Peruvian Furniture

Set of 8 Peruvian pre Colombian textile boxes. Wood with textile under glass and silver trim. Various per Colombian textile fragments in a variety of colors and patterns. Boxes have ...

Incredible large scale 19th Century Peruvian Cuzco School Oil Painting on Canvas (later laid on board) of Madonna and the Christ Child with the Three Kings. Later Giltwood Frame. We...

Set of 3 Bricks by RF Studio Dimensions: W 12.5 D 9 x H 23 cm Materials: Andes Stones Also Available: Other finishes available. The pictures presented are a reference, all pieces a...

Magnificent Pre-Columbian multi-color Chancay textile with animal figures in cubist form. The Chancay are known more for their textiles than for their ceramics. Textiles from elite Chancay tombs include elaborate gauzes, embroidery, painted plain weave and tapestry, and three-dimensional fibre...

Vintage handmade beautifully carved wooden trinket box, jewelry box or keepsake box. Depicting a village scene with Houses & Palm Trees. Folk Art ...

The hand carved beaker-shaped wood drinking vessel was used to drink 'chicha' which was a beer-like beverage made from fermented corn. The weathered exterior showing incised geometri...

This zoomorphic vessel in the shape of a llama with an elongated globular body is from the Chancay civilisation, dated between 1000 and 1400 AD. Th...

Lustrous yellow-metallic pyrite compound crystal with remnants of tan-colored matrix on the bottom. The pyrite crystal is cubo-octahedral form with striated cubic faces and layered p...

Llama Inka Assemblable Acrylic Statuette by Studio Orbeat Dimensions: W 15 x D 4 x H 20 cm Materials: acrylic Also Available in AMBER, BLACK and TRANSPARENT acrylic. Please contact ...

An elegant 18th-century Spanish Colonial Virgin and Child sculpture, carved in wood and retaining its original polychromy. Produced in Peru during the colonial period, the sculpture ...

Double Spout and Bridge Vessel, Nasca, Peru, 200-600 BCE. Wonderfully painted, perfect for any collection.

Elevate your space with this magnificent Spanish Colonial Revival bench, a striking example of craftsmanship from circa 1930, originating from Peru. This remarkable piece embodies th...

This pair of vintage sterling silver hallmarked salad servers or serving pieces are very modernist in design. They were made in Peru ...

19th century Peruvian hand-carved chestnut armchair with carved crest and worked leather backrest and seat.

Peruvian pyrite bust of a human skull. Pyrite was given the name "Fool's Gold" by prospectors having mistaken it for gold in the 19th century. Its current namesake is derived from t...

Original Antique Devotional Print of Christ of Guamantanga, Peru, 1779 Description: An original antique devotional copperplate engraving with fine original hand colouring, published...

9th century silver processional priest's hats, Chimu culture, Peru. These silver hats were originally covered with fabric, as can be seen in the remaining surface pattern. The hol...

Hand-woven in wool circa 1950-1960, this 4x6 vintage Peruvian Kilim—traditionally known as a Frazada—is a vibrant and rhythmic example of South American textile art. A standout addit...

Mid-Century Modern black & brown hand painted ceramic urn shape vase pottery vessel. Signed by the artist and marked at the base. Simply lovely. A-745-335

A large framed Pre-Columbian hand-woven gauze panel with open lattice design from Chancay culture (10-15th century). Located in Northern Central coast across three valleys: Huaura, C...

19th Century Cuzco School Oil on Canvas of Archangel Zadkiel Peruvian Cuzco School Oil Painting on Canvas of the Archangel Zadkiel, holding aloft a blazing fire. Later Frame. Wear ...

Sterling Silver Peacock Incense Burner and Tray Description for 1stDibs A stunning sterling silver peacock incense burner, masterfully crafted with exceptional attention to detail....

Vegetable fabrics N°7 pendant lamp by RF Studio Dimensions: D 150 x H 250 cm Materials: Reed, brass. The pictures presented are a reference, all pie...

A large pyrite cluster specimen originating from Peru, displayed on one of our exclusive museum-quality painted plaster bases. Naturally formed over millions of years, this huge pyr...

From Barite on Galena with Pyrite from Huanzala Mine, Huallanca District, Huanuco Department, Peru Lustrous grey metallic galena crystals showing interpenetrant twinned formation wit...

Specimen Type: Galena Weight: 333 grams Dimension: H: 7 x W: 6 x D: 4 cm Origin: Huanzala Mine, Hunzala, Huallanca District, Ancash, Peru Treatment: None This striking mineral ...

From Huaron District, Cerro de Pasco Province, Pasco Department, Peru Large metallic Pyrite cubic crystals with golden calcite crystals overgrown on quartz crystal pyrite matrix. W...

A sterling silver coffee service set consists of six pieces: a coffee pot, a chocolate pot, a covered sugar bowl with a serving spoon, a...

18th century gold leaf, gesso and wood architectural remnant with wing detail from Peru.

Rare Spanish Colonial devotional painting depicting Our Lady of Candelaria, originally conceived as part of a processional banner or ecclesiastical...

Inca Mantle with 16 figures in cubist form with multi-color fringes. This pieces with a Certificat de Bien Culturel from France. For the Incas finely worked and highly decorativ...

Natural pink tourmaline necklace (167 gms) with rare gold Veraguas/Diquis supernatural drummer. Very fine example of ancient, Precolumbian goldwork form Central America, either Costa Rica or Panama. 111 grams of blush pink gold made with “lost wax” technique. The music he plays is not for entertainment, but rather to create magic, casting a spell or summoning other supernatural beings. Healing was the most important function of shamans, both the mortal and the immortal kind. Such a magical pendant...

A striking Colonial Peruvian devotional sculpture depicting the Virgin of the Rosary, carved in maguey wood and presented with an impressive antique silver crown and richly layered textiles. Created within the artistic traditions of the Andean world, the sculpture reflects the distinctive fusion of Spanish Baroque devotional models and local craftsmanship that characterized religious art in Colonial Peru. Particularly noteworthy is the use of maguey wood, a lightweight material traditionally employed in Andean sculpture and strongly associated with the religious imagery produced in Peru and the Cuzco region. The figure displays a serene and expressive face, glass eyes, delicately modelled hands and a commanding vertical presence. Its imposing silhouette is enhanced by elaborate period and later textiles, recreating the appearance these devotional images would have presented in churches, chapels and private oratories throughout the colonial period. The sculpture is accompanied by a substantial antique Peruvian silver...

Vegetable Fabrics N°11 Cloud Pendant Lamp by RF Studio Dimensions: W 110 x D 40 x H 30 cm Materials: Reed The pictures presented are a reference, all p...

South American Colonial (Peruvian 19th Cent) cowhide and leather floor trunk (Bataca) with a geometric strap design.

A collection of two fragments of antique pre-Columbia textile panel from Chimu or Chancay culture located in Central and Northern Coast of nowadays Peru. The panels were presented in...

Set of 6 paintings attributed to the Cusco School, 18th–19th centuries Series of five small-format oil paintings on canvas, attributed to the Cusco School, 18th–19th centuries. They...

A framed Pre-Columbian hand-woven gauze panel with open lattice design from Chancay culture (10-15th century). Located in Northern Central coast across three valleys: Huaura, Chancay...

A nicely framed fragment of antique Pre-Columbian textile that depicts a stylized figure in a geometrical background. Linen backing. The woven fragmen...

A pre-Columbian ceramic stirrup vessel in Cupisnique style circa 700-500BCE. This ancient vessel features a robust squatted body and a short thick stirr...

Hammered Copper Cachepot with Ancestral Face Frieze (circa 1960s-70s) by Graziella Laffi. A cylindrical cachepot hammered from copper. On the exterior, you will find a repeating frie...

Decorative vase by Cesar Alache, in Chulucanas, Peru. Decoration of dancers of a man and a woman around the beautiful ceramic vase.

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A small black ceramic figural stirrup vessel from Moche culture circa. 100-500 AD, located in nowadays Northern Coast of Peru. The hollow pot with the stirrup handle was sensitively molded and the surface burnished. The seated figure has his arms folded in front of his chest. He has prominently protruding ears and an expressive face. Provenance Available to the buyer: From an American collection. For a black burnished stirrup bottle, see item 1976.287.8, 64.228.35 in the collection of Metropolitan Musuem of Art, NYC. Many black portrait stirrup bottles are in the collection of Larco Musuem, Lima...

A large natural pyrite specimen originating from Peru, sourced from the ex private collection of a Scottish professor. This mineral has a lustrous exterior that catches the light be...

Presenting an exquisite Spanish Colonial late 18th-century Baroque bench, a masterful embodiment of craftsmanship and historical charm. This piece is a remarkable example of the intr...

29 Piece set of pottery stoneware with a white ceramic overglaze designed by Jonathan Adler. The pattern is called "Brazilia", which was part of Adler's "Pot à Porter" line, the line was hand made in...

A stunning choker style necklace in sterling silver by Graziella Laffi (1926-2009) Lima, Peru, circa 1960s. The bold necklace showcases an oversized plate...

Pair of Spanish Colonial Throne Chairs, Early 20th Century This magnificent pair of Spanish Colonial throne chairs, dating from the early 1900s, captures the grandeur and authority o...

A large Pre-Columbian textile fragment with geometrical tie dye motifs from Wari culture (circa 450 to 1000 AD), a Middle Horizon civilization that flourished in the south-central An...

Vasuka 110 Acrylic Pendant Lamp by Studio Orbeat Dimensions: D 10 x H 115 cm Materials: acrylic, laser-cut parchment paper, LED light, wood The VASUKA lamp model is a suspension or ...

A highly sculptural sterling silver jewelry suite consisting of a necklace with bird motif and a matching pair of earrings. The three-piece set was crafted by Peruvian silversmith an...

A highly sculptural sterling silver necklace by Peruvian silversmith and designer Grazielle Laffi (1923-2009), Lima, circa 1970. Marks to ne...

Two antique textile fragments and two painted textile tools spindle needle framed in a pair matching lucite shadow boxes. The textiles were li...

Trapecio Varnished Plywood Chair by Studio Orbeat Dimensions: W 50 x D 55 x H 77 cm Materials: plywood, stainless steel, black paint Also Available in stainless steel or baked paint...

This charming Spanish Colonial Revival cabinet, crafted circa 1930 in Peru, is a splendid representation of classic craftsmanship and timeless design. Standing tall with a two-part s...

Moche Red Ware Pottery Vessel with man figure. Moche Horizon of Peru, Circa 450 - 550 CE. In overall good condition, some chipping around the mouth of the narrow spout, and there’s a small spiderweb push on the back of the jar that appears to have resulted from a probe that penetrated the left side just below the figure (two small holes, one on the front upper left corner of the throne, and the other just around to the side, have been repaired). 6” x 4” x 6”. Ex. Hank Johnson Collection. Hank Johnson was a geologist, and passionate collector of historical and ancient artifacts. Starting with relics and bottles from ghost towns, he later focused on Anasazi pottery...

Pre-Columbian textile fragment with wave like patterns woven in bright colors. Framed in a black shadow box. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts - so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

18th-Century Peruvian Spanish Colonial Oil on Canvas - Saint Christopher This 18th-century Spanish Colonial oil on canvas, depicting Saint Christopher carrying the Christ Child, is a striking example of Peruvian Cusco School religious art. With its bold composition, expressive figures, and rich color palette, this piece embodies the grandeur of colonial-era ecclesiastical painting...

A large Nazca-Wari woven textile panel known as Llika or Awayo (shawl) from Ica Valley on the south coast of nowadays Peru. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. Shawls with this step design were identified as made from the period of 700 to 1100 AD during the transitional period when Nazca went under the expanded rule of the Wari empire. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The simple, bold and repetitive geometry with the scintillating color blocks created a lyrical visual rhythm and could easily mistake it as an abstract art from the 20th century. The step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in any other ancient textile art. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Provenance: From the collection of Lee M...