Belgian Armchairs

Mid-Century Modern Armchair ‘Cantilever’ by George van Rijck for Beaufort - Belgium 1960s

Art Deco armchair made of black painted wood and green fabric. Made around 1930 in Belgium. Has some nice details in brass buttons.

V-easy chair in iroko wood by Arno Declercq Dimensions: W 100 x D 70 x H 70 cm Materials: Burned and waxed iroko wood Cushion made in mohair by Pierre Frey more fabrics available a...

Zoumey armchair in Iroko wood by Arno Declercq Dimensions: W 82 x D 86 x H 73 cm Materials: burned and waxed Iroko wood, linen Natural walnut with other colors of linen is poss...

Armchair by Arno Declercq Limited Edition of 8 Dimensions: D 80 x W 90 cm x H 80 cm Materials: Japanese natural stone & patinated steel Signed by Arno Declercq Arno Declercq ...

Vintage Art Deco Design Lounge Arm Chair set, made in Belgium 1940's. Beautiful shaped chairs with OP Art velvet fabric, which is probably not original and reupholstered somewhere in...

Find here a set of Alfred Hendrickx S6L chairs, that has become difficult to find here in Belgium. It was first presented with other Belform furniture in 1958 at the world expo in Br...

Antique Rustic Neogothic armchair was constructed from thick, solid oak to last for generations, and includes a fine leather upholstery affixed with bra...

Mid-Century Modern Armchair by Emiel Veranneman, Wood and Leather, 1958

Mid-Century Modern pair of armchairs by Emiel Veranneman, leather, 1958.

Bentwood armchair by Torck Belgium. Torck is known as manufacturer of toys and furniture. It's a beautiful shaped chair with bentwood armrests. Stamped - signed at the back by ...

Pair antique Liegoise Louis XIV solid oak armchairs are perfect for creating a stately presence in any seating group! Hand-crafted from quarter-sawn oak, each features an arched seatback crown with foliate embellishment appearing over the finely crafted and carved seatback that utilizes raised panels, gracious contours and intriguing form for timeless visual appeal. Molded uprights, contoured armrests, and turned supports and legs complete the look, with an apron below embellished with the same style motif as the seatback crown. Solid plank seats...

Armchair in yellow fabric. Stamped Knoll. Wear due to time and age of the chair (see photo) Seat height: 47cm.

Pair of 20th Century Knoll International oak framed armchairs designed by Vincent Cafiero. Circa 1950.

The Tyrol armchair combines both function and art. It boast a sleek yet bold space age form, the consequence of the moulding process employed – vacuum forming polystyrene. This armch...

Collectible design / Functional art, Lionel Jadot for Everyday Gallery, Belgium 2020 Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips— the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner — but as you walk this walk please be seated on any of the thrones and experience the work for a moment— the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Fantastic and unique set of ten midcentury easy chairs produced by the Belgium manufacturer Meurop and designed by the French designer Pierre Guariche in the 1960s. Chairs in origina...

Grands fauteuils by Olivier de Schrijver (born in 1958) Model Ode à la femme with mahogany wavy headband extended by the armrests and the base, curved ...

Limited Edition armchair in Iroko Wood - Faeröer Armchair by Arno Declercq Dimensions: D 86 x W 82 x H 73 cm Materials: Burned and waxed Iroko woo...

Green patina bronze leaf chair by Clotilde Ancarani. Dimensions : H 73 x 52 x 54 cm Available in gold and brown patina. Born in the United State...

Set of 8 Belgochrom - 8 green Belgo Chrome dining room chairs. Armchairs with bronzed patinated metal brass frame and green -blue original upholstery. The ...

This pair of armchairs is made of black lacquered metal and black faux-leather with wooden arms. This is a work is attributed to famous Belgian designer Willy Van der Meeren, circa 1...

Limited edition armchair in walnut - Zoumey Armchair by Arno Declercq Dimensions: D 86 x W 82 x H 73 cm Materials: American walnut, natura...

Elegant yet sturdy and comfortable armrest chair with chrome legs and black skai upholstery. The seat height of the chair is 46 cm. The well-filled pillow lies in a black plastic tu...

Memphis Milano style chairs by Belgo Chrom from the 1980s. Also a beautiful deskchair The green fabric is Alcantra, the backside is decorat...

Contemporary armchair in Iroko Wood - Zoumey Armchair by Arno Declercq Dimensions: D 86 x W 82 x H 73 cm Material: burned and waxed Iroko wood and linen. Natural walnut with o...

Set of 4 mid-century wood metal and green canvas folding armchairs.

Six black leather armchairs manufactured by Bulo Belgium circa 1980s. The chairs feature a wooden base with Leather upholstery. They remain in a good and sturdy condition with some w...

A beautiful set of vintage steel chromed of comfortable lounge chairs in style designed by Milo Baughman in 1960s. These classic and elegant chairs feature an architectural chrome fr...

Handcrafted using authentic materials: from non-coated industrial steel to vegetable tanned leather. From reclaimed solid oak to uncoated steel that highlights its natural patina, th...

Pair of "Livourne - série 800 luxe " Armchairs by Jules Wabbes.

Grands fauteuils by Olivier de Schrijver (born in 1958) in black satin color. Model Ode à la femme with mahogany wavy headband extended by the armrests...

Grands fauteuils by Olivier de Schrijver (born in 1958) in tech. Model Ode à la femme with tech wavy headband extended by the armrests and the base, cu...

Grands fauteuils by Olivier de Schrijver (born in 1958) Model Ode à la femme with mahogany wavy headband extended by the armrests and the base, curved...

The 'T-Shink' functional art throne chair is constructed of elements from wooden moulds which date back to the 1950s and originally used to make stainless steel sinks...

Mid-century mahogany armchair by De Coene is another example of the maker's highest-quality furnishings that made it so well known in European circles during the last half of the 20t...

Luxury armchair offered in chocolate oak frame. Upholstered in premium ocean blue velvet. Polished stainless steel caps. Available in other wood and v...

Club chair model Pacific by Belgian brand Jori. Made of beige color. Made around 2000. The armrest can be put down, what gives the sofa more space to sit. Measures: Width: 104-15...

We are delighted to offer for sale this very rare totally original Herve Liege Belgium hand carved oak Wainscot oak armchair circa 1760 A very well made original piece, the chair ...

Pair of carved Flemish armchairs, 19th century.

The S3 chair was designed by Alfred Hendrickx and produced by Belform in Belgium in 1958. This rare chair was a custom design by Hendrickx for the Sabena Airlines first class lounge in Zaventem Airport, Brussels. The three-legged, black lacquered frame is a stunning example of modernist design combined with streamline influences. Overseeing the entire interior of the Sabena lounge, Hendrickx had decided to upholster and use the S-3 chairs in three different colors: red, blue and green. Only 50 chairs...

Pair of mid century armchairs in red skai (leatherette) upholstery and black lacquered wooden armrests and legs. Nice striking red colour. Good original condition 1960s - Be...

Neo-Renaissance antique armchair from circa 1910. The armchair has old, original upholstery in very good condition. Origin: Western Europe D...

Pair Mid-Century Solid Wood Sculpted Armchairs were hand-crafted from planks of old-growth sycamore, and feature a wonderfully contoured and ergonomic design! The shield shaped seatb...

Georges van Rijck for Beaufort, 'Cantilever' lounge chair, fabric, wood and steel, Belgium, 1970s. This playful 'Cantilever' armchair is designed by ...

‘Ornamentum 1’ chair made from 6mm lasered aluminium. Designed as part of a collaborative project between spatial designer Orson Van Beek and fashion designer Quinten Mestdagh, consi...

Grands fauteuils by Olivier de Schrijver (born in 1958) Model Ode à la femme with mahogany wavy headband extended by the armrests and the base, curved s...

Art Deco desk armchair, solid oak wood and oak veneer, french polish, restored seat with leather uphostery. Belgium c. 1930

Pair mid-century solid wood sculpted armchairs were hand-crafted from planks of old-growth sycamore, and feature a wonderfully contoured and ergonomic design! The shield shaped seatb...

Thonet armchair with a printed illustration. The seat and backrest are weaved in rattan. The rest of the frame is covered in a print that could have influenced by the great Fornase...

The S3 chair was designed by Alfred Hendrickx and produced by Belform in Belgium in 1958. This rare chair was a custom design by Hendrickx for the Sabena Airlines first class lounge in Zaventem Airport, Brussels. The three-legged, black lacquered frame is a stunning example of modernist design combined with streamline influences. Overseeing the entire interior of the Sabena lounge, Hendrickx had decided to upholster and use the S-3 chairs in three different colors: red, blue and green. Only 50 chairs...

Pair of Art Deco chairs with cerused finish on oak, designed by famed Swiss architect Michel Polak. Newly upholstered seats in oxblood red/maroon leather....

Chair Stanton all in solid ashwood in black finish with 1 cushion seat, upholstered with foam and covered with white and grey fabric. Also available with other fabrics on request.  

Specialized in quality office furniture for over 60 years, the famous Belgian house edition Drisag, collaborates with sizes! Known for the quality, ergonomics and comfort of their cr...

Pair of Biedermeier style armchairs with clean, simple lines in lighter wood believed to be birch, circa 1930s. Seats have muslin cover and are ready to be upholstered in fabric of y...

Despite his long life, very little is known about the general production of menuisier (chairmaker) Jean-Joseph Chapuis (1765-1864) and even less about his use of bent laminates, which must be viewed as the most advanced of its kind until the appearance of Michael Thonet’s work of the 1830s. The profound reverence for the classical world in enlightened circles in early 19th century Europe and the United States often resulted in the archaeological resurrection of the art, architecture, and design of ancient Greece and Rome. No chair employing the innovative technique of bending wood more boldly expresses this allegiance to the past than this armchair painted in le style antique and based on the ancient Roman sella...

Art Nouveau armchair in walnut and white leather, in the manner of Henri van de Velde.

3 Flemish Curule armchairs in iron, brass and velvet, circa 1900.