Foil Furniture

Handblown glass vase composed of large bi-color murrhines and gold foil by Anzolo Fuga for Arte Vetraria Muranese (A.V.E.M.), Murano Italy ca 1956. The colors of the murrhines and t...

A vintage canary yellow and 22-karat gold ice bucket with gold-tone loop handles and a Fleur-de-lis design, in the Hollywood Regency style, by Culver,...

This versatile, double-sided floor panel can be used in the middle of a room to divide a space, as well as a decorative backdrop when placed against a wall. Its 60s-style, Op-Art des...

A rich and elegant Japanese export red ginbari cloisonne trinket box, Meiji Period, circa 1900, Japan. The attractive Japanese cloisonne box features a striking textured red ginbari...

Two charming, small Japanese cloisonné dragon vases, Meiji to Taisho period, early 20th century, Japan. The miniature vases of baluster f...

Hand-blown red glass vase with gold foil from the Reazione Policrome Series, Balloton, by Giulio Radi for Arte Vetraria Muranese or A.V.E.M., Murano Italy, ca 1950. This vase is exqu...

Extraordinary Japanese contemporary museum-quality highly collectible decorative porcelain bowl/centerpiece in a stunningly flared shape with circular movements on its surface featur...

Siren Mirror by Courtney Kinnare 2024 Genuine Abalone, Mother of Pearl, Resin, Foil, Pigment Powder, Acrylic and Silver Leaf on Mirror Dia 36" An amalgamation of recent materials...

Very decorative Art Nouveau terracotta object from France with a purpose built lamp construction and socle. Sujet: Patinated terracotta Art Nouveau...

This mesmerizing original foil art by Patrick Dupré, inspired by the Op Art movement, creates a dynamic and visually engaging piece. The intricate patter...

Introduce an extraordinary piece of art into your space with this foil embossed art print of "Geburt eines Automobils" (Birth of an Automobile) by Friedensreich Hundertwasser. Origin...

Soiree is an original artwork realized by Erté (Romain de Tirtoff) in 1980. Mixed colored exhibition poster of the artist. Signed on plate ¨Erté; inscribed in the print ¨Published by...

Lakwena Maciver (British, b. 1986), The Best is Yet to Come, 2017 Silkscreen in colors with foil stamping on Kodak paper. Signed and dated lower right, numbered 40/100 lower left. Un...

This sophisticated floor panel features an elegant, thin, gold-colored frame and stylish 60s Op-Art canvas. Highly versatile, this dual-purpose style can be used as a room divider or...

Ron Fritts (20th century) is a contemporary American artist, fashion designer, painter, and educator. Fritts studied Fine Art at the Carnegie Institute, theatre arts at Columbia, pai...

This dual-purpose floor panel can be placed in the middle of a space as a room divider, as well as being placed against the wall as a decorative backdrop. Its handwoven canvas includ...

This early 20th-century Mandalay-style reclining monk, made of patinated bronze, has been transformed into a figurative table lamp. The disciple has a peaceful face and a resting, elegant posture. His face is handsome, with a slight smile and a straight nose. His robe lies in lush, wave-like folds on the surface of his body, reflecting the soft contours of the body beneath. The robe is richly decorated and suggests embroidery in silver, gold, and pearls. To match the object, the lamp structure was crafted in bronze and fitted with two sockets. The rectangular, dark green shade completes the lamp. Dimensons of sculpture on base: W 43 x D 12 x H 18cm The Mandalay-style Buddhist monk statue...

Extraordinary Japanese contemporary museum-quality porcelain bowl/centerpiece in silver based foil in three stunning shades of red on a elegantly shaped body. This is a masterpiece b...

Extraordinary Japanese contemporary award-winning highly-collectible decorative porcelain charger in a stunningly flared shape, a masterpiece by a third generation master artist who ...

An unusual and elegant Japanese Art Nouveau amphora shaped cloisonne and ginbari foiled vase, Meiji Period, circa 1900, Japan. The vase of amphora form, with a tapering body resti...

Hand-blown glass vase with silver foil and blue and green murrhines, from the Reazione Policrome Series by Giulio Radi for Arte Vetraria Muranese, Murano Italy, ca 1950. All of thes...

Exclusive access to the shoe collection at The Museum at the Fashion Institute of Technology. Sky-high, ornate, and the pinnacle of glamour, both restrictive and liberating, art obj...

Mid-Century Italian brass sculptured and gilded - bird in flight - table lamp by GM ITALIA, Firenze marked with a separate label. The brass object is fixed on a black colored marble...

All Hail the King of Fantasy Art. Frank Frazetta finally gets the big beautiful book he deserves. Frank Frazetta has reigned as the undisputed lord of...

Color options: Multicolor Cobalt Gold (pictured) Aubergine more colors available upon request In 2013 Sabine Marcelis and Brit van Nerven started col...

Folk Art exhibition sign, reverse painted glass with reserved text backed in gold and silver crinkled foil reading "Exhibition / of / Paintings / on / Glass / By Edgar F. Curtis" E...

The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...

Salvador Corona painted four-panel wooden floor screen created in his studio in Mexico circa 1938. This rare hand crafted multi medium room divider was the property of the daughter of one of Mexico's wealthiest families of the period, who married the head of an international railroad supply company in their Warren McArthur furnished apartment on Park Avenue. The custom designed Warren McArthur furniture was a gift of the Pullman Company. In the early 1950s she opened a shop in Boothbay, Maine and later on upper Lexington Avenue specializing in the crafts of Mexico. This may have been a wedding present to her from the artist, her family or a close friend. The screen shows a the harbor of 19th Century Acapulco with the major buildings with gold leaf tiled roofs, Spanish galleons in the bay, a whale spouting in the distance, birds, and silver leafed palm trees . The harbor scene is bordered in gilt painted cord. Within which are appliquéd cutout medallions of various local fish and air bubbles covered in tinfoil ,a new material in the 30s. The tinfoil is finely etched in a variety of intricate patterns. Some of the appliqués are glazed in gold. The reverse side of the screen is an ivory white back ground with vignettes from the Maximilian era of Mexico. The screen is in good condition with wear consistent with its age. Salvador Corona was born on his family's ranch Hacienda Mideras in the Mexican state of Chihuahua. Corona’s family moved to Mexico City in 1903 when he was 8. He attended the New English College in Mexico and then crossed into a career in bull fighting entering the ring for the first time in 1913. In 1919 in Guadalajara he was gored and turned to painting. He was given his first painting lessons by fellow bullfighter Jose Jimenez. Corona’s painting career spanned many decades and diverse formats including murals, furniture and decorative household items. In 1939, the Mexican government invited him to exhibit a set of painted furniture at it's booth at the World’s Fair in New York City. There, it was presented to President Franklin D. Roosevelt as a gift. Corona’s work attracted many famous patrons, including the Duchess of Windsor, Gary Cooper and writer Clare Booth Luce. Salvador Corona’s work featured many Spanish Colonial vignettes, and he became an authority on Spanish and French costumes of the 1800s, which are frequently depicted in his paintings. His favorite subjects often included Mexican Colonial criollos and Purepecha (Tarascan) Indians. Birds and other animals feature prominently in his work. His traditional self-developed folk art style images depicted pastoral colorful scenes of Maximilian era Mexico painted on white backgrounds. His work can be divided into three categories: a vice-regal era with European and Creole noblemen mixed with Indians; stylized landscapes of Patscuaro, Acapulco or the Canal of Santa Anita; and his iconographic Mexican Virgins...

Hand-blown amber glass vase with gold foil and murrhines, from the Reazione Policrome Series, Ad Anelli by Giulio Radi for Arte Vetraria Muranese or A.V.E.M., Murano Italy, ca 1950. ...

A fantastic 1980's sculptural gilt table lamp by Pierre Casenove for Fondica, signed. Heavy, cast bronze object, fire-gilded. The electrics have been completely reworked, 2 transver...

Color options: Multicolor Cobalt (pictured) Gold Aubergine more colors available upon request Sizes available: Small (77 x 77 x 2,2 cm) Medium (100 x 100 x 2,2 cm) Large (122 x 122 ...

Hand-blown red glass vase model 33 with silver foil and murrhines, from the Reazione Policrome Series, A perle (or Leopoardo) by Giulio Radi for Arte Vetraria Muranese or A.V.E.M., M...

Framed Foil Embossed Poster - Friedensreich Hundertwasser "Save the Seas" (1976) Elevate your home or office décor with this limited-edition foil embossed art print of "Save the Sea...

Blue and Pink sommerso Murano glass table lamps with 3 petal mouth form on silver painted wood base and custom pearl color silk & foil lined lampshades topped with coordinating glass finial. Italy...

Mesmerizing Japanese Contemporary museum-quality tall decorative porcelain vase with mysterious etchings and three-dimensional effect in a stunningly elegant shape featuring silver f...

This sleek sconce is 1950s French midcentury by inspiration. The light with it double shade and articulated arm creates a versatile lighting source. The head pivots to direct the lig...

A charming reverse painting on glass of a floral filled basked. The black background with vibrant color floral and foil behind glass, in original gilt frame.

Italian Murano glass table lamp from the 1970s Gold and orange glass - beige colored lamp shade The middle shaft and foot is ribbed. The foot stands in a patinated brass base, the la...

He Amber Cabochon Rock crystal mirror, designed by David Duncan. A round mirror with wood resin and pigment frame, cast in sections and set with oval an...

Available sizes: Off Round 450, H450xW380xD25mm Off Round 550, H550xW503xD25mm Off Round 700, H700xW620xD25mm Off Round 900, H900xW845xD25mm Off Round 980, H980xW1000xD25mm Off Round 1100, H1100xW990xD25mm Off Round Thin 400, H400xW352xD17mm Off Round Thin 650, H650xW548xD17mm Off Round Thin 850, H850xW777xD17mm Available Colours: Blue Bronze Green (pictured) Rosé Silver Custom colours available on request About: In 2013 Sabine Marcelis and Brit van Nerven started collaborating on the project ‘Seeing Glass...

The Amber Cabochon rock crystal mirror, designed by David Duncan. A round mirror with wood resin and pigment frame, cast in sections and set with oval a...

Maud Earl (1863-1943) ‘LARGO’, A POINTER IN A HALLWAY. Signed and dated Maud Earl 1910. Oil on canvas, in it’s original giltwood frame. Provenance:...

Available sizes: Off Round 450, H450xW380xD25mm Off Round 550, H550xW503xD25mm Off Round 700, H700xW620xD25mm Off Round 900, H900xW845xD25mm Off Round 980, H980xW1000xD25mm Off Round 1100, H1100xW990xD25mm Off Round Thin 400, H400xW352xD17mm Off Round Thin 650, H650xW548xD17mm Off Round Thin 850, H850xW777xD17mm Available Colours: Blue Bronze Green (pictured) Rosé Silver Custom colours available on request About: In 2013 Sabine Marcelis and Brit van Nerven...

The process of wood steaming changes the cellular structure of wood to make it more pliable, once clamped to a form it takes it shape. The bronze mirror is set in to reveal a hand ap...

Mid-century ceramic table lamp in gray color decorated with large golden balls. The object is conical and pure shaped, the golden balls make the base a special lamp object. The sha...

"Veiled Paths" by Louis Shields Abstract architecture mixed-media on canvas Element Series, 2020 Measures: 36" H, 48" W Colors: White, blue, bronze, accents of gray.

Chris Schanck [American, b. 1975] Grotto Console (Silver), 2018 Steel, wood, polystyrene, resin, aluminum foil 31 x 60 x 18 inches 79 x 152.5 x 46 cm...