Copper Furniture

A striking large water pitcher designed and manufactured in Taxco, Mexico by the renowned workshop Los Castillo, one of the most influential names in 20th-century Mexican modern silv...

Large Hand-Hammered Copper Cooking Pot, 19th Century (Circa 1850) A striking and beautifully preserved large copper cooking pot dating from around 1850. Sourced from an estate sale ...

French 18th century large cauldron in brass, beautiful patina, can be used as a planter.

This is an antique Arts and Crafts fire kerb. An English, copper fireside surround with Ruskin-esque cabochon, dating to the late Victorian period...

An exceptional antique Mission or Arts & Crafts writing desk or library table By Stickley Brothers USA, Circa 1900 Quarter sawn oak, with original copper hardware. Measures: 60"W...

Rousing lidded box with form and function, handcrafted in silver plate on hammered copper decorated in mother of pearl. Stamped Mexico on the bottom. As seen in the last photo of the...

This is a beautiful antique Handcrafted Tibetan Buddhist trumpet with traditional Tibetan tassel. The trumpet is used for religious ceremonies where it is blown along with other big ...

Landstrom furniture desk in bleached and limed mahogany. Aged nickel over copper drop disc pulls and trefoil escutcheons. Five drawers to the left, a single drawer above the opening ...

A large and remarkable Japanese lacquer and marquetry decorated table or hanging cabinet, Meiji Period, circa 1900, Japan. The cabinet of square form surmounted by an arched top with upturned scroll ends. Eight drawers of various shapes and sizes adorn the exterior of the cabinet. Doors on either side open to reveal interiors fitted with cubby holes over a single drawer. The front of the cabinet is decorated with scattered geometric marquetry patterns of various design utilizing contrasting woods, including hardwood and burl, all in the yosegi zaiku technique. The sides and top of the cabinet of black lacquer with maki-e lacquer painted designs of flowers and grasses. The back of plain black lacquer with two hoops for hanging. The interior of the cabinet doors and the interior drawers decorated in the wakasa lacquer technique, with gold rhomboid accents against a polished black lacquer ground. Overall a striking accent piece and nice example of Japanese yosegi...

Very attractive weeping willow tree sculpture by Brian Bijan. Tree is made with mixed copper and brass metal supported by a quartz stone base. Stamped 1...

A large and most impressive antique Indian early bronze copper alloy Hindu temple vahana statue / sculpture. India, likely Deccan region, 16th-19th century, exceptionally executed figural work depicting Nandi Bull (devine steer / mythical horned cow), a significant figure in Hinduism, vehicle (mount) of diety Lord Shiva, symbol of devotion, and an important part of Hindu culture and philosophy. This rare high quality example, heavy, nearly solid, in stylized Brahman bull animal form, the naturalistic rendering with meticulous attention to authentic detail throughout, including proper facial features and comprehensive muscular structure, beaded jewelry decoration, natural looking horns, utter and teats, curved tail, and integral hoof feet. Attractive antique metalwork with warm alloy tonal variations, ehanced by beautifully aged worn weathered heavily patinated bronze & copper alloy accented by scattered visually striking verdigris bluish green patina. Dimensions: (approx) 24" Tall, 29" Wide, 11" Deep Probably 70lbs Ideal for both indoor and outdoor use History: NANDI: THE DIVINE STEED AND SYMBOL OF DEVOTION Introduction In the rich tapestry of Hindu mythology, few figures carry the depth of symbolism and spiritual significance as Nandi, the divine bull. As the sacred mount of Lord Shiva, Nandi occupies a revered place in Hindu culture and philosophy. In this blog post, we will delve into the multifaceted significance of Nandi, exploring the spiritual, cultural, and symbolic dimensions that make this celestial creature an indispensable part of the Hindu pantheon. The Vahana of Lord Shiva: Nandi's most prominent role is that of the vahana, or vehicle, of Lord Shiva, one of the principal deities in Hinduism. In this capacity, Nandi is not just a physical mount but a symbol of unwavering devotion and loyalty. The inseparable bond between Lord Shiva and Nandi signifies the importance of humility, obedience, and dedication on the spiritual path. Symbol of Strength and Virility: Depicted as a powerful and muscular bull, Nandi embodies strength and virility. The bull is a symbol of fertility and abundance in Hindu culture, representing the life-sustaining forces of nature. Nandi's robust form serves as a reminder of the inherent power within all living beings and the vital energy that sustains the universe. Guardian of Shiva's Abode: In many Shiva temples, one often encounters a prominent statue of Nandi positioned at the entrance. This is not merely decorative; it is symbolic of Nandi's role as the gatekeeper to Lord Shiva's abode. Devotees believe that Nandi safeguards the sanctity of the sacred space and acts as a spiritual protector, warding off negative energies. A Beacon of Spiritual Discipline: Nandi's demeanor and presence are reflective of spiritual discipline and meditation. Often depicted in a state of deep contemplation, Nandi serves as an inspiration for seekers on the spiritual path. The bull's stillness and focused gaze symbolize the importance of inner reflection and concentration as essential components of the journey toward self-realization. Cultural and Artistic Significance: Beyond its spiritual and religious connotations, Nandi holds immense cultural and artistic significance. Sculptors and artists across centuries have crafted intricate depictions of Nandi, showcasing the depth of Hindu artistic heritage. The various poses and expressions of Nandi in art not only tell stories from mythology but also contribute to the aesthetic richness of temples and cultural artifacts. Nandi's demeanor and presence are reflective of spiritual discipline and meditation. Often depicted in a state of deep contemplation, Nandi serves as an inspiration for seekers on the spiritual path. The bull's stillness and focused gaze symbolize the importance of inner reflection and concentration as essential components of the journey toward self-realization. Cultural and Artistic Significance: Beyond its spiritual connotations, Nandi holds immense cultural and artistic significance. Sculptors and artists across centuries have crafted intricate depictions of Nandi, showcasing the depth of Hindu artistic heritage. The various poses and expressions of Nandi in art not only tell stories from mythology but also contribute to the aesthetic richness of temples and cultural artifacts. Festivals and Celebrations: Nandi is also celebrated in festivals like Maha Shivaratri, where devotees pay homage to Lord Shiva and his divine mount. During these festivities, the spiritual significance of Nandi is magnified, with rituals, prayers, and processions that honor the inseparable bond between the bull and the lord. Conclusion: In conclusion, Nandi is far more than a mythical creature or a decorative element in Hindu iconography. As the loyal steed of Lord Shiva, Nandi symbolizes profound spiritual truths, embodying qualities of devotion, strength, and discipline. Whether gracing the entrance of a temple or adorning the altar in a devotee's home, the significance of Nandi extends beyond religious boundaries, touching the hearts and minds of those who seek inspiration on their spiritual journey. The divine presence of Nandi serves as a timeless reminder of the enduring values that enrich the human experience. Various Possibilities: Ideal for both use as an interior / indoor sculpture or exterior / outside / outdoors / patio...

An exceptional Mission or Arts & Crafts four-drawer dresser or chest of drawers By Stickley USA, Circa Early 21st Century Gorgeous quarter sawn oak, with original hammered copper ...

Late 19th century Christofle Rococo Revival silvered metal decorative centerpiece of reclining child with Baccarat cut crystal compote bowls, Fr...

This magnificent Chinese Antique Cloisonne vase was hand made from gold copper with cloisonne. It has detailed cloisonne works of Crane, Pine...

Scaled model of the Berlin Radio tower. Rare collectible in metal on a wooden base. A nice architectural sculpture for every living or desktop. Made in the 1930s this item will be a ...

Vintage French Copper & Brass Champagne Bucket Stamped “Made in France” 10 in. W (handle to handle) x 8 in. diameter x 8 in. H A classic mid-20th-century French hotel champagne ...

Designer: Sergio Bustamante Manufacturer: Sergio Bustamante Period Style: Mexican Modern

A freeform copper table lamp designed by Tukiainen Aimo Ossi Kalevi and produced by Oy Moonlight, Finland, 1970s. Bulb Specifications: E-27 Bulb Number of Sockets: 1 All lighting w...

A gorgeous antique Mission or Arts & Crafts sideboard, buffet server, or bar cabinet In the manner of Stickley Brothers USA, Circa 1900 Quarter sawn oak, with mirrored backsplash,...

A very nice vintage art deco copper and brass watering can by Chase & Co., circa 1930s. The piece is in good vintage condition with no leaks and a wonderful patina and measures 5"W ...

FREE WORLDWIDE SHIPPING This pair of Japanese bronze and mixed metal vases is decorated with inlaid birds and foliage and dates to the Meiji Period (1868-1912), circa 1880. Each v...

Toad skin block drumstool Black lacquer Antique copper Hand repousse Limited Edition Repoussé is the traditional art of hand-hammering decorative reli...

This object is a Vintage Chinese Cloisonné Ewer / Teapot, crafted using detailed enamel-on-copper work with a signature turquoise-blue background. It features stylized archaic animal...

An amazing hand - crafted Tiffany Style chandelier, circa 1940s. Socket: 3 x E27 or E26 (US) for standard screw bulbs.  

Judith Daner (1936-2023) designed these stunning Mid-Century Modernist enamel-on-copper artworks in the 1950s. The one-tile plaque is mounted on the original wood frame. The abstract...

Small size gaff-rigged pond yacht. Made from carved and hollowed wood with copper keel with lead bar weight and rubber support to silvered rudder. Deck is scored and fitted with br...

Chinese Cloisonné Parrot on Carved Hardwood Tree Trunk Base Chinese, Circa 1960, Two pieces: a cloisonné parrot and carved hardwood tree trunk stand This beautifully executed two-...

Early 19th century French copper cauldron with iron folding handle, polished. Measures: 13" height with the handle.

Elevate your gardening experience with this exquisite custom leather garden trug, designed by RIGHT PROPER, and meticulously crafted by a skilled artisan in England. Crafted from han...

Wherever you like, as you like, with whom you like. That’s ILtavolo Caffé, a table easy and simple, always appropriate, exactly like a coffee is! With the small top and the central base it has been developed to provide the highest level of comfort and usability even in tiny spaces. It is perfect for both, residential and contract environments. Kitchen and living room but also restaurant or café. For indoor and outdoor use. ILtavolo Caffé can be wherever you like! Like all the other "essentials" of Opinion Ciatti ( ILtavolo, LAlampada, LApanca, ILletto) ILtavolo Caffé combines very essential shapes with a high degree of customization. Two shapes (round and square) two sizes for each and three materials (steel, marble and ceramic) to mix with a variety of finishes. With the top made in white Carrara marble or in ceramic with a cast iron, concrete, bronze or marble finish, it is finally perfect to give a refined touch to the outdoor spaces. The result is "à la carte...

4 green Trunks, ca 1915 4 trunks from the 1st part of the 20th Century in green metal with wood and copper fittings. The drawer is still present in 3 suit...

Art Deco Serving plate with glass around 1920s Brass and copper polished and stove enameled Original glass

1272 Arts and Craft copper lamp with copper socket and original cloth covered wiring.

These pudding molds are a set composed by three nice France pieces fine hand made in copper. One of these has a crown shape, very detailed. Suitable to be...

Unusual quality antique Dutch copper kettle, having an unusual quality antique Dutch copper kettle with pretty white metal detailing, having a removable lid with the original copper ...

o offer for sale this lovely Antique 18th Century Circa 1760 Copper and Brass Brasero heater bowl ideal for a fruit bowl A brasero (Spanish: "brazier") is a heater commonly used in Spain. It is placed under a table covered with a cloth that extends to the floor to provide heat for people sitting at the table. This arrangement (which is called a mesa camilla) is similar to the Japanese kotatsu...

Introducing the exquisite set of 3 1960s copper pendants by Nanny Still for Raak Amsterdam. These striking pendants seamlessly blend brutalist style with the elegance of copper and b...

A vibrant and refined example of mid-twentieth century Japanese cloisonné enamel, produced by the Sato Cloisonné Company, a respected workshop known for...

Mid-Century Modern copper and brass school of 15 fish wall sculpture. The Brutalist design is in the style of Curtis Jere. The back has a round circle on either end to hang it from.

Sleek metal frames, industrially produced in true Bauhaus style, form the language of this lighting collection. The series is very versatile, can be customised to required formats and available in custom finishes. For custom proposals we request clients and designers to share their project drawings or images with us, and our team can revert with customised proposals for the same. The lighting output can be customised using integrated LED...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

Fine Swedish Jugendstil Suspension Light, circa 1910–1920 A rare and sculptural ceiling fixture exemplifying the Swedish interpretation of Jugendstil design. The body is entirely han...

An antique Japanese copper vase with polychrome cloisonne enamel decor. Meiji period. Fish tail shape with pronounced base. Intricate butterfly motif and floral patterns. Gold stone ...

Housing two lights each. These will be newly rewired with certified US UL sockets for the USA and appropriate sockets for all other countries. Beautiful floral motif in pressed copp...

18th century Dutch log basket. The firewood basket is made of polished copper and an iron rim on top and has a wrought iron handle. Also called 'aker'. Used to draw water from the we...

An exceptional antique Mission or Arts & Crafts period library table or writing desk By Charles P. Limbert Co. USA, Circa 1910 Quarter sawn oak, with original copper hardware....

A pair of incredibly rare French Metro bulkhead lights, made by Holophane. c.1920. Originally used to illuminate the tunnels and walkways of the French M...

Large 19th Century riveted copper planter. Retaining its original natural patina which can only be obtained over time. Within today's home, this piece would make for a stylish plan...

A fine vintage Mid-Century Modern mixed metals sculpture. In the style of Curtis Jere. In soldered brass & copper. In the form of cattails surrounded by lilypads(?). Sim...

Arts and Crafts Copper Milliners Trade Sign. Copper Top Hat This is an unusual piece, the Top Hat is hand made in beaten Copper it sits on an old wooden hat stand, incidentally the ...

Vintage palm tree sculpture with brass leaves and red copper branches, work by renowned Belgian artist Daniel D’Haeseleer (1947), Belgium, second half of the 20th century. The palm ...

A huge, spectacular and sculptural plant holder floor lamp, Free-Form, Modernist, large Free-Form structure in copper-plated tubular brass, welded and...

Brutalist pair of wrought iron and copper floor lamps. These unusual examples have hand forged iron frames with tiered iron bases. The tubing that wraps the structure is patinated co...

1970s Copper Panel Large panel in hammered copper mounted on wood. Special commission for a French family for their villa in Saint Tropez. Signed by the ...

19th Century - Hanging Oratory - Neo-Gothic triptych. English, Neo-Gothic triptych in gilded copper, with a perforated plate for a perfume atomizer, decorated in relief with religiou...

This brutalist pendant lamp made of hammered glass is something truly special. The glass was lovingly crafted by hand, and its beauty is reminiscent of a raw gemstone — it's a true w...

Late 19th century copper pot or bucket with rolled lip, iron handle, dovetailed seams at sides with brass solder and soldered hinges for handle. Great scale and ideal size to hold ...

This is an antique helmet scuttle. An English, copper coal bucket or fireside bin, dating to the early Victorian period, circa 1850. Delightful helmet ...

This antique Chinese water pipe, from the late 19th century and originating from Canton, China. This water pipe designed for smoking tobacco, often mistaken for an opium pipe due to ...

A Coffee table inspired by the sweeping curves of a ship's propeller blades and the art-deco golden age of the ocean liner. Pairing blackened steel and etched brass with bullnosed ...