Silver and Green Hardstone Necklace and Earring Jewelry Suite Graziella Laffi

A highly sculptural sterling silver necklace by Peruvian silversmith and designer Grazielle Laffi (1923-2009), Lima, circa 1970. Marks to ne...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A stunning choker style necklace in sterling silver by Graziella Laffi (1926-2009) Lima, Peru, circa 1960s. The bold necklace showcases an oversized plate...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A wide leather belt with large sterling silver buckle crafted by Graziella Laffi, Lima, Peru, circa 1960-70s. The bespoken sculptural silver buckle features a biomorphic motif rooted in pre-Columbian culture. Marked: PERU, 950. The buck measures 5.75 x 5 x 2 inches and weighs about 126 grams (4.0511 troy ounces). The detachable belt consists of two parts is adjustable from approximately 33 inches to 36 inches. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A wide leather belt with sterling silver buckle and matching ornaments crafted by Graziella Laffi, Lima, Peru, circa 1965. The prominent silver articles feature the shape and motif rooted in pre-Columbian culture that inspired the artist's work. Mark on verso: PERU 950, extended size is 47 x 3 inches (119.4 x 7.6 cm) and weight is about 428 grams. Belt length adjustable between 27 to 38 inches. This lot with partially effaced Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

This set includes a matching necklace, bracelet, and pair of earrings. The pieces are marked Mexico 925. With a Classic segmented form, each stone is inset into a sterling frame. Ver...

Hardstone, quartz, amethyst, nephrite and silver-gilt flower model Continental, 20th century Measures : Height 25cm, width 21cm, depth 12cm. This exc...

ENAMELED 18K GOLD, DIAMOND AND EMERALD TIGER NECKLACE & EARRING SUITE All three pieces marked 18k; total weight 23.7 grams; 16 diamonds and 8 green gemstones Item # 012IEV10L An exq...

Black Japanned Prog setting filled with Emerald, Peridot, and Citrine Rhinestones in Round, Emerald and Teardrop Cut. The Citrine Rhinestones are Vaseline Glass and Glow Brilliantly under UV light. Oversized stones and incredible detail make this Hobé set a piece of Costume Jewelry History. The Earring’s fit very securely and are constructed with a built in cushion roller for comfort. They measure 1.25” The Necklace is a Festoon Bib with jointed connectors creating a tailored fit that moves along with you. This stunning necklace will glitter and sparkle with every breath while lighting up the room. One jewel connection is fused, this might be an old repair, pictured. The Necklace measures 15” long Each piece is signed Hobé with the signature used 1920’s to the 1950’s. HOBE Jewelry The original Hobe family was in business in the US from 1927 to 1995. William Hobe...

Nice Vintage central Asian silver gilt coral and gemstone beaded necklace A necklace of silver beads with high quality antique red coral amethyst and gemstones Period: early /...

A fine Chinese Ethnic Minority antique turquoise jade coral silver necklace from Bai people Yunnan. Coral silver turquoise and malachite with rare central carved lattice work jade b...