Tulipwood Furniture

Elegant pair of antique French Louis XV style three drawer stands crafted in tulipwood cut in geometric lines and inlaid with floral motifs, having brass hardware, a lower tier and o...

This exquisite French Louis XV–style marble-top commode, dating to the 1920s era, is a superb example of early 20th-century French craftsmanship inspired by the elegance and movemen...

Artistic decorative hand water coloured print representing a butterfly. This print has been pressed with an ancient press called "a Stella" and entirely hand water coloured by a ski...

An exceptional 19th Century French bureau plat with ormolu mounts.  This remarkable bureau plat has veneers of tulipwood and amaranth. The model is taken from the designs of the mak...

19th century Louis XV style tulipwood parquetry sewing table Ladies small sewing table with a lift-up lid. The interior has the original velvet inset. Beneath is a tray containing compartments for sewing accessories...

A fine French 19th-20th century Régence style gilt bronze mounted kingwood and tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 16...

A very fine and palatial French 19th century Regence style figural ormolu-mounted kingwood and tulipwood floral marquetry long-case regulator, after a Model by Charles Cressent (Fren...

A stunning and high quality French 19th century Louis XVI st. Ormolu and Tulipwood cabinet/vitrine, signed Henry Dasson 1886. This beautiful tall rectangular three door vitrine is su...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Kingwood, Tulipwood, ormolu and Brèche Polychrome de St. Bernard marble cabinet vitrine si...

An elegant French 19th century Louis XV st. Rosewood, Kingwood, Tulipwood, ormolu, and Incarnat Turquin marble desk. The three drawer desk is raised by slender cabriole legs with fin...

A pair of Marquetry display cabinets in the transitional manner By Edmund Kahn of London & Paris Constructed from kingwood, with tulipwood, bois satiné and harewood inlays; f...

French Bureau plat / desk in Louis XV, Paris, circa 1880. Solid beech wood veneer. Extremely fine, floral bronze fittings. Cambered and pronounced / arched wooden body. Four-side...

This is an impressive 18th century Louis XV Tulipwood and Kingwood commode with a rouge variegated marble top over three long graduated drawers and overall embellished with ornate gi...

the circular top of radiating herringbone tulipwood marquetry within a kingwood perimeter band with cross-banded outer border; above a veneered apron fitted with a single drawer and ...

A handsome and most elegant French 19th century Louis XVI st. Mahogany, Tulipwood, Charmwood, and ormolu desk. The five drawer desk is raised by slender square tapered legs with fine...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

This exquisite sideboard, crafted circa 1790, exemplifies the elegance of the Hepplewhite style, renowned for its graceful lines and refined inlay work. Constructed from mahogany wit...

A Very Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Ormolu-Mounted Parquetry Three-Door Vitrine Commode 'Meuble d'appui with a Brêche Violette Marble Top, attributed to François Linke (1855-1946). The interior of the vitrine with three glass shelves, lined with a burgundy broque fabric and a mirror backing, flanked by a pair of side doors, each fitted with a pair of mahogany...

Impressive late 18th century French writing desk with a tooled black leather top, probably original, on a case with three drawers in f...

This is perhaps one of our favorite pieces and one of the most sophisticated and uniquely finished chests from the mid 18th century. An English - King George III, Hepplewhite flame m...

French Louis XV-XVI transitional period commode with lovely marquetry in satinwood, rosewood and tulipwood, Gris Sainte Anne marble top and three drawers. The commode features a cent...

A very fine French 19th-20th century Louis XV style tulipwood and mahogany marquetry gilt bronze-mounted petit-bureau de dame (secretary). The bombe´ structure surmounted by a pair o...

A very fine and palatial French 19th century Louis XV style gilt bronze mounted, leather, tulipwood and kingwood parquetry cartonnier with clock. The circular clock with elaborate pi...

A George III gilt-bronze mounted pembroke table in a highly polished finish. The rectangular table with double banded and hinged top with butterfly drop leaves that are supported by ...

A very fine quality French Louis XVI style gilt bronze ormolu mounted matched kingwood display cabinet / vitrine by the luxurious Parisian furniture maker Maison Krieger (1826-1910) Exquisitely hand-crafted in France in the early 20th century, exceptionally executed in sophisticated King Louis 16th taste, having a dramatically veined marble top, over glazed glass front and side panels, opening to single glass shelf and mirrored back, over ribbed cabinet...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry - Inlaid - Two-Drawer Com...

A fine 18th century French Louis XVI marquetry commode, expertly crafted by master ébéniste Jean-Baptiste Lependu from solid oak secondary wood with tulipwood, kingwood and satinwood...

An 18th Century Louis XV French marquetry bureau de pente, or slant front desk, made with veneers of mahogany, rosewood and tulipwood with oak as a secondary wood. Slant front opens ...

Louis XV style bombe secretary inlaid marquetry, Ormolu Mounted. Signed Henry Dasson. This 19th century bombe tulipwood secretary is built with superior craftsmanship and intricate ...

Architectural bespoke painted kitchen island unit with five functional oak drawers and a double drawer on soft close drawer runners. A panelled back conceals a modest cupboard with a...

French gueridon or wine table. White marble top with a brass gallery. Walnut veneered and inlaid apron with a single oak lined drawer in the front with a brass laurel wreath handle...

A very fine French, 19th century Louis XVI style ormolu-mounted mahogany and tulip wood commode with a brèche violette marble top, after the model by Jean-Henri Riesener (1734-1806)....

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

This magnificent demi-lune Georgian sideboard displays the pinnacle of the era’s refined craftsmanship and boasts a distinguished provenance. Crafted of the finest mahogany, the era's timber of choice for well-appointed manor homes, the sideboard is inlaid with satinwood marquetry and crossbanded with tulipwood, one of the most coveted species of rosewood. Tulipwood is prized not only for its durability but also for its innate beauty. The sideboard features its original brass pull handles and knobs. Illustrating the caliber of its exquisite craftsmanship, this large demi-lune sideboard was once housed in one of the most illustrious grand manor homes of the era, Hackwood Park...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine - display case, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

This is a charming late 19th Century Louis XVI style tulipwood commode with an ochre yellow marble top above an inlaid frieze drawer situated over two long drawers, raised on square ...

A very fine French Louis XV style Belle Époque mahogany and tulipwood ormolu-mounted vitrine cabinet with a Brêche violette marble top, attributed to François Linke (1855-1946). The ...

A fine English satinwood and tulipwood marquetry veneered top console table with specialist paint and gilt decoration. The design from the late 18th century. The table of extended D ...

French Regence Style Rosewood Enfilade Sideboard, Marquetry, 1950s. This long four-door enfilade is veneered in rosewood with mirror-matched grain running across the front, framing ...

French Régence Ormolu-Mounted Rosewood & Kingwood Inlay Rouge Marble Top Commode, sign. J.F. LAPIE (Jean François Lapie ) , with guild stamp, Paris ...

French Louis XV period (18th century) "Tric Trac" or Backgammon table stamped by the maker, "P. Roussel," and the guild "JME" (Jurande des Menuisiers et Ebenistes --translated as the...

The finest quality Louis XV/XVI transitional style gilt bronze mounted tulipwood and amaranth cylinder desk by L. Cueunieres after models by Jean-Francois Oeben (French 1721-1763). T...

Custom woodwork decorative wall mirror created by artist Alan S. Kushner of Philadelphia circa 1990. Signed "AK" carved on back of bottom triangle. Overall dimensions: 72 inches high by 46 inches wide by 5 inches deep. Framed mirror dimensions: 46 inches high by 24 inches wide by 5 inches deep. Please note that the artist's intention was for the mirror to be displayed with the zebra wood arrow on the bottom pointing downward and the 'fishtail' on top. We know this because on the backside of the mirror are two wedge cut blocks for mounting in a corresponding wall bracket or Z clip. For the purposes of our photography it was not possible to stand the mirror on the point so all our photos show it upside down. Alan Kushner (1949-2008) was a self-taught woodworker and furniture maker who exhibited his designs primarily in and around Pennsylvania, New Jersey and Maryland during the 1980's and 1990's. In 1991 he participated in the summer exhibition "In Our Circle" at the James Michener...

A fine late 19th century tulipwood and kingwood side table or table en chiffoniere inlaid with stained sycamore lines applied with gilt bronze mounts and an edging. The shaped oval t...

Elevate an entryway or dining room with this refined Louis XVI–style console table. Crafted in France circa 1870, the piece features a serpentine front and richly veneered rosewood s...

Pair of 'Howard Design' Armchairs made by Garners. Large Low sumptuous seats, with scrolled arms, resting on Turned or Square feet with brass castors. Solid Wood frames, fully sprung...

A fine French 19th-20th century Louis XV style gilt-bronze mounted tulipwood chinoiserie marquetry two-drawer bombé commode with a veined rouge royal marble top. The serpentine shape...

Rectangular top over three drawers with wood knobs and escutcheon. Bun feet.

A fine French 19th-20th century Louis XV style gilt bronze-mounted mahogany and tulipwood marquetry gueridon side-table. The circular top inlaid with a floral design marquetry and sy...

This bronze mounted French Louis XVI center table is an exquisite example of neoclassical craftsmanship, blending elegance, symmetry, and fine detailing. Crafted from warm walnut and...

An exquisite French 19th century Louis Philippe period Tortoiseshell, brass, and ebonized Fruitwood Boulle cave a liqueur. The cave a liqueur is raised by ...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

A Fine French 19th/20th Century Louis XV Style Tulipwood Marquetry and Gilt-Bronze Mounted Ladies Writing Table or Desk. The single drawer center table surmounted on each corner with...

With a thick serpentine breche de alep marble top over a conforming case with two conforming drawers with bronze handles raised on cabriole legs with sabot feet. From a Bellevue Avenue Newport Rhode Island estate.

Rouge marble top commode/chest of drawers having three drawers. Intricate floral marquetry inlay in Satinwood and tulipwood. Bronze mounts on front corner and at center bottom. Sabo...

A beautifully handcrafted 19th century French commode or side table from the historic Provençal city of Arles. Petite in scale but rich in detail, this elegant piece is constructed o...

A very fine French 19th century finely chased ormolu-mounted Regence style kingwood, tulipwood and satinwood marquetry and parquetry commode (dresser) with brêche d' alep marble-top....

An impressive and grand scale French 19th century Louis XV st. Tulipwood and Ormolu desk. This wonderful Bureau Plat desk is raised by four handsome cabriole legs decorated by bottom...