Oceanic Furniture

Small Woodland Grey Curved Bench by Coco Flip Dimensions: D 65 x W 165 x H 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 42 kg Coco Flip is a Melbourne ba...

Raw Honey Table Lamp by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x ceramic G9 l...

Surfmist Table 03 by Coco Flip Dimensions: D 48 / 122 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 30 kg Coco Flip is a Melbourne base...

Black Table 03 by Coco Flip Dimensions: D 48 / 122 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 30 kg Coco Flip is a Melbourne based f...

Large Paperbark Curved Bench by Coco Flip Dimensions: D 75 x W 200 x H 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 44 kg Coco Flip is a Melbourne based furniture and lighting design studio, run by us, Kate Stokes...

Single Earth Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x cer...

White Honey Table Lamp by Coco Flip Dimensions: D 30 x W 30 x H 12 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 4kg Standard fixtures included 1 x ceramic G9...

Single Raw Honey Wall Sconce by Coco Flip Dimensions: D 22 x W 22 x H 7 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: 2kg Standard fixtures included 1 x ceram...

Woodland Grey Table 02 by Coco Flip Dimensions: D 48 / 85 x H 32 / 36 / 40 / 42 cm Materials: Mild steel, powder-coated with zinc undercoat. Weight: 20 kg Coco Flip is a Melbourne ...

Blue and Pink Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: Pink. C...

Green and White Honey Pendant Light by Coco Flip Dimensions: D 18 x W 18 x H 13 cm Materials: Slip cast ceramic stoneware with blown glass. Weight: Approx. 2kg Glass finishes: White...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp. Artist: Sophie Taeuber Arp Dimensions: W 170, D 240 cm New-Zealand wool and silk. Japanese Abstractions is a collection of nine pieces, all designed around the concept of the imaginary trip to Japan of the Dadaist and feminist artist Sophie Taeuber Arp. Each rug is a combination of geometric shapes and traditional Japanese patterns, a result of the unexpected yet poetic encounter between pure abstraction and cultural influences, between West and East. Sophie Taeuber-Arp Biography (1889–1929) Sophie Henriette Gertrud Taeuber was born on January 19, 1889 in Davos-Platz, Switzerland. From 1904 to 1907 she attended the Stauffacher-Schule and the drawing school at the Industrie- und Gewerbemuseum, or the museum for industry and design, in St. Gallen. In 1910 she began her studies at the Lehr- und Versuchsateliers für angewandte und freie Kunst in Munich, a reformed art school that sought to synthesize the visual and applied arts. After an additional semester at the school of applied arts in Hamburg in 1914, her student days came to an end. She joined the Schweizerischer Werkbund in 1915, the same year that she met Hans Arp. Enthused about her work, he encouraged her to devote herself to it even more fully. The artists’ close collaboration resulted in collages, sculptures and textile designs. Sophie Taeuber took lessons in movement arts from Rudolf von Laban, a founder of modern dance. She appeared as a dancer at the Dada-Soirées at the Cabaret Voltaire and the Galerie-Dada. Later on, she choreographed her own pieces. On May 5, 1916, she took over the textile class at the applied arts school in Zurich. In 1918, she also became a member of the artist’s association Das Neue Leben (New Life). At the same time, she undertook the design of stage backdrops and marionettes for Carlo Gozzi’s rendition of the opera König Hirsch. On October 20, 1922, she married Hans Arp. In 1925, Taeuber-Arp was appointed a member of the Swiss jury at the Exposition Internationale des Arts Décoratifs et Industriels in Paris. Her works won prizes and were shown in the International Exhibition of Modern Tapestries in Toledo, Ohio, USA. Sophie Taeuber-Arp and Hans Arp became French citizens in 1926. Through her connections with the Horn brothers, she secured contracts to design the interiors for various buildings, including the Aubette in Strasbourg. In turn, she asked Hans Arp and Theo van Doesburg to collaborate with her on this large scale project. Around the same time, she had a studio-home built according to her own plans in Clamart, near Paris. Having left her teaching post in Switzerland in 1929, Sophie Taeuber-Arp settled permanently in France. In collaboration with Marcel-Eugéne Cahen, she also realized the renovation and redesign of the Parisian Galerie Goemans. Sophie Taeuber-Arp Biography (1930–1943) In Paris, Sophie Taeuber-Arp joined the artists’ group Cercle et Carré and participated in their exhibitions. In 1931 she became a member of the association Abstraction-Création. Her artist friends Theodor and Woty Werner hired her to design the interior of their Paris apartment. A year later, in 1932, she left the Schweizerischer Werkbund. Her visit to the Sztuki Museum in Lodz, which was facilitated by Jan Brzekowski, led to a fruitful artistic exchange between the Polish avant-garde association a.r. and the Parisian artist’s group Abstraction-Création. Sophie Taeuber-Arp participated in various group exhibitions, and often showed her work with Artistes Suisses at the Galerie Vavin and at the Kunsthalle Bern with Hans Arp, Kurt Seligmann, Hans Schiess, and many others. She designed the layout for Anatole Jakovskis’ book Hans Erni, Hans Schiess, Kurt Seligmann, S. H. Taeuber-Arp, Gerard Vulliamy in 1935. Theodor and Woty Werner helped her secure the commission to design the interior of the Bauhaus professor Ludwig Hilberseimer’s Berlin apartment. Her work was shown in the exhibition These, Antithese, Synthese at the Kunstmuseum Luzern and in 1936 in Zeitprobleme in der Schweizer Malerei und Plastik, an exhibition of contemporary Swiss painting and sculpture, at the Kunsthaus Zürich. Additionally, she participated in the Konstruktivisten-Ausstellung, an exhibition of constructivist art, at the Kunsthalle Basel. Sophie Taeuber-Arp founded the international artists’ journal plastique with César Domela, A. E. Gallatin and L. K. Morris in 1937. The same year she joined the Swiss artists’ group Allianz. In 1938, she exhibited at the Exposition internationale du Surréalisme in Paris and at the Exposition of Contemporary Sculpture in London...

Oak Vieni Long dining table by Rosanna Ceravolo Dimensions: W 320 x D 110 x H 75 cm Materials: 30mm solid american oak, polyurethane spray finish. Also available in different dime...

Set of 3 Almendres Candle Holders by Henry Wilson Dimensions: Ø 11 x H 3 cm Materials: Brass The Almendres Candle Holder is a solid, hand-poured brass form with an almond-shaped pro...

Table lamp 5 by Michael Gittings Dimensions: D 30 x W 30 x H 70 cm. Materials: Stainless steel. All our lamps can be wired according to each country. If sold to the USA it will ...

Contemporary Brass and Quartz Crystal Floor Light - Archimedes by Christopher Boots The Alchemical symbol for fire is a triangle, point rising like a flame. Channeling the soarin...

Abandoned console by Michael Gittings One of a Kind Dimensions: D 150 x W 40 x H 81 cm Materials: Stainless steel Michael Gittings Melbourne based designer Michael Gittings ai...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170 x D 240 cm New Zealand wool and silk ...

Colorful pop art rug by Sophie Dariel Dimensions: W 170 * D 240 cm New-Zealand wool and silk Vibrant, electric, blunt and gritty, this capsule collection – based on Sophie Darie...

Large candle stick by Michael Gittings Dimensions: D 35 x W 35 x H 35 cm. Materials: Stainless steel. Michael Gittings Michael Gittings imagines with his hands. Since establishing h...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 240, D 240 cm New-Zealand wool and silk Jap...

Blackened Fold Light by Henry Wilson Dimensions: W 35 x D 9 x H 23 cm Materials: Bronze (Blackened) A cast light which appears to have been draped over it's base. A light fitting is...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170, D 240 cm New-Zealand wool and silk Japanese Abstractions is a collection of nine pieces, all designed around the concept of the imaginary trip to Japan of the Dadaist and feminist artist Sophie Taeuber Arp. Each rug is a combination of geometric shapes and traditional Japanese patterns, a result of the unexpected yet poetic encounter between pure abstraction and cultural influences, between West and East. SOPHIE TAEUBER-ARP Biography (1889–1929) Sophie Henriette Gertrud Taeuber was born on January 19, 1889 in Davos-Platz, Switzerland. From 1904 to 1907 she attended the Stauffacher-Schule and the drawing school at the Industrie- und Gewerbemuseum, or the museum for industry and design, in St. Gallen. In 1910 she began her studies at the Lehr- und Versuchsateliers für angewandte und freie Kunst in Munich, a reformed art school that sought to synthesize the visual and applied arts. After an additional semester at the school of applied arts in Hamburg in 1914, her student days came to an end. She joined the Schweizerischer Werkbund in 1915, the same year that she met Hans Arp. Enthused about her work, he encouraged her to devote herself to it even more fully. The artists’ close collaboration resulted in collages, sculptures and textile designs. Sophie Taeuber took lessons in movement arts from Rudolf von Laban, a founder of modern dance. She appeared as a dancer at the Dada-Soirées at the Cabaret Voltaire and the Galerie-Dada. Later on, she choreographed her own pieces. On May 5, 1916, she took over the textile class at the applied arts school in Zurich. In 1918, she also became a member of the artist’s association Das Neue Leben (New Life). At the same time, she undertook the design of stage backdrops and marionettes for Carlo Gozzi’s rendition of the opera König Hirsch. On October 20, 1922, she married Hans Arp. In 1925, Taeuber-Arp was appointed a member of the Swiss jury at the Exposition Internationale des Arts Décoratifs et Industriels in Paris. Her works won prizes and were shown in the International Exhibition of Modern Tapestries in Toledo, Ohio, USA. Sophie Taeuber-Arp and Hans Arp became French citizens in 1926. Through her connections with the Horn brothers, she secured contracts to design the interiors for various buildings, including the Aubette in Strasbourg. In turn, she asked Hans Arp and Theo van Doesburg to collaborate with her on this large-scale project. Around the same time, she had a studio-home built according to her own plans in Clamart, near Paris. Having left her teaching post in Switzerland in 1929, Sophie Taeuber-Arp settled permanently in France. In collaboration with Marcel-Eugéne Cahen, she also realized the renovation and redesign of theParisian Galerie Goemans. SOPHIE TAEUBER-ARP Biography (1930–1943) In Paris, Sophie Taeuber-Arp joined the artists’ group Cercle et Carré and participated in their exhibitions. In 1931 she became a member of the association Abstraction-Création. Her artist friends Theodor and Woty Werner hired her to design the interior of their Paris apartment. A year later, in 1932, she left the Schweizerischer Werkbund. Her visit to the Sztuki Museum in Lodz, which was facilitated by Jan Brzekowski, led to a fruitful artistic exchange between the Polish avant-garde association a.r. and the Parisian artist’s group Abstraction-Création. Sophie Taeuber-Arp participated in various group exhibitions, and often showed her work with Artistes Suisses at the Galerie Vavin and at the Kunsthalle Bern with Hans Arp, Kurt Seligmann, Hans Schiess, and many others. She designed the layout for Anatole Jakovskis’ book Hans Erni, Hans Schiess, Kurt Seligmann, S. H. Taeuber-Arp, Gerard Vulliamy in 1935. Theodor and Woty Werner helped her secure the commission to design the interior of the Bauhaus professor Ludwig Hilberseimer’s Berlin apartment. Her work was shown in the exhibition These, Antithese, Synthese at the Kunstmuseum Luzern and in 1936 in Zeitprobleme in der Schweizer Malerei und Plastik, an exhibition of contemporary Swiss painting and sculpture, at the Kunsthaus Zürich. Additionally, she participated in the Konstruktivisten-Ausstellung, an exhibition of constructivist art, at the Kunsthalle Basel. Sophie Taeuber-Arp founded the international artists’ journal plastique with César Domela, A. E. Gallatin and L. K. Morris in 1937. The same year she joined the Swiss artists’ group Allianz. In 1938, she exhibited at the Exposition internationale du Surréalisme in Paris and at the Exposition of Contemporary Sculpture in London...

Set of 2 future ruins planters by Michael Gittings Studio Dimensions: d 25 x w 25 x h 73 cm Materials: stainless steel Michael Gittings Melbourne based designer Michael Gitting...

Small Black Leather Desk Mat by Henry Wilson Dimensions: W 32 x D 22 x H 0.4 cm Materials: Leather Our leather desk mats are made of vegetable tanned...

Calacatta Block Thoronet Dish by Henry Wilson Dimensions: W 24 x D 6 x H 33 cm Materials: Calacatta Marble The Thoronet Dish in Calacatta marble. Unlike the bronze and aluminium ver...

Reversible Watch Tray by Henry Wilson Dimensions: W 26 x D 11 x H 3 cm Materials: Bronze A watch tray designed in collaboration with Jaeger-LeCoultre 'Time and Place'. The tray offers two distinct sides - one with a double watch...

Ora desk lamp in Gunmetal Grey Decorative anodized aluminium Ora desk lamp in Gunmetal Grey was the result of an exclusive production run for a Melbourne based project. This uniqu...

Honne by Callum Campbell Objects for self collection Signed and numbered Dimensions: W 9.5 x H 19- 25 cm Materials: Brass, LED Finish: Polished Note: 220-240w Australian elect...

Brass and Quartz Crystal Light Sculpture - Prometheus IV by Christopher Boots. Prometheus stole fire from the Gods of Mt Olympus and gave it to humankind. More than the means for survival- light and technology, Prometheus’ gift represented creative potential. The spark of creation, previously limited to the Gods, gave mortals the power to dream, create, imagine and challenge. PROMETHEUS IV is an implosion of blazing crystal quartz, venerating its namesake in a ring of flame. Available in pendant or sconce versions. On the first image you can see following configuration: PROMETHEUS IV 600, (Brushed Brass). Images present different size variants and examples of finish. This item is available in multiple finishes and configurations. In the description bellow we present available options for the dimensions, finish, suspension type etc. Please contact us directly and we will guide you through configuration process. Design: Christopher Boots, 2011 LIMITED EDITION - 88 editions per annum Materials: Quartz crystal, brass, iron, polymer Available finishing: Aged Brass Brushed Brass Hand Rubbed Brass Dark Bronze Mottled Patina Brushed Stainless Steel Verdigris (Price +15%) Polished Brass (Price +20%) Polished Stainless Steel (Price +20%) Copper Leaf (Price +20%) Silver Leaf (Price +20%) Gold Leaf (Price +30%) Quartz: Clear Quartz Gradient Quartz (Price +30%) Smoky Quartz (Price +30%) Lamp: 24V LED WW 2700K dimmable Sizes, Watts & Price: Prometheus III...

he TH Brown Martelle bar stool was first manufactured in the early 1960 and remains an iconic, timeless Australian design to this day. The beautifully sculpte...

Classico Travertine Incense Plate by Henry Wilson Dimensions: D 28 x H 4 cm Materials: Travertine The incense plate is carved from solid green Guatemala...

Aluminum Vide Poche Rond XL by Henry Wilson Dimensions: D 18 x 4 cm Materials: Aluminum Your Vide Poche is designed with your loose-pocket items in mind – think keys, change and ph...

Oak is a sustainably sourced timber pendant light which emits a delicate luminance. Each Oak Pendant Light shade is hand crafted and defined by the grai...

Side table by Michael Gittings Dimensions: D 40 x W 40 x H 55 cm. Materials: stainless steel. Michael Gittings Michael Gittings imagines with his hands. Since establishing his ...

Contemporary colorful rug inspired by Shangai's Aesthetic Dimensions: W 240 x D 240 CM New Zealand wool Vibration, perspective, energy, Shanghai by Night is an interpretation of...

Set of 2 Brass Mini Cove Handle by Henry Wilson Dimensions: W 5 x D 2 x H 9 cm Materials: Brass Each piece is sand cast and rumbled finished. Aluminium Pull Handle...

Travertine Ashtray by Henry Wilson Dimensions: D 20 x H 7 cm Materials: Travertine A contemporary take on a mid-century classic; Travertine Ashtray – a monolithic, sculptural piece...

Floor lamp 3 by Michael Gittings Dimensions: D 55 x W 55 x H 187 cm. Materials: stainless steel, glass. All our lamps can be wired according to each country. If sold to the USA...

Brass Tape Dispenser by Henry Wilson Dimensions: W 14 x D 5 x H 7 cm Materials: Brass The brass tape dispenser is a hefty piece of stationery. I...

Michael Gittings Studio. Electroformed side table Hand beaten copper top Electroformed copper legs. Dimensions: 40 cm, 60 cm, 40 cm. Limited edition of 3. Michael Gittings M...

Future Ruins planter I by Michael Gittings Studio Dimensions: D 25 x W 25 x H 73 cm Materials: stainless steel Michael Gittings Melbourne based desi...

Set of 2 crinkle plinths by Michael Gittings Studio Dimensions: D 30 x W 30 x H 70 cm Materials: Mirror polished stainless steel Michael Gittings Melbourne based designer Micha...

Calm, patient and consistent, the Uccio chair was conceived with two key objectives at heart - strength and capacity. A true gentleman in its manner, the chair steps back to allow an...

Brass Scoop Wall Light by Henry Wilson Dimensions: W 33 x D 12 x H 18 cm Materials: Brass Scoop wall light is sand cast in brass. Openings on the top...

Incredible vintage Abstract original oil portrait. A fantastic composition of Max Beckmann. Brilliant clear colors dominate this canvas. Signed in the lower left. Acquired from a Pal...

Set of 2 Aluminum Cove Handle by Henry Wilson Dimensions: W 5 x D 3 x H 25 cm Materials: Aluminum Each piece is sand cast and rumbled finished. Aluminium pull handles are manufact...

Polished Aluminium Thoronet Dish by Henry Wilson Dimensions: W 20 x D 5 x H 30 cm Materials: Aluminium Thoronet dish, shares its' name and arched lines with the Abby in the south o...

Contemporary colorful rug inspired by Seoul's Aesthetic Dimensions: W 170, D 240 cm New-Zealand wool and silk The South-Korea capital is known for its twenty-five bridges spanni...

Smoky quartz crystal light sculpture, Prometheus III 600 + 900 by Christopher Boots (set of 2 items) In 2013, Christopher Boots was commissioned to c...

What is a Portal? A magical or technological passageway connecting two environments, dimensions, or points in time.

Contemporary wall sconce in Quartz with brass base - Petra I Triple by Christopher Boots PETRA (from the Greek word ??t?a, meaning stone) celebrates the complexity and subtleties in the material composition in Quartz that PETRA is made from. Evoking strong connections to deep earth geology, PETRA radiates light through subtle tones and snaking veins of Quartz. The magic of PETRA is determined by the natural inherent beauty of Quartz. The PETRA collection is offered in Rose, Clear and Smoky Quartz. Every PETRA is unique as a consequence of variance to the size, shape, translucency and natural details of the stone. The PETRA I is the Sconce iteration of the collection, available in Mono, Twin or Triple. Design: Christopher Boots Materials: Slices of polished clear, rose or smoky quartz, brass Finishing: Aged Brass Lamp: 24V LED WW 2700K dimmable Size: 300 x 120 x 600 mm (11.8 x 4.7 x 23.6 ”) Watts: 12W Quartz: Clear quartz slice Rose quartz slice Smoky quartz slice (Price +30%) Made by hand, in Australia. Crate included in the price. This item cannot be returned or exchanged because of the hand-made and bespoke nature of this product. Christopher Boots Studio: Established 11-11-11, the Christopher Boots studio was founded on material and metaphysical exploration of quartz crystal, birthing a signature aesthetic. Exploring relationships between architecture, symbology and geometry found in nature offers a contemporary interpretation of pattern, structure and symmetry. All works are handmade with love and care, with a diverse team of skilled artisans. Collaborations with glass blowers, coppersmiths, ceramicists, sculptors, and bronze casters, ensures a commitment to quality and underscores an investigative sensibility, giving birth to an aesthetic often unexpected. We design, prototype and build in our Melbourne studios, honouring traditional elements of form, proportion and scale, marrying traditional and cutting edge materials with various techniques, creating future...

Table lamp 4 by Michael Gittings Dimensions: D 25 x W 25 x H 50 cm. Materials: Stainless steel. All our lamps can be wired according to each country. If sold to the USA it will ...

Glass lamp 3 by Michael Gittings Dimensions: D 30 x W 30 x H 70 cm. Materials: stainless steel, glass. All our lamps can be wired according to each country. If sold to the USA ...

Aluminium Ribbon Hook by Henry Wilson Dimensions: W 2 x D 8 x H 12 cm Materials: Aluminium The Ribbon Hook is sand cast in solid aluminium. Ribbon hook has two protruding blocks to ...

Large Moored shelving by Rosanna Ceravolo Dimensions: W 140 x D 42 x H 290 cm Materials: Powdercoated metal with brass detailing. Also available in different dimensions and colors. Rosanna Ceravolo is a Melbourne based architect whose multi disciplinary studio focuses on delivering a full and considered design response. Rosanna’s studio creates architecture, products, and spaces which aim to elevate the human experience. Her architectural work is collaborative, contextually sensitive, client specific and considered at both an urban and human scale with the aim of creating places for people. Her design approach focuses principally on how a space can be inhabited to ensure maximum enjoyment, considering connectivity, materiality, texture, light, and scale. As a natural progression...

Contemporary colorful rug inspired by Seoul's Aesthetic Dimensions: W 240 * D 240 cm New-Zealand wool and silk The South-Korea capital is known for its twenty-five bridges spann...

Medium Moored shelving by Rosanna Ceravolo Dimensions: W 140 x D 42 x H 245 cm Materials: Powdercoated metal with brass detailing. Also available in different dimensions and colors. Rosanna Ceravolo is a Melbourne based architect whose multi disciplinary studio focuses on delivering a full and considered design response. Rosanna’s studio creates architecture, products, and spaces which aim to elevate the human experience. Her architectural work is collaborative, contextually sensitive, client specific and considered at both an urban and human scale with the aim of creating places for people. Her design approach focuses principally on how a space can be inhabited to ensure maximum enjoyment, considering connectivity, materiality, texture, light, and scale. As a natural progression...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170 x D 240 cm New Zealand wool and silk Ja...

Table lamp 2 by Michael Gittings Dimensions: D 40 x W 40 x H 75 cm. Materials: Stainless steel. All our lamps can be wired according to each country. If sold to the USA it will ...