Mid-Century Modern Living Room Sets

This rare model is in very good condition. The pine wood frames show hardly any signs of wear, and the brown fabric upholstery is also in perfect condition. Bright canvas covers with thick leather straps are stretched into the wooden frame. All pillowcases can be easily removed and washed. The set of 3 includes an ottoman. The objects can be placed together as a 3-seater sofa or individually. Peter Ole...

This elegant, minimalistic sofa set features a classic patinated elmwood frame that beautifully complements the soft, ecru upholstery, creating a timeless, sophisticated aesthetic. ...

Afra & Tobia Scarpa "Soriana" sofa for Cassina, Black Leather, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia and Afra Scarpa is firm...

Very stylish & rare ‘Vagues’ or ‘Waves’ modular sofa. The new reupholstery was carried out with careful consideration for the original stitching and overall character of this beauty...

Afra & Tobia Scarpa “Soriana” Lounge Set for Cassina, Italy, Burgundy Velvet, 1969, Set of three. Although technically designed in the 1960s, the "Soriana" model by the Italian duo ...

Marvelous pair of Mid-Century Modern bar stool in gilt curved brass with an off white cotton fabric seat. This wonderful pair of stools were designed in Italy during the 1950s and ar...

This vintage living room set is a typical example of European furniture design of the 1970/1980´s. It was made by the famous UP Závody company in the 1980´s. The furniture is very c...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic.

This five-piece modular set is incredibly versatile and can be confi...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic.

This three-piece modular set is incredibly versatile and can be conf...

Vintage adjustable sofa made of wood, metal and leatherette. It was a part of high class furniture called 'Belmondo', made in Czechoslovakia by Novy Domov in Spiska Nova Ves (marked)...

Mario Bellini for B&B Italia, 'Le Bambole' sofa, brown patinated leather, Italy, 1972. This piece is one of the very rare prototypes or early editions, and still 100% original, read ...

I offer a set of four folding chairs model B751 designed at the beginning of the 20th century by Thonet, manufactured in the early 1960s at the Thonet factory in Radomsko (central Po...

Twelve feet long! Custom made Dunbar sofa designed by Edward Wormley. This was reupholstered 10 years ago and has seen very little use since. We have refinished the base since these ...

For sale is a seating group consisting of a three-seater sofa, a lounge chair, and a rare stool, designed by Dieter Rams in 1962 and produced by Vitsœ. Part of the modular 620 seat...

Harvey Probber & Jack Lenor Larsen Happiness corner sectional sofa, lacquer red, 1968-1972. Gorgeous low slung modern sectional seating set of three. This is a truly extraordinary, museum-worthy set. Certain Larsen designs have captured the public’s imagination and are recognized as “signature” pieces. According to company records, the Happiness design was inspired by a Chinese robe and Ming Dynasty embroideries in the collection of the Henry Art Gallery of the University of Washington, where Larsen did his undergraduate work. It was introduced with four colorways – amethyst quartz, Ming gold...

“Down” sofa set by Carlo Bartoli for Rossi di Albizzate, 1970s Italy. Part of the Down series this set consists of one 3-seater, one 2-seater and a coffee table. Satin black lacquere...

Crazy vintage & modular ‘Super C’ in its original black leather. Matching set & signed! A very rare find on the market! Designed & produced by Willy Rizzo Italy. This sofa is the ...

Introducing a complete set of two Danish-made high-back lounge chairs with accompanying foot stools, two seater loveseat and matching side table. Crafted in the mid-1970's by the lau...

Mario Bellini "Pianura" two armchairs, three-seater sofa and squared coffee table for Cassina, argilla fabric and wood, Italy, 1972, set of four. The “Pianura” living room set is a ...

DANISH MID-CENTURY SCULPTED TEAK SOFA AND ARM CHAIR EN SUITE Circa 1960s, in original upholstery Item # 304YFP27P A very nice Danish Mid-Century Modern sculpted teak matched sofa a...

Danish Lounge Chair and 3 Seater Sofa by Ole Wanscher for PJ Møbler, 1960s. Scandinavian Mid-Century Modern living room set designed by professor Ole Wanscher for Poul Jeppesens Mø...

This beautifully restored, stylish Paul Frankl-inspired six-strand Square Pretzel rattan living room set features an intricate six-strand pretzel arm sofa and lounge chair set with s...

This iconic sofa was designed by Willy Rizzo in 1969 and is published in many of the interior design journals of the period. This design was illustrated in Casa Vogue's feature on Rizzo's own home in St Tropez,France in their October 1974 issue. The sofa is finished in brown suede. We have a further selection of these Willy Rizzo sofas...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning fully restored Mid Century Modern circa 1960’s De Sede DS44 armchair with matching ottoman whi...

Introducing a rare and monolithic lounge chair and ottoman set designed by the influential Adrian Pearsall for Craft Associates. Audacious in it's scope, shape and materials used thi...

Afra & Tobia Scarpa “Soriana” easy lounge chair for Cassina, Black Leather, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia an...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 6 (4 x curve ): Measures: W. 250 cm / D. 250 cm / H. 70 cm / SH. 47 cm Modular sofa: assemble different modules...

Striking brutalist sofa set with ebonized wooden frames and thick camel brown leather cushions. A nice detail are the leather strips to attach the cushions to the frames. Notice t...

Vintage design sofa Sofa model no. 35 designed by Arne Wahl Iversen, manufactured by Komfort, Denmark, 1960. This comfortable sofa with impressiv...

Salotto in bamboo e rattan composto da un divano curvo due poltrone ed un tavolino con piano in vetro. Design Italiano, anni 50. CONDIZIONI: In buone condizioni, presentano segni d'...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

De Sede ‘DS-11’ Modular Patchwork sofa in beige leather. Still 100% original. This high-quality sectional sofa designed by De Sede in the 1970s contains one regular elements & ...

Paul Frankl style rattan living room set including a matching three-seat sectional sofa, lounge chair and ottoman. Both the sofa and chair feature the famous six strand square pretze...

In his designs, Percival Lafer sought ergonomy and comfort. The MP-61 sofa and armchair, from 1973, was the first two pieces designed by Percival Lafer that used a visible fiberglass...

Stylish and hand made X-framed folding chairs from circa 1950. These stylized Renaissance chairs are made of solid tiger oak and they come with leather seats and backs that are all ...

This impressive set of sofa and two armchairs was designed and produced by the Australian company Parker Furniture in 1956. Parker has a legacy of creating some of the finest Mid-Century furniture. These eco-friendly seats are no exception. In an elegant, deep design with perfect proportions, there are simple pillows covered with a characteristic designer material in the color of royal blue, which complements the scultured structure of the frame. The cushions can be raised and the pieces have a spring frame. Elegant, aerodynamic arches are embedded in a low-line solid teak frame that creates an ultra-streamlined 20th century classic. Parker reflects the lightness of form present in the best Mid-Century design and this highly organic living-room set by Parker are a great example of a coveted modernist style. Clean lines and a relaxed profile come together to create a comfortable and stylish pair with a timeless feel. The beauty of these elements can be seen in thoughtful details. The sharp angles visible in the armrests and rear slats add sophistication to this forward-looking design. The set is signed with a label on the wooden frame and an insert on the cushions. Sleek low-back style and sophisticated design are examples of Parker's form from the 1950s. Armchair has 75x69x73cm. The height of seat is 42 cm Parker Furniture began as ‘Dagger and Parker’, a partnership formed between craftsman Alf Dagger, and salesman Jack Parker, after the depression era. From humble beginnings, the company quickly grew, making government tender furniture. Originally, the company made mainly traditional style furniture – reproductions of antique or art deco styles. In the mid 1940s, Tony Parker...

Mid-Century Modern Bamboo Chairs and Table Set – Italy, 1960s This elegant set of bamboo and rattan chairs, accompanied by a matching round coffee table, showcases the refined craft...

A set of four chairs, designed in the 1960s by Antonin Suman. The chairs are made of beech wood, the backrests are bent plywood with oak veneer. The chairs have been restored - have ...

Introducing the Florida sofa and armchair, crafted by the designer Johannes Andersen and manufactured by AB Trensums Fåtöljfabrik. Despite their vintage status, they remain in good c...

The cube sofa was designed by Jorge Zalszupin (1922-2020) in the 1970s. The elegance, a feature of Zalszupin designs, on this piece does not come from sculpted wood details or the...

Iconic Italian set attributable produced in Italy during 1960s. This midcentury set is made of a double seat sofa, two armchairs and a coffee table in rattan and bamboo...

De Sede ‘DS-11’ Modular Patchwork sofa in beige leather. Still 100% original. This high-quality sectional sofa designed by De Sede in the 1970s contains one regular elements & ...

Brazilian company Celina Decorações manufactured this sofa in the 1960s. The piece is composed of a solid Rosewood structure, with cushions upholstered with leather. This three-sea...

Original condition.

Afra & Tobia Scarpa "Soriana" sofa for Cassina, Black Leather, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia and Afra Scarpa is firm...

Mid-Century Modern French three-seat sofa with original velvet fabric designed by Gérard Guermonprez. The sofa presents some wear consistent with age and use. It can become a set ...

This elegant, minimalistic sofa set features a classic patinated elmwood frame that beautifully complements the soft, ecru upholstery, creating a timeless, sophisticated aesthetic. ...

This seating group from George Nelson’s "Modular Seating" series for Herman Miller combines timeless design with exceptional functionality. The flexible arrangement of elements allow...

Gorgeous, immaculate Paul Frankl 5 strand set: 3 person sofa couch, 2 armchairs, 3 side tables and 1 coffee table. This set is vintage perfection at it’s finest! DIMENSIONS 3 seat ...

Pair of Swedish modern lounge chairs, with the typical look of its time. These ones are fully restored and reupholstered with black/grey sheepskin - Shearling. Beautiful to look at a...

Discover the ultimate in seating comfort with our Ivory Bouclé Modular Lounge Chairs "Velasquez", straight from the 1970s. This set of two lounge chairs, produced by Mimo Padova in Italy, offers a unique combination of vintage charm and contemporary comfort. The chairs have been carefully reupholstered in a stylish ivory-colored bouclé fabric, which provides a soft and luxurious seating experience. The polished chrome outer frame adds an elegant, modern touch to the whole. Whether you place them separately or together as a compact sofa, these modular chairs are an enrichment for any interior. Advantages: Unique modular design from the 70s Reupholstered with high-quality ivory-colored bouclé fabric Flexible in arrangement: as separate chairs or together as a sofa Elegant chrome-plated outer frame for a modern look Good to know These lounge chairs have been reupholstered by hand and may show slight variations, making each pair unique. The chrome frame is polished for a mirror shine that will stand the test of time. Resume Vintage design meets modern comfort in these Ivory Bouclé lounge...

Original condition.

6 pieces, from "The Far Horizons Collection" by John Wisner. Measurements listed further down. All purchased together and identical wood and finish...

We are delighted to offer for sale this luxury Viva Italian designer tan leather 3 seater sofa. A stunning designer collection with boastful proportions. ...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic.
This five-piece modular set is incredibly versatile and can be config...

Incredible suite of Mel Smilow ( Smilow - Thielle ) furniture to include 2 daybed, lovseat sofas, 1 armless lounge chair, and the coffee, side table which can double as an ottoman if...

Maison Jansen, Living room set including a sofa and 2 armchairs circa 1940 Sofa Size: 31,5" x51,18"x31,5" (80x160x80 cm) Size of armchairs: 31,5"x24,8"x31,5" (80x63x80 cm) hs : 17,...

Mario Bellini 7-Piece Bambole Chairs/ Modular Sofa Set for B&B Italia 1970s This is a set of seven original production 'Le Bambole' lounge chairs or mod...

Franco Albini Style Rattan and Curved Bamboo Sofa & Armchair Set, Italy, 1970s Italian mid-century bamboo and rattan garden - living set from the 1970s features a beautifully handcr...

This elegant, minimalistic sofa set features a classic patinated elmwood frame that beautifully complements the soft, ecru upholstery, creating a timeless, sophisticated aesthetic. ...

Mid-Century Modern Italian pair of bamboo and rattan armchairs in the style of Bonacina The set can be completed with a side table as shown in the photos. Price on request Fabric cus...

Stunning sculptural ABCD set, designed by Pierre Paulin for Artifort in 1968. This amazing set consist of one 2-seat sofa and two 1-seat sofa's. The sofa's are composed of three...

Nice set of matching Nuvolone chairs & coffee tables in a new bouclé-style fabric. This modular sofa was designed by Rino Maturi for MiMo Padova Italy -...

Danish 1970s low rosewood and leather sofa and armchairs by Komfort of Randers Komfort of Randers were a small quality Danish maker who used various designers such H.W Klein as Arne ...

We are delighted to offer for sale this lovely small Mid-Century Modern Danish brown leather two-seat sofa This sofa is a wonderful size, super art modern cool which seems to be the way with almost all the Danish leather seating...

Those chairs were produced by Drevopodnik Holesov in the 1970s in former Czechoslovakia. Frame made of oak veneered bent plywood. Woodwork is kept in original, good condition. Uphols...

A fantastic 20th-century vintage armchair and side table with magazine rack set designed by French decorator Raoul Guys in the 1950s. Both designs are made of rattan and tubular blac...

This sets one and only home was a Richard Nuetra estate in the Hollywood Hills. Price is for both items All items are viewable at our Los Angeles Arts District showroom and warehou...

This unique and gorgeous modular sectional sofa from the 70ties is manufactured in germany. It has slightly curved design. The Sling shape is made of vegetal leather with fine deta...

French modular sofa from the 70s, set of 9 seats, Entirely reupholsteured in a caramel velvet jab Many shapes are possible You can set it up in ...

Afra & Tobia Scarpa “Soriana” sofa for Cassina, black leather, Italy, 1969. Although technically designed in the 1960s, the "So...

This beautifully restored Paul Frankl-inspired stepped mid-century rattan living room set featuring a lounge chair and 3-seat sofa with built-in 2-tier end tables and matching ottoma...

An exceptional pair of 2-seater sofas (designed in 1966) by Afra & Tobia Scarpa, manufactured by C&B Italia, the predecessor of B&B Italia. The high-quality cognac-colored leather bo...