circa 1815. Grisaille is a monochromatic painting ...

Beautiful and original still life painting by the Belgian artist Bertha Lombet, dating from around 1960. The work presents an uncommon and captivating subject: a delicate arrangement...

Antique New York Map By Westermann A rare early school pull down wall map of New York. The map shows the city of New York and its suburbs. Prin...

A large scale painting titled 'Drifted Toss from a Faith' by Stanley Boxer. Signed and dated to verso.

Mid Century Painting by Par Lindblad Swedish Artist (1907-1981) Pär Lindblad (1907-1981) was a prominent Swedish artist celebrated for his abstract compositions. Lindblad's arti...

Manuel Valencia, (American, 1856-1935) Couple by a Lake, signed M Valencia, l.r., oil on canvas 29 by 50 in., overall in a giltwood frame 36 by 55.5 in. Provenance: Property from th...

Classical painting of a female from the 18th Century, in newer gilt frame.. The back of this painting has been professional re-lined to preserve the integrity of the artwork. The ...

A charming and most decorative Continental mid 19th century still life oil on canvas painting in its original giltwood frame. The painting depicts a lovely finely detailed bouquet of...

Austrian Framed Oil on Canvas Painting of European Countryside, circa 1950's. A very charming lifelike rendering of a Countryside typical in any European city. This 20th Century ...

Large Jaap Gidding Attributed 'Underwater' Painting from Tuschinski Theatre Amsterdam, The Netherlands, 1920s. Mesmerizingly beautiful unique and very large museum quality painting ...

Landscape Oil Painting with Trees Framed, 1950's-1960's Europe A charming landscape featuring a classic European scene of a house surrounded by lush green trees all set back with ca...

Pair of French commodes covered in canvas accented with leather, wood, and brass. Dimensions: 36" W x 16" D x 32" H

Painter of ruins xviii century: "capriccio with classical ruins and four figures" , pendant with "capriccio with classical ruins and three figures" Oil on canvas cm 140 x 95 The ...

Fabulous modernist Painting by Randy Harter New York Artist. Father with child in muted tones. Framed size is 30 x 42.

Large and enchanting, a whimsical mixed-media fantasy with acrylic, vintage crepe paper and antique Valentines. Inspired by a carousel in Ile de Re, France. One of a kind gilded wood...

A very well executed and suggestive view from and accenting the "derriere" of female nude lying in a semi fetal position on a sheepskin rug in front of a roaring fireplace. The nude has her head pointing and looking upwards puffing contentedly on a cigarette. A cup and saucer for coffee are shown in the foreground. A jug and washbasin plus a towel set on a Napoleon!!! Table off to one side of the fireplace plus other furnishings in the background place the scene as a late 19th century Parisian Belle Époque salon. The painting is signed De Groux...

This is a beautiful oil on canvas painting by Jane Vivian (Active 1869-1890) signed on the lower left. The painting delightfully presents the view of a Venetian canal and a beauti...

This superb Goyard trunk features the very sought after woven chevrons canvas as well as all solid brass locks and fittings. It features large black leather front handle and black le...

This mid-20th-century abstract oil painting on canvas, titled "Knight Reining His Steed," is a striking piece that adds a touch of artistic flair to any collection. Measuring 26.4 in...

Farmer series chairs and table designed by Gerd Lange for Bofinger in the 1965. 8 pieces of wood, 4 square rods, 1 fabric panel tightened under...

PRESENTING A STUNNING, IMPORTANT AND HIGHLY DESIRABLE 19th Century English Landscape painting of ‘Salisbury Cathedral’, Oil on Canvas by Edmund John Neimann 1876. Large painting of ...

Gustave Babin (1865–1939) — "Harbour Scene with Fishing Boats and Figures" Oil on canvas, 54 x 65 cm Signed lower right A powerful and atmospheric harbour scene by French post-impre...

Plywood and Canvas Folding Stool by Barry Simpson manufactured by Dirt Road in Waitsfield Vermont between 1976-1984.Marked on underside of seat: Rooster by Dirt Road Waitsfield ,VT. ...

A stunning abstract painting by Australian Aboriginal artist Polly Ngala . Polly began her artistic career in 1970s. she often assisted her sisters Kathleen and the late Emily Kngwar...

18th century Italian spolvero fresco pattern printed onto canvas and framed with an antique wood frame. Spolvero is an artistic method of transferring a design from a print to the p...

Pair of large scale acrylic on canvas paintings by TW Stuart, 1987, Blue Absttact Dyptich.

Early 20th Century pink background wallpaper panel having flowers, vines, and birds. Likely Gracie. The paper pane mounted on canvas with gilt hanging clamps. 132” h. x 48” w. (Ca...

Attributed to Tord Petter Berlin. Oil on canvas. Colourful abstract composition. Dimensions (canvas): 65 x 46 cm Dimensions (frame): 75 x 56 cm Signature: Unsigned Period: Mid-20th...

This charming European 20th Century still-leben oil painting features a tablecloth draped across a table with apples, a hyacinth flower on its side, knife as well as a large and smal...

Painted canvas depicting a stylized Indian horse, seen in profile. Contemporary work by French artists. Dimensions: H 220 x W 120 cm Reference: LS65051086

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Old painting, still life with fruit and an earthenware jug, classical composition, oil on canvas, signed J. Goens at the bottom right, undated but cautiously estimated at around the ...

HENRI FRANCOIS PERRET French, b. 1825 Lavandières au bord de la rivière Oil on canvas signed lower left "H. Perret" 17 1/4" H x 26 1/8" W [frame] 12 7/8" H x 21 7/8" W [canvas] ...

Dimensions: 25cm x 25cm x 1,5 cm Technique: Acrylic on canvas Author: Miha Zorz Year: 2020

Late 19th Century landscape painting oil on canvas signed Jennie Young in its original frame. I believe this painting is by Jennie Brownscombe Young (1858-1934) an American painter, ...

The title of this 1982 David Shapiro (American, 1944-2014) canvas 'Subtle Body (49) - Pleasure of the Road' signals the artist is already well on his life path of translating his imp...

This an absolutely magnificent unique 17th century painting illustrates pirates in the time of Barbary Slave Trade (European slaves were acquired by Barbary pirates...

A fine Japanese Fine Art drawing of water lilies by Toru Suzuki Acrylic Crayon mixed media, Beautiful and elegant example Ex Gallery Kabtoya Tok...

A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...

A Classical four-panel folding screen hand-painted with three maidens. Transform your space with the elegance of this vintage 4-panel scalloped folding screen, depicting three maiden...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

Maxwell Mays (1918-2009) American painter and illustrator. Signed and dated 1983. This painting titled "Cascade Springs" is an intricate and lively depiction of a bustling Colorado town during its historical boom period. The painting illustrates the vibrant energy of the town with details of trains, trolleys, horse-drawn carriages, and pedestrians in a winter landscape. The scene captures the essence of Victorian and Edwardian architecture alongside the Rockies, representing a mix of rural charm and the burgeoning industrial presence with trains labeled "Atchison, Topeka & Santa Fe" and freight cars marked "Rock Island" and "DRG." The composition is filled with movement: people strolling on the sidewalks, horses pulling carts loaded with goods, and trains arriving and departing, indicating a hub of economic and social activity. The detailed rendering of buildings, including "William M. Baxter Hay & Grain" and market scenes, emphasizes the town's industry and commerce. The snowy mountains and rooftops in the background further ground the painting in the Colorado Springs region, showcasing the rugged, wintry landscape that frames the town. The palette of subdued winter tones, combined with bright pops of color in the trains and clothing of the figures, enhances the painting’s nostalgic and whimsical quality typical of Mays' work. The title plaque on the back provides historical context, describing how people came to Colorado Springs for both riches and health, symbolizing a new society born from the merging of the West with industrial advancement. This picturesque narrative combined with Mays’ folk art style makes it a remarkable piece evoking both history and community. Overall, "Cascade Springs" is a celebration of early American life in a rapidly modernizing town, capturing both its charm and progressiveness through Mays' detailed and stylized artistic lens. Dimensions: 45.5"w x 35"h x 1.5"d (sight) Condition: Good. No issues observed. Ready to hang. About the Artist" Maxwell Mays was born in Rhode Island in 1918, and focused his art on celebrating the landscapes of his home state. Known for their birds-eye perspectives and nostalgic style, Mays' prints have appeared multiple times on the cover of Yankee Magazine. His paintings hang in many establishments, including the University of Rhode Island, and are particular favorites of Rhode Island residents. Mays' artwork often depicts scenes from throughout Rhode Island and the surrounding areas of New England but he did produce works depicting communities from across America . Featuring town squares, farm lands, and harbors, Maxwell Mays' prints celebrate the Americana found in small towns. A graduate of RISD, he began painting seriously while serving in the US Air Force in Brazil during WWII. His first one-man commercial show was at the Ferargil Gallery in New York in 1948. In the ensuing years he became notable for a number of highly successful art shows and magazine covers, and was a highly sought-after speaker and storyteller. As a successful businessman, he was Treasurer of Mays Manufacturing Company, a family business until its sale in the mid-1980s. He was Past President and Director Emeritus of the Providence Art...

18th Century, Italian painted with still Life by Francesco Lavagna. The fine and imposing painting, accompanied by a frame in carved and gilded wood, depicts a sumptuous composition...

A nicely executed mid C19th British School oil on canvas, depicting a clipper vessel named ‘Jennie’, with other vessels and cliffs of Dover in the background, and realistic seas. Set...

Mix media on canvas from mid-century Italy. This piece is signed by the artist and is titled “Il Desiderio Espresso”, translating to “The Expressed Desire.” The painting has beautifu...

Vintage painting depicting a river boat fishing scene with weathered painted wood frame.

Mid century Miss Lititia Thompson Blue Ridge Mountains oil painting on canvas. Marked Happy Birthday Mary 1963 on back. This pictur...

Vintage Costa Brava coastal seascape oil painting on canvas by V Blanch featuring waves crashing against the rocks with sailboats and a mountain lined horizon. Costa Brava (aka th...

B.L. Goodwin c.1945 Abstraction in color Watercolor, gouache, and charcoal Signed: Goodwin Frame Measurements W 35.50'' x H 28.33''

This evocative French oil on canvas depicts Montmartre’s celebrated Place du Tertre, animated by strolling figures and framed by the unmistakable silhouette of the Sacré-Cœur rising ...

Paavo Tynell Model '9602' Brass and Rattan Floor Lamp with Canvas Shade for GUBI Originally designed by Paavo Tynell in 1935 and characterized by its elegant, airy lampshade balance...

72967 Vintage French Tapestry Inspired by The Minuet Carnival Scene, 05'07 x 07'01. The Venetian Minuet Reverie: A Rococo Tapestry Masterpiece of Carnival Splendor. An ode to cultivated indulgence, this vintage Venetian tapestry...

This oil on canvas embodies the vibrant spirit of English Abstract Expressionism, reminiscent of Hans Hofmann's push and pull technique. It displays an energetic composition of sunse...

Late 20th Century oil painting of French Infantry Soldiers resting in a large ornate frame. The painting is an oil on canvas reproduction of a 19th...

"Bathing Nymphs," Oil on Canvas cm 115x110 with frame cm 140x135. Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition "Settepittori Settemondi. Palazzo Carminati La Bohème "at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park - City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...

Richard Geiger Large Oil on Canvas Master Painting Scene of the Commedia dell’arte. The Commedia dell’arte is an early form of theater in Italy. Various performers in the troupe w...