Rococo Center Tables

A nicely shaped 19th Century oval rosewood centre table, the tilt top with gadrooned edge and shallow frieze, raised on a a carved vase shaped column with four splay legs, carved lap...

Mid-Century Modern cylinder drum shape burl wood end side table nightstand mint!

19th century French Charles X paved and inlaid centre table with round top Elegant central table made in France in the Charles X period, paved with different woods. The circular pla...

20th century carved and painted neoclassical style centre table Paint finish is new in a soft oyster white finish, subtle distressed edges, and antique glazed patina. Table is stro...

20th Century Spanish Side Table. This charming side table reflects traditional Spanish craftsmanship with its warm wood tones, robust construction, and decorative carved details. The...

Fine and unusual 19th century Swedish Empire centre console table with Italian pink Calacatta marble top, Ca 1830.

Vintage end table or occasional table in solid mahogany, with both an adjustable shelf and a pullout tray, from Kindel Furniture Winterthur Collection. May be used in office setting as library end...

A superb quality freestanding early 19th century Chinese marble top side / centre table, the rectangular top inset with a rouge marble panel, the hardwood border of the top profusely...

A fine Regency-period tilt-top brass inlaid mahogany and calamander library center table. Raised on a concave-sided triform base, with well-modelled cast-brass scrolling feet. Also referred to as a monopodium (table). All in excellent condition, well figured, and of very good rich color. Typical of designs by Thomas Hope (1769 - 1831). This form of antique table is also associated with work by George Bullock (1777 - 1818) and George Oakley (circa 1765 - 1841). Refs: A similar table with a leather insert, in the manner of Thomas Hope, circa 1800 - 1805, was sold in London for £39,650 - December 2010. This early 19th century table is reminiscent of the ‘Grecian’ style that the pioneering collector and designer Thomas Hope (1769-1831) popularized in Britain with the publication of ‘Household Furniture and Interior Decoration’ in 1807. Thos. Hope (banker, born 1769, d. 1831) The furniture manufacturer George Oakley (circa 1765-1841) was greatly influenced by Hope’s designs, and produced fashionable furniture in this style, using brass and star inlays similar to our table on offer. The firm’s designs and craftsmanship earned them royal patronage, and Oakley worked for the Prince Regent at Carlton House, as well as supplying furniture and upholstery for The Mansion House and The Bank of England. His work for the Cheere family - of Papworth Hall, Cambridgeshire, UK - is well documented. The reference to Geo. Oakley relates to a known table of this pattern in calamander wood and brass marquetry of starred-ribbon guilloche, which corresponds to the brass marquetry in a table supplied by Oakley in 1810 to Papworth Hall. Literature: Parker, R. 'History of Papworth Everard...

Elegant almost-square wrought-iron centre table. The wrought-iron base has a green finish, and is hammered and stamped around the apron, with a decor of flowers and scrolls. The e...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

A Belgian mid-20th century wood coffee table. This Belgian coffee table of wood features a long, rectangular top and nicely turned legs. The skirt has nice, clean lines which mimic t...