Stoneware Furniture

Large Stoneware Vase by Richard Le Corrone, Ciboure Pottery, France, Early 1950s. Striking large stoneware vase by Richard Le Corrone, produced at the renowned Ciboure pottery on th...

Contemporary Heidi Fournier vase with hand-painted floral decorations on shiny cream colored base. Signed by the artist. Denmark, 2010s.

First firing of 2026 is out of the Kiln!! starting 2026 with some vessels of Spiritual Natural. All hand etched, painted with oxides and reminiscent of artists hands from earlier tim...

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

Charming blue and gray vintage studio pottery crock made by noted American folk potter David Eldreth in Nottingham, Pennsylvania, dated 1996. This wheel-thrown stoneware vessel features a classic salt-glazed exterior and a hand-decorated cobalt blue...

New at Shine Studios for Fall 2025.. a step back to brush stroke vessels from 2020.. this is the Artifact Series of hand-sculpted vases. Each piece, crafted in our Los Angeles studi...

This is a very good early Mason's Ironstone pottery dinner plate, well hand painted in the very decorative Mandarin pattern, produced by the Mason's factory at Lane Delph, Staffordsh...

First firing of 2026 is out of the Kiln!! starting 2026 with some vessels of Spiritual Natural. All hand etched, painted with oxides and reminiscent of artists hands from earlier tim...

wonderful ceramic light No.5002, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with multi colored drip glaze on a cork colored clay bo...

Stunning tall cylindrical ceramic wall light No.52, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with olive/salmon colored gradient g...

Beautiful pair of Søholm Stentøj small Danish mid-century modern bedside table lamps in richly glazed organic modern stoneware in beautiful natural tones of green, brown and cream. P...

Introducing theMoody Lava Moon Collector, available exclusively at The Shine Studios. This large, hand-coiled vase features a matte finish with layers of heavy clay and slip and adde...

A group of six pieces of stoneware vases & one bowl with stunning white glazes designed by Gunnar Nylund and Carl-Harry Stålhane at Rörstrand in the 1950s. The vases are between 9 -...

A beautiful stoneware Art Deco / Swedish Grace vase of the highest quality. Amazing glaze with hand-painted details in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfab...

French Provincial 20th century off-white glazed stoneware double handled crock or storage jar. This charming vessel would bring farmhouse authenticity to the modern kitchen by its ru...

French Provincial 20th century off-white glazed stoneware double handled crock or storage jar, also called a “salt pot” by Digoin. This charming vessel would bring farmhouse authenti...

Found like an ancient relic.. with deep Autumn colors. reminds us of cooler weather, warm fires and toasty nights at home . created from found clay slabs throughout the studio. Glaz...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Rare massive early antique Mason's Ashworth Ironstone Chinoiserie pattern hand painted enamel over transfer decoration meat serving footed platter with reservoir for "au jus" 19th Ce...

Introducing the Moody Lava Moon Collector, available exclusively at The Shine Studios. This large, hand-coiled vase features a matte finish with layers of heavy clay and slip and add...

A large collection of 27 vessels, most of them designed by John Andersson and all of them produced at Höganäs about 1950s. The tallest one is 9 cm (3.6") and the smallest one is 1.5 ...

This special object is a punch bowl made of stoneware in the 1930s by the well-known German manufacturer Marzi & Remy. This stoneware object boasts an exceptionally rich design, typ...

A green vase with a lovely crystalline glaze designed by Isak Isaksson in Sweden. The vase is 9 cm (3.55") tall and about 12.5 cm (5") wide and it is in excellent condition. This is ...

An extremely rare and probably unique, tall grotesque figural ewer or spoon/ladle warmer by Robert Wallace Martin for the Martin Brothers dated 1880. The stoneware ewer is of tall cy...

French Art Deco stoneware table lamp by Louis DAGE (Antony, Paris), France, 1920s. Stoneware, brass & fabric. Important enamel applications. Height: 15.75"(40cm), Width: 9.85"(25cm)....

New at Shine Studios for Fall 2025 is the Artifact Series of hand-sculpted vases. Each piece, crafted in our Los Angeles studio, is unique, presenting a distinct blend of texture and...

Very rare ceramic table lamp designed by Gertrud Lönegren for Rörstrand. The lamp features earthy glaze tones with a rich, natural depth, enhanced by a beautiful aged patina and fine...

Sculptural stoneware “Argenta” vase by Wilhelm Kåge with soft fluted body and elegant slender neck. From top to bottom silver inlay lines and floral decor on matte deep ocean green g...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Danish midcentury stoneware vase by Kähler Keramik in the 1960s. Cylinder shape with stunning speckled dusty green glaze. Signed under base. Beautiful condition. Denmark, 1960s.

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

A charming set of eight English ironstone salad plates in the French Provincial style, offering timeless elegance for both everyday dining and special occasions. Crafted in durable i...

A table lamp by an unknown Swedish designer, crafted by Bjerkås Armatur in the 1940s. Ceramic base with a relief depicting a man and a woman, characteristic of the Swedish Grace peri...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue...

A fantastic rare early footed stoneware Japanese style California studio pottery Chawan tea bowl (circa early 1950s) by Master Greek-American potter/artist Peter Voulkos featuring ha...

Warm marbled yellow modern art nouveau vase by Upsala Ekeby in the 1940s. Soft shaped glazed ceramic vase with two small spouts and fluted wavey coral red handles. Stamped and number...

A beautifully crafted statue of an ancient Egyptian pharaoh, I believe it is Ramses the 2nd however I am not completely sure. The statue appears to be made of copper or white metal. ...

Calacatta Viola marble sinks are crafted from high-quality, Italy-sourced natural stone. Due to the natural formation process of the marble, each piece features a unique veining patt...

Mid century ceramic garden stool, possibly Japanese, circa 1960s.

A gorgeous antique French white ironstone lidded soup tureen, circa 1900. No maker's mark. This fine soup tureen has a decorative finial and lovely ornate handles. It displays beauti...

This is a very decorative, Imperial Stone China (ironstone), large Dinner Plate by John Ridgway, dating to the William IVth period of the 19th cen...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

1950s handmade, hand-painted ceramic Mediterranean style pitcher vase. Simplistic red brick colored flowers on green stems on warm cream yellow base. Beautiful vintage condition. D...

Our stoneware Juliette Lamp is handcrafted using slab-construction techniques. The lamp’s pattern is created by rolling the surface with textured rolling pins and rods. FINISH - Ca...

A beautiful and unique stoneware vase with amazing glaze. Made by Sylvia Leuchovius at Rörstrand Ateljé, Sweden, 1973. Great original condition. No chips or cracks. Signed 'SL', 'AT...

A classic decorative bust statue. Some wear with a nice patina, but this is old-age. Made of metal on a Marble base. Very decorative and nice to display in your library or any room.

The Hamsa hand or hand of Fatima is known across many cultures to protect its wearer and ward off bad energy. It is also a symbol of patience and claire voyance. The Artist often use...

This is a small size antique Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Ironstone po...

This listing is for one vase, this is for the vase on the right side of main photo see other listings for second vase Elevate your interior design project with The Shine Studios' ...

Pair of Scandinavian midcentury modern folk art style unique stoneware table lamps handmade by Jette Hellerøe in her private studio in the 1970s. Hand-carved South American inspired ...

Wilhelm Kåge white ‚Carrara‘ glazed ‚Våga‘ (wave) bowl for Gustavsberg in the late 1940s to early 1950s, hand-crafted in Sweden. Very good condition with normal signs of use and ag...

A beautiful 'sage' green and white English Wedgwood Jasperware matte stoneware vase in the Neoclassical style, England, 1973. Vase has Renaissance/Neoc...

A beautiful English Wedgwood Jasperware sage green and white round jewelry dish with neoclassical design, circa 20th century, 1979, England...

This set of nine dinner plates, six matching soup dishes, and a platter painted in Spode's "Peacock" pattern was made by Copeland Spode circa 1860. The "Peacock" pattern was first made by Spode circa 1820. The pattern features two peacocks...

Do you ever see a color you want to dive into, surrounding yourself with its luscious tone? That happened with this piece. The color came out so perfectly I am hoping I will be abl...

A beautiful and quite engaging relatively large sumptuously glazed bowl by famed Japanese Hawaiian American pottery master Toshiko Takaezu. The high-fired stoneware bowl features a v...

This set of four black basalt masterpieces, made by Wedgwood & Bentley at their Etruria works around 1775, represents the height of 18th-century English neoclassical design. Each pie...

Experience the exquisite artistry of the Fubuki Moon Pod Vase at The Shine Studios, where each piece evokes the feeling of winter snow storms in the villages of Japan. These one of ...