Stoneware Furniture

A large Jean Gerbino Terre Mêlée vase, handcrafted in Vallauris, France, circa 1930s. Standing at an impressive 27.5 cm (10.83 in.), this is an unusually large example of Gerbino's w...

A signed French studio ceramic table lamp by potter Colette Houtmann, circa 1980. It features a rounded globular shape with a beautiful glossy mottled red and pink glaze. This charm...

A beautiful stoneware table lamp with amazing glaze. Handmade by Katarina Gustafsson in Sireköpinge, Sweden, 1990s. Great original condition. No chips, cracks or crazing. Signed by ...

Per Liljegren, set of three miniature vases. Set of three hand-thrown miniature stoneware vases with elegant organic forms and pale blue glazes featuring delicate tonal variations a...

A vase designed by Carl-Harry Stålhane at Rörstrand in 1965, it´s 7.5 cm (3") tall and it´s in excellent condition. This is a unique vase only made in one copy as you can see of the ...

A beautiful cobalt blue and white Jasperware pitcher, with Greek-Key boarders, in the Neoclassical design style, by Wedgwood, circa early-20th century, 1930s - 1940s, England. Pitch...

A rare and unusual tall blue glazed art pottery vase by Robert Wallace Martin for the Martin Brothers and dating from around dated 1880. The stoneware vase is of tall square form rai...

Wonderful petite ceramic pendant light No.1202, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with matte Turquoise glaze on cork color...

Japanese Kutani Porcelain Sleeping Cat Okimono, “Nemuri-Neko” Style, Taishō–Early Shōwa Period A refined Japanese Kutani porcelain okimono depicting a peacefully sleeping cat, datin...

This Dutch Gouda vase by Zuid, produced in Holland in 1922, features the Corona pattern with richly hand-painted floral decoration inspired by the flowing organic forms of the Art No...

A beautiful, stoneware art deco globe vase, with amazing green hares fur glaze. Designed by Nils Emil Lundström for Rörstrand, Sweden, 1920s. Great original condition. Some slight s...

Large Stoneware Vase by Richard Le Corrone, Ciboure, France, Early 1950s. Important French stoneware vase created in the early 1950s by Richard Le Corrone for the renowned Ciboure p...

This is a very good Jasperware stoneware Jardiniere or Cache Pot, made by Wedgwood, England and dating to circa 1930s. The jardiniere has a lovely shape, very much like a brush pot...

Handmade stoneware candles sconces designed in the 1960s by ceramic artist Marianne Starck for Michael Andersen & Son. Navy blue floral decor on warm grey base. Stamped, signed...

Scandinavian modern handmade ceramic wall sconce by designer Marianne Starck (1931-2007) for Michael Andersen & Son. Manufactured on the island of Bornholm in the 1960s as part of th...

A ceramic vase with a stunning glaze designed by Gunnar Nylund at Rörstrand, the vase is 20.5 cm (8.2.) tall. It´s in excellent condition and marked as 2nd quality. Gunnar Nylund w...

French Art Deco Stoneware Vase by Céramique d'Art de Bordeaux (CAB), France, 1920s Elegant French Art Deco stoneware vase produced by Céramique d'Art de Bordeaux (CAB), France, duri...

A pair of blue-glazed stoneware and white fabric table lamps produced by Søholm Stentøj, Bornholm, Denmark, 1960s. Wear consistent with age and use. Dimensions of Lamp with Shade (...

A group of six pieces of stoneware vases & one bowl with stunning white glazes designed by Gunnar Nylund and Carl-Harry Stålhane at Rörstrand in the 1950s. The vases are between ...

Extremely Rare floor lamp from Ingrid Atterberg for Upsala Ekeby . Glazed stoneware from the 'Papyrus' series . Base measure 14 in. high by 4 in. wide. Solid teak structure. ...

Wedgwood Black Basalt Dish with Terracotta Amphora Medallion, England, 1930s A beautiful detailed diminutive black basalt (pin) dish by Wedgwood, featuring a central terracotta meda...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

A very rare Bird figurine, by Lisa Larson for Gustavsberg from a limited studio production known as "Fåglar" from 1964. This is typical of Lisa Larson's Scandinavian minimalism, a ni...

A beautifully designed, quite large, exceptionally rare oxblood red glazed ceramic/pottery vase by Italian ceramics master and renowned designer Marcello Fantoni for Raymor. Again a ...

This red Mason’s Vista dinner service is a striking example of 19th-century English transferware at its most romantic and collectible. What makes it truly unique is the completeness ...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

Mid-Century Set of 3 French Ceramic plates by Naumovitch Era Vallauris Capron Exceptional set of three plates decorated with women's faces. Emblematic creations of Ljuba Naumovitch in the Atelier Grand Chêne...

Stoneware table light decorated in earthy speckled dark brown glazes upon a creme white background. It has no signature or markings but it was probably made in Denmark or Sweden duri...

This is a very good hand painted Mason's ironstone large Platter or Meat Plate, in the Table and Flowerpot gilded pattern, from their earliest George IIIrd period, circa 1818. The p...

Vintage Low Table with Italian-Style Mosaic Top (circa 1950s). Discovered in the South of France, this is a delightfully engaging side or end table with a mosaic top reminiscent of t...

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

A beautifully crafted statue of an ancient Egyptian pharaoh, I believe it is Ramses the 2nd however I am not completely sure. The statue appears to be made of copper or white metal. ...

Ewa Budzowska Sculpture, 1980s. Elegant bird-shaped sculpture in hand-modelled stoneware with a light, slightly rough surface and incised linear decoration, mounted on metal legs wit...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue...

Gunnar Nylund for Rörstrand Bowl, mid-20th century. Elegant organically shaped stoneware bowl with the characteristic eggshell glaze in soft green and pink tones. Origin: Sweden. De...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

Warm marbled yellow modern art nouveau vase by Upsala Ekeby in the 1940s. Soft shaped glazed ceramic vase with two small spouts and fluted wavey coral red handles. Stamped and number...

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

Swedish midcentury modernist stoneware table lamp by lighting designer Nils H. Ledung from Jönköping in Sweden. Hand-carved graphic decor on matte light golden brown glaze. Label on ...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

The perfect set of plates for Tapas Night. Handcrafted by skilled artisans in Mexico, the Anna Indigo Handmade Tapas Plate Set is the perfect addition to ...

A striking Art Deco ceramic bowl designed by Wilhelm Kåge for Gustavsberg, Sweden, circa 1930s. This exceptional example from the celebrated Argenta series features a rich, mottled e...

These are a very good set of SIX Side or Desert Plates hand painted in the Peacock Pattern, No. 2083, produced by the English, Spode factory early in the 19th century, George 111rd p...

Elegant Danish Modern table lamp crafted in stoneware, featuring a sculptural form with a wide, flared base and a slender neck. The surface is finished in a subtle, variegated glaz...

This is a good, very early Mason's Ironstone Hydra jug or pitcher in the Basket Japan pattern, made in the English, late Georgian period, circa 1815-1820. This jug is very decorativ...

This is a mid size repaired Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Ironstone pot...

Contemporary Heidi Fournier vase with hand-painted floral decorations on shiny cream colored base. Signed by the artist. Denmark, 2010s.

Vintage ceramic handled vase or pitcher features a minimal, streamlined form with elongated body and lightly flared rim, decorated with complex speckled red glaze. The wide sculptura...

From Wedgwood, a light Blue Jasperware cache pot or jardiniere, date marked 1970. Jasperware, introduced by Josiah Wedgwood in the 1770s, is a type of unglazed stoneware known for i...

This special object is a punch bowl made of stoneware in the 1930s by the well-known German manufacturer Marzi & Remy. This stoneware object boasts an exceptionally rich design, typ...

This is a very rare, ironstone Two Handled, Ice Pail or Wine Cooler Pot, made by Mason's Patent Ironstone China Company, of Lane Delph, Staffordshire, England, circa 1818. This piece is substantial and heavily potted, weighing about 2.2 Kg un-packed. The pot is circular with 12 vertical sections, sitting on a low foot with an everted rim. The two side handles are strongly potted and this piece is quite suitable for use or display, as an ice bucket, wine bottle cooler or perhaps as a vase or centre piece. The piece is decorated in the Mason's recorded pattern called "Basket of Flowers" which is a vibrant floral pattern, hand polychrome enamelled over a sepia print on a white glaze. This pattern is illustrated on Page 30...

A beautiful, small, English Wedgwood Jasperware urn vase in the neoclassical design style, circa 20th century, England. Piece is a matte stonew...

Handmade stoneware Bench manufactured at the workshop of Apparatu in Barcelona. Different clay bodys are mixed with natural fibers like corn, straw, or heather straw. The pieces are ...

A beautiful English Wedgwood Jasperware sage green and white round jewelry dish with neoclassical design, circa 20th century, 1979, England...

This is a Georgian set of six matching Mason's ironstone plates, all in the Oriental Pheasant pattern and dating to the earliest period between 1813-1820. Sets of early plates in this pattern are rare. The plates are decorated in the chinoiserie "Oriental Pheasant" pattern, which is a very distinctive pattern with very colourful border decoration. The pattern is very richly hand painted, over-glaze in brilliant enamels of black, cobalt blue, burnt orange, green, yellow and puce in varying shades, over a blue transfer printed...

A generously scaled English ironstone serving platter featuring the classic blue and white willow pattern. The transferware design depicts an idyllic chinoiserie landscape, bordered ...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

This handcrafted side table combines a sculptural ceramic base with a solid oak top, balancing artisanal craftsmanship with modern design. Designed for use as a side table or compact...

A sculptural and expressive table lamp in glazed stoneware, Model 989, produced in Denmark during the 1960s–1970s by Axella Stentøj. The lamp exemplifies the rich materiality and bol...