Tulipwood Furniture

Napoleon III style rose wood, tulip wood and brass mounted writing table, circa 1930's. With a rose wood top with tulip wood crossbanding the edges of the top with egg and dart brass...

Louis XV parquetry occasional table, Circa 1760.

A highly important late 18th century antique Neoclassical Russian rosewood, tulipwood, bois citronnier, bois satine and fruitwood marquetry games table, attributed to Christian Meyer...

A Rare Louis XV Ormolu-Mounted Tulipwood and Chinese Lacquer cabinet, c. 1750 (Regence Period) A truly magnificent, monumental, and one of a kind cabinet, painted throughout with gi...

This three-seater sofa designed by Antwerp-based designer Ann Demeulemeester, is a study in proportion, tactility and unexpected geometry. Her design challenges conventional ideas of...

FRENCH LOUIS XVI REVIVAL GOÛT-GREC BUREAU PLAT Probably France, second half of the nineteenth century 30 1/4" H x 37 1/4" D x 72 3/4" W 23" knee clearance Kingwood, tulipwood, and ...

Antique Italian Louis XVI style walnut chest of drawers, 19th century. With a rectangular walnut top with tulipwood banding, 3 drawers with tulipwood banding and brass pulls, resting...

This Sofa by Wharton Esherick exemplifies his pioneering role in the American Craft Movement. This is his first sofa design, one of Four ever made. Known for his dedication to organ...

A beautiful example of the craft of ship modeling, this sloop has all the details the original would have had and the model maker left the lower half of the hull exposed to reveal th...

This rare Italian marquetry bar cabinet from circa 1960 is a stunning piece of mid-20th-century craftsmanship, blending neoclassical inspiration with timeless elegance. Beautifully veneered in fine walnut and satinwood, the cabinet features intricate floral and urn marquetry designs throughout, displaying the artistry and precision typical of Italian decorative furniture. The front panel is adorned with a central urn filled with flowers, surrounded by delicate geometric and scrolling inlays, while the sides and legs echo these refined motifs. The cabinet opens to reveal a fitted dry bar interior, perfectly designed for housing martini glasses, cocktail essentials, and liquor bottles. Its compact yet practical size makes it an ideal piece for a sophisticated home bar, adding both storage and style to your living room, study, or lounge. The elegant tapered legs, inlaid with floral detailing, give the piece a light, graceful presence. This Italian dry martini liquor bar...

Superb Louis XVI Style Gilt-Metal Mounted Inlaid Tulipwood Semanier or Lingerie chest of seven drawers with original working lock & key. 1980's Baker Furniture; scarcely seen in ...

Impressive antique French desk crafted in mahogany and tulipwood, featuring a top with three tooled leather panels banded in brass on a case with two pullout leather top trays and tw...

Wharton Esherick important sofa for Lawrence and Alice Seiver. We are pleased to offer this exceptional item, the epitome of the Americ...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

A very fine and palatial French 19th century Louis XVI style gilt bronze-mounted mahogany, satinwood, tulipwood and fruitwood marquetry and parquetry commode, after a model by Jean H...

Masterful American Sheraton mahogany hinged top serpentine card table with figured cross banded tulip wood, birch and satinwood inlays, outset corners, and terminating on the original bulbous reeded turned tapered legs, Early 19th Century. Attributed to John and Thomas Seymour...

A Very Fine and Impressive French 19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode - dresser with marble top, by M...

A very fine and impressive pair of French 19th century Louis xv style gilt bronze-mounted kingwood, satinwood and tulipwood floral marquetry two-drawer bombé commodes attributed to François Linke, index number 1810, Paris, late 19th-early 20th century with a brêche d'alep marble top. Unsigned and unmarked, circa Paris, 1890-1900. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

A very fine French Louis XV style Palissandre, Tulipwood, mahogany and Marquetry Meuble D' Appui with one door and veined black marble top, Stamped: M. Descotte & Fils, circa 1880-18...

A Louis XVI (Possibly Transitional LXV/LXVI) commode, French in origin and dating from the 1780s. The marble top a beautiful blend known as "Rouge Lanquedoc". The body composed of Ki...

An exceptional marquetry and ormolu centre table of exhibition quality attributed to Edward Holmes Baldock. English, circa 1840. Finely co...

A very fine and palatial French 19th century Regence style figural ormolu-mounted kingwood and tulipwood floral marquetry long-case regulator, after a Model by Charles Cressent (Fren...

The finest quality Louis XV/XVI transitional style gilt bronze mounted tulipwood and amaranth cylinder desk by L. Cueunieres after models by Jean-Francois Oeben (French 1721-1763). T...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

This finely crafted NEW Sheraton style side chair by Wood & Hogan is made in England from select fruitwood and accented with a tulipwood inlaid back panel above an elegant double...

This is the 'Glen', our original turned wood and lacquered side table. Inspired by Matts time in Scotland many years ago when his first passion, photography lead him to some truly st...

19th century Louis XV style tulipwood parquetry sewing table Ladies small sewing table with a lift-up lid. The interior has the original velvet inset. Beneath is a tray containing compartments for sewing accessories...

A Very Fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal "Régulateur de Parquet" Clock, after the model attributed to Jean-...

A pair of French tulipwood bedside cabinets, having shaped gallery to the inlaid top above 3 flower inlaid drawers fitted with original brass knobs and string inlaid sides, all stand...

French Louis XV-XVI transitional period commode with lovely marquetry in satinwood, rosewood and tulipwood, Gris Sainte Anne marble top and three drawers. The commode features a cent...

Austrian Biedermeier Burl Walnut & Mahogany cask with carved molded edge cornice, flanking book matched hinged doors, tulip wood inlays, satinwood inlays, original steel engraved loc...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...

These chairs were found in Lancaster County, Pennsylvania and are in very good and sturdy condition. Beautiful set of four mauve colored hand painted plank bottom chairs...

A pair of French Louis XV style nightstands with a marquetry top in TulipWood. The slim body of walnut and tulipwood, each fitted with four drawers with gilt brass-mounted handles an...

Imposing roll-up desk (roll-up bureau) “Bureau du Roi,” after the model by Jean-François Oeben and Jean-Henri Riesener, Paris, 20th century Precious woods, marquetry, gilt bronzes. ...

A handsome and most decorative pair of Italian mid 18th century Louis XVI Period Walnut, Tulipwood and white Carrara marble commodes. Each wonderful two drawer chest is raised by fou...

A Fine French 20th Century Gilt-Bronze Mounted and Marquetry Meuble d'Appui à Hauteur (Side cabinet). The rectangular variegated white marble top with outset corners over a gilt foli...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

A Very Fine French Louis XV Transitional Style Gilt-Bronze Mounted, Marquetry and Æil de Vermeil Parquetry single-drawer side-table by François Linke (1855-1946). The rectangular top...

A Napoleon III Ormolu-Mounted Marquetry Meuble d'Appui Of bow fronted arc-en-arbalette outline, the cabinet constructed using several fine woods including birds' eye maple, tulipwoo...

20th century Louis XIV style cabinet Cabinet in the style of Louis 14th. tulip wood on solid pinewood. The fittings are pronounced and of exceptionally ...

A spectacular and extremely high quality French 19th century Louis XV st. Tulipwood, Kingwood and Ormolu vanity table, attributed to François Linke. The vanity is raised by elegant a...

A George III gilt-bronze mounted pembroke table in a highly polished finish. The rectangular table with double banded and hinged top with butterfly drop leaves that are supported by ...

Elegant in both proportion and detail, this antique Louis XVI console combines refined marquetry, finely cast gilt-bronze mounts, and a striking rouge marble top. Crafted in France c...

the circular top of radiating herringbone tulipwood marquetry within a kingwood perimeter band with cross-banded outer border; above a veneered apron fitted with a single drawer and ...

A good quality late 19th century side cabinet, having a white marble top, gilded ormolu scrolling mounts to the frieze, various exotic woods to the parquetry and marquetry inlay, a S...

20th century magnificent French Louis XVI style display cabinet Bois-Satiné veneer, all-round surface-covering mirror veneer on wood. Upright rectangular and rounded, glazed on thre...

A Truly Magnificent 19th century Secre´taire a` Abattant by Maison Rogie´ of Paris After the original in the Wallace Collection, London, made in 1777 by Pierre-Antoine Foullet Con...

A Fine French 19th-20th Century Louis XV Style Mahogany, Satinwood and Tulipwood Marquetry Gilt-Bronze Mounted Two-Door Buffet Server China Cabinet...

This is the 'Glen', our original turned wood and lacquered side table. Inspired by Matts time in Scotland many years ago when his first passion, photography lead him to some truly s...

An elegant, bespoke console table in a subtle, classical style. Supplied with a Carrara marble top. Standing on square tapered legs with a turned foot with raised Anthemion detail ar...

A lovely and well-proportioned marquetry sofa with arched back, scroll arms and short Grecian curved legs in mahogany embellished with inlays of festoo...

A rare and impressive Hepplewhite style buffet or sideboard from the noteworthy Stately Homes Collection by Baker Furniture, circa 1980s. Made from Mahogany with crotch veneer drawer...

A Late 19th Century Louis XV Style Ormolu Mounted, Parquetry Tulipwood and Kingwood with Tooled Brown Leather Inset Top Lady's Bureau Avec Cartonnier made out of 6 top drawers flabk...

A stunning and high quality French 19th century Louis XVI st. Ormolu and Tulipwood cabinet/vitrine, signed Henry Dasson 1886. This beautiful tall rectangular three door vitrine is su...