Cedar Paintings

A Japanese antique single-slab board crafted from zelkova and dating to the 1940s. The wood grain is strikingly beautiful—bold, flowing, and expressive—giving the piece a sculptural ...

A Japanese antique storage and display cabinet crafted entirely from solid Japanese cedar, dating from the 1920s–1940s. Originally used as a merchandise display shelf in a long-estab...

This is an old Japanese wooden work board. The wood is cedar, and due to long-term use, the black color around the edges remains, and the color has peeled off only in the middle. Th...

Very old Japanese sliding door. The simple design conveys the charm of the material. You can feel the world of wabi and sabi. Recommended as a wall painting. It was made in the Mei...

This is an antique wooden low table from the Meiji period (1986-1912). The curved legs are beautiful. It was used as a workbench by craftsmen at the time. The material is high-qual...

European school oil on canvas of 20th century Measures: 72 x 62 cm and 39 x 30 cm Good condition.

This is an antique Japanese-style cabinet made in the Meiji period. The texture of the black lacquer, smoked with soot from the hearth, has a unique depth and charm that is unlike a...

This wooden board was made in the Taisho era. It was used as a "mochi board." A "mochi board" is a board from the Meiji era that was used as a workbench for kneading flour, and is m...

This is an old drawer for storing Japanese swords originally called "Katanatansu". It is thought to be from around the Edo period. Cedar is used for the material, and a large numbe...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...