Oceanic Furniture

Contemporary colorful rug inspired by Seoul's Aesthetic Dimensions: W 170, D 240 cm New-Zealand wool and silk The South-Korea capital is known for its twenty-five bridges spanni...

Contemporary colorful rug inspired by Shangai's Aesthetic Dimensions: W170 x D240 CM New-zealand Wool Vibration, perspective, energy, Shanghai by Nig...

Medium Moored shelving by Rosanna Ceravolo Dimensions: W 140 x D 42 x H 245 cm Materials: Powdercoated metal with brass detailing. Also available in different dimensions and colors. Rosanna Ceravolo is a Melbourne based architect whose multi disciplinary studio focuses on delivering a full and considered design response. Rosanna’s studio creates architecture, products, and spaces which aim to elevate the human experience. Her architectural work is collaborative, contextually sensitive, client specific and considered at both an urban and human scale with the aim of creating places for people. Her design approach focuses principally on how a space can be inhabited to ensure maximum enjoyment, considering connectivity, materiality, texture, light, and scale. As a natural progression...

The Weave credenza combines traditional craftsmanship using wood and metal, with the skill and artistic form of three woven triptych panels created by Māori rāranga artist Bronwynn Billens, Ngati Tama, Te Atiawa, Te Arawa. The result is a contemporary functional art credenza that celebrates Aotearoa New Zealand design. This credenza, designed by Andrew Davies...

Contemporary polished brass pendant light - Triptyx by Christopher Boots Geometry, a core language of the ASTERIX series, is expressed as timeless objects of light. Reworking the concept of the traditional lantern to displace the light source from the interior to the external frame, TRIPTYX plays with the geometry of a triangle. Slices of LED emanate from brass, setting the standard in 21st century architectural pendants. Design: Christopher Boots, 2014 Materials: Brass, Gallium, Polymer Lamp: 24V LED WW 2700K dimmable Dimensions: 500 x 500 mm (19.7 x 19.7 ”) Suspension: Vertical Rod Finishes: Aged brass (price -20%) Brushed brass (price -20%) Hand rubbed brass (price -20%) Dark bronze (price -20%) Mottled patina (price -20%) Polished brass  Details & Notes: Crystals are grown by Mother Nature, as such all crystals will differ in size, shape and scale with every fixture. Made by hand, in Australia. Crate included in the price. This item cannot be returned or exchanged because of the hand-made and bespoke nature of this product. Christopher Boots Studio: Established 11-11-11, the Christopher Boots studio was founded on material and metaphysical exploration of quartz crystal, birthing a signature aesthetic. Exploring relationships between architecture, symbology and geometry found in nature offers a contemporary interpretation of pattern, structure and symmetry. All works are handmade with love and care, with a diverse team of skilled artisans. Collaborations with glass blowers, coppersmiths, ceramicists, sculptors, and bronze casters, ensures a commitment to quality and underscores an investigative sensibility, giving birth to an aesthetic often unexpected. We design, prototype and build in our Melbourne studios, honouring traditional elements of form, proportion and scale, marrying traditional and cutting edge materials with various techniques, creating future antiques...

Side table 01 by Michael Gittings Dimensions: D 55 x W 55 x H 60 cm. Materials: Stainless steel. Michael Gittings Michael Gittings imagines with his han...

Progress is change. And change means doing something differently than before: students revolt against their teachers, young progressives against old masters. In art and design, too, ...

Contemporary polished brass pendant light - Quadrix by Christopher Boots Reworking the concept of the traditional lantern, QUADRIX is i...

Solid bronze sculpted chair by Tom Fereday Dimensions: 77.5 H x 41 W x 51 D cm Hand-sculpted Solid cast bronze Tom Fereday develops products based on the principle of honest design, conveying a design process which celebrates the materials and manufacturing processes behind furniture and products, to design from the inside out. By using the materials and environment as a positive design constraint we guide intelligent and thoughtful design outcomes which connect with people through natural materials, tactile finishes and unique design. We strive to create enduring designs which are meaningful to people and their environment. Born in Australia, Tom Fereday grew up in England studying at the Wimbledon School of Art before moving to Sydney to complete an honours in Industrial Design at the University of Technology Sydney. Working across Europe and Australia Tom Fereday went onto found his sole practice in 2012. Affiliations Society for Responsible Design (SRD) Design Institute of Australia (DIA) Awards 2019 - House & Garden style awards - ETO Desk 2018 - Idea Awards - SIA Chair - Highly Commended 2018 - LAMP International lighting competition - Winner established designer 2018 - Lane Crawford creative callout - Winner 2018 - Good Design Awards - SIA chair - Gold winner 2017 - Mercedes-Benz Design Award - SIA Chair - Winner 2017 - International Design Award - SP01 collection - Honoree 2017 - International Darc Awards - Mito Lamp - Winner best floor lamp 2017 - ICFF NYCxDESIGN - Emerging Designer - Honoree 2017 - A+Awards - Bow Chair - Finalist 2017 - Archiproducts Design Selection - Stockholm Furniture Fair 2016 - Good Design Award Chicago - Bow Chair - Winner 2016 - Timber Design Awards - Pieman Collection - Winner excellence in timber design 2016 - Good Design Award - MW1 Watch - Finalist 2015 - Good Design Award - 3000 Collection 2015 - Good Design Award - Best in category NTR Microphone 2015 - Red Dot Design Awards - Best of the Best NTR Microphone 2014 - Space + Moooi 2014 Design Residency 2011 - H&G Style Awards 2011 2011 - Interior Design Excellence Awards 2011 - Finalist 2011 - One Good Chair Competition Allt Chair 2010 - Nominated by Triple J and ABC News as top 25 young achievers 2010 - Australian Design Awards - Design Mark - Pebble Ottoman...

We are excited to introduce the latest addition to the Object Van Brandenburg family - the Fluted Vase. The Fluted Vase is a testament to both elegance and craftsmanship. Its unique...

Contemporary polished brass pendant light - Asterix by Christopher Boots Geometry, a core language of the ASTERIX series, is expressed as timeless objects of light. Reworking the concept of the traditional lantern to displace the light source from the interior to the external frame, ASTERIX is extruded from the keyboard character of its namesake. Design: Christopher Boots, 2014 Materials: Brass, Polymer Lamp: 24V LED WW 2700K dimmable Dimensions: 500 x 500 mm (19.7 x 19.7 ”) Suspension: Vertical Rod Finishes: Aged Brass (Price -20%) Brushed Brass (Price -20%) Hand Rubbed Brass (Price -20%) Dark Bronze (Price -20%) Mottled Patina (Price -20%) Polished Brass Details & Notes: Crystals are grown by Mother Nature, as such all crystals will differ in size, shape and scale with every fixture. Made by hand, in Australia. Crate included in the price. This item cannot be returned or exchanged because of the hand-made and bespoke nature of this product. Christopher Boots Studio: Established 11-11-11, the Christopher Boots studio was founded on material and metaphysical exploration of quartz crystal, birthing a signature aesthetic. Exploring relationships between architecture, symbology and geometry found in nature offers a contemporary interpretation of pattern, structure and symmetry. All works are handmade with love and care, with a diverse team of skilled artisans. Collaborations with glass blowers, coppersmiths, ceramicists, sculptors, and bronze casters, ensures a commitment to quality and underscores an investigative sensibility, giving birth to an aesthetic often unexpected. We design, prototype and build in our Melbourne studios, honouring traditional elements of form, proportion and scale, marrying traditional and cutting edge materials with various techniques, creating future...

Glass lamp 2 by Michael Gittings Dimensions: D 25 x W 25 x H 75 cm. Materials: Stainless steel, Glass, Rubberised coating. All our lamps can be wired according to each country....

Black Tangerine Stool w/ Back by Resident Dimensions: W 37 x D 48 x H 87 cm Materials: Solid Oak, Oak Veneer. Weight: 5.5 Kg. About: Founded by Simon James & Scott Bridgens in 2011...

Black Tangerine Chair by Resident Dimensions: W 51 x D 50 x H 75 cm Materials: Solid Oak, Oak Veneer. Weight: 5.7 Kg. About: Founded by Simon James & Scott Bridgens in 2011, Reside...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 240, D 240 cm New-Zealand wool and silk Jap...

Polished Aluminium Thoronet Dish by Henry Wilson Dimensions: W 20 x D 5 x H 30 cm Materials: Aluminium Thoronet dish, shares its' name and arched lines with the Abby in the south o...

Candelabara 2 cande holder by Michael Gittings Dimensions: D 50 x W 50 x H 50 cm. Materials: Stainless steel. Michael Gittings Michael Gittings imagines with his hands. Since e...

Black Odin Chair by Resident Dimensions: W 60 x D 41 x H 75 cm Materials: Ash Veneer, Cast Aluminium, Upholstered Ply. Weight: 9.3 Kg. About: Founded by Simon James & Scott Bridge...

Upholstered Jiro Swivel Chair with Casters by Resident Dimensions: W 56.5 x D 51 x H 81 cm Materials: Aluminium , Oak Veneer, Upholstered Foam Pad. Weight: 8 Kg. Black with Black Ba...

Jiro Swivel Chair with Casters by Resident Dimensions: W 56.5 x D 51 x H 81 cm Materials: Aluminium, Oak Veneer. Weight: 8 Kg. Black with Black Base. About: Founded by Simon Jame...

Black Tri Pendant Lamp by Resident Dimensions: W 75 x D 82 x H 6 cm Materials: Aluminium. Weight: 2.7 Kg. About: Founded by Simon James & Scott Bridgens in 2011, Resident is the ho...

Black Travertine Block Thoronet Dish by Henry Wilson Dimensions: W 24 x D 33 x H 6 cm Materials: Black Travertine This sculptural item is handmade in...

Phase Table Light by Resident Dimensions: W 20.8 x D 11.5 x H 21 cm Materials: Powdercoated Aluminium, Acrylic. Weight: 7 Kg. About: Founded by Simon James & Scott Bridgens in 2011...

Blackened Incense Burner by Henry Wilson Dimensions: D 6 x H 5 cm Materials: Bronze (Blackened) The Incense Burner was initially designed for Perfumer H. The piece is sand cast in s...

Hex 750 Pendant Lamp by Resident Dimensions: W 80 x D 69 x H 6 cm Materials: Aluminium or Brass, Acrylic. Weight: 4.1 Kg. About: Founded by Simon James & Scott Bridgens in 2011, Re...

Set of 2 Small Leather Desk Mats by Henry Wilson Dimensions: W 32 x D 22 x H 0.4 cm Materials: Leather Our leather desk mats are made of vegetable ta...

Introducing the Wing Water Vessel, a versatile piece that is sure to elevate your dining table or living space. This unique vessel serves as both a water vessel and a vase, making it...

New Guinea, Papua Gulf, probably Baimaru people, late 19th–early 20th century H. 81.5 x Diam. 15 cm. Provenance: - Collected by German biologist and cinematographer Thomas Schulze-...

Contemporary colorful rug inspired by Shangai's Aesthetic Dimensions: W170 x D240 CM New-zealand wool Vibration, perspective, energy, Shanghai By Nig...

Calacatta Viola Block Thoronet Dish by Henry Wilson Dimensions: W 24 x D 6 x H 33 cm Materials: Calacatta Viola Marble The Thoronet Dish in Calacatta Viola marble. Unlike the bronze...

Please note the listing price is for the ORP Pendant Small Brass variant. ORP has different prices for the Small, Medium, and Large Stainless Steel and Powder Coat variants. Obliq...

A wonderful pair of trench-art table lamps in the form of a mirror pair of Koalas. Made from cut mortar shells, nickel plated and hand engraved to a very high standard. Fitted to polished brass shell casing ends and each with the word 'Australia' in hand -cut copper lettering. Fitted to replacement Australian Cedar...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170, D 240 cm New-Zealand wool and silk Japanese Abstractions is a collection of nine pieces, all designed around the concept of the imaginary trip to Japan of the Dadaist and feminist artist Sophie Taeuber Arp. Each rug is a combination of geometric shapes and traditional Japanese patterns, a result of the unexpected yet poetic encounter between pure abstraction and cultural influences, between West and East. SOPHIE TAEUBER-ARP Biography (1889–1929) Sophie Henriette Gertrud Taeuber was born on January 19, 1889 in Davos-Platz, Switzerland. From 1904 to 1907 she attended the Stauffacher-Schule and the drawing school at the Industrie- und Gewerbemuseum, or the museum for industry and design, in St. Gallen. In 1910 she began her studies at the Lehr- und Versuchsateliers für angewandte und freie Kunst in Munich, a reformed art school that sought to synthesize the visual and applied arts. After an additional semester at the school of applied arts in Hamburg in 1914, her student days came to an end. She joined the Schweizerischer Werkbund in 1915, the same year that she met Hans Arp. Enthused about her work, he encouraged her to devote herself to it even more fully. The artists’ close collaboration resulted in collages, sculptures and textile designs. Sophie Taeuber took lessons in movement arts from Rudolf von Laban, a founder of modern dance. She appeared as a dancer at the Dada-Soirées at the Cabaret Voltaire and the Galerie-Dada. Later on, she choreographed her own pieces. On May 5, 1916, she took over the textile class at the applied arts school in Zurich. In 1918, she also became a member of the artist’s association Das Neue Leben (New Life). At the same time, she undertook the design of stage backdrops and marionettes for Carlo Gozzi’s rendition of the opera König Hirsch. On October 20, 1922, she married Hans Arp. In 1925, Taeuber-Arp was appointed a member of the Swiss jury at the Exposition Internationale des Arts Décoratifs et Industriels in Paris. Her works won prizes and were shown in the International Exhibition of Modern Tapestries in Toledo, Ohio, USA. Sophie Taeuber-Arp and Hans Arp became French citizens in 1926. Through her connections with the Horn brothers, she secured contracts to design the interiors for various buildings, including the Aubette in Strasbourg. In turn, she asked Hans Arp and Theo van Doesburg to collaborate with her on this large-scale project. Around the same time, she had a studio-home built according to her own plans in Clamart, near Paris. Having left her teaching post in Switzerland in 1929, Sophie Taeuber-Arp settled permanently in France. In collaboration with Marcel-Eugéne Cahen, she also realized the renovation and redesign of theParisian Galerie Goemans. SOPHIE TAEUBER-ARP Biography (1930–1943) In Paris, Sophie Taeuber-Arp joined the artists’ group Cercle et Carré and participated in their exhibitions. In 1931 she became a member of the association Abstraction-Création. Her artist friends Theodor and Woty Werner hired her to design the interior of their Paris apartment. A year later, in 1932, she left the Schweizerischer Werkbund. Her visit to the Sztuki Museum in Lodz, which was facilitated by Jan Brzekowski, led to a fruitful artistic exchange between the Polish avant-garde association a.r. and the Parisian artist’s group Abstraction-Création. Sophie Taeuber-Arp participated in various group exhibitions, and often showed her work with Artistes Suisses at the Galerie Vavin and at the Kunsthalle Bern with Hans Arp, Kurt Seligmann, Hans Schiess, and many others. She designed the layout for Anatole Jakovskis’ book Hans Erni, Hans Schiess, Kurt Seligmann, S. H. Taeuber-Arp, Gerard Vulliamy in 1935. Theodor and Woty Werner helped her secure the commission to design the interior of the Bauhaus professor Ludwig Hilberseimer’s Berlin apartment. Her work was shown in the exhibition These, Antithese, Synthese at the Kunstmuseum Luzern and in 1936 in Zeitprobleme in der Schweizer Malerei und Plastik, an exhibition of contemporary Swiss painting and sculpture, at the Kunsthaus Zürich. Additionally, she participated in the Konstruktivisten-Ausstellung, an exhibition of constructivist art, at the Kunsthalle Basel. Sophie Taeuber-Arp founded the international artists’ journal plastique with César Domela, A. E. Gallatin and L. K. Morris in 1937. The same year she joined the Swiss artists’ group Allianz. In 1938, she exhibited at the Exposition internationale du Surréalisme in Paris and at the Exposition of Contemporary Sculpture in London...

Colorful pop art rug by Sophie Dariel Dimensions: W170 x D240 CM New-Zealand wool and silk Vibrant, electric, blunt and gritty, this capsule collection – based on Sophie Dariel’...

Contemporary colorful rug inspired by Seoul's Aesthetic Dimensions: W 200 x D 240 CM New-Zealand wool and silk The South-Korea capital is known for its twenty-five bridges spann...

Colorful Pop Art rug by Sophie Dariel Dimensions: W 170 x D 240 cm New-Zealand wool and silk Vibrant, electric, blunt and gritty, this capsule collection – based on Sophie Darie...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170 x D 240 cm New-Zealand wool and silk Ja...

Moored console by Rosanna Ceravolo Dimensions: W 180 x D 42 x H 140 cm Materials: Powdercoated metal with brass detailing. Also available in different colors. Rosanna Ceravolo is a Melbourne based architect whose multi disciplinary studio focuses on delivering a full and considered design response. Rosanna’s studio creates architecture, products, and spaces which aim to elevate the human experience. Her architectural work is collaborative, contextually sensitive, client specific and considered at both an urban and human scale with the aim of creating places for people. Her design approach focuses principally on how a space can be inhabited to ensure maximum enjoyment, considering connectivity, materiality, texture, light, and scale. As a natural progression...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp. Artist: Sophie Taeuber Arp Dimensions: W 170, D 240 cm New-Zealand wool and silk. Japanese Abstractions is a collection of nine pieces, all designed around the concept of the imaginary trip to Japan of the Dadaist and feminist artist Sophie Taeuber Arp. Each rug is a combination of geometric shapes and traditional Japanese patterns, a result of the unexpected yet poetic encounter between pure abstraction and cultural influences, between West and East. Sophie Taeuber-Arp Biography (1889–1929) Sophie Henriette Gertrud Taeuber was born on January 19, 1889 in Davos-Platz, Switzerland. From 1904 to 1907 she attended the Stauffacher-Schule and the drawing school at the Industrie- und Gewerbemuseum, or the museum for industry and design, in St. Gallen. In 1910 she began her studies at the Lehr- und Versuchsateliers für angewandte und freie Kunst in Munich, a reformed art school that sought to synthesize the visual and applied arts. After an additional semester at the school of applied arts in Hamburg in 1914, her student days came to an end. She joined the Schweizerischer Werkbund in 1915, the same year that she met Hans Arp. Enthused about her work, he encouraged her to devote herself to it even more fully. The artists’ close collaboration resulted in collages, sculptures and textile designs. Sophie Taeuber took lessons in movement arts from Rudolf von Laban, a founder of modern dance. She appeared as a dancer at the Dada-Soirées at the Cabaret Voltaire and the Galerie-Dada. Later on, she choreographed her own pieces. On May 5, 1916, she took over the textile class at the applied arts school in Zurich. In 1918, she also became a member of the artist’s association Das Neue Leben (New Life). At the same time, she undertook the design of stage backdrops and marionettes for Carlo Gozzi’s rendition of the opera König Hirsch. On October 20, 1922, she married Hans Arp. In 1925, Taeuber-Arp was appointed a member of the Swiss jury at the Exposition Internationale des Arts Décoratifs et Industriels in Paris. Her works won prizes and were shown in the International Exhibition of Modern Tapestries in Toledo, Ohio, USA. Sophie Taeuber-Arp and Hans Arp became French citizens in 1926. Through her connections with the Horn brothers, she secured contracts to design the interiors for various buildings, including the Aubette in Strasbourg. In turn, she asked Hans Arp and Theo van Doesburg to collaborate with her on this large scale project. Around the same time, she had a studio-home built according to her own plans in Clamart, near Paris. Having left her teaching post in Switzerland in 1929, Sophie Taeuber-Arp settled permanently in France. In collaboration with Marcel-Eugéne Cahen, she also realized the renovation and redesign of the Parisian Galerie Goemans. Sophie Taeuber-Arp Biography (1930–1943) In Paris, Sophie Taeuber-Arp joined the artists’ group Cercle et Carré and participated in their exhibitions. In 1931 she became a member of the association Abstraction-Création. Her artist friends Theodor and Woty Werner hired her to design the interior of their Paris apartment. A year later, in 1932, she left the Schweizerischer Werkbund. Her visit to the Sztuki Museum in Lodz, which was facilitated by Jan Brzekowski, led to a fruitful artistic exchange between the Polish avant-garde association a.r. and the Parisian artist’s group Abstraction-Création. Sophie Taeuber-Arp participated in various group exhibitions, and often showed her work with Artistes Suisses at the Galerie Vavin and at the Kunsthalle Bern with Hans Arp, Kurt Seligmann, Hans Schiess, and many others. She designed the layout for Anatole Jakovskis’ book Hans Erni, Hans Schiess, Kurt Seligmann, S. H. Taeuber-Arp, Gerard Vulliamy in 1935. Theodor and Woty Werner helped her secure the commission to design the interior of the Bauhaus professor Ludwig Hilberseimer’s Berlin apartment. Her work was shown in the exhibition These, Antithese, Synthese at the Kunstmuseum Luzern and in 1936 in Zeitprobleme in der Schweizer Malerei und Plastik, an exhibition of contemporary Swiss painting and sculpture, at the Kunsthaus Zürich. Additionally, she participated in the Konstruktivisten-Ausstellung, an exhibition of constructivist art, at the Kunsthalle Basel. Sophie Taeuber-Arp founded the international artists’ journal plastique with César Domela, A. E. Gallatin and L. K. Morris in 1937. The same year she joined the Swiss artists’ group Allianz. In 1938, she exhibited at the Exposition internationale du Surréalisme in Paris and at the Exposition of Contemporary Sculpture in London...

Floor lamp 2 by Michael Gittings Dimensions: D 55 x W 55 x H 205 cm. Materials: stainless steel, glass. All our lamps can be wired according to each country. If sold to the USA...

Tree of knowledge 1 sculpture by Michael Gittings Dimensions: D 65 x W 65 x H 250 cm. Materials: Stainless steel. Michael Gittings Michael Gitt...

Abandoned console by Michael Gittings One of a Kind Dimensions: D 150 x W 40 x H 81 cm Materials: Stainless steel Michael Gittings Melbourne based designer Michael Gittings ai...

Steel Vase III by Duzi Objects Perth-based steel sculpture artist Douglas Powell of Duzi Objects delves into the realms of fluidity, movement, and three-dimensional shapes through ...

Ghost Pendant Lamp by Resident Dimensions: D 18.6 x H 44.3 cm Materials: Borosilicate Glass, Aluminium, Silicone. Weight: 6.5 Kg. About: Founded by Simon James & Scott Bridgens in ...

Cross Pendant Lamp by Resident Dimensions: W 72 x D 72 x H 6 cm Materials: Aluminium, Acrylic. Weight: 3.3 Kg. About: Founded by Simon James & Scott Bridgens in 2011, Resident is t...

Aluminum Vide Poche Rond XL by Henry Wilson Dimensions: D 18 x 4 cm Materials: Aluminum Your Vide Poche is designed with your loose-pocket items in mind – think keys, change and ph...

Marble Block Big Poche Rond by Henry Wilson Dimensions: W 35 x D 35 x H 7 cm Materials: Marble This sculptural item is handmade in Sydney Australia. Each piece is manufactured in n...

Guatemala Thoronet Dish by Henry Wilson Dimensions: W 20 x D 30 x H 5 cm Materials: Guatemala Marble This sculptural item is handmade in Sydney Australia. Thoronet dish, shares its...

Guatemala Thoronet Dish by Henry Wilson Dimensions: W 20 x D 30 x H 5 cm Materials: Guatemala Marble This sculptural item is handmade in Sydney Australia. Thoronet dish, shares its...

Bronze Spot Table Lamp by Henry Wilson Dimensions: D 13 x H 21 cm Materials: Bronze Spot light is a direct, sculptural light cast in two parts from solid gunmetal bronze.   Each ca...

Bronze Spot Table Lamp by Henry Wilson Dimensions: D 13 x H 21 cm Materials: Bronze Spot Light is a direct, sculptural light cast in two parts from solid gunmetal bronze. Each cas...

Set of 2 Aluminum Mini Cove Handles by Henry Wilson Dimensions: W 5 x D 2 x H 9 cm Materials: Alumium Each piece is sand cast and rumbled finished. Aluminium pull handle...

Introducing the Wing Water Vessel, a versatile piece that is sure to elevate your dining table or living space. This unique vessel serves as both a water vessel and a vase, making it...

Introducing the Wing Water Vessel, a versatile piece that is sure to elevate your dining table or living space. This unique vessel serves as both a water vessel and a vase, making it...

We are excited to introduce the latest addition to the Object Van Brandenburg family - the Fluted Vase. The Fluted Vase is a testament to both elegance and craftsmanship. Its unique...

Experience the essence of elegance and fragrance with a distinctive alternative to conventional oil burners. Cast in bronze, the Bud oil burner is not only a vessel of aromatic bl...

Important to note, this listing is specifically for the Phasmida Chandelier (5 Arm Horizontal, Brass) in an included finish. Please inquire with our sales team about pricing information on the different sizes available as well as upcharged finishes. PHASMIDA comes from the Greek f?sµa “phasma”, meaning phantom or apparition and describes the momentary visibility of the unseen. Phasmida or Phasmatodea are an order of insects, commonly known as stick insects...

A fabulous vintage coastal basket. A unique shape that has so many possibilities. Beautiful as a wall hanging, a centerpiece or even a super chic dog bed. Brought from New Zealand to...