Earthenware Furniture

Large white earthenware dish made in one piece by artist G.Mengoni. The plate was made by the pressure technique and then hand-embossed by the artist. The 'abborchiato' technique is ...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

"The Hare Hunt": 18th-Century Spanish Catalan Faience Tile Picture (Barcelona) A spirited and charming late 18th-century Spanish faience (tin-glazed earthenware) tile panel, origin...

An 18th century European ceramic pitcher, most probably from Germany, with glazed decoration in blue colour representing flowers on a beige background. It has most probably been used...

This hand painted Dutch Delft plate features a lovely flower-filled vase painted with vibrant hues of lemon yellow, blue, iron red, and purple. The bright yellow blossom captures your attention. Stretching gracefully across the center are four delicate blue flowers, accompanied by a solitary iron red bloom, all elegantly framed by light green leaves on purple branches. The effect is beautiful. Circling the center is a band of yellow decorated with blue flowers and green leaves. The border is decorated with dashes of purple set...

A wonderfully designed work by famed American California Studio master ceramist Beatrice Wood featuring a gorgeous, sumptuous, iridescent luster (lustre) volcanic lava crater glaze (...

Rare Oyster Plate signed Robert Picault. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of Applied Arts in Paris. After the war he spent a short...

A green-glazed earthenware vase produced by Upsala-Ekeby, Sweden, 1940s.  Overall Dimensions (inches): 9.4" Height x 5.2" Diameter All items ship from High Point, North Carolina.

A green brown-glazed earthenware and brass table lamp designed and produced by Cole Pottery, North Carolina, USA, 1940s. Dimensions of Lamp (inches): 14” H x 8.5” Diameter Dimension...

A charming Italian majolica terracotta cat, beautifully hand-painted and glazed, seated regally upon a decorative pillow. Rich color and expressive detailing bring personality and wa...

Jano Vase by Willem Van Hooff Core Vessel Series Dimensions: W 25 x D 10 x H 37 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Material...

Rare oversize colorful Majolica wall applique signed Sarreguemines Majolica, circa 1870. Measures: 44"W 25" H

This charming vintage French ceramic pitcher takes the form of a stylized owl, beautifully rendered in the tradition of mid-20th century barbotine ware. Likely dating from the 1960s–...

A beige and brown-glazed incised earthenware vase designed by Anna-Lisa Thomson and produced by Upsala Ekeby, Sweden, 1930s.

A Minton Majolica Game Pie Tureen, Cover, and Liner, the base molded as a wicker basket with green glazed oak leaves and banded branch handles on raised feet, the cover with high rel...

Nice Mado Jolain vide-poche ceramic, circa 1950, France. Enameled white earthenware, pale creamy yellow, grey and black decor. Signed underneath. Dimens...

Minton Majolica asparagus drainer which features asparagus tips bound together, sat on a rectangular tray. Flowers and geometric patterns to the bor...

he Edison table lamp is elegant and refined, he takes up little real estate on your table, sideboard, or desk but he still proudly, lights up any spa...

Late 18th century Blue Delftware lidded vase with central decoration of a flower bouquet in a cartouche. Finial with foo dog alike creature. Marked on underside: LPK for "De Lampe...

Modelled by Louis-Francouis Jeannest (1813-1857). Literature: Marilyn G. Karmason with Joan B. Stacke, Majolica: A Complete History and Illustrated Survey, 1989, p. 64, illustrated...

Rare and colorful Majolica chesnut tureen Luneville, circa 1890.

- Handbuilt terracotta side tables - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potter Houda...

A vibrant Wedgwood majolica pitcher, made circa 1867 in the Renaissance Revival style. This pitcher is a visual feast, a wonderful example of elaborate Victorian majolica design. Th...

Majestic amphora in glazed majolica, handmade and hand painted in central Italy. On the amphora are represented, in great detail, the four seasons personified by graceful women surro...

Product Description: The famous Stig Lindberg has designed many plates for Gustavsberg. For many of the plates Stig Lindberg was responsible for the form whereas other artists were responsible for the painting. This curved serving plate has been made using the faience technique. The fainence technique uses tin...

Rare majolica pin tray with insect and branches signed Choisy Le Roi, circa 1890.

Antique French Salins Creamware Cruet Set Oil and Vinegar Set Circa 1890, Beautiful. Unusual to find an original a set, in this condition and complete. This is truly a lovely piece ...

A stoneware bowl designed by Höganas Keramik, produced in Sweden, 1940s.  Overall Dimensions (inches): 2.6"H x 10.4"W x 8.75"D All items ship from High Point, North Carolina.

A brown-glazed incised vase designed and produced by Upsala Ekeby, Sweden, c. 1950s.

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

A 19th century Victorian Majolica fish mackerels tureen unsigned, the handle is a pink ribbon, the tureen have a boat shape.

Stunning colors for this Majolica plate signed Choisy le roi, circa 1890. Decorated with leaves, ferns, pink flowers and Greek border.

Set of seven Wedgwood Apprey celadon saucers. Seven saucers/small plates in the rare Apprey pattern of the early 20th century in pale celadon featuring...

19th century French faience large oval rustic platter forges les eaux. Normandy.

A Delft tin-glazed earthenware rectangular salad bowls painted in underglaze cobalt blue. The interior decorated with an Italian landscape. The broad everted rim is richly ornament...

Rare Oyster plate signed Robert Picault. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of Applied Arts in Paris. After the war he spent a short...

Rare Oyster Plate signed Robert Picault. Robert Picault (1919 - 2000) was born in Vincennes, Paris and studied at the School of Applied Arts in Paris. After the war he spent a short...

A Fine 18th c Dutch polychrome painted Delft charger, decorated with vibrantly colored stylized tulips and flowers painted in manganese, green, yellow...

A table set for 12 or 18 people, "Marine," signed by Ludovic Napoléon Lepic, was crafted in earthenware by the prestigious Creil and Montereau manufactory in 1889. This unique set fe...

A green-glazed earthenware vase designed by Erik Mornils and produced by Nittsjö, Sweden, 1930s.

A green-glazed fluted earthenware vase designed and produced by Upsala Ekeby, Sweden, 1930s.

Circa 1800 Spanish Majolica Faience centerpiece bowl or charger. This charming collectible antique painted ceramic dish is decorated with a large rear facing bull and with polychrom...

Dutch Delft polychrome plate featuring a central butterfly with six floral buds. The rim is decorated with a very ornate border of cartouches and foliate scrolls. Polychrome Delftwa...

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

Neoclassical Creil creamware plate. Antique black and white soup plate from "An de Rome" series, "Fierte de Popillius" with grapevine border. Underglaz...

A beautiful, sumptuously glazed bowl by famed Japanese Hawaiian American pottery master Toshiko Takaezu. The high-fired bowl features a shifting earth toned drip glaze and her famed ...

This remarkable antique amphora embodies the enduring artistry of traditional pottery, offering not just a vessel, but a tangible connection to the rhythms of ancient life. Hand-shap...

Extraordinary Blue Delftware (deep) platter with chinoiserie decoration of three birds above blossoming peony and flower sprays. The border and with a decoration of tracery and carto...

Vintage pheasant tureen with tail ladle was made in Italy by Mancioli Company. The bowl with the lid on forms a shape of a pheasant; the ladle forms its tail. It is decorated in rus...

A fine pair of antique French faience jardinieres or cachepots. By Aprey. Each with two painted scenes on either side. One has a man gardening and a woman carrying a breadbask...

Cosmic Catfish Vase by Galileo Chini.

T. C. Brown-Westhead, Moore & Co. Majolica Bread Platter, of round form, the mottled center, banded in yellow, the outer border with yellow wheat sheaves molded in high relief, the r...

Lovely German Majolica cat with her kitten plate, circa 1900.

This petite Chinese vase has a bottleneck form that follows traditional vessels used for storing oil, condiments or sauces. The small vase is etched with simple linework reminiscent ...

A lovely serving dish in shape of a leaf in faience designed by Stig Lindberg at Gustavsberg Studio, it´s 21 x 17 cm. It´s close to mint condition. It´s marked with the Stig Lindberg...

French Majolica iris wall pocket Longchamp, circa 1880.

George Jones Majolica nut dish which features a squirrel sitting on a branch, holding a nut. Surrounded by acorns and oak leaves. Pink ground version. Colouration: green, pink, brown...

19th pastel blue Majolica banana leaf pitcher signed Minton dated October 1859.

A beige and orange-glazed earthenware bowl designed and produced by Upsala Ekeby, Sweden, 1930s.

Pair large green and blue majolica apothecary jar vases. Italian cylindrical ribbed and slightly concave tin glaze earthenware jars by the famed Ca...