Pre-Raphaelite Furniture

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Decorative painting from the 1940s. Painting has a beautiful gold frame with a linen liner.

"Cattle at the Water's Edge" Oil on Canvas with Board Backing William Hart (American, 1823–1894) 20.25" w x 18.25" h (Frame), 10.5" w x 8.375" h (canvas) This exquisite oil painti...

Sotheby's New York Pre-Columbian sales catalogs with lavish color photos. An invaluable reference for the collector, scholar or anyone interested in Pre-Columbian art. These catalogs...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Oil on canvas; 25" x 32." From the archives of the Shaw Barton Calendar Co. used for an early calendar print. Framed. Watson sold most of his freelance pulp covers to the (1893- 1955) Frank A. Munsey Publishing Company for Argosy, Big Chief Western, Detective Fiction Weekly, and Railroad Stories. Emmett...

Set of four framed botanical color prints after the renowned Scottish architect, designer, and watercolorist Charles Rennie Mackintosh.  Each piece features a stylistic watercolor pl...

Large Oil Painting in the Manner of Édouard-Leon Cortes, Paris France Stunning large oil painting in the manner of Edouard Léon Cortès depicting scenes of 19th century Paris, France...

This fantastic view of a great battle waged by a phalanx of nude male soldiers -- probably a scene from Sweden or France -- was painted by Nils Wedel, an important Swedish painter st...

Decorative painting by Hanneke De Neve, Holland, circa 2016. Acrylic on silk fabric. Framed in a beautiful gold leaf wood frame with a linen liner.

Vintage folk art style oil painting by Trevor James depicting a young girl holding a posey basket. The young girl has a serene facial expression and there is a gentle and quiet still...

This early 20th-century winterscape by German artist Ludwig August Heydendahl (1876–c.1960) is a quiet visual symphony of rural stillness and muted drama. In shades of silvery gray, ...