Lacquer Furniture

This Antique Burmese Manuscript, known as a Kammavaca book, is a remarkable piece of cultural history originating from Burma (Myanmar) in the 19th century. Measuring 4.8 cm in height...

A sleek black lacquer coffee table by Gracie and Co. incorporating 19th or early 20th Century Japanese lacquer panels depicting lakeside scenes of cranes and bamboo in gold, with two...

Six-panel double sided Coromandel Asian Screen on stand. Each panel seats in a removable custom wood stand / shoe. Brownish gold color on one side and nature on the other. The subje...

With its strong lines and upright stature, this imposing piece of furniture was the chair of choice for a 19th-century administrator in northern China. Known as guanmaoyi or official...

This exceptional, small-scale Japanese Tansu (chest of drawers), known as a Temoto-tansu (personal or keeper's chest), dates back to the late Edo period (early to mid-19th century)....

"In China the gourd was particularly revered as a symbol of fortune and scholarship. Great care and craft goes into the cultivation of gourds into various shapes - the hourglass or f...

Antique Burmese Life-size Standing Buddha Statue, Mandalay Period (1857-1885). This Mandalay Buddha figure is intricately carved of assembled teak and stands squarely with rendered b...

This stunning 19th-century Chinese Export sewing box showcases exceptional craftsmanship and intricate decorative artistry. The rectangular box features a black lacquered surface ado...

An Extremely Fine and Very Important 17th Century Japanese Lacquer Cabinet on French Giltwood Stand of Regence Period circa 1680-1690 Provenance Likely acquired by Herman Willem ...

This magnificent Chinese folding screen captivates with its deep black lacquer surface, richly adorned with inlays of semi-precious stones. The composition depicts a luxuriant garden...

Mid-20th century Yamanaka lacquerware sweets box for tea ceremony, Japanese. Formed as a deep red apple with gold & colored enamel decoration. Post WWII. Provenance: Sherman E. Lee, ...

A crisply carved antique Chinese red cinnabar lacquer lidded round box with blue enamel interior and brass fittings. The "dragon's blood" trinket box has a fine peony, foliate and fl...

A set of four fusuma (sliding door) panels from the 19th century, painted in ink and colors on gold leaf. The panels depict a blossoming cherry tree extending beyond a woven fence an...

Japanese Meiji Gold Maki-e Lacquer Tabako-Bon Smoking Cabinet A diminutive Japanese Meiji-period tabako-bon, or portable tobacco-smoking cabinet, dating to the late 19th century. Co...

A Rare Hinoki Mask of ‘Ja’ Painted with an earthen red polychrome over gesso, with fine sparse hair, the cheeks with distinctive v-shaped markings, suggestive of dragon’s whiskers, t...

Exceptional Chinese Lacquered Campaign Travel Chess Set with Dragon & Phoenix Board and Court Figures China's 20th Century An exceptional and complete 35-piece Chinese lacquered travel chess set, dating to the late twentieth century and combining traditional Chinese symbolism with the enduring appeal of Western chess. Designed in the manner of a portable campaign set, the ensemble consists of a fitted red lacquer case, folding chessboard, and a complete set of thirty-two elaborately modeled playing pieces. The exterior case is finished in a rich cinnabar-red lacquer and mounted with brass carrying handles, corner guards, and lock escutcheons. The lid is decorated with a finely detailed courtly leisure scene depicting elegantly attired ladies, gentlemen, and attendants gathered around a gaming table within a refined domestic setting. Inspired by Qing Dynasty court and scholar life, the composition celebrates the Chinese ideals of learning, strategy, hospitality, and cultivated recreation. Opening the case reveals a remarkable interior fitted with removable trays lined in traditional Chinese pith paper and printed ink panels. The papers are decorated with scenes of scholars, domestic life, landscapes, and passages derived from classical moral and educational texts, including references to the celebrated Zeng Guang Xian Wen ("Expanded Collection of Worthy Sayings"), a revered anthology of Chinese wisdom literature. These decorative panels reinforce the themes of scholarship, virtue, and intellectual accomplishment associated with the game of chess. The folding chess board...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

This vase was made during the Mid-20th Century in Beijing. It is very unique with intricate carving works of landscaping and characters. The workmanship is superb. It is very rare that there is no too much similar vases in existence, probably because it was too labour-intensive even for the court to mass produce. Lacquer is the sap of a tree (Rhus vernicifera) that grows in East Asia. It was tapped, filtered and mixed with cinnabar to produce a red color. The lacquer worker...

Japanese Red and Black Lacquered Low Table, with carved apron on four inverse tapered legs. 12.5" H x 71.5" W x 35" D. Provenance: From an East 80th Street, New York City Estate.

Vintage Chinoiserie / Regency-style black lacquered partners writing desk / library table / console featuring ornate geometric floral and bird motif, integrated small drawers on each...

This striking pair of vintage wall brackets features intricately carved elephant motifs, offering a captivating blend of craftsmanship and decorative artistry. Hand-carved from wood ...

19th century antique Chinese hand painted gold lacquer scene gilt fan 100 faces with original lacquer box, fan is 17 inch x 9.5 x 1, the lacquer fan box is 10....

Presenting a high-end and important Japanese doll of Musha Ningyo Samurai Doll sitting on a wooden stand from the Meiji period, a traditional Japanese warrior doll...

Decorative Brass Tray, Saffron Red Small, Viya by Vikram Goyal Lacquered tray with brass. Handmade in India. With moniker’s such as red gold, exquisite thread or golden light, saff...

Fine antique Imperial Russian lacquer Racing Winter Troika jewelry casket by the Lukutin Workshops 19th Century In exceptionally fine condition with original key The Russian lacquerw...

A vintage Chinese wooden mandarin duck sculpture dating to the 1980s, hand-carved and hand-painted in a decorative palette of yellow ochre, oxblood red, and black. The sculpture comb...

Chinese Carved Cinnabar Lacquer Charger with Five Dragons, Circa 1900 A magnificent Chinese carved cinnabar lacquer charger of impressive scale, masterfully decorated with five impe...

This veru nice chinese screen is made of 4 Lacquered panels decorated with bird and bamboo. This is a Chinese work. Circa 1950

This screen is a great representation of the traditional carving process which involves coating a hardwood core in thick, usually black, lacquer. The design is then carved through th...

The Koshi Ember Bar Cabinet, from the Shokunin Collection by Patience & Gough, is a sculptural dry bar defined by layered black and charcoal veneers, warm tonal contrasts, and fine c...

This is an armour of samurai. It was made around 1900s in Meiji era. This armour was not used in actual war so it was made as decoration, because of that, it is in good condition as its age. There are some scratches and missing parts, if you need some more information, please let us know, we will respond you as soon as possible and send more photos. This armour can be folded in a box. The box is getting damaged so it is not in good condition. We might send this armour in other box. Dimensions: 50 x 50 x H170 cm Scholars agree that Japanese armour first appeared in the 4th century, with the discovery of the cuirass and basic helmets in graves. During the Heian period, the unique Japanese samurai...

A very nice box Highly detailed! 18-6-18-Spe-2330 Condition Overall Condition very good, minor use ware. Period 19th century Meiji Periode (1867-1912).

Antique 18th century export Chinese lacquer gaming box with hand painted scenes gilt export black lacquer, there are 7 gaming boxes and 12 trays, size: ...

A remarkable straits Chinese (also known as Peranakan or Nyonya) carved hardwood and bamboo inlaid and embellished table-form stand, originally for dis...

Gorgeous small table six panel screen double sided- Chinese Chinoiserie - one side is golden brown with gold koi fishes, the other - black lacquer with elaborate mother of pearl inlay.

A great gift for the art collector. Our Rabbit Rabbit Lacquer Box features Hunt's iconic rabbits in every color - all with attitude and personality. Box...

Antique 19th century hand painted Chinese fan with mother of pearl faces, Qing dynasty, the fan features black and gold lacquered handled a colorful screen with a figural, hand painted, scene in shades of blue, green, purple and brown and red. With antique lacquer fan box...

This is an vintage decorative jewellery case. A Japanese, lacquer and Mother of Pearl lidded box in Art Deco taste, dating to the early 20th century, circa 1930. Appealing example o...

The Ark Low Console by Hermhaus is a striking example of modern designer furniture, combining sculptural form with practical storage. Finished in a vibrant blue 4 cover, the console ...

Gorgeous Chinese export four-panel coromandel screen featuring a courtyard scene of beauties engaged in leisurely activities. The lacquered panels are incised and painted in soft pas...

A striking example of Japanned furniture with European flair, this secretary desk features a vivid green lacquered surface adorned with parcel-gilt decoration in the Chinoiserie styl...

Pair of Large Framed Chinese Black Lacquer Mother Of Pearl Relief Hanging Panels C.1920 Depicting birds amongst flowering branches. In very good condition commensurate of age. Plea...

Stunning antique Japanese lacquer hair comb with a geometric petal-like background of stylized chrysanthemums and flowers done in gold and red maki-e. Possibly Edo or Meiji time peri...

19th century golden black lacquer Chinese tea caddy with pewter and a key, the special shape body decorated with hand paint courtyard, a very beautiful piece. See more pictures, meas...

Showa period urushi red lacquer kōgō style lidded box - featuring stylized wading cranes to the lid and modified trellis work to the base - the base is raised on three small lacquer ...

A rich pop of color and refinement, the Liz Accent Table brings any room to life with its playful yet sophisticated design. Crafted with a fiberglass foundation and finished in a vi...

Japanese Meiji Miniature Gold Maki-e Two-Tier Jūbako, circa 1890 A diminutive Japanese Meiji-period stacking box, or jūbako (重箱), dating to approximately 1880–1900. Constructed in w...

Japanese, Edo Period (1603-1868), likely late 18th century. Step into the rich tapestry of Japanese history with this exquisite 18th-century Edo Period Lacquer & Chain Mail Suit of Armor, a masterpiece that seamlessly blends martial craftsmanship with artistic elegance. Crafted during a period of unparalleled cultural refinement, this armor is a testament to the meticulous skill and dedication of Japanese artisans. The Gosuko armor, at the heart of this ensemble, embodies the traditional armor design of the Edo Period. Each meticulously lacquered plate, carefully adorned with ornate motifs, reflects not only the functional sophistication required for battle but also the aesthetic sensibilities intrinsic to Japanese art. The incorporation of chain mail adds a layer of flexibility and mobility, harmonizing the demands of protection with the fluidity required in combat. A crowning glory to this armor is the Kabuto Helmet, an iconic symbol of samurai identity and resilience. Its design not only provides formidable protection but also serves as a canvas for artistic expression. The helmet's form, combined with lacquer embellishments and a crest, creates a striking visual statement, a representation of the wearer's identity and lineage. To complete the ensemble, the armor comes with a brocade fabric, adding a touch of regality to this already magnificent piece. The interplay of textures and colors in the brocade further elevates the visual impact, turning the act of donning this armor into a ceremonial experience. For the discerning collector, this piece is presented in a lacquer armor box, meticulously crafted to safeguard and showcase the historical significance of the armor. The accompanying wood armor display stand serves as a stage, allowing this masterpiece to command attention in any setting, whether it be a private collection, museum exhibit, or a distinguished living space. Owning this 18th-century Japanese Edo Period Lacquer...

Presenting a high-end and important Japanese doll of Musha Ningyo of a Old Minister Takenouchi Samurai Doll from the Edo period, a traditional Japanese warrior doll crafted with intr...

18th century Chinese painted low occasional table, circa 1780. Here we have a low practical occasional table, richly coloured table, with distressed paint showing at least 2 shades,...

Dedar Amoir Libre Fabric, Lacquer Paint, Marua Bench By OMER OZTURK Dimensions: W 150 x D 50 x H 44.6 cm. Materials: Dedar Amoir Libre Fabric, Black Glossy Lacquer Paint. About: Des...

Size:W520 H310 D200mm 2kg Box Size:W600 × H400 × D260㎜　6㎏ Estimate packing size: 650×450×310㎜　15㎏ This is a luxurious sword stand for two swords, adorned with maki-e (gold lacque...

A pair of Antique Japanese Kimekomi Dolls, dated from the late Taisho to the early Showa period. Both are in great condition. Two cuties made by the traditional way of "Edo Kimekomi ...

China, probably Canton, circa 1790 A fine late eighteenth century black lacquer Anglo-Chinese games table, the top opening with support from a gate leg to reveal a central chess boar...

Mid to late 19th century, elaborately carved, antique Chinese bed Chambers was used to greet visitors and usually was furnished with two chairs and a cente...

Low square table Black Lacquer (80 coats) Handmade Limited Edition Lacquer is a technique that dates back to the Shang dynasty, circa 1600-1100 B.C. These pieces are made with ...

Presenting an important Japanese doll of Musha Ningyo from the Edo period, a traditional Japanese warrior doll carved wooden head with gofun finish, deeply-defined eye sockets, paint...

Chinese screen for export with 6 panels decorated on both sides. The front side with various scenes of daily palatial life with relief figures, buildings and landscapes made of pain...

Fine Russian lacquer Palekh hand painted box by Zolotorev depicting the Holy Trinity 20th Century Meticulously hand painted, the three angels seated at a table under the Oak of Mamre...

This antique Burmese manuscript – Kammavaca book is a rare and exquisite 19th-century artifact from Burma (Myanmar). Crafted from lacquered palm leaves and gilded with 24-karat gold,...