Granite Dining Room Tables

This late 20th-century Italian hand-wrought iron table is a sculptural beauty, marrying classical form with artisan craftsmanship. The iron base is hand-hammered and forged, showcasi...

Iron and pink granite/marble for indoor/outdoor dining. The perfect table for two to four people...truly lovely. The tones range from salmon pink to rusty sienna with veining in ivor...

This exceptionally rare documented 'Kono' table, which works excellent as either a dining table or a desk, by Lella Vignelli and Massimo Vignelli was designed in 1984 and this example created in the mid-to-late 1980s by Casigliani in Pisa, Italy. This rare example of the 'Kono' design features a monumental Black Granite slab for the top, two thick slabs of Imperial Red Granite which connect together to form one of the bases, and the Vignellis signature Patinated Copper cone which forms the other base. The 'Kono' design was normally made as coffee tables so it is quite rare to find examples made scaled up in dining table size. In addition, typical Kono tables were made with glass tops and a single slab granite base. This example however, the Vignellis selected Black Granite instead of the typical glass tops. Also, rather than using a rectangular single-slab base, this example features an L-shaped base constructed with two slabs that connect together along one angled edge. It still employs the cone-shaped patinated copper base typical of Kono tables, however this example is much larger of course than cocktail table versions. The Vignelli Center for Design Studies, which houses the artists’ archive, confirmed this table to be one of two known drawings by the Vignellis (a copy of the Vignelli sketch, which they provided, is included in the photo gallery) though it is unknown if the other table was ever produced, making this table potentially an important one-of-a-kind. The Black Granite top in lower light settings is dark, deep and mysterious. With direct sunlight its luminosity is intense - see the photo gallery for images of the table in direct sunlight from our skylight above. It glows, shines and shimmers with incredible vibrancy, similar to diamonds - to see it in person is quite exquisite and remarkable. While we only had it set up under our skylight for a couple hours, I would describe the experience as recharging - I felt like I had just spent a couple hours meditating, this would be incredible to wake up to every day before leaving to work. The Vignellis described the 'Kono' table as: “This design exploits the relationship between geometrical figures and material finishes." Over the course of their four-decade-long design practice, Lella and Massimo Vignelli collaborated on projects that ranged from product design and brand identity to interior and furniture design. Whether designing New York City’s subway map...

The luxury dining table Valleyra, of contemporary design and elliptical shape, reminds us of the mountains of natural stone quarries. In true Patagonia Quartzite, like a giant handc...

"G-Table Cosmos" contemporary dining table by Zieta Prozessdesign Base: Stainless steel, deep blue finish Top: Granite Measures: 75 x 230 x 120 cm. Several finishes available...

This table can serve as a dining or conference table. It's designed by Florence Knoll and made by Knoll Furniture. The table has a large oval highly veined black granite top with a f...

Cool 1980’s polish Chrome and white, gray and black speckled granite dining table base or pedestal by Pace Collection. In beautiful condition minor wear consistent with age. No gla...

Round dining table By Alfred Hendrickx for Belform - Circa 1960 Belgium design - Vintage Measures : Ø 120cm H69cm Material : white laminated wooden top - Granite Wear consistent wi...

Mid-Century Modern Gimonde Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde quartz dining table is a bold expression of excl...

PK 54 Round dining table with granite by Poul Kjærholm for Fritz Hansen.

Large granite oval dining table with beautiful natural stone pattern and a central leg. Very good condition, timeless piece 1970s - Belgium Height: 75cm Width: 180cm Depth: 100cm ...

Handsome Late 20th to Early 21st Century Modern dining table attributed to Bernhardt Cascade comprised of a composite tassel style pedestal base and a round wood veneer inlaid top wi...

Moveis Cantu Dining table, 1968 Workshop label Solid wood and granite top Dimensions: L 200 x W 100 x H 78 cm This 1968 dining table, designed by Moveis Cantu, embodies th...

A Lotto Rosso / Super Loto dining table designed by Ettore Sottsass and produced by Poltronova, Italy, 1970s. In very good original condition. Fast ship...

A jaw dropping monumental granite slab and steel dining table by famed Los Angeles architect Anthony Lumsden - custom designed and crafted for his Los Angeles home in the 1970s. Sleek, modern yet a subtle statement piece, partially due to its large size for such heavy materials, but also for its vibrant deep granite veining which reflects light in a shimmering fashion. *Note, we have this very discounted prior to our upcoming move. Once we ship this table to our new location we will be removing the sale price so take advantage of the incredible deal while it lasts! The thick and large granite slab is heavy with no-doubt, the large chromed steel frame is also very heavy in its own regard - a sign of the quality materials he used. To re-create this staggering piece today would be costly and painfully difficult. Acquiring this dining table, which would also make an incredible conference table as well, is a great opportunity for a collector or architecture aficionado to own something truly unique and special - and something that will stand the test of time. ABOUT THE ARTIST: Anthony Lumsden was a famed American architect most noted for his sculptural futuristic designs with numerous projects in Southern California such as the Tillman Water Reclamation Plant, often seen in Hollywood films and television shows such as Star Trek Next Generation...

Italian Modern Brass And Chrome Dining Table By Romeo Rega. This Italian mid century modern table by Romeo Rega was expertly designed using mixed metals, chrome and brass with a gran...

48" Herman Miller Eames Aluminum Group Granite Dining Table. Aluminum and metal Base.

Conference table or dining table with high quality Star Galaxy granite plate oval. stands on 5 steel columns. ideal for the office or at home as a dining table. some scratches on th...

Charles dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. A flowing design with refined details. Charles offers the right combination of materials fo...

Amadeus Granite Dining Table with Quatrefoil Shape Top, Brazil

Post modern design 1980's by Joe D'urso for KNOLL International with metal label and Hand Signed by Joe D'urso. Polished granite table, chrom...

Dining table mod. 'Samo' by Carlo Scarpa. Series 'Ultrarazionale'. Italy, 1970. Manufactured by Simon. Granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino...

The Samo dining table is a sculptural and architectural masterpiece designed by Carlo Scarpa for Simon Gavina’s Ultrarazionale collection. It features an oval gray granite top that a...

Vintages Springer style granite dining table with bronze banded base Offered for sale is a large and substantial granite pedestal dining table with a bronze banded base. This tabl...

The great dining table is a stunning piece of furniture that showcases the craftsmanship and creativity of Australian designer Daniel Barbera. Barbera has been working with bronze fo...

Modern Gimonde Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde quartz dining table is a bold expression of exclusive design...

This is a John Geiger modern racetrack shaped dining table with a stainless steel base and granite top. The top is racetrack shaped. The base has 4 legs that connect to a steel bar t...

Custom granite dining table with 50 inch knife edge top and custom ribbed-cut cylinder base. This table can easily seat up to six guests co...

‘True Grit’ is a perfectly imperfect, modern organic, sculptural dining table featuring curiously curated and artfully arranged, rare raw petrified wood pieces. The natural lines, or...

Massive spiral aluminum leg table with raised polished black granite top, circa 1970s. Spiral legs screw to a large solid aluminum top while granite...

Make a bold statement with this vintage custom granite dining table, a luxurious piece that merges natural beauty with modernist design. The striking 60-inch round granite tabletop s...

Incredible black granite and chrome dining table. Black granite top sitting on three column chrome base.

This pill-shaped dining table was originally designed for the Pieces Homes shoppable Airbnb in Kennebunk, Maine. The marble surface rests on top of a metal frame with collars that ho...

The Flux dining series comes in nearly endless combinations of shapes, surfaces, and colors. The Flux series can be customized to accomplish any dining design goal. We call that flux...

Carlo Scarpa "Samo" oval table for Simon Gavina, granite, Italy, 1971. The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table designed in 1971 for 'Ultrarazionale' collection by Simon Gavina consists of two grooved solid granite pillars...

Designed by Daniel Barbera the Wishbone table base consist of two independent bases that create a base perfect for solid slabs of timber. Each of the or...

A round dining table with a classic Victorian wooden base and a sleek black granite top. The base newly lacquered, The top with a 1.25" beveled edge.

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandca...

The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table, designed in 1971 for 'Ultrarazionale' collection by Simon Gavina, consis...

Listed for sale is a stunning custom contract stone desk/conference/dining table in exceptionally nice condition. The top has some light wear and was used as an executive desk. See p...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Stunning black granite dining table with bits of blue iridescent flecks. The table is in impeccable condition and can be used as a 4/5 person dining table or an entry table. The geom...

A striking and highly sculptural dining table designed by Koen Dawaele for Pia Manu, the renowned Belgian art and design workshop active since the 1950s. Known for their handcrafted ...

Vintage oval dining table designed model Samo, by Carlo Scarpa and Manufactured by Simon, Italy 1970s. Light grey granite dining table with o...

Classic Saarinen style Oval Dining Table with remarkable gray Granite top with chamfered edge and reflective Mica inclusions throughout. The Mica reads as Silver, and although the m...

This sophisticated round black granite dining table dates to the 1980s and exemplifies the era’s emphasis on bold materials, sculptural form, and refined modern glamour. Measuring 54...

This is a custom-made Black Granite and Chromed-Steel Dining or Conference Table, initially commissioned in 2006 by a Hedge Fund for use in their HQ. The top is comprised of high-qua...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist oval table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged sandcast solid bronze base is hand finished to a smooth mirror polish, with the option of a satin or blackened bronze. This table base is mated to a super white...

A 1960s mid century modern monumental double pedestal dining /conference table designed by Florence Knoll for Knoll spanning over 10’. This table features two chrome pedestal bases ...

Modern Gimonde Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde quartz dining table is a bold expression of exclusive design...

The Geometra Dining Table from Katz Studio stands as a minimalist statement, combining the reflective elegance of a polished bronze base with the robust beauty of Adamantium Granite....

Elegant Art Deco square outdoor dining table. The wrought iron base is painted a delicate grey color. It has a scrolled apron, cabriole leg...

Mid-century Modern Italian Black Granite and Brass Dining Table Available. High-impact design dining table made of prestigious Absolute Black granite and brass castings. The four ang...

USA, 1970s Round black granite or stone top dining table with a bullnosed edge, resting on a cylindrical brass weighted base. Classic look with modern glam. Top rests on the base wit...

Designed by Daniel Barbera the great dining table base consist of a singular bronze sculpted form paired with toughed grey tinted glass. The great dining table is the culmination of ...

Large granite square dining table with beautiful natural stone pattern and a central lag. The edges have been honed so no sharp edges/corners. Very good condition, timeless piece ...

Vintage granite dining table Beautiful round table top resting on an octogonal base. Good condition. 1970s - Belgium Height: 74cm Diameter: 125cm Ref: 25071805 *All images are...

A simple form design dining table that would also make a fabulous desk. It features solid slab speckled granite construction. In very good ready to use condition.

Mid Century Modern Round Iridescent Granite Tulip Base Dining Center Table MINT!

Mid Century Modern Italian Granite Dining Table or a beautiful Desk from we believe the 1970's. The edge of granite has a wide bevel and an unpolished surface. We were a bit betwixt ...