Baroque Furniture

19th Century Spanish Baroque side or working table completely restored with drawer and hidden tray. Height from the floor to the bottom drawer: 22.83in

A very fine French 19th century Patinated bronze Figure of "Milo of Croton and the Lion" after the marble sculpture of Milon de Crotone by renown French...

Royal Delft Collectors Portrait plate vintage handpainted Dutch Delftware - earthenware Style: Baroque, Vintage, Antique, Rustic Large blue and white cabinet plate - wall plaque Depi...

"Diane de Gabies" French sculpture, late 19th century. Patinated bronze with "Ferdinand Barbedienne" foundry marks. Height: 51 cm. Very goo...

An original hand-colored botanical engraving from Basilius Besler’s Hortus Eystettensis, published in Nuremberg in 1613. Executed at the transition between Renaissance naturalism and...

Vintage angel or cherub head with wings, made of gilded plaster, second half of the 20th century. A charming gold wall decoration, ideal for Christmas. This item is in excellent vin...

A good example of a piece that used to sell for 30-40,000 wholesale. With an upper section with a fold down writing surface opening to an elaborate interior fitter with many drawers ...

18th Century Neapolitan Crèche Figure of Man wearing a Red Beret, dressed in traditional Italian garments. Creche figures were dressed in rich...

This antique 18th Century Dutch Delft Chinoserie plate is a captivating piece of ceramic art that reflects the outstanding craftsmanship and cultural exchange of its time. Originatin...

A handsome Italian table or Fratino table of walnut, in the Baroque style, featuring a rectangular plank top over turned wood supports. The Fratino table is a type of refectory or c...

European Baroque silver wine cup, 19th century. Tapering with chased rinceaux band on stippled ground; quilted bowl and three splayed ball supports. Gilt interior. Weight: 3.8 troy o...

Antique Italian Baroque Giltwood Wall Mirror represents the essence of the style born of the creative minds of Italian master artisans during the early 17th century, and which develo...

An exceptional pair of 18th Century Italian Tuscan walnut commodes.  With fine detailed carving and original walnut patination. Circa 1740.

A very beautiful carved wooden stained glass panel, highly decorative with water gilding and stained glass panelling. Dating to the early 19th century, Italy, the panel has eight...

An elegant eight-light chandelier in milk-colored Murano glass and sophisticated fuchsia pink finishes. With a centered bulbous column that emits branches and flowers and finely cuts...

Golden wooden sphere sculpture formed with a bright golden sphere at the top supported with a gray wooden base. Baroque style from late 20th century. *The item is sold as a unique...

18th century Portuguese chestnut drop leaf dining table which may also serve as a console. This form includes a single drawer on each end, turned legs, 2 gate legs, and a trestle bas...

Large Italian Decorative Embossed Leather Box. Offered is a shapely mid century Italian decorative leather box. This large scale leather box is a beautiful shade of red/orange with g...

A pair of Spanish Baroque style walnut console tables from the late 19th century, with carved legs and iron stretchers. Created in Spain ...

A rare Flemish tapestry pillow incorporating a genuine 17th century handwoven wool fragment, originating from Flanders during the Baroque era. The tapestry depicts a stylized figural...

An elegant pair of armchairs in the Venetian Baroque style, featuring intricate floral carvings and handcrafted details. Solid wood frame with elegant carved details and ivory-colore...

Vintage Wallace "Baroque" Pattern Silver Plated Round Serving Platter Tray with Floral Repousse Twin Handles. Circa Mid 20th Century. Measurements: 1.5" H x 15" W x 12.5" D.

This rare Dutch marquetry inlaid walnut and satinwood Baroque china cabinet vitrine is an extraordinary example of 18th-century inspired craftsmanship, blending grandeur with exquisi...

A remarkable pair of late 18th century Italian architectural elements, likely salvaged from a chapel or palazzo interior. Each piece is hand-carved from wood, showcasing deeply model...

A rare decorative gilt-wood hand carved painted Baroque style 19th century French fireplace mantel -- finely carved detailed shell...

Stunning 18th century baroque Swedish cabinet. This amazing piece has been dry scrapped down to showcase traces of the original paint. Lots of neutral tones run through out this uniq...

Guillaume Coustou is best known for his two pieces of marble sculpture, each called Horse restrained by a Groom (1739-45, Louvre Museum, Paris), known jointly as the Marly Horses. ...

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

Early 20th Spanish desk with lyre legs and carved edges on top An 20th century Spanish Baroque style desk, or writing table made of solid walnut with lyre shaped legs joined by wrou...

**Set of 3, 19th Century Allegorical Reverse Glass Paintings** This captivating set of **three 19th-century allegorical reverse glass paintings** presents richly detailed narratives imbued with symbolism and classical themes. Each painting is executed in the traditional reverse glass technique, providing a smooth and reflective surface that enhances the vibrant palette and fine detailing. 1. **Painting 1 (Left Panel):** This scene portrays a dramatic encounter, likely a moment of judgment or persuasion, set against a distant landscape. A figure in a flowing blue robe gestures emphatically toward a well-dressed couple, perhaps symbolizing conflict, intervention, or moral decision-making. The background includes a sweeping view of the countryside, with figures in the distance adding depth and context. 2. **Painting 2 (Center Panel):** The central panel features a pastoral scene steeped in allegorical significance. A central figure dressed in red, resembling a shepherd, commands attention under a radiant sunburst. Surrounding characters appear in moments of tension and repose, including a reclining figure and a soldier-like character. This composition evokes themes of guidance, struggle, and divine providence, with the bright sky and natural elements reinforcing the allegorical tone. 3. **Painting 3 (Right Panel):** The final panel depicts an intimate interior scene, with two seated women engaged in conversation, one gesturing emphatically as a standing male figure observes. The setting includes detailed furnishings, such as a writing desk, a red draped curtain, and objects hinting at scholarly or domestic pursuits. This tableau may represent themes of wisdom, counsel, or moral reflection, supported by the characters' thoughtful expressions and elaborate dress. Each painting is framed in its **original dark wooden frame**, complementing the vibrant colors and enhancing their display value. The set embodies the **19th-century European fascination with allegory and storytelling**, making it a significant piece for collectors of reverse glass art...

An Italian walnut, parquetry bureau cabinet fruitwood inlaid with scrolling foliage, The upper section with a shaped carved cresting, a shaped doors opening to reveal three shelves, ...

Fantastic custom made wrought iron brazier fire pit or chimnea. The round pit features a decorative border on top of scrolled acanthus appearing l...

Pair of Italian Baroque small mirrors that were originally sconces. With silver arabesques overlaying gilt brass frames mounted on oak. The iron holders for candle arms still mounted on what are now a wonderfully unique pair of small mirrors...

Pair of 18th-century Italian Gilt Wood Carved Appliques with elegant cornucopias and Foliate and Floral Intaglio. in good condition, are two very rare twisted cornucopias filled wit...

17th century, Italian oil on canvas painting with battle between Christian and Turkish cavalry The oil on canvas painting depicts a battle between Christian and Turkish cavalry. C...

Pair of impressive carved rose stone columns from a cloister in Southern France. The columns are each in two pieces with a separate capital. The capitals are Romanesque in form with ...

Louis XVI style pair of carved armchairs, Spain, 1900s Good antique condition with some minor marks from used and age. Beautiful Solomonic c...

Decorative Botanical Engraving of Sedum & Succulent Plants, 1737 Description: An original 18th-century botanical plate from Johann Wilhelm Weinmann’s celebrated “Phytanthoza Iconographia,” one of the most ambitious and visually striking botanical publications of the early 18th century. This finely detailed plate, numbered 93, depicts several varieties of Sedum and related succulent plants, including stonecrop and houseleek. The plants are presented with remarkable botanical detail, showing fleshy leaves, flowering stems, delicate blossoms and exposed root systems. Soft shades of green, yellow and pink give the composition an especially decorative quality. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist. His monumental “Phytanthoza Iconographia,” published in Regensburg between 1737 and 1745, contained more than 1,000 botanical plates and was particularly innovative for its use of color printing combined with hand finishing. The illustrations are today admired both as important works of botanical documentation and as highly decorative examples of 18th-century natural history illustration. Artist / Maker: Johann Wilhelm Weinmann (1683–1741) Publication: Phytanthoza Iconographia Plate: No. 93 Date: circa 1737–1745 Medium: Color-printed mezzotint and engraving with hand coloring Condition: Good antique condition overall, with expected signs of age including light toning, occasional spotting, minor marks and small imperfections to the paper. Please examine the photographs carefully as they form an important part of the condition description. Please contact us if you would like a more detailed condition report. This is an original antique print published in the 18th century, not a modern reproduction. Sold unframed. Any framed or interior images are for presentation and inspiration only. Keywords: Johann Wilhelm Weinmann, Weinmann botanical print...

This stunning 19th-century French decorative fan is a testament to exquisite craftsmanship and artistic elegance. The fan leaf is meticulously hand-painted on vellum or silk, featuri...

An antique German hand carved marble relief in Baroque style representing St. George slaying the Dragon (right), in good condition. The lance is made of iron. Hand carved marble reli...

18th century Venetian center table red lacquered with painted gilt figures with one-drawer a very unusual and rare Venetian table with lovely ...

Our Mediterranean "Bocci" deluxe 2-pedestal dining table features a framed 2” thick single slab top of premium aged Italian walnut in Natural light stain shellac finish. Single slabs...

Verochio Italian giltwood light sconce by Randy Esada Item #: 9001SC - Verochio sconce (1-arm) Finish: 23-karat distressed yellow gold Dimensions: 6 W x...

Large Early Baroque Alpine Architecturally Inlaid Coffer/Chest, the front featuring two arched panels inlaid with town scenes, the paneled top also inlai...

Beautiful brass picture frame, France, circa 1860. Picture size of each side: 6 cm x 9 cm.

An elegant 19th-century Venetian-style parclose mirror featuring a central octagonal mirror plate framed by hand-etched and beveled glass panels. The pierced foliate crest and shaped...

Our artisan's pieces are a dream come true, as in The Frog Prince. This ceramic piece is completely hand-crafted and painted with love and care.  

Early 19th-century Danish pine secretary with newer professionally applied layered blue painted exterior and contrasting steel-gray painted interior. Light distressing reveals natura...

An exceptional quality 18th-century Spanish Bargueño desk cabinet, masterfully handcrafted in richly patinated walnut with exceptional architectural presence. The fall-front writing ...

Spectacular example of a brass coal or tinder box. Detail all over makes this a perfect piece for design and function. Nicely aged wooden interior. Curbside to NYC/Philly $300

A fine and impressive antique Edwardian English presentation cup. This impressive Edwardian presentation cup has a Campania form onto a knopped pedestal to a circular spreading foot...

Wonderful image after Rembrandt. Fine steel engraving. Published by Fisher, London. circa 1840 Unframed.

Christie's Important Old Master Paintings catalog, New York January, 29 1999. This auction catalog consists of 206 lots, all color illustrations, with all lots described in detail. C...

Swedish Baroque Brass Office Candlestick, Early 18th Century Elegant and functional early 18th-century Swedish office candlestick in brass, crafted in the Baroque period. This rare...

An exceptional and most unique Italian early 18th century Baroque period ebonized fruit wood and Pietra Dura marble and semi precious stone inlaid specimen cabinet. The small scale cabinet...

You can almost see this 20th-century, carved gilt wood mirror reflecting a gathering of well-coiffed socialites, cocktails in hand and just the top of their off-the-shoulder shantung...

18th Century or Earlier, Oil Painting on Canvas and Later Laid to Panel. This captivating oil painting of the Madonna and Child is attributed to the School of Anthony van Dyck, one...

This 17th-century Spanish carved walnut chest is an exquisite example of Baroque furniture, showcasing intricate craftsmanship and the rich aesthetic traditions of the period. Made f...

As found in Denmark, we see this salt cellar atop a formal or informal table or kitchen counter. Unbeatable wear and patina. Each side of the cellar is decorated with a miniature lio...

19th century Spanish side table with hand carved lyre leg and iron stretcher. Exquiste antique hand carved lyre-leg walnut wood Fratino trestle table with iron stretchers in Baroque style. Spain, 1880s. This gorgeous Fratino table features a rectangular top with beautifully carved foliate details over a trestle base. Two turned lyre-shaped legs are connected one to another with wrought iron stretchers. It has a nice color and aged patina. Recently restored Interesting to be used as side table, desk table or console table. Elegant to be placed behind a sofa or between two armchairs as it can be seen by all sides. This Baroque Spanish table...