Expressionist Furniture

21140 Oversized Abstract Moroccan Rug, 13'04 x 17'04. Emulating Wabi-Sabi and Abstract Expressionist style, this hand knotted wool oversized Berber Moroccan rug is a captivating vision of woven beauty. The perfectly imperfect tribal design and intense earthy color palette woven into this piece work together creating a bold, expressive look. An allover pattern composed of unusual geometric shapes, short horizontal bands of color, and ambiguous tribal motifs are sporadically dispersed across the beige backdrop. Reflecting elements of Abstract Expressionism and a bold art form, this authentic Berber carpet draws inspiration from Ad Reinhardt, Fernand Leger, Clyfford Still and Helen Frankenthaler. It is truly 'Art You Can Walk On'! Perfect for adding organic textile sensations to living room, family room, bedroom, home office, large library or study, studio, game room, billiards room, playroom, children's area, home theater, large entertaining space, hotel lobby, or a lounge area. Well-suited for a variety of interior styles: Cubism, Orphism, Abstract Expressionism, Fauvism, Surrealism, Futurism, Cubist, Retro, Modernism, Contemporary, Expressionist, Postmodern, Art Moderne, Hygge, Mys, Mysigt, Tribal, Boho Chic, Bohemian, Nomadic, Midcentury Modern, Industrial, Loft, Urban, and Eclectic. Iconic in its styling, this modern Moroccan rug would also complement esoteric ambiences from avant-garde estate homes, contemporary chateaus, and ultramodern coastal villas to luxury ski chalets, exclusive hunting lodges and affluent mountainside manor found in Colorado, Lake Tahoe, Wyoming, or the Adirondacks. Rendered in variegated shades of beige, navy blue, brick red, charcoal, ink blue, gold, rose, mauve, lavender, gray, and light green with other accent colors. Abrash. Hand-knotted wool. Made in Morocco. Berber Tribes of Morocco. Measures: 13'04 x 17'04. Hotel Lobby Size Carpet 13 x 17 Rug...

This is a wonderful antique box from the Vienna Secession period. Adorned with elegant carved details and a wood veneer interior.

Vienna secession cabinet attr. to Kolo Moser. Professionally stained and repolished. Four glass shelves added recently.

France, early 20th century. Pair of two lifesize sculptures, brother and sister, the boy sitting cross-legged and the girl on a stump holding a pla...

A fabulous and important original Vienna workshop, bentwood rocker, model# 824, Schaukel Fauteuils by designer Gustav Siegel, manufactured by Jacob & Josef Kohn, Austria 1905 Illust...

New belts, foam and zig zag fabric designed by Josef Hoffmann for Wiener Werkstätten. With Jacob and Josef Kohn label.

Wonderful painting in oil on canvas by Danish painter Ernst Hansen (1892-1968), 'bird/trees in the wind' composition, framed, signed and dated 1924.

Secession dining chairs N369A by Josef Hoffmann in very nice original condition. Signed with importers lable.

Rare large scale "Flora" screen print by Bjorn Wiinblad 1964. Vibrant colors in a faux bamboo gold gilt frame. This art piece is rare in how large it is and the simplicity of it with...

Belgium / 1960 / Schilderij / Theo van Rintel / wood, canvas / Mid-Century / Vintage Oil painting by the Belgian artist Theo van Rintel, of a charming house adorned with a picturesq...

Limited edition lithograph (83 of 300) Colors are very vibrant and bright Hand signed "Peter Max" in pencil in lower right hand corner Professionally framed and matted. Framed dimens...

Bentwood dining room chair no.33 by J&J Kohn professionally stained and repolished with new rattan seat.

A beautiful all original Austrian Secessionist chandelier with frosted spun sugar glass globe shades.

Vienna secession dining chair no.235 by Otto Wagner for J&J Kohn. Professionally stained and repolished with new handmade rattan seat.

Antique framed oil painting on canvas by Walthere Jamar (1866-1950) is a panoramic landscape that captures the glory of nature in all her splendor! Jamar has used varying brush techn...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Austrian, Wien full length dressing mirror in stained and polished beechwood with double curved bentwood surround extending the full length of the stand and culminating in a very un...

An incredible fine quality early 20th century Vienna secession bronze table lamp with a removable dome shade supported by four square uprights turning into legs with spade-form feet ...

Jugendstil bentwood plant stan by Thonet. Professionally stained and repolished.

Beautiful bronze sculpture of 2 nude males embracing titled LOVE by Norma Goldberg, dated 1977 The piece can really communicate the love this couple ...

Designed in a quintessential Viennese secessionist style, this modernist carpet was woven at the Ebergassing workshop (near Vienna) of the famous Philipp Haas & Sohne company, which ...

Limited edition serigraph (65 of 495) "Peter Max 2017" embossed seal in lower left Colors are very vibrant and bright Hand signed "Max" in pencil in lower right hand corner Profe...

Dalí, Max Gerard, hardcover, dustjacket, published by Harry N Abrams, 1st edition 1968. DALI 1968 Large Deluxe Salvador Dali Art Book by Max Gerard printed in France. Surrealism vint...

A beautiful limited edition abstract expressionism offset lithograph of the Russian painter and art theorist Wassily Kandinsky's "Standing". Maeght R59. This work has been printed on Arches paper and is plate signed (initialed in the design). Published by Maeght Editeur (one of France's premier publishers with their blind stamp in the corner) and printed by ARTE in Paris. Limited to 1000 copies. Wassily Kadinsky is commonly considered to be one of the pioneers of abstraction in western art. This print would be a great addition to any collectors of Kadinsky's work or Modern Abstract Expressionism art...

Painting of a casual, abstract female body in oil on newspaper by Antonio Guanse, Paris 1963 The woman's body lolls casually under the artist's brushstrokes. The abstract depiction ...

A pair of rare Art Nouveau leather club chairs made in the early twentieth century probably in Austria. The chairs are in their original condition ...

Austrian Secessionist tole painted 3 panel fire screen with nail head design and trimmed with small brass panels.

Magazine holder no.1069 by Koloman Moser for J&J Kohn in very nice original condition with signs of use.

Stunning set of eight Vienna Secession Model 715F armchairs. Design by Gustav Siegel for Jacob & Josef Kohn. Striking Austrian design from the 1900s. Lacquered solid beech bentwoo...

31295 Crimson Enchantment Abstract Moroccan Rug, 09'05 x 11'11. Abstract Expressionist style meets nomadic charm in this hand-knotted wool Moroccan rug, where artistry and tradition ...

Round side table by Thonet. Professionally stained and repolished.

An exquisite and very seldom Vienna Secession bentwood settee by Gustav Siegel. This settee is still not finished and will be restored to cu...

Oil painting by an artist from the 1930s-1950s. Nude scene of a woman. Oil on wooden panel. Unsigned. The painting technique is strongly reminiscent of the famous German painters of ...

This is an early example of Josef Hoffmann’s puristic phase before the funding of the Wiener Werkstatte in 1903, used in different forms at the Villenkolonie Hohe Warte, Waerndorfer ...

The Wolf Comes Originally called The Wolf Comes at Night Felted wool, "painted" onto a textile canvas, this is a textile wool painting stretched on a wood canvas, and hand painted w...

Vienna secession jewelry box atr. Dagobert Peche for Wiener Werkstätte in excellent original condition.

Good condiltion Cleaned.

Secession dining chairs no.413 by Josef Hoffmann for Thonet Debrecen in very nice original condition.

Office chairs no.6048 and no.6148 by Otto Wagner for Thonet. Two tipes of seats. Professionally stained and repolished.

Armchairs by Gustav Siegel for Kohn (model no. 715) Beech, bent wood, curved, brown stained. Inside of the seat ring inscribed.: J. & J. KOH...

Beech bentwood Thonet Nr. 1 first time mentioned in the catalogue from the 1880s. This one is from 1910s-1920s. Chair is fully restored, walnut stained and shellack polished with ne...

Rare stool in the Viennese Secession style. This fine, rare and elegant wooden swivel stool from the early 1900s was hand-crafted in Austria and it is perfect for sitting behind a...

Abstract floral still life signed by the artist. Nicely framed and ready to hang. Painting measures 13 x 9.3

Art nouveau ice bucket stand with attributes of Adolf Loos. Beech wood with stained brass. Hexagonal base fitted with six columns with brass end...

Antique Framed Oil Painting on Canvas by Marie Alexandre showcases the artist's talents in a variety of earth and jewel tones, sporting its original frame. Combining the realism of ...

Secession bentwood armchairs no.6093 by Otto Wagner for Thonet. Armchairs were restored in the past, needs to be need firming up, they are a bit...

HANS VOLLMER (1879-1946) A Cane and Oak Armchair mod. 464, designed in 1902 and manufactured by Prag-Rudniker Korbfabrikation, Vienna This rare chair featuring a geometric form i...

Wonderful Persian Pictorial Lavar Kerman rug from the 1st quarter of the 20th century Measures: 2'7'' x 4'1'' In the world of antique Pers...

This large and unusual floral hand-decorated double-handled ceramic vase by Ampora Turn-Teplitz showcases the characteristic artistic sensibilities of the Art Nouveau Vienna Secessio...

Vienna c. 1902, manufactured by the Prag-Rudniker wickerwork factory, four-legged oakwood structure, original rush wickerwork, with attached original factory plaque. Measures: Height...

JAMES RIZZI "City People" Rosenthal Germany Collectible Plate Limited Edition. 1970s Rosenthal collectible porcelain plate 'City People', designed by James Rizzi, Executed by Rosenthal, Germany, limited edition, no./1500 Limited edition, signed and numbered. Framed plate is in excellent condition, plate size is 12". Frames is not in good condition, white became yellowish shows wear. About James Rizzi: AMERICAN, 1950-2011 James Rizzi (October 5, 1950 – December 26, 2011) was an American pop artist who was born and raised in Brooklyn, New York. Best known for his vibrant, youthful graphics and his three-dimensional prints. He was the official artist for the 1996 Olympic Games in Atlanta, adorning the famous logo with his noodle-like drawing style. Rizzi was most famous for his 3D artwork, "especially the large, elaborate prints and teeming anthropomorphic cityscapes. His merry maximalism and delight in delirious detail and elaborate minutiae created a true art brand, a trademark style as recognizable as any in the world." About Rosenthal: German porcelain manufactory Rosenthal was originally founded as a ceramics-painting studio by Philipp Rosenthal Sr. (1855-1937) in 1879 at Schloss Erkersreuth in Bavaria, near the Czech border. Its first highly popular product was an ashtray inscribed with the words “Resting place for lit cigars.” In 1890, the company moved to the neighboring hamlet of Selb and, a year later, began to manufacture its own porcelain, since white porcelain was, at that time, in short supply. Rosenthal’s first complete table service was called Empire; it was exhibited along with other lines at Paris’s Exposition Universelle in 1900. With the dawn of the 20th century, Rosenthal began producing porcelain tableware and services formed and decorated in the latest styles, like the Jugendstil Botticelli (1903), the Art Nouveau Darmstadt (1905), and the all-white Maria (1916) lines. Successes with this au courant approach led the company to launch an art pottery division in 1910, dedicated to luxury tableware, vases, and other decorative objects. By the 1930s, figurines were another important Rosenthal product, most notably the Disney-licensed Mickey Mouse pieces introduced in 1931. In 1934, Philipp Rosenthal was forced to leave his company and country when his Jewish ancestry came under persecution by the Nazi regime. Despite the loss of its founder, the Rosenthal company remained the premier supplier of high-quality porcelain tableware to the Third Reich. After the war, in 1950, Philip Rosenthal Jr. (1916-2001) joined his father's company as an advertising manager. By 1958, he had become its CEO, continuing his father’s vision to produce high-quality porcelain in line with progressive tastes. Through the rest of the 20th century, Rosenthal was the most commercially successful porcelain producer in Germany. In the postwar era, Rosenthal’s most famous tableware lines have included 2000 by Raymond Loewy and Richard Latham (1954), Magic Flute by Bjørn Wiinblad (1959), Suomi by Timo Sarpaneva (1976), and Moon by Jasper Morrison (1997). The company has enjoyed many popular and critically acclaimed collaborations with designers and brands, like Salvador Dalì, Tapio Wirkkala, Walter Gropius, Andy Warhol, Ron Arad, Enzo Mari, Konstantin Grcic, and Versace. Rosenthal's product lines have encompassed more than ceramics over the years. In 1972, the company began producing furniture, under the subsidiary Rosenthal Einrichtung, in Espelkamp, Germany. Standouts from this arm of Rosenthal include Gunter Ferdinand Ris and Herbert Selldorf’s futuristic Sunball Lounge Chair (1969), Verner Panton’s Relaxer Rocking Chair (1974), Burchard Vogtherr's Vario Pillo...

A rare rectangular shaped box with a hinge cover; tinplate, gilt and with beautiful colourful abstract floral motifs. The bottom is embossed with ‘H. Bahlsens Keks-Fabrik Hannover Königl-Preuss-Staatsmedaille Weltausstellungen - 1904 1910 Grosser Preis 1911 1913 Baltische Ausstellung Malmö 1914 Die Königl. Medaille’ Bahlsen's new designs for ornamental giftware packaging were shown at the exhibition held by the Deutsche Werkbund...

Magazine holder no.33 by Thonet in very nice original condition.

Pair of vintage Josef Hoffman chairs originally designed for the Fledermaus Cabaret in Vienna in the secessionist style. Hoffman designed...

53662 Zeki Muren Distressed Vintage Turkish Sivas rug with Biophilic Design 05'02 x 07'10. With its simplicity, geometr...

1940s Expressionist plaster and brass sculptural lamp 'Tête de Femme' designed by Alberto Giacometti, France By: Alberto Giacometti Material: plaster, brass, metal, copper, zinc Tec...

Secession coffee table by Josef Hoffmann, variant of Fledermaus table professionally stained and repolished.

MONET Hardcover Book, by R. Gordon & A. Forge 1983, NY Hardcover book of MONET. By Andrew Forge and Robert Gordon. Published by Harry N. Abrams, Inc, publ...