Peruvian Furniture

Two framed pre-Columbian textile fragments from Chimu or Chancay culture (1000AD-1470AD) in nowadays Peru. Both panels are of a similar red background and poss...

Vegetable Fabrics N°11 Cloud Pendant Lamp by RF Studio Dimensions: W 110 x D 40 x H 30 cm Materials: Reed The pictures presented are a reference, all p...

Inca Mantle with 16 figures in cubist form with multi-color fringes. This pieces with a Certificat de Bien Culturel from France. For the Incas finely worked and highly decorativ...

A sculptural sterling silver brooch with green cabochon inlay by Graziella Laffi (1923-2009), Lima, Peru, circa 1960-70s. The early small brooch depicts a stylized stork in flight. H...

A large fragment of antique pre-Columbia textile panel from Chimu or Chancay culture located in Central and Northern Coast of nowadays Peru. Chancay culture thrived in the late Inter...

A brass and copper model of a Tumi or ceremonial knife, with an adorable motif of Naylamp, the founder of the ancient Peruvian Sican culture. ABOUT T...

Two pre-Columbian textile fragments presented in wood frames. Handwoven in colored yarn, possibly camelid fibers, these pieces were from Inca period circa 15-16th century. One panel is a classic Inca weave that was likely part of a mantle or cape. It has a multi-panel design with eight-point stars alternating with stylized animal and homomorphic figures, steps-design and abstract scrolling patterns. The second one features a multiple stripe design also with eight-point star and a mysterious figure sandwiched between stripes of geometrical patterns and plain borders. Presenting in a thin gilt wood and a carved dark wood frame...

Believed to be original Cusco school portraiture of St. John The Baptist, wielding a cross near the lamb of God. Good Condition. Wear is consistent with age. Minor to moderate paint...

A striking Spanish Colonial polychrome carved wood sculpture depicting the Immaculate Conception, dating from the late 18th The Virgin is represented standing with open arms in a w...

From Huanzala Mine, Huallanca District, Huanuco Department, Peru Lustrous bladed translucent white barite crystals on thin lustrous sharp galena crystals with several areas isolated ...

A stunning choker style necklace in sterling silver by Graziella Laffi (1926-2009) Lima, Peru, circa 1960s. The bold necklace showcases an oversized plate...

River by Estudio Raffreyre Dimensions: W 200 x 400 cm Materials: Hanging Fibers ESTUDIO RF is located in Lima, Peru. We are dedicated to the research of the contemporary habitat...

A bespoken large sculptural sterling silver bracelet by Graziella Laffi (1923-2009), Lima, Peru, circa 1960-70s. The oversized bracelet showcases a low-relief motif of the mythologic...

A sterling silver jewelry suite with bold geometrical design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The set consists of a chain-linked necklace showcasing four holl...

A large pre-Columbian textile fragment from Inca period in nowadays Peru, circa 15-16th century. The piece consists of three narrower panels woven from fine camelid yarns and were se...

An antique pre-Columbia textile fragment likely from Peru Chancay culture in Central coast that thrived in the late Intermediate period/ late Horizon, A.D. 1200-1550. Abstract geomet...

Two antique textile fragments and two painted textile tools spindle needle framed in a pair matching lucite shadow boxes. The textiles were li...

A large pyrite cluster specimen originating from Peru, displayed on one of our exclusive museum-quality painted plaster bases. Naturally formed over millions of years, this huge pyr...

A large coper mask of a dignitary with almond shaped, inset shell eyes with pupils and a wide brim type crown. Attached at the brow line, a row of danglers is suspended, aligning the...

19th century Peruvian hand-carved chestnut armchair with carved crest and worked leather backrest and seat.

A framed Pre-Columbian hand-woven gauze panel with open lattice design from Chancay culture (10-15th century). Located in Northern Central coast across three valleys: Huaura, Chancay...

An intact shirt with motif of rows of feathers in several shades of mustard yellow on a red ground, depicted as they would have been attached in rows in an actual feather textile.

29 Piece set of pottery stoneware with a white ceramic overglaze designed by Jonathan Adler. The pattern is called "Brazilia", which was part of Adler's "Pot à Porter" line, the line was hand made in...

A pre-Columbian ceramic stirrup vessel in Cupisnique style circa 700-500BCE. This ancient vessel features a robust squatted body and a short thick stirr...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A wide leather belt with large sterling silver buckle crafted by Graziella Laffi (1923-2009), Lima, Peru, circa 1960-70s. The bespoken sculptural silver buckle features a biomorphic motif rooted in pre-Columbian culture. Marked: PERU, 950. The buck measures 5.75 x 5 x 2 inches and weighs about 126 grams (4.0511 troy ounces). The detachable belt consists of two parts is adjustable from approximately 33 inches to 36 inches. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Magnificent Pre-Columbian Nazca Textile Poncho with a Geometric Step Design in Vibrant Ochre, Red, Green and Brown colors with its Original Fringes. Moun...

Complete Nazca Unku in vibrant red with blue, green, yellow and white squares forming V design around the brown neck opening. The multicolor squares in stepped design make a diamond ...

An extraordinary survivor of the Spanish Colonial era, this rare 18th-century candlestick radiates both history and refinement! Crafted in Peru circa 1750, it is cast in richly patin...

18th century gold leaf, gesso and wood architectural remnant with wing detail from Peru.

Llama Inka Assemblable Acrylic Statuette by Studio Orbeat Dimensions: W 15 x D 4 x H 20 cm Materials: acrylic Also Available in AMBER, BLACK and TRANSPARENT acrylic. Please contact ...

Hammered Copper Cachepot with Ancestral Face Frieze (circa 1960s-70s) by Graziella Laffi. A cylindrical cachepot hammered from copper. On the exterior, you will find a repeating frie...

Bobina Acrylic Table Lamp by Studio Orbeat Dimensions: W 20 x D 20 x H 20 cm Materials: acrylic, steel fittings, LED light Also Available in BLUE, AMBER, SANDED TRANSPARENT ACRYLIC ...

Set of Three Vintage Peruvian Mid-Century Hand-Painted Wooden Wall Mirrors. Immerse yourself in the captivating charm of mid-century design with this remarkable collection of five h...

A collection of two fragments of antique pre-Columbia textile panel from Chimu or Chancay culture located in Central and Northern Coast of nowadays Peru. The panels were presented in...

Repousse Peruvian silver bouquet vase Peruvian, 20th Century Height 35cm, diameter 19cm Masterfully crafted from Peruvian silver, this grandiose vase showcases intricate repousse w...

A highly sculptural sterling silver jewelry suite consisting of a necklace with bird motif and a matching pair of earrings. The three-piece set was crafted by Peruvian silversmith an...

Beautiful Pre-columbian Mantle with a Central Kilim Type Tapisserie of Multicolor Designs with Priests Upraising their Arms Toward the Skies. It is surrounded by 2 Long Red Plain Cot...

A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time. The vessel weights about 2012g or 64.7 troy ounces. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

19th Century Peruvian leather suitcase with decorative stitching.

Peruvian Repousse-Decorated Silver Mask, the head with horns and scroll decoration to the nose. Weight: 6.30 ozt.; 9" H x 7" W x 4" D. Provenance: From an Upper West Side Estate.

A large natural pyrite specimen originating from Peru, sourced from the ex private collection of a Scottish professor. This mineral has a lustrous exterior that catches the light be...

Three textile fragments framed in Lucite shadow boxes circa 11-14th century. These highly geometrical textiles are from pre-Columbian Chancay Culture in the central coast of nowadays...

Elevate your interior with this captivating set of three vintage Modernist vases, each boasting a distinct geometric silhouette and a sophisticated snakeskin-embossed texture. The ve...

This late 18th-century Peruvian bargueño is an outstanding example of Spanish Colonial craftsmanship, featuring vibrant hand-painted decoration and intricate hardware. The front pane...

Inca Complete Uncu of beautiful geometric composition with serpent form in red, purple and yellow. This beautiful poncho of a geometric composition has only some worn out sections on...

Moche Red Ware Pottery Vessel with man figure. Moche Horizon of Peru, Circa 450 - 550 CE. In overall good condition, some chipping around the mouth of the narrow spout, and there’s a small spiderweb push on the back of the jar that appears to have resulted from a probe that penetrated the left side just below the figure (two small holes, one on the front upper left corner of the throne, and the other just around to the side, have been repaired). 6” x 4” x 6”. Ex. Hank Johnson Collection. Hank Johnson was a geologist, and passionate collector of historical and ancient artifacts. Starting with relics and bottles from ghost towns, he later focused on Anasazi pottery...

A sterling silver coffee service set consists of six pieces: a coffee pot, a chocolate pot, a covered sugar bowl with a serving spoon, a...

78926 Vintage South American Peruvian Kilim Rug, 05'11 x 07'00. This handwoven wool vintage South American Peruvian kilim rug is a stunning homage to th...

Two great examples of 18th century Spanish Colonial slipper stirrups. Not a pair, each similar yet different. One is brass with a lovely floral decoration, the other a rare copper type with a simple incised design. Both with a wonderful patina that only comes with real age and use. These definitely put in some serious miles. Possibly used in battle, or just to protect the rider from bramble. Imagine what these pieces of history may have witnessed. Unique gift for the equestrian or collector of horse memorabilia...

Original Antique Devotional Print of Christ of Guamantanga, Peru, 1779 Description: An original antique devotional copperplate engraving with fine original hand colouring, published...

Set of 2 vegetable fabrics N°7 pendant lamps by RF Studio Dimensions: D 150 x H 250 cm Materials: reed, brass. The pictures presented are a reference, all pieces are made to order....

This charming Spanish Colonial Revival cabinet, crafted circa 1930 in Peru, is a splendid representation of classic craftsmanship and timeless design. Standing tall with a two-part s...

Dorica Acrylic Table Lamp by Studio Orbeat Dimensions: W 39.5 x D 15 x H 42 cm Materials: acrylic, bronze, LED light The Dorica lamp is a warm light luminaire for table that has two...

A large woven textile panel from Nazca culture on the south coast of nowadays Peru circa 600 to 800AD. The panel with short fringes on the end used to be half of a sleeveless tunic (similar to poncho) in which two similar pieces were joined together. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The tri-colored geometrical blocks created a zigzagged step design that is visually minimal but bold at the same time. Its repetition evokes a lyrical visual rhythm that is unparallel in the ancient textile art and could easily mistake it as an abstract art from the 20th century. The zigzag step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in the ancient world. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Reference: James W. Reid, The Lee M...

A striking and architecturally composed pair of 17th-century Spanish Colonial candlesticks, masterfully carved in wood and richly adorned with original polychrome and parcel gilding....

Very colorful complete Nazca unku in multi-color camelid wool with lozenge diamond and zig-zag design patterns. The beautiful blue and light pink color makes this textile very unique...

Yupanas were used as calculators or abaci during the Inca Period. This is one of the finest and monumental an example of a Inca table Royal Stone Yupana or...

Beautiful 1978 oil still life painting by renowned Peruvian painter Almicar Salomon Zorrilla. The painting is as found, so it shows minor wear consist...

Pre-Columbian textile fragment with wave like patterns woven in bright colors. Framed in a black shadow box. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts - so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...