Granite Furniture

A pair of side tables made and designed by Cedric Hartman. These tables feature a new granite top with a beveled edge and a frame of stainless steel. Under the tabletop, on the metal...

Bordeira Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Bordeira modern coffee ...

This dynamic and refined Mid-Century Modern sculpture was realized in the United States, circa 1970. It features a TOTEM hand carved form consisting of various tiers of grisaille granite- replete with a rich and organic innate texture. The granite form, suggesting an abstracted corkscrew, is both austere (suggesting the highly reductive forms of Constantin Brancusi) and dynamic, full of verve and energy. The piece sits on a custom swivel...

A striking reclaimed Scottish red granite sundial pedestal topped with a bronze dial plate by Negretti and Zambra, circa 1880. This antique sundial is ...

This pair of cast and cold-painted sculptural horse head bookends are unsigned, but presumed to have been made in England in approximately 1960 in a realistic style. The well execute...

A-symmetry, a brown marble console by Frederic Saulou Frederic Saulou. Materials: Marble granite, massif oak stained. Dimensions: 100 x 95 x 29...

For your consideration, aSide Table blue stone on a richly patinated bronze frame No label. Circa the 1970s. In the style of artist designer Cedric Hartman. Dimensions: 18.5 diamete...

Luigi Caccia Dominioni (1913 - 2016), Rare and monumental Mikado table lamp made for Azucena, Italy, circa 1963 It is one of the rarest and most scenic lamps by the famous Italian...

Modern bronze of a resting panther The relaxed cast patinated bronze, resting premaritally on a multi-colored granite top, on a tapering square ebonized wood pedestal base. Overall ...

Very nice quality round (48") eboniesed base coffee table with granite not marble top by Baker.

Floor lamp twin with structure in solid brass in vintage finish on black granite base. 2 bulbs, lamp holder type E14, max 25 watt. Bulbs not included. Also available in nickel fin...

Hollywood Regency Sideboard / Credenza / Cabinet, Bronze Mounted, Empire Style A black lacquered sideboard having two pull out drawers and three doors that open to a spacious drawer...

Sculpture "Tactile Monolith no 3" by Stine Mikkelsen Dimensions: Height 52 cm Width 74 cm Depth 23 cm Materials: Composite material based on crushed granite and fish glue. The ...

A very well made custom New Haven Woodworks arts & crafts style oval cherry wood table with square tapering legs and covered with a granite top. The table is accompanied by 2 arm cha...

Chiseled granite conjoined with stainless steel corners and floating glass top end tables. Each Leg is 8 3/4 Wide and deep. 15 3/4 high Glass is 31 3/4 x 36 Glass is optional.

Large coffee table in black Zimbabwean granite with Pyrite cubes in the center, forming an abstract motif. The base consists of 4 solid brushed brass supports arranged asymmetrically...

This is a John Geiger modern racetrack shaped dining table with a stainless steel base and granite top. The top is racetrack shaped. The base has 4 legs that connect to a steel bar t...

A gorgeous French Regency Louis XVI style coffee table Possibly Maison Jansen France, Circa 1960s Beautiful granite top, with faux marble painted wood base with gold gilt details....

Large puzzle-shaped coffee table in black Zimbabwean granite and Madagascar rock crystal inclusions. The base consists of 4 solid brushed brass supports arranged asymmetrically. Zi...

Lamp "Luminous Shapes no 1" by Stine Mikkelsen Dimensions: 70 x 40 x 16 cm Materials: Composite material based on crushed granite and fish glue. The inner construction is polystyr...

Patinated bronze Macaw Parrot (Papagaio) sculpture on granite base by unknown artist. Brazil circa 1950s.

Simplistic Native American pink granite sculpture on wood base. Piece is signed. Photographed with Eames chair for scale. Wood base photographed darker. See photos.

Mid-Century Modern rounded square granite Stand end occasional table pedestal shape base.

Elevate your interior with these striking, architecturally designed bookends—a true modernist masterpiece from circa 1980. The bold, round glass slab is delicately etched with clouds...

This beautiful sculpture is made of polished Carrera marble set on a turned granite base by a solid steel post. It strikes a sophisticated balance between elegance, utilitarianism, a...

The folio made of strong card stock opens to reveal 12 samples with each specimen described in French. Measures: Each Specimen 2 1/2” x 1 1/2”. Case closed. 5”x9” 1/2”.

Massive spiral aluminum leg table with raised polished black granite top, circa 1970s. Spiral legs screw to a large solid aluminum top while granite...

Nickel plated faux bois style etagere with six black granite shelves which includes the top. Striking piece to display your treasured collections.

Great, high quality late 19th-early 20th century Directoire style bronze gueridon with black polished granite top, paw feet and bronze...

Vintage 1980s Modern Black Granite Stone Rectangular Dining Table with Narrow Octagonal Pedestal Base. Circa Late 20th Century. Measurem...

A really cool and unique painted north American steer skull with horns sculpture on granite base by Tim Yanke, circa 2000s. This piece has a great look and is hand painted across the...

Chiado Console, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Chiado console table honors Lisbon’s historic quarter, cap...

A very Decorative and well-made table from William Switzer. Hand Crafted in Italy, the table has a decidedly Neoclassical air with the Modern touch of a swirling base in chosen mahog...

Striking chrome-plated steel sculpture of the famous Lockheed F-117 Nighthawk stealth jet fixed to a black onyx-colored granite base. The sculpture captures the stealth of the legend...

Three Piece Curling Desk Set. A nice collection of three miniature desk top granite curling stones. Two are paperweights complete with handles and the third is a pen holder. A great ...

Large custom made rosewood pedestal with revolving granite top.

Zuperfici is a collection of furniture pieces and objects that investigates the materiality of an object through its surfaces.The starting point is the plastic laminate, a very thin ...

Coffee tables, granite, brass, black lacquered steel, Italy, 1980s These Italian side tables showcase a rectangular brown granite tabletop with a striking, vivid surface. The granit...

Shelomo SELINGER (1928-) : Anthropomorphic sculpture Straight carved pink granit sculpture, uniq piece standing on a massive light brown coloured wood base representing a strange an...

The Elementary I Natural Granite Limited Edition Console Table by Grzegorz Majka Limited Edition Of 8 Pieces. Dimensions: D 50 x W 180 x H 50 cm. Materials: Natural granite and soli...

This sculpture was made by the Weidlich Brothers Manufacturing Company of the United States in approximately 1920 in the period Art Deco style. The s...

Round dining table By Alfred Hendrickx for Belform - Circa 1960 Belgium design - Vintage Measures : Ø 120cm H69cm Material : white laminated wooden top - Granite Wear consistent wi...

Born from need, the frame series is something easy, but unique. Not a reinvention of the wheel, but a colorful cube with some sexy surfaces. Unbounded op...

Mid Century Modern Round Iridescent Granite Tulip Base Dining Center Table MINT!

A striking hand-forged stainless steel floor lamp created by self-taught artist Curtis Norton, featuring a dynamic twisting triangular bar that gracefully curves and culminates in a ...

Brutalist design granite lamp sculpture. . Unique piece, designer unknown . Dimensions : Height : 50 cm Width : 40 cm Depth : 50 cm Weight : around 120 kgs . This light sculpture l...

A striking and highly sculptural dining table designed by Koen Dawaele for Pia Manu, the renowned Belgian art and design workshop active since the 1950s. Known for their handcrafted ...

Cocktail tables with gold galvanised brass turned legs and inlaid tops in Labradorite Blue Green, Portoro black marble and White Granite. Size set: 80D x 48.5 H , 65D x 42,5 H De...

Hemispheres is the act of creating both: the intricate and the simple. It's the tangible philosophy of seeing things in their most complex and basic form. It's a collection created b...

Hollywood Regency granite top on brass base center or cocktail table This lovely square shaped Hollywood Regency center or cocktail table features a hea...

Bookends Arold Set of 2 with structure in solid brass in vintage finsh and on solid polished carved graite base. Each piece dimension: Ø20cmxH32cm.

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Modernist Metal Sculpture of a Female Form Fixed on a Tower of Granite Base Signed "Archer" 1988 Numbered 2/8 Overall 23.5"H x 5.75"W x 5.50"D Base 10.25 x 4

A stunning pair of Italian 19th century Neo-Classical st. granite lidded urns. Each urn is raised by a circular mottled base and socle pedestal. The body displays an elegant shape an...

This striking console table is a bold fusion of art and function, handcrafted by self-taught postmodern sculptor Curtis Norton. Its impressive three-dimensional forged stainless stee...

A Fine Louis XVI Style gilt-bronze Gueridon in the manner of Adam Weisweiler. This fine gueridon has a rouge granite circular top above a laurel and ...

Table lamp twin with structure in solid brass in vintage finish on black granite base. 2 bulbs, lamp holder type E14, max 25 watt. Bulbs not included. Also available in nickel fin...

16-17th century hand-carved sandstone head of a Lohan. Skillful execution, highlighting the face with vigorous modeling and harmoniously expression. In original and untouched condition. Mounted on later granite plinth...

Tall, Italian Carrara marble female sculpture on pedestal. Date and signed on the back of the sculpture. The sculpture also swivels. The bottom...

This unique abstract sculpture is made of granite, bamboo and bronze. Three bamboo sticks are held together by a rough bronze shape, the whole is fixed in a granite base. This orie...