Stoneware Furniture

This is a very good Mason's ironstone, Large Dinner Plate, hand painted in the Water Lily pattern and made in England, circa 1910. The plate is circular and well potted with a cream...

Vintage stoneware table or accent lamp features crock or jug shaped stoneware body, decorated with grey salt glaze with distinct orange-peel texture and accented with traditional han...

A rare antique French faience blue and white hand painted floral ironstone footed jardiniere or cachepot with lion head handles, circa 1880. Made by famous French pottery maker Creil...

This French ceramic pitcher was produced by Accolay in Burgundy, France, during the 1960s and belongs to the Gauloise series. The piece measures 10.4 inches (26.5 cm) high and 5.3 i...

European Studio Potter Organic sculptural vase/object, 1980s. Large sculptural stoneware vase with a pronounced organic form and a double opening that gives the piece a biomorphic, f...

Beautifully glazed handmade stoneware candle sconce manufactured by Danish Knabstrup in the 1950s. Raw rectangular ceramic piece with a shiny crackle glaze front in pastel mint, turq...

This is a pair of pottery Komainu (guardian lion-dogs) believed to have been made during the Edo period, in the area around present-day Aichi Prefecture, Japan. Komainu are mythical...

Hashira's architectural form is paired with an Oxidized Jade glaze inspired by naturally aged metals. The fluted surface catches light from every angle, revealing depth and movement ...

Inspired by traditional drum forms, the Taiko features a rounded silhouette softened by a richly textured Oxide Bloom glaze. Layers of rust, charcoal, and mineral tones create a surf...

Large stoneware floor vase by Gunnar Nylund in a classical shape, glazed beautifully with a dramatic dark melange glaze that alternates between green and brown. Gunnar Nylund was on...

A beautiful cobalt blue and white Jasperware pitcher, with Greek-Key boarders, in the Neoclassical design style, by Wedgwood, circa early-20th century, 1930s - 1940s, England. Pitch...

A sculptural black basalt shell bowl by Wedgwood, made in England circa the 1960s as part of the manufacturer's Basalt range. Slip-cast in black stoneware, the bowl takes the form o...

This speckled stoneware pear-shaped table lamp, in the style of Jacques Migeon, was made in France circa 1970. The stoneware is covered with a satin glaze in sandy beige tones, dott...

A beautiful stoneware Art Deco / Swedish Grace spherical vase of the highest quality. Amazing glaze with hand-painted details in gold. Designed by Gunnar Nylund for ALP (Lidköpings P...

The Colate Passion is a sculptural terracotta vessel with a rounded, expressive silhouette and a luminous yellow finish. Hand-thrown and individually hand-glazed, its surface carries...

Large Stoneware Vase by Richard Le Corrone, Ciboure, France, Early 1950s. Important French stoneware vase created in the early 1950s by Richard Le Corrone for the renowned Ciboure p...

A beautiful and sculptural ceramic table lamp by Danish ceramicist Arne Bang. Made at hes own studio in Fensmark, Denmark, circa 1940s. Model nr 172. The substantial stoneware base...

Shino Vessel by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture and Art History as...

This red Mason’s Vista dinner service is a striking example of 19th-century English transferware at its most romantic and collectible. What makes it truly unique is the completeness ...

Beautiful faience wall mirror by Stig Lindberg with a vivacious, hand-painted, colorful decor of flowers and leaves.

This French stoneware table lamp was made by ceramicist Bruno H'Rdy in La Borne, France, circa 1970. La Borne, in the Cher region, has been one of the leading centers of French studi...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

This striking French Mid-Century stoneware pitcher was created during the 1950s by the celebrated Poterie de Ciboure in the French Basque Country. Its sculptural, asymmetrical profil...

This set of twelve crescent-shaped ironstone dishes was made by Hicks and Meigh in Shelton, Staffordshire, England, circa 1820. The twelve matching shapes and brilliant English Imari...

Japanese Kutani Porcelain Sleeping Cat Okimono, “Nemuri-Neko” Style, Taishō–Early Shōwa Period A refined Japanese Kutani porcelain okimono depicting a peacefully sleeping cat, datin...

A stunning Art Nouveau foliage design art pottery vase decorated in iridescent glazes by world renowned ceramic artist Clement Massier (French, 1845-1917) dating from the latter end ...

From the same Danish/Japanese company that made a lot of IHQ 's - Jens Harald Quistgaard designs during the 1970s and 80s comes this stylish vase, pencil or toothbrush holder in glaz...

Black art nouveau ceramic vase manufactured by Bo Fajans in the 1940-50s and attributed to designer Berit Ternell. Soft shaped bowl with a mother of pearl like black shine and sculpt...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

Ceramic vase designed by Eva Jancke-Björk (1882–1981) for Bo Fajans in Gefle, Sweden. Made in glazed earthenware with a blue-green glaze. The vase has a rounded body and tall cylindr...

Handmade Ceramic Side Table by DEBARRO in Portugal Dimensions: H 45 x Ø 35 cm Materials: Glazed Stoneware Also available in different colors, textures and sizes. Custom options ava...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

This is a very old Japanese jar of Sue ware (Sueki), fired using a technique believed to have originally come from the Silla kingdom of the Korean peninsula. Similar vessel forms can...

A striking Swedish Argenta vase designed by Wilhelm Kåge for Gustavsberg, dating to the 1940s. This sculptural stoneware vessel is distinguished by its rich turquoise-green glazed su...

The Tripod is built from stoneware slabs and coils in our Brooklyn studio and fired in the traditional Japanese Raku tradition in New Jersey. A primary yellow crackle glaze is applie...

Ceramic coffee table designed by Tue Poulsen, Denmark 1960s. Created in collaboration with Danish furniture designer Erik Wørts for Willy Beck, Tue Poulsen pairs a wenge frame with ...

Shino Glazed Moon Jar by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture and Art H...

A beautiful stoneware table lamp with amazing glaze. Handmade by Katarina Gustafsson in Sireköpinge, Sweden, 1990s. Great original condition. No chips, cracks or crazing. Signed by ...

Ceramic midcentury hand-turned vase with horisontal lines. Griege glaze with a minty tint over the terracotta colored clay. Artist unknown. Great vintage condition consistent with a...

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

Vintage Low Table with Italian-Style Mosaic Top (circa 1950s). Discovered in the South of France, this is a delightfully engaging side or end table with a mosaic top reminiscent of t...

Stoneware table light decorated in earthy speckled dark brown glazes upon a creme white background. It has no signature or markings but it was probably made in Denmark or Sweden duri...

This is a late Georgian Ironstone dinner plate in the distinctive flying bird pattern, made by Mason's of Lane Delph, Staffordshire, England, during the early 19th century, circa 182...

This richly detailed blue and white platter by Ashworth Brothers features the striking Yedo pattern—an evocative design inspired by Japanese prints and chinoiserie landscapes. What s...

A stunning yellow stoneware vase by Berndt Friberg at Gustavsberg designed in 1968, the vase has a lovely har-fur glaze. The vase is 14 cm (5.6") ta...

This handcrafted side table combines a sculptural ceramic base with a solid oak top, balancing artisanal craftsmanship with modern design. Designed for use as a side table or compact...

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Tiny sprigs of flora adorn this diminutive piece from the Argenta series by Wilhelm Kage for Gustavsberg, Sweden Wonderful mottled glaze decorated with applied silver decoration Circ...

Untitled VI (2026) by Begüm Alkan is a unique ceramic artwork in glazed stoneware. This one-of-a-kind ceramic object measures W 45 x D 45 x H 32 cm. Begüm Alkan reinterprets traditi...

A rare and large Art-Deco, Art Nouveau, Modernist, vase, in beige stoneware with superb black, red, pink and dark green floral decoration, signed by stamp on the bottom, Betzy Augero...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue...

Five antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in Robin's Egg, a matte glaze with a tinge of blue. With a fixed black walnut orb and tan harness leather accents, this graceful chandelier has the capability of being installed on a flat or sloped ceiling. With a 42.5” diameter, the five-arm Lola Chandelier...

Flat vase in Shiny Black. Designed by Project 213A in 2021. Handmade Stoneware. Creation demands destruction, taking the old and the typical to conceive th...

This is a Georgian set of six matching Mason's ironstone plates, all in the Oriental Pheasant pattern and dating to the earliest period between 1813-1820. Sets of early plates in this pattern are rare. The plates are decorated in the chinoiserie "Oriental Pheasant" pattern, which is a very distinctive pattern with very colourful border decoration. The pattern is very richly hand painted, over-glaze in brilliant enamels of black, cobalt blue, burnt orange, green, yellow and puce in varying shades, over a blue transfer printed...

Stoneware table lamp by the Danish ceramist Per Engstrom. It is executed in stoneware glazed in an earthy brown color with lots of play. It features abstract incised and glazed symbo...

Large and richly modelled stoneware wall relief (väggrelief) by Bertil Vallien, produced by Gustavsberg, Sweden, in the 1960s. Executed in high-fired stoneware with a sculptural frui...