Blown Glass Paintings

This lovely and decorative painting of peasants in a bucolic setting with numerous farm animals is typical of the period and is designed to illustrate happier moments and a getting b...

A rare striking 18th century Tibetan Thangka depicting the Green Tara seated on a lotus throne ready to step down to offer comfort and pro...

A late 19th century framed oil painting on canvas depicting ‘The Bath of Psyche’ after Sir Frederick Leighton. Marked ‘1892’, this antique oil painting by an unknown artist is a scal...

This is a monumental and spectacular 18th century, or possibly early 19th, oil on canvas of the Italian school. The canvas depicts a shepherd serenading a maiden in a wooded glen. B...

A Rare Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

**Pair of 19th Century Allegorical Reverse Glass Paintings Depicting Saint Barbara** This remarkable pair of **19th-century allegorical reverse glass paintings** captures the vene...

Oil on canvas board, unsigned. A charming small-scale landscape in the manner of the Hudson River School, depicting a tranquil river scene with figures in a sailboat drifting past a wooded shoreline. A golden light washes the surrounding trees and distant mountain ridges, while a finely painted group of figures in bright dress suggests narrative intimacy amid the grandeur of nature. Housed in an ornate, period-style gilt frame with grapevine and foliate detailing. Dimensions: Sight: 5.75" H x 3.75" W Frame: 11.75" H x 9.75" W Condition: Good overall. Minor surface discoloration and edge abrasions consistent with age. Not examined outside of frame. The frame could benefit from being tightened up. Provenance: A Private Collection: 1175 York Avenue, New York City Reverse bears an original label for Fisher & Adler & Co., 48 Fulton Street, New York – importers, publishers, and dealers in engravings and chromolithographs, active ca. 1870–1900. Label Note – Fisher, Adler & Co., New York: The reverse of the frame bears a printed label for Fisher, Adler & Co., a New York firm active in the late 19th century, located at 48 Fulton Street in lower Manhattan. The company described itself as "Importers & Publishers of Engravings, Chromos, Photographs, Etchings, Autotypes, and Photogravures," and catered to a growing market of middle- and upper-class collectors interested in European and American fine art reproductions and original paintings. While Fisher, Adler & Co. were known primarily as print and picture dealers, their stock often included small original paintings...

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

Fine Pair of 18th Century French Religious Devotional Oils This exquisite pair of oil on canvas paintings explores the central themes of divine intercession and monastic devotion. T...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

A beautiful, colorful, soft, still life painting of a bouquet of spider mum flowers, circa late-19th century to early 20th century. Painting artwork, hand-painted in oil paint, depic...

This 17th Century Italian Baroque painting, executed in oil on copper, depicts the Crucifixion of Christ with remarkable depth and dramatic composition. Christ is shown on the cros...