Stoneware Furniture

A signed French studio ceramic table lamp by potter Colette Houtmann, circa 1980. It features a rounded globular shape with a beautiful glossy mottled red and pink glaze. This charm...

A vase designed by Carl-Harry Stålhane at Rörstrand in 1965, it´s 7.5 cm (3") tall and it´s in excellent condition. This is a unique vase only made in one copy as you can see of the ...

A beautiful stoneware table lamp with amazing glaze. Handmade by Katarina Gustafsson in Sireköpinge, Sweden, 1990s. Great original condition. No chips, cracks or crazing. Signed by ...

A beautiful cobalt blue and white Jasperware pitcher, with Greek-Key boarders, in the Neoclassical design style, by Wedgwood, circa early-20th century, 1930s - 1940s, England. Pitch...

Large Saint-Clément Stoneware Vase, France, 1950s. This impressive and rare stoneware vase from Saint-Clément, France dates to the 1950s and is distinguished by its exceptional size ...

A rare and unusual tall blue glazed art pottery vase by Robert Wallace Martin for the Martin Brothers and dating from around dated 1880. The stoneware vase is of tall square form rai...

Wonderful petite ceramic pendant light No.1202, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with matte Turquoise glaze on cork color...

Japanese Kutani Porcelain Sleeping Cat Okimono, “Nemuri-Neko” Style, Taishō–Early Shōwa Period A refined Japanese Kutani porcelain okimono depicting a peacefully sleeping cat, datin...

This Dutch Gouda vase by Zuid, produced in Holland in 1922, features the Corona pattern with richly hand-painted floral decoration inspired by the flowing organic forms of the Art No...

Per Liljegren, set of three miniature vases. Set of three hand-thrown miniature stoneware vases with elegant organic forms and pale blue glazes featuring delicate tonal variations a...

Large Stoneware Vase by Richard Le Corrone, Ciboure, France, Early 1950s. Important French stoneware vase created in the early 1950s by Richard Le Corrone for the renowned Ciboure p...

This is a very good Jasperware stoneware Jardiniere or Cache Pot, made by Wedgwood, England and dating to circa 1930s. The jardiniere has a lovely shape, very much like a brush pot...

A beautiful, stoneware art deco globe vase, with amazing green hares fur glaze. Designed by Nils Emil Lundström for Rörstrand, Sweden, 1920s. Great original condition. Some slight s...

A striking Art Deco ceramic bowl designed by Wilhelm Kåge for Gustavsberg, Sweden, circa 1930s. This exceptional example from the celebrated Argenta series features a rich, mottled e...

Scandinavian modern handmade ceramic wall sconce by designer Marianne Starck (1931-2007) for Michael Andersen & Son. Manufactured on the island of Bornholm in the 1960s as part of th...

A pair of blue-glazed stoneware and white fabric table lamps produced by Søholm Stentøj, Bornholm, Denmark, 1960s. Wear consistent with age and use. Dimensions of Lamp with Shade (...

This earthenware pot from Moldova dates from circa 1850 and is a beautiful example of traditional Eastern European folk pottery. The pot has a robust, round shape with a subtly taper...

A ceramic vase with a stunning glaze designed by Gunnar Nylund at Rörstrand, the vase is 20.5 cm (8.2.) tall. It´s in excellent condition and marked as 2nd quality. Gunnar Nylund w...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

A group of six pieces of stoneware vases & one bowl with stunning white glazes designed by Gunnar Nylund and Carl-Harry Stålhane at Rörstrand in the 1950s. The vases are between ...

Extremely Rare floor lamp from Ingrid Atterberg for Upsala Ekeby . Glazed stoneware from the 'Papyrus' series . Base measure 14 in. high by 4 in. wide. Solid teak structure. ...

Ceramic midcentury hand-turned vase with horisontal lines. Griege glaze with a minty tint over the terracotta colored clay. Artist unknown. Great vintage condition consistent with a...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Wedgwood Black Basalt Dish with Terracotta Amphora Medallion, England, 1930s A beautiful detailed diminutive black basalt (pin) dish by Wedgwood, featuring a central terracotta meda...

Mid-Century Set of 3 French Ceramic plates by Naumovitch Era Vallauris Capron Exceptional set of three plates decorated with women's faces. Emblematic creations of Ljuba Naumovitch in the Atelier Grand Chêne...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

Stoneware table light decorated in earthy speckled dark brown glazes upon a creme white background. It has no signature or markings but it was probably made in Denmark or Sweden duri...

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue...

A beautifully crafted statue of an ancient Egyptian pharaoh, I believe it is Ramses the 2nd however I am not completely sure. The statue appears to be made of copper or white metal. ...

Vintage Low Table with Italian-Style Mosaic Top (circa 1950s). Discovered in the South of France, this is a delightfully engaging side or end table with a mosaic top reminiscent of t...

This is a very good hand painted Mason's ironstone large Platter or Meat Plate, in the Table and Flowerpot gilded pattern, from their earliest George IIIrd period, circa 1818. The p...

A classic decorative bust statue. Some wear with a nice patina, but this is old-age. Made of metal on a Marble base. Very decorative and nice to display in your library or any room.

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

Wonderful ceramic pendant light No. L519, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with speckled matte white glaze on a cork colo...

This earthenware pot from Moldova dates from circa 1850 and is a beautiful example of traditional Eastern European folk pottery. The pot has a robust, round shape with a subtly taper...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Handmade stoneware candles sconces designed in the 1960s by ceramic artist Marianne Starck for Michael Andersen & Son. Navy blue floral decor on warm grey base. Stamped, signed...

Swedish midcentury modernist stoneware table lamp by lighting designer Nils H. Ledung from Jönköping in Sweden. Hand-carved graphic decor on matte light golden brown glaze. Label on ...

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

This red Mason’s Vista dinner service is a striking example of 19th-century English transferware at its most romantic and collectible. What makes it truly unique is the completeness ...

Per Liljegren, set of four miniature vases. Set of four hand-thrown miniature stoneware vases with elegant organic forms and glazes in pale blue, burgundy and light green tones. Sig...

Five antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in Robin's Egg, a matte glaze with a tinge of blue. With a fixed black walnut orb and tan harness leather accents, this graceful chandelier has the capability of being installed on a flat or sloped ceiling. With a 42.5” diameter, the five-arm Lola Chandelier...

This special object is a punch bowl made of stoneware in the 1930s by the well-known German manufacturer Marzi & Remy. This stoneware object boasts an exceptionally rich design, typ...

Warm marbled yellow modern art nouveau vase by Upsala Ekeby in the 1940s. Soft shaped glazed ceramic vase with two small spouts and fluted wavey coral red handles. Stamped and number...

A beautiful set of six (6) English black basalt plates by Wedgwood, circa early to mid-20th century, England. Plates could be used a myriad of ways ...

This is a good, very early Mason's Ironstone Hydra jug or pitcher in the Basket Japan pattern, made in the English, late Georgian period, circa 1815-1820. This jug is very decorativ...

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

From Wedgwood, a light Blue Jasperware cache pot or jardiniere, date marked 1970. Jasperware, introduced by Josiah Wedgwood in the 1770s, is a type of unglazed stoneware known for i...

A beautiful English Wedgwood Jasperware sage green and white round jewelry dish with neoclassical design, circa 20th century, 1979, England...

French Art Deco Stoneware Vase by Céramique d'Art de Bordeaux (CAB), France, 1920s Elegant French Art Deco stoneware vase produced by Céramique d'Art de Bordeaux (CAB), France, duri...

This handcrafted side table combines a sculptural ceramic base with a solid oak top, balancing artisanal craftsmanship with modern design. Designed for use as a side table or compact...

Stoneware pot center piece depicting different scenes of a hunt party. Made in Marzy & REmy manufacture in West Germany. You can see deer and does on one part and a hunting scene wit...

The perfect set of plates for Tapas Night. Handcrafted by skilled artisans in Mexico, the Anna Indigo Handmade Tapas Plate Set is the perfect addition to ...

These are a very good set of SIX Side or Desert Plates hand painted in the Peacock Pattern, No. 2083, produced by the English, Spode factory early in the 19th century, George 111rd p...

A beautiful, small, English Wedgwood Jasperware urn vase in the neoclassical design style, circa 20th century, England. Piece is a matte stonew...

A generously scaled English ironstone serving platter featuring the classic blue and white willow pattern. The transferware design depicts an idyllic chinoiserie landscape, bordered ...

Danish organic modern ceramic pendant with warm brown terracotta glaze and incised leaf-like lined decorations over the beige grey clay with clear glaze. Man...

Snake Argenta vase, 1930’s Marked with No. 1045 at the bottom Stoneware and Silver H22 x D22 cm The Argenta collection, now emblematic with its green glaze and silver decorations, i...

This is a mid size repaired Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Ironstone pot...