Mid-Century Modern Living Room Sets

Living Room Sets midcentury Design Cherry Wood Minimal Mad in Italy 1950s Sofa height cm.84, width cm.114, depth cm.75, seat height cm.46.

Key Features of the Guy Rogers Classic Midcentury Lounge Sofa: Authentic Afromosia Teak Frame – Expertly crafted with a sleek, durable wood frame that exudes classic midcentury appeal. Luxurious Boucle Upholstery – Wrapped in soft ivory boucle fabric, offering both style and comfort. Plush Cushions with Fire Retardant Foam – Ensures superior comfort and safety. Restored to Perfection – Lightly sanded, treated with Danish oil, and fitted with new webbing for lasting durability. Elegant Sleigh Bentwood Legs – Enhances stability and sophistication. Dimensions: Length: 182 cm Width: 72 cm Height: 82 cm Why Choose this Mid-Century Guy Rogers Sofa...

Pierre Jeanneret, French Mid-Century Modern, Bridge Sofa Set, Chandigarh Upholstered bridge sofa/chair set, Mid-Century Modern, Model PJ-SI-42-B and PJ-SI...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Stunning sculptural ABCD set, designed by Pierre Paulin for Artifort in 1968. This amazing set consist of one 2-seat sofa and two 1-seat sofa's. The sofa's are composed of three...

This set of three Italian armchairs was designed in the 1950s. The design is by Melchiorre Bega. What is special about the set is that all three chairs have a different design but st...

Exceptional matching Camaleonda set in its original coral corduroy. Designed by Mario Bellini for B & B Italia. The “Camaleonda” sofa is Mario Bellini’s contemporary classic. The pl...

Livin room set Minimal industrial design of 1950 French perforated black metal scratched. Measures: Width cm.69, depth cm.53.

Two vintage fauteuils chauffeuse chairs, Very typical of the 1970s The Fabric needs to be recovered. The photo with blue fauteuils is an exemple of this kind of seats recovered. Goo...

This refined pair of vintage armchairs dates from the 1960s and is an emblematic example of the elegance of Italian design of that era. Made of walnut wood by fine Italian manufactur...

A vintage Mid-Century modern Swedish set of a lounge chair and footstool, designed by Carl Malmsten and produced by O.H. Sjögren in good condition. The large Scandinavian reading chair is composed with a headrest, the seat backrest is slightly curved, detailed with outspreaded arms, standing on four small polished Beechwood feet. Manufacturer label underneath the ottoman. Newly upholstered in a white bouclé fabric from Pierre Frey. Wear consistent with age and use. Circa 1940 - 1960, Sweden, Scandinavia. Seat: 17.5" H x 22" W x 21.5" D Ottoman: 18" H x 24" W x 22" D Carl Malmsten was a famous Swedish furniture designer, architect, and educator born in 1888, in Sweden and passed away in 1972. He collaborated with Gunnar Asplund and Uno Ahren. Malmsten has a lasting influence on Swedish design through the two schools which he founded, the Carl Malmsten furniture studies. In 1945, Malmsten was honored for a design with an inaugural Prince Eugen Medal in Sweden. O.H. Sjögren is one of the oldest Swedish furniture companies which is run by the fourth generation. The company was originally founded in circa 1870 by C. Rosén in Tranås, Sweden. In 1902, the Swedish manufacturer ( known today as O.H. Sjögren ) was taken over by Oskar Herbert Sjögren. In the early times, they were producing harnesses, saddles, etc. for horses. Later on, in the 1930’s, when the sons of Sjögren, Gustav and Olle Sjögren...

Afra & Tobia Scarpa "Soriana" Lounge Chairs for Cassina, Ivory Bouclé and Steel, Italy, 1969, Set of one. Although technically designed in the 1960s, the "Soriana" model by the Ital...

Rare Soriana chaise longue by Afra & Tobia Scarpa for Cassina, Italy, 1969 It's reupholstered in a beautiful plum textured fabric. The original foam is in very good condition and s...

Mario Bellini “Le Bambole” sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping bag contain...

Superb and exclusive pair of two seat Mohair Velvet 'CALIFORNIA' sofas freshly reupholstered with Italian luxury Mohair Velvet fabric from Dedar Milano with inset stainless steel bases by Parisian high society designer Jacques Charpentier. This plush mohair pile...

Rare set of two small croissant sofas by Raphaël Raffel for Maison Honoré Paris made in the mid 1970s. The sofas have been fully resto...

Armchairs, rosewood, Brazilian design, European execution, 1960s. The sofa set is still in the original upholstery fabric. Altogether a very good condition. This settee is execute...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 6 (4 x curve ): Measures: W. 250 cm / D. 250 cm / H. 70 cm / SH. 47 cm Modular sofa: assemble different modules to create your composition Wide range of fabrics and colors CAT 1: Fame CAT 2: Barnum, Breeze Fusion, Savoy CAT 3: Fiord, Hallingdal, Savanna, Zero*, Steelcut Trio, Moss, Safire CAT 4: Baru CAT 5: Dunes, Spectrum/Noir Introducing Studio, the newest sofa landscape in the NORR11 collection - a tribute to a timeless era of the 70s and its expressive aesthetics. Featuring a versatile but simple system of modules, appearing in limitless options to form numerous settings, shapes and styles to adhere to all types of environments. Whether for a small living setting or spacious public site. Studio is defined by its bold fluted upholstery characteristics inspired by late 1970s sofa styles...

Vogue Rattan Bamboo c1970s Sofa Matching Chair Pair of End Tables 5 Pcs Set Mint! loveseats: 31"x47"x33.5" seat height: 16" chair: 31"x24"x33.5" se...

A white, vintage Mid-Century Modern Dutch living room set of a two seater Congo, small sofa and a pair of lounge chairs designed by Theo Ruth and produced by Artifort, in good condit...

Afra & Tobia Scarpa “Soriana” sofa for Cassina, pink and chromed steel, Italy, 1969. Although technically designed in the 1960s,...

A suite of sofas and armchairs by Italian Designer Vico Magistretti for Cassina. Italy, designed in 1970s, this model likely c1990-2000s. Original leather, which has some signs of light aging but remains in good condition. A unique headrest solution from the designer to these chairs is that it can be 'unfurled' to a taller position for comfort. Price is for the set. Two three...

Sofaset consisting of a 3 seater sofa and two armchairs. The visible side parts are made of teak and the leg frame of iron with brass sleeves. Production Arflex 1950s for an Italian ...

This living room set is a typical example of furniture design of the 1970/1980´s in the former Czechoslovakia. The furniture is very comfortable. It consists of one sofa and two arm...

Here is a handsome De Sede DS 66 natural leather loveseat with two matching DS 66 single lounge chairs. This set showcases a thick dark brown leather wit...

This living room set model modular sofa was designed by George Nelson for Herman Miller. This set was completely re -upholstered in high premium cognac Natural leather. It has a soft...

This leatherette living room set is a typical example of furniture design of the 1970/1980´s It was made in Czechoslovakia. The furniture is in very good Vintage condition, showing s...

Beijinho 4-seat sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Beijinho leather sofa seamlessly combines the soft texture of high-quality leather...

Joaquim Tenreiro (1906-1992) is known as the “father” of Brazilian modernism, being one of the pioneers, with a work that reflects a refined coexistence of traditional values and mod...

This rare and striking set, crafted by Brazilian designer José Zanine Caldas in the 1970s, features two sculptural lounge chairs and a stunning coffee table made from richly grained ...

Mid-Century Warren Platner Style Fibreglass & Piece Sofa Set Offered is a vintage Mid Century sofa set. This set is in the style of Wa...

This two-seater "830" sofa was designed by Gianfranco Frattini in the 1950s and manufactured by the Italian company Cassina. The sofa is in good original condition and is covered wit...

Mid-Century Modern Italian B&B "Alanda" two-and-a-half-seat white leather sofa by Paolo Piva with adjustable back pillows and armrests, 1970s. The sofa shows wear due to age and use...

This absolute unique and gorgeous modular sectional sofa from the 70ties is manufactured by LÜBKE & ROLF from Rheda in Germany ( later was the Name LÜBKE KG). From the same family...

This spectacular Pallas lounge set was designed by the Swedish designer Svante Skogh in 1954 and is a rare example from the repertoire of modernist design. The Pallas set was designe...

This sofa was produced by the Brazilian company Celina Decorações in the 1960s. The sofa is made of solid Rosewood, with seats and backs upholstered with a gorgeous fabric 100% Organ...

Stylish and comfortable lounge chairs, ready to be enjoyed. The combination of the mid-century design and the quality materials makes this pair extra stylish and they will look pe...

Original condition.

Six piece living room seating group and table set in the style of Milo Baughman and Harvey Probber upholstered in luxurious burgundy tufted velvet on recessed chrome clad plinths. Ta...

Mid Century Modern white metal vintage seating group or garden furniture, which were designed and executed by Stanislaus Karasek an...

Set of six Brazilian chairs from the 60s. Solid wood structure, back and seat in cognac leather covered with a geometric patterned fabric (bought in condition, fabric already present...

The ingenious upholstery emphasizes the nonchalantly charming shapes – here is sofa program! This sofa is truly a master of seating comfort. Sink comfortably and recovering in the so...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modul...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modul...

A rare 20th-century Italian sofa manufactured by ISA Bergamo and designed in an organic curved shape with a cushioned outer ring and comfortable depth which sits on splayed polished ...

The sectional sofa with Lucite supporting legs features three units, a right arm section, a middle corner return and an ottoman. Plush cushions and all upholstered body. One of the i...

"Kiushu" armchair with wooden frame and fabric covering. The backrest is removable. Signs of wear on the legs. The Brick Red fabric and the fillings remain ...

A tasteful fusion of modern, Eastern and boho-chic style. Luxurious bamboo living room set by John B. Wisner for Ficks Reed. Wisner’s “Far Horizons” collection was first introduced in 1954 and remains a desirable, timeless classic. Inspired by the tropical lands of the the East, these modular bamboo lounge chairs with end table are featured in the hard-to-find dark walnut tone. The color is so deep that it almost appears ebonized. Curved and straight lines of rattan intersect to create this trademark pagoda style. The original straps have been replaced with all new supports. Professionally reupholstered with new, textured tweed fabric. The woven threads are a calming blend of teal, green and yellow tones. Tastefully tailored with button tufting and boxed stitched cushions. Along with new foam cushions, our restoration team spent countless hours on the revitalizing the bamboo on all 7 pieces. We maintained the original tone and mitigated nearly every flaw in the finish. Not to be overlooked, the square coffee / end tables offer plenty of function along with the form. The the light-tan tabletops, with a very subtle parchment pattern, not only look like new, but they're practically indestructible. Ideal for hosting parties, these end tables can combine to make one large coffee table...

Afra & Tobia Scarpa “Soriana” two-seater sofa for Cassina, ivory bouclé, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia and Afra Scarpa is firmly associated with the next decade, when its popularity peaked. "Soriana" is low and invites you to sink into its curves. The most notable feature of this couch, however, is the Minimalist structure in chromed steel. This external structure in steel rod keeps the cover taut using buttons...

This elegant, minimalistic sofa set features a classic patinated elmwood frame that beautifully complements the soft, ecru upholstery, creating a timeless, sophisticated aesthetic. ...

Nice pair of armchairs, Gio Ponti Era, circa 1950, Italy. Brass and light red fabric. New upholstery. Dimensions: 92 cm H, 69 cm W, 89 cm D, seat height: 45 cm. Very good condition. All purchases are covered by our Buyer Protection...

Crazy vintage & modular ‘Super C’ in its original black leather. Matching set & signed! A very rare find on the market! Designed & produced by Willy Rizzo Italy. This sofa is the ...

Early Ikea Settee and Chair designed by Tord Bjorklund, Sweden.Wonderful design. GREAT QUALITY AND CONSTRUCTION. Chair measures 30" wide, Hand delivery avail to New York City or anyw...

This extravagant pair of armchairs was made in Italy in the 1950s by the manufacturer ISA Bergamo. The armchairs are covered with a unique, shiny silk fabric. The legs of the armchai...

Mid-Century Modern sectional leather lounge sofa/living room set/7, Switzerland, 1970s Mid-Century Modern sectional leather lounge sofa/living room set of seven seats manufacture...

Exceptional Saratoga set designed by Massimo and Lella Vignella, produced by Poltronova, Italy 1960s. A beautiful living room set composed of two sofas (three-seater/four-seater), a ...

"Anfibio" sofa bed designed by Alessandro Becchi for Giovannetti Collezioni in 1970 in original Leather . The sofa can be unfolded or opened flat revealing its luxuriously soft sheep...

Italian white bamboo set composed by two round armchairs and a round shape coffe table with clear glass top. The armchairs have peculiar cushions in original fabric naif motif in pin...