Granite Furniture

A side table by Cedric Hartman with granite top and brushed nickel / brass base. Signed to bottom.

A really cool and unique painted north American steer skull with horns sculpture on granite base by Tim Yanke, circa 2000s. This piece has a great look and is hand painted across the...

This striking granite top two-tier coffee table combines timeless elegance with practical functionality, making it a versatile centerpiece for both...

Hollywood Regency granite top on brass base center or cocktail table This lovely square shaped Hollywood Regency center or cocktail table features a hea...

Contemporary Bordeira Stone Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bordeira stone coffee table was designed to bring the essence ...

16-17th century hand-carved sandstone head of a Lohan. Skillful execution, highlighting the face with vigorous modeling and harmoniously expression. In original and untouched condition. Mounted on later granite plinth...

Nothing compares to centuries of patina like this Gothic hand carved mortar originating from Portugal. Used primarily for grinding herbs by apothecaries , but may have also been util...

FLOYD TENNISON DEWITT United States, 1934-2021 Headless Female Nude (1992), no. 4 of 15 Lost-wax cast and patinated bronze on granite Signed in artist's cypher, numbered, dated on ...

Pair of Queen Anne style cabriole leg coffee tables, England, 19th Century. Great patina. New stone tops.

A Contemporary Studio Art Glass & Granite Prismatic "Totem" by, Kit Karbler & Michael David. The Sculpture is an acid-etched glass block with prismatic glass crystal protruding throu...

Lucia Mercer for Knoll Custom Sierra Brown Granite Cocktail Table 1982 Sierra Brown Granite is a kind of brown granite with hints of beige and black quarried in Brazil. The most dist...

Sleek, minimalist pair of round sculptured side tables wrapped with exotic veneer, thick polished-granite slabs architecturally balance a solid heavy-weight composition, creating a s...

Rare pair of antique Swedish sculptural and decorative stone bowl / trays in granite with matching patina. In good original condition. Dimensions: H: 3,5-5,5 cm / 1.4"-2.15" W: 18-...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Table Lamp Vayana in aluminium in gold finish. On black granite base. 1 bulb, lamp holder type E27, max 40 watt. Bulb not included.

Designed by Daniel Barbera the Spargere table inspired by organism evolution, and how nature uses minimum form yet can create super strong structures. The four legged sandcast solid ...

Carved granite lamp with a grey/blue tint.

Large custom made rosewood pedestal with revolving granite top.

Mid-Century Modern Raw Quartz Side Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Raw quartz side table celebrates the interplay between refined...

Karl Springer for Karl Springer LTD exceptional free-form coffee table with polished brass base and black granite top, designed circa 1970. This iconic Springer low table design has ...

Antique c1920s Brass Mount Inlayed Granite 12” Square Pedestal Stand MINT

Mid-Century Modern Style 3D Cube Sculpture Offered is a beautifully unique sculpture. The piece is made of tube steel which has been painted silver. It is in good condition, showing...

Modern Armona Marble Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona marble coffee table draws inspiration from the serene landscape of Armona Island, embodying a sense organic beauty and effortless sophistication. Its flowing tabletop reflects the gentle curves of the coastline, creating a harmonious balance between nature and contemporary design. Meticulously crafted with precision and care, the Armona marble coffee table stands as a statement of refined artistry, destined to be the heart of any living space. Designed by Rute Martins, Greenapple's Creative Director. The Armona Coffee Table...

Unusual modernist sculpture of skateboarder . Abstract form of bronze on granite base .

This cylinder shaped table has a floating granite top. The granite top rest upon brass balls and gives this table a look unlike many of its kind. The base is constructed of walnut an...

Signed Stilnovo UFO flying saucer shaped pendant light made of spun aluminum with an opaque white plexi reflector secured by a sculptural cast aluminum bo...

Striking chrome-plated steel sculpture of the famous Lockheed F-117 Nighthawk stealth jet fixed to a black onyx-colored granite base. The sculpture captures the stealth of the legend...

Zuperfici is a collection of furniture pieces and objects that investigates the materiality of an object through its surfaces.The starting point is the plastic laminate, a very thin ...

Set of Two Abstract Hand-Carved Stone Sculptures by J. Metaho, 1970s A striking set of two abstract hand-carved stone sculptures by Dutch artist J. Metaho, created in the 1970s. Each sculpture is composed of alternating polished and textured stone...

Vintage granite dining table Beautiful round table top resting on an octogonal base. Good condition. 1970s - Belgium Height: 74cm Diameter: 125cm Ref: 25071805 *All images are...

A wonderfully oversized and hugely characterful 19th Century Italian hand carved frog sculpture. Carved from a block of granite of a light green hue and seemingly perched on a lily ...

4 Lucia Mercer End Tables for Knoll, circa 1982 in white granite with gray veining. Incised designer's initials to underside of each example ‘LM’. Lucia Mercer's educational backgrou...

Hollywood Regency Sideboard / Credenza / Cabinet, Bronze Mounted, Empire Style A black lacquered sideboard having two pull out drawers and three doors that open to a spacious drawer ...

Amazing vintage burl wood and granite “Drum” coffee table, designed by Paul Mayen for Habitat International in the USA, circa 1970s. This exquisite table, professionally restored to ...

Group of three abstract sculpture hand carved granite by the Dutch artist J. Metaho, made in the 1970's. The part polished granite is carved with floating planes at angled positions ...

Zuperfici is a collection of furniture pieces and objects that investigates the materiality of an object through its surfaces.The starting point is the plastic laminate, a very thin ...

Hand Carved French Console Table, with Granite Top This is a very unusual piece, the table has a waxed finish, it is hand carved in stained walnut with an Urn and Swag decoration, i...

Hand carved sculpture “Lithic” in Green Italian granite on an ebonized wood base by Naomi Feinberg, American, 1970s. Naomi Feinberg was a New York based sculptor who worked primar...

A unique bespoke cherry and Egyptian granite coffee table made by Sean Feeney (b.1956). With two drawers. Commissioned Circa 2003.  Complete with original design drawings and specif...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The cosmos nesting...

Stunning pair of vintage floor lamps with bases that resemble obelisks or columns. This striking pair of lamps features tall, tapered bases beautifully crafted from solid granite sto...

Cosulich Interiors & Antiques’ biggest aspiration, through this Contemporary Collection, launched for WNWN 2023, is to communicate the power of colors to trigger personal healthy...

This stone table belongs as much to the Brazilian Design—through its naturalness and structural honesty, rooted in Modernism, especially its most striking movement, the São Paulo Bru...

Modern Aire Quartz Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Aire quartz coffee table stands out as a bold expression of modern sophistication. Inspired by the captivating Grutas de Mira de Aire, its irregular design echoes the organic beauty of nature's creations. The asymmetry of the stone top, featuring dramatic veining, contrasts beautifully with the sleek metal frame and brass detail, creating a striking interplay of textures. Crafted with exquisite materials and meticulous attention to detail, the Aire quartz coffee table is a statement centerpiece designed to elevate contemporary interiors. The Aire coffee table...

Such character and charm in this signed Postmodern sculpture that also functions as a coffee table. Jonathan Bonner is an accomplished sculpture artist known for his solo work and his collaborative work with Judy Kensley McKie. This sculpture from the 1980s features a granite top over an aluminum platform base with a series of six aluminum legs which resemble bird feet. Signed underneath by the artist. This Postmodern cocktail table...

Floor lamp with vintage brass finish and black granite base, timeless elegance. Light up your interior with this floor lamp, featuring a vintage brass finish. Its bamboo-inspired ba...

Zuperfici is a collection of furniture pieces and objects that investigates the materiality of an object through its surfaces.The starting point is the plastic laminate, a very thin ...

Jean-Michel Wilmotte Attila Console Table, Ca. 1983 Edition Academy, Paris, France Rusted steel, Balmoral granite Numbered 5/100 With its neoclassical structure inspired by the gat...

Clean line console table in black and ivory lacquered linen with black granite top, custom design, American, 1970s. This piece is beautifully m...

Beautiful craftsmanship polished stone marble looking granite mid century modern pedestal stand.

Massive spiral aluminum leg table with raised polished black granite top, circa 1970s. Spiral legs screw to a large solid aluminum top while granite...

A Very Fine French 19th/20th Century Louis XV Style Three-Piece Garniture Set of Ormolu-Mounted Mottled Granite-Marble Urn Seven-Light Candelabras. The shaped urns are similar in var...

With INCAL, the new collection launched at Duplex, Duccio Maria Gambi blurs the lines of functionality and art, expanding his research into the nature of materials. Duccio Maria Gam...

A very Decorative and well-made table from William Switzer. Hand Crafted in Italy, the table has a decidedly Neoclassical air with the Modern touch of a swirling base in chosen mahog...

Exceptional mosaic in the style of Van Gogh`s masterpiece "Country road in Provence" , mosaic is applied to a 4cm thick granite slab. The table is made of a wooden plate with brass b...

On offer on this occasion is one of the most stunning and rare, lucite and granite floating coffee table you could hope to find. Outstanding design is exhibited throughout. The beau...

Designed by Daniel Barbera, the 'OSSO' oval table is a minimal yet organism life inspired form. The four-legged cast solid bronze base is rough cast and lightly worked to show the honesty of the process, but this can also be hand finished to a smooth mirror polish with the option of a satin or blackened bronze. This table base is mated to a Baltic brown granite stone top with a texture finish. Other varieties of stone and timber are also available. The size of this bronze square table...

Chiado Console, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Chiado console table honors Lisbon’s historic quarter, cap...

A brass side table with Rosso Tranas Rubino granite top designed by Cedric Hartman.

A sensational and palatially scale Continental 19th century Granite urn/planter. The impressive oval urn is raised by a rectangular shaped plinth below oval socle. Above is the Grani...