Beaux Arts Furniture

Brown glazed ceramic table lamp by Aurélie Proudom. Artist monogram under the base. 2023. H : 5.9 x 7.9 inches (ceramic only). Sold with a European electrical system.

Red glazed ceramic table lamp by Jean Austruy. Artist signature under the base. Circa 1960. H : 13.4 x 8.3 inches (ceramic only). Sold with a European electrical system.

Ceramic sculpture entitled « Symphonie minérale » by Pierre Martinon. Perfect original conditions. Signed and dated at the base "Pierre Martinon 1987". Unique piece. - A great ...

Green glazed stoneware vase by Patrick Crulis. 2026. Unique piece. Approximate dimensions : 20.9 x 11 x 8.7 inches. - Born in 1965 in Versailles, he lives and works in Les Archers,...

Pair of Antique Figural Nude Putti Gilt Wood Candelabra Lamp. Height to the top of the base is 20 inches. Additional information: Materials: Woo...

A ceramic pitcher by Jean Linard to La Borne. Perfect original conditions. Signed " Linard " at the base. Unique piece, circa 1960-1970.    

Ceramic lamp base by Marie-Lucie Trinquand. Artist signature under the base. 2026. Unique piece. H : 16.9 x 9.4 x 7.9 inches (ceramic only). - Born in 1960 in France, she lives and...

Glazed ceramic table by Marie-Lucie Trinquand composed of five elements. Artist signature under the base. 2026. Unique piece. H: 17.5 x 21.2 x 22 inches. Approximative dimension of ...

Large green glazed stoneware mirror by Clémentine Dupré. Artist signature on the back. 2026. H : 48.4 x 40.5 x 9 inches. - Born in 1978 in Seine-et-Marne, France. Lives and works in...

Glazed earthenware ovoid medaillon, decorated with fantastical animals by Jérôme Galvin. Artist’s signature at the base. 2025. Unique piece. H: 11.4 × 7.9 x 2.7 inches. - Born in 1...

Orange glazed ceramic table lamp by Vallauris. Circa 1960. H : 15.7 x 7.5 inches (ceramic only). Sold with a European electrical system.

A late 19th century French faience decorative miniature vessel commonly known as a bouquetière or bud vase, in the shape of a violin. Hand-painted in blue, orange, yellow and green o...

Stoneware sculptural vase by Georges Martin. Artist signature on the back. Circa 1970. Unique piece. H : 9.8 x 6.5 x 2.3 inches. - Georges Martin was a French ceramic artist, born ...

Blue glazed ceramic sculpture by Michel Lanos (1926-2005). 23.6 x 18.9 x 9 inches. Perfect original decorations. Artist monogram under the base. Unique piece. 2000. - Born in Paris ...

An early 20th century French faience candlestick from the faiencerie of Desvres, hand-painted with the traditional Rouen floral decor and colors of blue, yellow, orange and green. Fo...

A big wall decoration ceramic plate by Roger Collet. Green and blue, white glazes decoration. Perfect original conditions. Signed under the base "Collet".

Glazed earthenware vase, decorated with fantastical animals by Jérôme Galvin. Artist’s signature at the base. 2026. Unique piece. H: 26.8 × 8.7 x 7.9 inches. - Born in 1975 in Mano...

Black glazed stoneware wall console by Clémentine Dupré. Artist signature on the back. 2026. H : 6.7 x 9 x 11.8 inches. - Born in 1978 in Seine-et-Marne, France. Lives and works in...

A fine original, French, early 20th century bronze statue of a walking wolf "Loup qui Marche" signed by Antoine-Louis Barye, Henry Bonnard foundry Co NY ...

Black glazed stoneware wall console by Clémentine Dupré. Artist signature on the back. 2026. H : 6.7 x 9 x 11.8 inches. - Born in 1978 in Seine-et-Marne, France. Lives and works in...

A big ceramic sculpture by Pierre Baey. Unique piece. Perfect original conditions. Circa 1990.  

Ceramic mural sculpture by Patrick Crulis. 2026. Unique piece. Approximate dimensions : 20.1 x 13.8 x 4.9 inches. - Born in 1965 in Versailles, he lives and works in Les Archers, 1...

Glazed stoneware sculpture entitled « Perséphone » by Clémentine Dupré. Artist signature on the base. 2019. H : 35.8 x 21.2 x 27.5 inches. - After majoring in Anthropology and purs...

Glazed ceramic plate by Michel Lanos. 5.5 x 19.3 x 17.3 inches. Perfect original decorations. Artist monogram under the base. Circa 1990-2000. Unique piece. - Born in Paris in 1926...

A wonderful pair of beaux arts cast iron diminutive andirons , chenets or fire dogs, painted black and modeled as recumbent lions standing on an integral plinth base. In the style of...

Glazed earthenware vase, decorated with fantastical animals by Jérôme Galvin. Artist’s signature at the base «J.Galvin». 2020. Unique piece. H: 16.9 × 15.4 × 14.2 inches. - Born i...

Glazed ceramic vase by Accolay. Circa 1970. H : 10.2 x 5.5 inches.

Glazed ceramic wall platter by Michel Lanos. 16.1 x 12.8 x 2.5 inches. Perfect original decorations. Artist monogram under the base. Circa 1980. Unique piece. This work is reproduce...

Glazed earthenware ovoid medaillon, decorated with fantastical animals by Jérôme Galvin. Artist’s signature at the base. 2025. Unique piece. H: 11.4 × 7.9 x 2.7 inches. - Born in 1...

Glazed ceramic table lamp by André Bodin. Artist signature under the base. Circa 1970. H : 9.4 x 5.5 inches (ceramic only). Sold with a European electrical system.

This exceptional monumental French mirror, executed in repoussé bronze with gilt highlights, exemplifies the grand decorative ambitions of late 19th-century French metalwork. Rising ...

A ceramic table lamp by Marcel Giraud, with glaze decoration. Signed under the base " Giraud", to Vallauris. Circa 1960-1970. Unique piece. Sold with a new European electrical sy...

Robert WOGENSKY Vega Aubusson tapestry woven by the Legoueix workshop. Signed label (*bolduc*), no. 2/4. 1967. A member of the A.P.C.T. (Association of Tapestry Cartoon Painters),...

Engobed stoneware bench by Maarten Stuer. Artist signature under the base. 2023. H : 80.1’ x 23.4’ x 17.1’ inches. - Born in 1965 in Japan, lives and works in the Gers, France. Ma...

A pair of small 19th century Italian cast iron garden statues, or figurines representing the seasons of Autumn and Spring. Beautiful weathered blue gray patina with heavy rusting. Ci...

Stoneware sculpture by Alistair Danhieux. Signed and dated under the base. 2013. H : 7.9 x 12.9 x 12.2 inches. Perfect original conditions. - Born in Crewe, England, Alistair Ayns...

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 5.5 x 4.1 inches (ceramic only). Sold with a European electrical system.

Ceramic sculpture entitled « Pleins et déliés » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 1991. H : 21.6 x 11.4 x 4.7 inches. - A great work of art can...

Glazed ceramic bowl with pearly white interior by Gisèle Buthod Garçon. Raku fired. Artist monogram et signature under the base. Circa 1980-1990. H : 4.3’ x 7.5’ inches. - Born...

This pair of 18th-century American cast iron wall brackets brings sculptural weight and classical elegance to any room. Each bracket is cast with refined architectural detail—Doric-i...

A ceramic vase with glazes decoration by Michel Lanos (1926-2005). Perfect original decorations. Artist monogram under the base. Circa 1980-199...

Green glazed ceramic pitcher by Accolay. Artist monogram under the base. Circa 1960-1970. H : 21.4 x 7.5 x 6.7 inches.

White glazed stoneware sculpture entitled « Lion » by Laurent Dufour. Artist signature on the base. 2026. Unique piece. H : 35.4 x 15.7 x 14.2 inches. - Born in 1977 in Caen, Franc...

Clearly influenced by Gustav Dore's masterful painting of a crowd of Titans pushing an enormous boulder at the top of a mountain, with lightning bolts over...

A stoneware bench or coffee table by Maarten Stuer with kaolin engobe decoration. This piece can be put indoor or outdoor. Signed. 2021. - Born in 1965 in Japan, lives and works in...

White and brown glazed ceramic bowl lamp by Kaza. Signature under the base. Circa 1930. H : 11.8’ x 10.6’ inches (ceramic only). H : 15.7’ x 10.6’ inches (with electrical system). H ...

Ceramic wall sculpture by Patrick Crulis. 2025. Unique piece. H : 22 x 17.7 x 2.4 inches. Approximate sizes. - Born in 1965 in Versailles, he lives and works in Les Archers, 18170 ...

White and yellow glazed ceramic vase by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 9.8’ x 9.1’ inches. - Born in 1954 in Salon-de-Prove...

Important green glazed ceramic cup by Robert Deblander. Artist signature under the base. Circa 1990. Unique piece. H : 3.3 x 11.2 inches.

Belgian painter Romain Steppe found enduring inspiration along the waterways surrounding Antwerp, where sailing vessels, quiet riverbanks, and the changi...

A late 19th century French Blois faience whimsical porcupine figurine. Hand-painted with greenish yellow body and brown needles, and decorated with a blue and red collar. The Porcupi...

A ceramic lamp by Accolay with geometrical decoration and white glaze. Perfect original conditions, circa 1970. Sold with a new electrical system. Dimensions with electrical ...

Glazed ceramic plate in Vallauris. Artist signature under the base. 1982. Unique piece. H : 2.2 x 18.9 x 8.1 inches.

A ceramic pitchet by Alexandre Foucher. Original conditions. Signed under the base, circa 1960. Unique piece.

A sweeping Ardennes landscape unfolds beneath an overcast sky in this signed and dated 1952 oil painting on canvas by Belgian artist Jean François. Entitled “Forest of Saint Hubert,”...

A handmade midcentury Turkish retro style rug from the Third quarter of the 20th century, measures 5'10" x 9'.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A late 19th century cast Iron hooded fire grate, possibly Paktong in the Beaux-Arts style. A shaped hood sits above a pair of sweeping gables, at the base of each gable are a pair of...

A ceramic bowl with celadon glaze decoration by Jean-François Fouhilloux. Perfect original conditions. Signed under the base, Circa 1990-2000. Unique piece.

19th Century Framed Oil Painting on Canvas is an astonishing expression of color inspired by autumn in the Ardennes where the ancient old-growth forests have been the site of some of...