Peruvian Furniture

A fragment of antique Peruvian textile from Pre-Columbia era, nicely displayed in a matted metal frame. Likely from Chancay culture in Centra...

18th Century Peruvian engraved leather covered wooden dome top trunk with the inscription "JUNYO 17DE767 AÑOS" i.e. 17th of June 1767. Leather engraved wit...

78294 Vintage Peruvian Textile Tapestry, 00'08 x 01'05. Prepare to be mesmerized by the exquisite craftsmanship of this vintage Peruvian kilim textile. ...

A classic and very attractive specimen of Pyrite from Huanzala Mine, Huanuco Province, Peru. Complex pyritohedron cluster with striated crystal faces and a metallic mirror luster wit...

Unique large Chulucanas vase. Hand made in Peru by a ceramic artisan in 1996. Signed Taller Garcia on the bottom. This isn't your average tourist Chulucanas piece. This is arti...

Mid-Century Modern black & brown hand painted ceramic urn shape vase pottery vessel. Signed by the artist and marked at the base. Simply lovely. A-745-335

Nazca Tunic/Poncho of stepped design and fringe in yellow ocher, burgundy and brown. Perfect condition, museum quality.

This sizable Tetrahedrite specimen from Peru features sharp, well-formed crystals with a brilliant metallic luster that highlight the mineral’s distinctive tetrahedral geometry. A si...

78077 vintage South American Kilim rug with Tribal style 05'04 x 07'06. Emulating Chancay pre-Incan culture, this hand-woven wool vintage South A...

Decorative vase by Cesar Alache, in Chulucanas, Peru. Decoration of dancers of a man and a woman around the beautiful ceramic vase.

A large framed Pre-Columbian hand-woven gauze panel with open lattice design from Chancay culture (10-15th century). Located in Northern Central coast across three valleys: Huaura, C...

Beautiful Rectangular The Huari Design Kilim Rug By Genaro Rivas, Country of Origin: Peru, Circa date: Modern. Size: 9 ft x 11 ft 10 in (2.74 m x 3.61 m)

A hand-carved funerary mask meant to attach to a larger mummy bundle. The plank-form mask is painted with a broad red face accented with white, diamond-shaped eyes, a rectangular mou...

Two Pre-Columbian Pottery Vessels, comprising: a Peruvian female figure form effigy vase with polychrome hand-painted decoration, and a double-spouted vase with two faces. Taller: 5...

A large fragment of antique pre-Columbia textile panel from Chimu or Chancay culture located in Central and Northern Coast of nowadays Peru. Chancay culture thrived in the late Inter...

Ernesto Gutierrez (Peruvian, b.1939) Woman with Child, 1984 Sight 37 ¾ by 30 ¾ inches Frame 44 by 37 inches signed and dated '84 lower right. Ernesto Gutierrez (b. 1939) Born...

Set of Three Aerial Views of The Andes and Amazon by RF Studio Unique Pieces Dimensions: D 3 x W 75 x H 120 cm (each). Materials: Diverse recycled Andes stones. ESTUDIO RF is locate...

Complete and magnificent Chimu Pre-Columbian Tapestry with 21 multicolor Royal attendants and fringe. No restoration, professionally cleaned. Overal...

9th century silver processional priest's hats, Chimu culture, Peru. These silver hats were originally covered with fabric, as can be seen in the remaining surface pattern. The hol...

Beautiful vintage oversized South American kilim in a banded stripes design with brilliant stripes in colors of Blue, red, green, black, orange and magenta. The kilim has an extremely fine weave and a very high quality handspun wool that was hand dyed with natural vegetable dyes. The rug is made of two individual kilims that were separately weaved and then sewn together. The kilim is a large size ideal to be used as a room rug or a gallery rug. Dimensions: 5’ 1” x 12’ 9” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: South America Material: Very fine wool fiber with vegetable dyes Condition: Wear consistent with age and use The Persian Knot Gallery, SKU: 1551 Mexican Handwoven Textiles, Vintage Mexican Textiles...

18th century Peruvian "frailero" wooden chair with stretched leather seat and back.

This pair of vintage sterling silver hallmarked salad servers or serving pieces are very modernist in design. They were made in Peru ...

A world-class cluster of perfectly terminated cubic Pyrite crystals, interlocked on it's natural Basalt matrix. This specimen was discovered in the famous mines of Huanuco Province, ...

Lustrous yellow-metallic pyrite compound crystal with remnants of tan-colored matrix on the bottom. The pyrite crystal is cubo-octahedral form with striated cubic faces and layered p...

A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time. The vessel weights about 2012 grams. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A ceramic stirrup vessel pot from late Moche culture circa 500-700AD in nowadays Northern Coast of Peru. The hollow vessel features a rounded body and...

Vintage Artesania Tabuisa Tumi Peruvian God Gold Glass Mugs Set of 3. Set up the Tiki Bar and serve your favorite drink or beer, featuring an Aztec Tumi God. The graphic is so striking and very modernist. There are Inca God figure design in front of each glass, marked Peru on one side and Tumi on the other side. It was a part of the Mayan culture and history. Pristine vintage 14k gold Inca gold graphic glass mugs with original tags. Hand-made in Peru, the drinking glasses are heavy and will keep your drink cold. Dimensions: 5 in. tall x 4 in. with Handle x 3 in. Diameter. No chips or cracks and no fading to the gold rim or the graphic. Set of 3 Mid Century Modern Artesania Tabuisa Barware Glassses with 14k gold design and trim featuring Tumi Peruvian God. About the Design: Tumi is a generic term encompassing the many kinds of sharp tools utilized in pre- and post-colonial eras of the Central Andes region, Tumis were employed for a diverse set of purposes such as kitchen knives, agricultural tools, warrior or hunting secondary weapons, sacrificial knives, barber implements, pendants, or medical tools...

Lustrous yellow-metallic pyrite compound crystal with remnants of tan-colored matrix on the bottom. The pyrite crystal is cubo-octahedral form with striated cubic faces and layered p...

Trapecio Varnished Plywood Chair by Studio Orbeat Dimensions: W 50 x D 55 x H 77 cm Materials: plywood, stainless steel, black paint Also Available in stainless steel or baked paint...

An exceptional early Cuzco School painting, naive depiction of the Holy Family, presented in a contemporary wooden frame. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, following the Spanish conquest and subsequent attempts by the Spanish invaders and missionaries to implement the Catholic faith and associated customs upon the Peruvian people. The school was established in the ancient city of Cusco which had previously been the capital of the Incan empire. Bernardo Bitti arrived in Peru in 1583, and with his arrival the acceleration of Cuzqueno Art flourished. During his two stays in Cusco, Bitti was commissioned to make the main altarpiece of the church of his Order, replaced by another after the earthquake, and painted some masterpieces, such as The Coronation of the Virgin, currently in the museum of the church of La Merced, and the Virgen del pajarito, in the cathedral. Cuzco School paintings are marked by their baroque influenced imagery and the subjects of the paintings shown with light focused upon them. Cuzco art...

From Huaron District, Cerro de Pasco Province, Pasco Department, Peru Large metallic Pyrite cubic crystals with golden calcite crystals overgrown on quartz crystal pyrite matrix. W...

A highly sculptural sterling silver jewelry suite consisting of a necklace with bird pendent and a matching pair of earrings. The three-piece set was crafted by Peruvian silversmith ...

Two antique textile fragments and two painted textile tools spindle needle framed in a pair matching lucite shadow boxes. The textiles were li...

BRICK by RF Studio Dimensions: W 12.5 D 9 x H 23 cm Materials: Andes Stones Also Available: Other finishes available. The brick is a generic constructive element that constitutes p...

Artisanal Home Pillows made from 100% Pima Cotton This black, white, and gray home decor pillow was hand woven on back strap looms in Peru out of 100% Pi...

A wide leather belt with sterling silver buckle and matching ornaments crafted by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The prominent silver articles feature the shape and motif rooted in pre-Columbian culture that inspired the artist's work. Mark on verso: PERU 950, extended size is 47 x 3 inches (119.4 x 7.6 cm) and weight is about 428 grams. Belt length adjustable between 27 to 38 inches. This lot with partially effaced Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

19th Century Peruvian leather suitcase with decorative stitching.

Simeon Gonzales is a contemporary abstract artist born in Cusco, Peru in 1973. His Inka heritage is very present in his works, which are a celebration of bright and strong colors. Go...

Likely from Peru, this South American cabinet is made of mahogany, with bookmatched front doors opening to reveal a single open space without shelves above 2 short and 2 long drawers...

Outstanding Spanish Colonial 18th Century Presentation Hall Table Richly carved with motifs of shells, rocailles and scrolls. Arched sturdy leg...

Specimen Type: Galena Weight: 333 grams Dimension: H: 7 x W: 6 x D: 4 cm Origin: Huanzala Mine, Hunzala, Huallanca District, Ancash, Peru Treatment: None This striking mineral ...

The hand carved beaker-shaped wood drinking vessel was used to drink 'chicha' which was a beer-like beverage made from fermented corn. The weathered exterior showing incised geometri...

A highly sculptural sterling silver necklace by Peruvian silversmith and designer Grazielle Laffi (1923-2009), Lima, circa 1970. Marks to ne...

A bespoken sterling silver jewelry suite with bold design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The set consists of a choker style necklace showcasing six large ge...

A large Nazca-Wari woven textile panel known as Llika or Awayo (shawl) from Ica Valley on the south coast of nowadays Peru. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. Shawls with this step design were identified as made from the period of 700 to 1100 AD during the transitional period when Nazca went under the expanded rule of the Wari empire. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The simple, bold and repetitive geometry with the scintillating color blocks created a lyrical visual rhythm and could easily mistake it as an abstract art from the 20th century. The step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in any other ancient textile art. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Provenance: From the collection of Lee M...

Pre-Columbian, North Coast Peru, Moche, ca. 100 to 500 CE. A choker necklace comprised of seven strands strung with hundreds of black and white hand-carved shell beads. The strands...

Three textile fragments framed in Lucite shadow boxes circa 11-14th century. These highly geometrical textiles are from pre-Columbian Chancay Culture in the central coast of nowadays...

Small Spanish Colonial Neoclassical Ceramic Urn. Two handles with lion heads and cherub details. Made in Peru circa 1640. A rare and early Spanish Colonial glazed ceramic urn, made ...

A wide leather belt with large sterling silver buckle crafted by Graziella Laffi (1923-2009), Lima, Peru, circa 1960-70s. The bespoken sculptural silver buckle features a biomorphic motif rooted in pre-Columbian culture. Marked: PERU, 950. The buck measures 5.75 x 5 x 2 inches and weighs about 126 grams (4.0511 troy ounces). The detachable belt consists of two parts is adjustable from approximately 33 inches to 36 inches. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Rimac stones N°1 by RF Studio Dimensions: W 70 D 47 x H 17 cm Materials: River Stones Rimac Stones explores our hydrographic landscape and its interaction with the materiality of o...

A sterling silver jewelry suite with bold geometrical design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The set consists of a chain-linked necklace showcasing four holl...

A stunning sterling silver vessel in the form of a stemmed bowl crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels protrusion alternated with a radiating design that resembles star fish or a blooming flower. It has an impressive presence with its unique form and ornamentation that appears both modern and ancient at the same time. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Exploring the brilliant artistry of South American weaving with this captivating Vintage Hand-Woven Textile Panel. This exceptional piece features a striking banded stripes pattern, ...

18th century gold leaf, gesso and wood architectural remnant with wing detail from Peru.

Set of 2 objects of light N°5 table lamps by RF Studio Dimensions: W 51 x D 10 x H 19 cm. Materials: andes onyx stones. Objects of light have a starting point in the origin and mate...

Extremely detailed yellow embroidered Pre-Columbian textile fragment with hints of red from the Chancay culture in Peru. This piece is framed in a black shadowbox. It is a wonder to behold antiquities such as a Pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts -- so the existence of these pieces after hundreds and thousands of years is exceptional. These textiles maintain their vibrant colors, natural threads, and their unique, historical designs. Provenance: This textile comes from the collection Ulrich Hoffmann, Stuttgart and former collection of the archaeologist Ferdinand Anton...

Teapot N°2 by RF Studio Dimensions: W 27 x D 15 x H 15.5 cm. Materials: andes granite, amazonic wood. Tea pot is an everyday object that explores the ritual relationship of water an...

Pre Hispanic earth ware vessel from the pre-Inca Chimu culture. Beautiful ancient vessel, created in northern coast of Peru around the 900 / 1470 AD. by the Chimu culture. This is...

Sculpture of Santa Rosa in stone Huamanga 17th century Origin Upper Peru Circa 17-18th century Former Viceroyalty of Peru Lime pink Santa and child motif Huamanga Stone Material Handmade polychrome It has some missing He is missing his left arm This piece is many years old. Its main structure is very good The stone carving of Huamanga is one of the crafts that emerges as soon as Ayacucho is mentioned, it is in this artistic field where the most varied and interesting application of Huamanga stone is found, being used in the manufacture of religious-themed figurines. Saint Rose of Lima (Lima, April 20, 1586-Lima, August 24, 1617), with the secular name Isabel Flores de Oliva, was a Dominican Tertiary Catholic saint...

Set of 2 vegetable fabrics N°2 pendant lamps by RF Studio Unique piece. Dimensions: W 60 x D 60 x H 160 cm. Materials: reed, brass. Vegetable fabrics brings us closer to the proces...