Ceramic Furniture

Model 900 cart, design Alvar Aalto, manufactured by Artek, 1960s. Birch frame, ceramic tiles, rattan basket. Marked. Good vintage condition, patina and minor wear consistent with age...

Pair of imposing antique Chinese export blue and white porcelain rectangular form urns with covers. Nanking pattern scenes in stunning detail and superb color. These date from the la...

Stunning vintage Japanese tall stoneware ikebana vase with wonderful geometric designs. Signed by maker and acquired in Japan on my last buying trip.

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

Postmodern Flash One Series Coffee Service Plates, Cups, Saucers by Dorothy Hafner for Rosenthal, 1980s, Set of 6, in Very Good conditions. Designed 1980 to 1989 This piece has an at...

ELO 6 Mirror Signed by Pani Jurek Dimensions: H. 150 x 100 x 4 cm Hand glazed ceramic Color shown on main image: Green _________________________________ Pani Jurek is a Polish des...

Found in France, this glazed ceramic vessel dates from approximately 1910 and stands 11.5” tall. Classic vessel has an amphora shape with spout function in one of the side handles. ...

An English Staffordshire pastille burner, circa 1830-1860. These earthenware pieces were used for burning aromatic pastille lozenges to cover the noxious odors of everyday Victorian Era living. Pastille burners were shaped as dovecotes, cottages, churches, castles, and flower-covered summer houses. The smoke from the burning pastille flowed through the cut-out windows or chimneys of these follies, scenting damp and musky rooms. This example shows a yellow roofed cottage with three windowed chimneys. The roof shows a Pagoda influence. Applied flowers and bocage, columns support the front porch roof. Cut-outs on the rear of the cottage for Pastille placement. Beautifully applied bocage and flower heads, gilded accents. 6 in. L x 4.5 in. W x 7 in. H Showing the expected light wear from age and use, a stable hairline to the front left porch column.

Pair of antique (19th century) schneeballen porcelain vases from Meissen, each approximately 20 by 11 1/2 by 9 1/2 inches and in good condition.

Set of 6 Majolica Oyster Plates – 19th Century – Green and Brown Glazes Description: This is a beautiful set of six oyster plates made in France during the 20th century, in majolica...

This is a large antique ceramic jar from Tokoname, Japan. Its dignified mass and softly curved form create a quiet yet powerful presence within any space. The beautifully balanced si...

ROYAL DOULTON (Manufacturer) - Persian D3088 (Pattern Name/Number) - Persian style transfer decorated ceramic cabinet plate in blue with hand painted highlights - featuring flowers w...

A fine large Italian cream-ware or white glazed ceramic pedestal bowl with mixed fruit topiary top, featuring a fitted lid with a relief of mixed fruits around the circumference, ove...

ROSENTHAL FOR VERSACE, A LIMITED EDITION 'GORGONA' OBELISK (approx 38cm high) This is a superb Rosenthal for Versace limited edition "Gorgona" obelisk, dating from the late 20th Cen...

French Majolica oyster plate Orchies, circa 1900.

12 Royal Copenhagen Frijsenborg plates Model/decoration: 910/1626 1st quality Mid 20th century Origin: Denmark Designer: Royal Copenhagen Material: Porcelain Dimensions: D. 16 cm Co...

Striking vintage ceramic TV lamp and planter in the form of a sleek resting panther, produced by Royal China & Novelty Co., Inc. during the height of the Mid-Century era, circa 1950s...

A green-glazed gilded ceramic, brass and white fabric table lamp designed and produced in France, c. 1960s. Dramatic patina brass. Wear consistent with age and use. Dimensions of ...

Vase #606 by Karen Gayle Tinney A petite vase perfectly sized to stand alone in a small space or act as a companion to a larger piece. Each vase is formed by hand, making every piec...

Rosenthal white and gold porcelain centerpiece, made in the 1960s Ø cm 37 Ø cm 21 h cm 14 Rosenthal is a well-known and respected German manufacturer of porcelain products. Rose...

Early 20th century antique hand painted Mexican homemade wooden folk art shrine / religious alter nicho box with Christ, Saint Anthony and Saint Francis. Rose painted interior wallpa...

Statuette depicting the Love Putto in Meissen porcelain, made in 1800. The figurine may have undergone restoration. Ø cm 10 Ø cm 6 h cm 13 Meissen porcelain is considered one of th...

A superb antique Pair of Art Deco Wiltshaw & Robinson Carlton Ware Cobalt Blue enamelled and gilded vases, circa 1920 in date.   The pair of baluster form vases feature flared ri...

''Auch die Schatten kommen von der Sonne'' (''Also the shadows are made by the sun'') – is the No. 7 of the ''Artists-Plates'' from the Studio-Line by Rosenthal. With a limited edi...

Set of twelve Audubon Birds of America plates. Twelve John James Audubon Birds of America plates with floral border featuring: wild turkey, long-billed curlew, canvas back duck, Florida jay, Baltimore oriole, American flamingo, pileated woodpecker, ruffed grouse, snowy egret, bird of Washington (eagle), cedar waxwing and Canada goose. All in very good condition with no chips or cracks; some crazing to several plates. Ceramic plates in the Birds of America pattern produced by Adams England...

An exceptional French bronze ormolu mounted turquoise jeweled Sèvres Porcelain clock set by Raingo Fres, Paris, circa 1880. Comprising of a clock in vase form and a pair of five-l...

A devotional bust of the Virgin Mary, modeled as a Mater Dolorosa or Virgin of Solitude, executed in polychrome terracotta. The sculpture features a rigid, conical silhouette, design...

Condition: Original Vintage Condition Style: Vintage

This is a beautiful antique George III mahogany extending dining table, circa 1810 in date. This amazing table can seat sixteen people in comfort and has been hand-crafted from beau...

Boletto blue pig figurine from the Rimini Blu collection features a mold-made refractory white clay form. The vibrant blue glaze is enhanced by a finely incised decoration of varied ...

Antique Weller Art Pottery Vase With Iris Pattern Signed C1920 Measures - 9 1/2" x 4" x 4" This antique vase is an example of Weller Art Pottery, ...

Veiled Beauty: Fornasetti "Tema e Variazioni" Plate, Hands (Motiv 16) This visually arresting plate is a powerful example from Piero Fornasetti's (1913–1988) celebrated Themes & Var...

Vide poche conçu par les frères Cloutier en céramique émaillée, conservé en parfait état. La glaçure présente une grande brillance, sans aucun défaut ni éclat. Leurs créations sont t...

This contemporary ceramic vase is handcrafted in stoneware and finished in a deep matte black surface that highlights its sculptural silhouette. The form features a fluid, organic pr...

A beautiful vase with lustre glaze and amazing hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1920s. Good condition. Some we...

Description Sharing with you this very nicely Dutch decorated Chinese Porcelain Kangxi bowl. What you see is a Jingdezhen made white porcelain bowl from around 1720-1730. Later decor...

Vintage industrial wall light made in former Czechoslovakia during the 1950s .It features a white porcelain wall mounting and a clear glass cover. The socket requires standard E27 /E...

A refined example of Scandinavian Art Deco with strong Functionalist (Funkis) influence, this Danish side table from the 1930s embodies the era’s balance of modernist restraint and a...

A 19th century antique Imari charger with scalloped edges featuring vibrant oranges and blues, the multi-color design depicts traditional Japanes...

Mid-Century German Minimalist Studio Pottery Vase, 1960s, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Ceramic...

Unique ceramic sculpture by Lorraine Goldberg Michigan USA circa 1980's Expressive work composed of interwoven biomorphic forms in a clustered arrangement Hand formed and finished ...

A green vase with a lovely crystalline glaze designed by Isak Isaksson in Sweden. The vase is 9 cm (3.55") tall and about 12.5 cm (5") wide and it is in excellent condition. This is ...

A charming 19th century French confit pot from the southwest of France, showcasing a stunning deep green glaze characteristic of regional pottery from the late 1800s. Hand-thrown in ...

Vase #504 by Karen Gayle Tinney A fan-favorite since its introduction in 2018, this versatile vase functions equally as a sculptural object and a vessel for flowers. Hand formed st...

Beautiful lamps designed by famed ceramicist duo Jane and Gordon Martz. Nice neutral palette with flat white and unglazed stripes. Great bulbous form Shades are shown for illustrati...

This magnificent porcelain plate was designed by Vito Nesta and inspired by the Ottoman empire and its capital. It is part of a limited series of six plates that can be mismatched ob...

This is a plate which was made with style Aito (Aito ware). This plate was made around 2000s in Heisei era. It is made with porcelain. The motif which is on the plate in a Japanese b...

Mid-Century Modern Danish Flora Bowl by Bjørn Wiinblad for Nymölle, Denmark, 1960s, in Very Good conditions. Designed 1960 to 1969. This piece has an attribution mark. Additional in...

Condition: Expertly Refinished With over 15 years of experience, our workshop has followed a careful process of restoration, showcasing our passion and creativity for vintage desi...

Lovely Finnish Modern Pro Arte Series Ceramic Vase by Pauli Vuorisalo for Arabia. A stylistic abstract design of a lady in a ballet pose is carved into the black glossy glaze of the ...

Set of two beautiful Satsuma designed in Japan vases from the beginning of the 20th century , 1920s. Meiji-period. Hand-painted ceramic vases depicting men surrounding a geisha, fram...

Mid-Century Ceramic Jewelry Box by Mithé Espelt — Lunel, France, 1950s. A stunning mid-century ceramic jewelry box crafted by renowned French artist Mithé Espelt in Lunel, France, d...

This medium-sized Echizen ware jar, a representative example of ancient Japanese pottery, is believed to have been produced during the late Muromachi period to the Azuchi-Momoyama pe...

XL Upsala Ekeby "Paprika" Large Ceramic Table Lamps by Anna-Lisa Thomson, 1950's. Glazed feather on matte texturized ceramic . Contain one E27/E27 socket . Will ship with 9 ...

Great authentic and rare piece of pottery from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it was a utilitarian type...

MEDIUM CERAMIC SIDE TABLE, designed in 2023. Hand-sculpted ceramic side table with an organic shape made in Project 213A's in-house ceramic workshop. Finished in a contemporary cust...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

A beautiful porcelain tea set, made by the French brand Limoges. Classic design, fine white porcelain with gold trims, inlaid with greek motif. - teapot 20 cm tall - milk jug 11 cm...

Very nice ceramic lamp from the 1960s. Wonderful design and finish. The lamp with the hand painted glaze is a real eye-catcher. Condition: Very good vintage condition with sl...

Organic Vessel V, where the exploration of handprinted Oxides and custom glazes "collide" to create captivating art. At The Shine Studios,Organic modern vessels are reminiscent of br...