Enamel Sideboards

Homo Erectus Sideboard by Taras Yoom Limited Edition of 3 Dimensions: D 45 x W 110 x H 190 cm Materials: Metal, wood, enamel, lacquer, glass. This is a wooden sculpture covered with...

The Yoomoota Universe is a projection of our bodies and minds, representing everything that exists in humanity on a global scale. Yoomoota consists of at least 23 planets, inhabited ...

Antique late-19th Century Victorian mahogany bank drawers, this piece has 24 retractable drawers with original brass campaign handles and enamelled labels. CONDITION In Great Condit...

A 19th Century Country French vaisselier, or china hutch, from Brittany made of solid chestnut and in two parts. The top has a tall plate rack with two sets of six shelves with turne...

"Surfaced Cabinet Moss" by REM Atlier, 2021. The clad cabinet combines different material characteristics into a functional sculpture. Thirty enamelled ceramic tiles shape the front surface of the cabinet, fusing into an organic relief that looks like a living structure embedded. Each tile has its own unique imprint and comes out of a different mold, creating a variety in shape and depth like a rhythm of fossils. The walnut foot is constructed from small vertical lines that follow the natural lines of the wood. The lines of the wood and the curves of the ceramic provide a graphic sense to the piece. Inspired by shapes that can be found in nature when different materials surprisingly grow together and take shape as a sculpture itself. Rem Atelier...

This vintage Belgian modern teak credenza with inlaid enamel on copper tile is in overall very good condition. Two large sliding doors and a set of four dr...

Important two-tiered sideboard attributed to H.A. Fourdinois made in natural and carved wood : the lower part made up of four panels, two concave ones and two doors, richly ornated with a polychrome enameled floral decoration and gilt bronze plaques. A large dual drawer is surmounted by the upper part of the sideboard, opening with two glazed doors, framed by detached columns. The entire unit is topped with a pediment onto which a female bust is carved in relief within a medallion on a gilt background. With a matching set of twelve chairs. The Forney library in Paris preserves order registers of the Fourdinois as well as sketches books and pictures representing pieces of furniture made by the Fourdinois workshops. In this documentation, some elements enable us to link this sideboard with Henri-Auguste Fourdinois’ productions, such as the large scrolls linking the upper part to the lower part of the sideboard, as well as the detached columns carved at their lower third. (picture n°1 attached) Notebook containing ink-sketches coming from the Fourdinois workshop shows a project for a pelmet, beautified with a centering trophy composed of a torch and a quiver within in a foliage wreath, this motif obviously reused by the Fourdinois on the central decoration of the panels of our sideboard. (picture n°2 attached) The firm of Fourdinois, considered during the Second Empire as the greatest furniture manufacturer in Paris, was founded in 1835 by Alexandre-Georges Fourdinois (1799-1871). It was developped in the context of the Expositions Universelles. At the time, the firm already produces furniture of the Neo-Renaissance style, such as a dresser that won the Great Medal at the London Universal Exhibition of 1851. The son, Henri-Auguste Fourdinois (1830-1907), joined the firm in 1860 and will become head of the firm in 1867. The high quality of his designs was remarked at the Universal Exhibition in 1862, when the jury awarded him two medals « for Excellence of Composition and Execution ». Henri-Auguste, now sole in charge, brought the firm to the summit of its achievements at the 1867 Universal Exhibition in Paris by winning the Grand Prize for his stand. Apart from the commissions he executed for the « Mobilier de la Couronne », he also produced high quality furniture for the Parisian bourgeoisie. The firm is at its zenith during the years 1862-1880. At this time, it is considered as an example to follow for other cabinet-makers, whether they are French, British or American. Through the quality of execution and the extreme care taken in the decoration of furniture, H.-A. Fourdinois was particularly appreciated by Napoleon III and Eugenie...