Expressionist Furniture

Important & rare, early 1940s 'Tisch Überall' table lamp mod. 1092, designed by Josef Frank for Haus & Garten and manufactured by J.T. Kalmar, handmade in the Viennese Modern...

Gustav Siegel for J&J Kohn. Three ebonized Bentwood dining or cafe chairs. Two with new cane seats, one shown with original cane seat. Price per chair. All chairs are the same dime...

Vintage Expressionist style landscape watercolor painting on paper - indistinctly signed lower right - unframed - Canada - circa 1976. Fair vintage condition - fading from exposure ...

This lovely little vase is a fine example of the Vienna Secessionist movement. The hand worked copper overlay is all you need to look at to see what I ...

Beech bentwood or plywood designed about 1905 by Otto Wagner for Kohn. Original condition newer restored.

Pair of Wassily sling armchairs by Knoll in brown leather and chrome. The Wassily Chair, also known as the Model B3 chair, was designed by Marcel Breuer in 1925–1926 while he was the...

An octagonal green and blue earthenware vase with blue glazed squares, marked Austria and numbered 7143. These type of vases were made in the Vienna School of Applied Arts (Wiener Ku...

G Turner 1978 marble sculpture with Lucite base. Features a woman holding onto her children. Singed along the edge of base. Measures: Sculpture 30" H x 12"...

Josef Hoffmann (1870-1956) designed for the 5th Viennese Secession exhibition in 1899. An exceptional oak corner armchair. The last image is of an identical armchair designed by Hoffmann which was exhibited at the Tate, Liverpool, in the 'Gustav Klimt: Painting, Design and Modern Life in Vienna 1900...

Thonet style Art Nouveau oak bistro table, circa 1900.

Art of the 20th Century. Published by TASCHEN, 2012.Art of the 20th Century, Vol. I, is a comprehensive guide to art of the 20th century.Hardback with dust cover. Beautiful hardcover...

Secession smoking table by Portois & Fix in very nice original condition.

Secession office chair no.6150 by Adolf Loos executed by Thonet. Professionally stained and repolished.

Late 20th century oil painting on canvas showing a nude woman in a yellow wrapper and pearl necklace, reclining on white fur. Signed Cassandra, lower right. Black and white painted w...

Pair of Reliefs, "Allegory of Sappho", Georg Klimt (1867 - 1931), patinated copper, ca. 1900, Jugendstil, Vienna, Secessionist Art, Art Nouveau Georg Klimt's excellent craftsmanshi...

20945 Vintage Purple Beni MGuild Moroccan Rug, 05'10 x 08'09. Embark on a journey through the captivating world of Maximalist aesthetics as you explore the charm of this hand-knotted...

78098 Vintage German Alice Koch-Gierlichs Tapestry with Abstract Biomorphic Style 03'00 x 04'10. Showcasing a bold expressive design, incredible detail and ...

Thonet sofa no.56 professionally stained and repolished.

Stunning and practical stand with style elements. This very stylish and all handcrafted modernist rack would have been made for the very well-to-do, circa turn of the century. This ...

Rare and completely restored armchair from the era of Vienna Secession. Designed by Otto Wagner for j&J Kohn

Max Beckmann (German, 1884-1950) German Expressionist Date: 1916 Medium: Drypoint etching Dimensions: Plate - 3 5/8” x 7 5/8” (~9.2 x 19.4 cm) Sheet - approx. 10” x 16.5” (~25.4 x 41.9 cm) Framed - 15” x 24” (~38 x 61 cm) Paper: Cream, slightly textured (BSB). Stamped and embossed BSB Publisher: Probably Verlag Graphisches Kabinett Gu¨nther Franke, Munich (stamped Graph. Kabinett Mu¨nchen) Edition: Unknown Techniques: Intaglio Provenance: Estate of former Ringling College of Art and Design professor A wonderfully chilling Expressionist print by German master Max Beckmann, from his early period during mid-World War I. The print is a section plate...

Gerhard Cohn Roemers, Oil on canvas painting (German, 1900-1965), View of Middleburg Town square with Gothic town hall. Signed and titled, lower right, Impressionist work, Executed w...

Secession dining chairs no.413 by Josef Hoffmann for Thonet Debrecen in very nice original condition.

21172, new contemporary Berber Moroccan rug with Bohemian style. With its simplicity, plush pile and Mid-Century Modern Bohemian v...

Austrian Bentwood Secessionist Thonet pedestal with circular top on 4 columnar uprights joined by an under-tier. Late 19th/early 20th Cent. (att: MARCEL KAMMERER)

Secession armchair by Josef Hoffmann professionally stained and repolished. Signed J&J Kohn Teschen Austria.

an early 20th Century Chinese Art Deco Square Rug 8'1'' x 9'6''

Surrealist Ceramic Face Sculpture. Offered is an unusual textured ceramic sculpture in the Surrealist style. This shapely abstract surrealist sculpture has many faces on it and appea...

Vienna secession beech bentwood table. Rectangular Beech / bentwood. Vienna, 1900.

Original massive brass coat hanger by Adolf Loos, designed in Vienna in the year 1907. This famous Elephant coat hanger was used in the apartment of Paul Khuner, 1040 Vienna. Docum...

Italian oil on canvas unfraimed painting featuring a resting farmer lying in the shade of a barn. Signed lower left Boccasile by Giorgio Boccasile Italian p...

Beautiful bronze sculpture of 2 nude males embracing titled LOVE by Norma Goldberg, dated 1977 The piece can really communicate the love this couple ...

Brass secessionist lamp with glass rods, Austria, early 20th century Brass chandelier with glass rods. The lamp diffuses a soft light thanks to the glass rods acting as speakers. Lam...

The New Painting; Impressionism 1874-1886. by Moffett, Charles S.Published by The Fine Arts Museums of San Francisco, 1986.Hardcover coffee table book.204 illustrations in full color...

Thonet chairs no.567 by Otto Prutscher for Café Heinrichshof in very nice original condition with signs of use.

Large Impressive cold painted Austrian bronze study of a standing stag / Deer, with intricate detail and very fine color. Additional information Height: 34 cm Depth: 8.5 cm Width: ...

Brass, black leather and industrial glass hanging pentagon lantern. Globe is 15 in. diameter. Current total drop of the fixture is 39 in. (adjustable).

Expressive outline and intuitive inspiration – artistic brass pull handle: This artistic brass pull handle belongs to the Open Manifest collection, a series shaped through collaborative work that embraces intuitive drawing and spontaneous gesture. Its broad, asymmetrical outline evokes a stylized human figure captured in mid-movement. The form remains deliberately minimal, allowing expression to emerge through proportion and contour rather than literal detail. Cast brass and handcrafted character – artistic door pull hardware...

Step into the rustic charm of a bygone era with this captivating 1940s Expressionist French oil painting. Skillfully depicting a vibrant farmer's market scene, the canvas comes alive...

A pair of rare Art Nouveau leather club chairs made in the early twentieth century probably in Austria. The chairs are in their original condition ...

This French bentwood cradle made by Thonet circa late 1900s. The cradle is in very good working order.

21103 New Oversized Berber Abstract Moroccan Rug 14'11 x 20'01. With its incredible detail and lavish texture, this hand knotted wool oversized Abstract Moroccan rug is a captivating vision of woven beauty. It features raspberry red colored lines running from the top to the bottom crisscrossing in an organic manner, creating a handsomely asymmetrical lozenge trellis with a strong sense of dimensionality and a striking visual effect. Imbued with navy blue and royal blue hues, the rich waves of abrash and strong gradated striations run selvage to selvage blending seamlessly from one to the next. The amalgamation of colors harmonize one another, creating the perfect design and emanating function and versatility while staying true to the authentic spirit of Berber Tribe culture. Perfect for a living room, bedroom, dining room, children's area, nursery, drawing room, private library, billiards room, clubhouse, home office, master retreat, private Chambers, wine cellar, executive suite, conservatory, royal suite, hotel lobby, music room, studio, study, loft, lounge, entertainment parlor, trophy room, or sitting room. Well-suited for fashion-forward homes, eclectic interiors, and a variety of styles: Tribal, Boho Chic, Bohemian, Abstract, Expressionism, Cubism, Surrealism, Postmodern, Memphis Design, Modern, Contemporary, Eclectic, Modern Mexican, Artisan, Lodge, Cabin, Rustic, Retro, Art Moderne, International, Nomadic, Mid-Century Modern, Hygge, Mys, Mysigt, Industrial, Urban, and Loft. Rendered in variegated shades of blue, navy blue, cobalt, azure, raspberry red, wine, burgundy, ink blue, royal blue, sky blue, and beige with other accent colors. Abrash. Hand-knotted wool. Made in Morocco. Measures: 14'11 x 20'01. Hotel Lobby Size Carpet 15 x 20 Rug...

Very rare and elegant Viennese Modern Age adjustable brass and forged iron table lamp designed by Josef Frank for Haus & Garten in late 1920s, Vienna. ...

Magnificent and rare Vienna Secession bench or settee. Design by Jacob and Josef Kohn. Striking Austrian design from the 1900s. Original lacquered beech and bentwood curved frame....

A medium scale abstract still life painting on canvas. Retaining original painted wood frame. Circa. 1950-1960. Appears to depict a bowl of fruit on a table top. Organic and color p...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

21121 Oversized Abstract Moroccan Rug 15'03 x 17'00. Abstract Expressionist style meets Bohemian Rhapsody in this hand knotted wool oversized Moroccan rug. The visual complexity and intense earthy colors woven into this piece work together creating a bold, expressive design. Flowing organic lines bands run down the center and across the top forming a t-shape. Short horizontal bands dash across the width interrupting the continuity. Imbued with ethereal hues and rich waves of abrash, the gradated striations give the piece a painterly quality reminiscent of watercolors and gouaches. Reflecting elements of Abstract Expressionism and a bold art form, this authentic Berber carpet draws inspiration from Ian Davenport, Sol LeWitt, and Gerhard Richter. It is truly 'Art You Can Walk On'! Perfect for adding organic textile sensations to living room, family room, bedroom, home office, large library or study, studio, game room, billiards room, playroom, children's area, home theater, large entertaining space, hotel lobby, or a lounge area. Well-suited for a variety of interior styles: Cubism, Orphism, Abstract Expressionism, Fauvism, Surrealism, Futurism, Cubist, Retro, Modernism, Contemporary, Expressionist, Postmodern, Art Moderne, Hygge, Mys, Mysigt, Tribal, Boho Chic, Bohemian, Nomadic, Midcentury Modern, Industrial, Loft, Urban, and Eclectic. Iconic in its styling, this modern Moroccan rug would also complement esoteric ambiences from avant-garde estate homes, contemporary chateaus, and ultramodern coastal villas to luxury ski chalets, exclusive hunting lodges and affluent mountainside manor found in Colorado, Lake Tahoe, Wyoming, or the Adirondacks. Rendered in variegated shades of beige, blue, cerulean, tan, taupe, navy blue, royal blue, maroon, ecru, green, plum, sky blue, gold, light pink, purple, lavender, and Azul with other accent colors. Abrash. Hand-knotted wool. Made in Morocco. Measures: 15'03 x 17'00. Hotel Lobby Size Carpet 15 x...

Emil Betzler German expressionist tempera on paper on ingrain 'Harlequins 2', the 1960s Outstanding piece of expressionist art. Signed. Similar work is shown in 'Emil Betzler' - mon...

Round side table by Thonet. Professionally stained and repolished.

21425 Vintage Beni Mrirt Moroccan Rug, 05'06 x 08'00. Expressionist style meets simplicity in this hand-knotted wool vintage Beni Mrirt Moroccan rug. Imbued with rust and purple hues...

Stunning and rare Vienna Secession side table. Design by Gustav Siegel for Gebrüder Thonet Austria. Striking Austrian design from the 1900s. Original lacquered beech frame with origi...

DESCRIPTION: Rudolf Lorenz Center Table for Lorenz Mobel, Circa 1920, Austria Vienna Secession Center Table by Rudolf Lorenz for Lorenz Mobel. Ebonized wooden table with nickel-plate...

Bentwood plant stand no.9521 by Josef Hoffmann for Thonet. Professionally stained and repolished.

Revolving bookcase by Thonet professionally stained and repolished.

Rare Viennese Rug Doris Leslie Blau Size: 12'8" × 15'10" (386 × 482 cm) Circa: 1900 Age: Vintage Color: Beige, Green Type: Viennese Style: Art Deco Origin: Europe This vintage Vienne...

Fabulous 1986 Lucio Pozzi original one-of-a-kind framed Altamura abstract expressionism monotype artwork, oil on paper. It is signed, dated, and titled by the artist with pencil alo...

Gustave Serrurier-Bovy Style Off. An oak Secessionist side table with six-sided top and brass bound circular lower shelf with organic through...

Gardner's Art through the Ages. by Fred S. Kleiner (Author), Christin J. Mamiya (Author), Richard G. Tansey (Author)11th Edition. In the mid 1920's a teacher at The School of the Art...

Belgium / 1960 / Schilderij / Theo van Rintel / wood, canvas / Mid-Century / Vintage Oil painting by the Belgian artist Theo van Rintel, of a charming house adorned with a picturesq...

Set of Two Authentic Thonet Bentwood Armchairs, Austria – Late 20th Century This elegant pair of Thonet bentwood armchairs was crafted in Austria during the late 20th century, showc...