Copper Paintings

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

A fine 17th century Flemish oil painting on copper depicting the Virgin Mary in a radiant vision of the Immaculate Conception, surrounded by a lavish garland of flowers including tul...

A late 16th century oil on copper painting by Nicolò Cercignani, an Italian Old Masters artist of the late-Renaissance or Mannerist period, depicting the Raphaelesque transfiguration...

Colonial school. Oil on copper mounted on a stretcher. Each copper panel features a different allegory. One depicts the allegory of Asia, represented by a woman seated on a camel — o...

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...

7 English Georgian (18th Cent) hand-colored copper plate engravings of coat of arms in blue with gold trimmed frames (by Joseph Edmondson, 1770) (PRICED EACH)

Antique Religious Oil Painting, Antique Religious Icon, Antique Gothic Revival Religious Painting, Antique Gothic Revival Cabinet, Reli...

Decorate an office or a study with this elegant pair of antique paintings on copper. Created in Holland circa 1860 and set in their original carved gilt frames, each painting depicts...

This 18th-century Baroque painting presents a tender depiction of The Holy Family with an Angel. Rendered in oil on copper panel, a common technique of that period for its durability...

19th century still life painting after Pieter Claesz (1597-1660) Dutch. This outstanding 19th century oil painting on copper shows an amazing intuitiv...

This 17th Century Italian Baroque painting, executed in oil on copper, depicts the Crucifixion of Christ with remarkable depth and dramatic composition. Christ is shown on the cros...

18th Century Portrait Miniature Attributed to Christian Friedrich Zincke (1683 - 1767) A young girl, possibly a relative to Charlote Tilson, Lady Deane (b 1918), half length, her ha...

Circle of VAN DE KASTEELE, Frans (Brussels, c. 1541 – Italy, 1621). "Virgin with angels and saints". Oil on copper. Curly frame in ebony. Devotiona...

An 18th / early 19th century miniature painting An 18th / early 19th century miniature painting painted on glass and framed. The copper framed miniature painting in another copp...

A pair of Italian baroque paintings of Jesus Christ: - An 18th Century painting that depicts the Holy Family, Child Jesus, the Virgin Mary and the elderly Saint Joseph, with the An...

An exquisite and rare late 18th century oil on copper plate of a reclining nude by Austrian artist Adam J. Braun, (1748-1827) in the manner ...

O/8272 - Italian school about 1920 - This pair of still life oil paintings depict flowers on copper are in their original frames. They ...

A Pair of Oil Paintings on Copper, Bolognese School, 18th Century XVII century, in the style of Annibale Carracci (1560–1609), Circa 1660-1680's. Provenance: Formerly with Cesare de...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534...

17th century, Flemish School Adoration of the Magi Oil on copper, diam. 19.5 cm Framed 35.3 x 35.3 cm Engraved on the back in seventeenth-century calligraphy "Fiamingo" Vivid wo...

Flemish school of the 16th century Allegory of Africa
After The Allegories of the Continents by Maerten de Vos (engraving by Adriaen Collaert)
 Oil on copper
 Inscription: "Giulio Ro...

Enameled copper sheet mounted on canvas wrapped board with a painting depicting the harlequin style costume of a standing male figure. Signed on reverse by the artist, Bruno Santini...

Mid-17th century, Rubensian School Holy Family with St. John and Elizabeth Oil on copper, 36.3 x 29.5 cm Framed, 47 x 38 cm The glassy texture, glacial in the hardness of the sur...

Flemish school, 16th century St. Anne, the Virgin and Child Oil on copper, 21 x 16 cm With period frame, 65 x 56 cm The painting depicts three central figures: the Madonna, Baby ...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...

Carlo Wahlbeck (b. 1933), The Intruder, Oil on Copper. This small painting has a brilliant luminosity, and is beautifully presented in a giltwood frame with linen matte. It depicts...

Exceptional oil painting on copper from the 17th century, depicting Saint Francis of Assisi in a moment of deep devotion. The artwork showcases fine detailing, characteristic of the ...

German school, unsigned but attributed to Lorenz Strauch, dated 1612. Oil on copper, ca. 10.5 x 13.0 cm. Including frame: 17.0 x 19.5 cm Portrait three-quarter facing, dressed in...

Striking early copper relief painting by Alexius Huber, Sweden 1960. This captivating artwork showcases Huber's innovative approach to form and material. Crafted in the 1960s, the pi...

A delicate portrait of a Spanish figure from the early 19th century, painted on copper. The piece is elegantly framed in a small gilded wooden frame, showcasing the artistry and refi...

A charming Spanish scene depicting figures dressed in period attire. This oil painting on copper, dating to around 1800, is unsigned but reflects the era and style of Francisco de Go...

Attr. to Girolamo Siciolante known as da Sermoneta (Sermoneta, 1521 - Rome, 1575) Adoration of the Shepherds Oil on copper, 39 x 29.5 cm Frame 47 x 39 cm The refined taste, the refined poses, the definition of the anatomies, the vibrant light, allow us to identify for this painting the hand of a Mannerist painter active during the sixteenth century. In particular, the composition and stylistic research allow us to attribute the panel to Girolamo Siciolante, known as da Sermoneta (1521 - 1575). His first training took place under the guidance of Leonardo Grazia known as da Pistoia (1502 - 1548). Later he settled in Rome where he was able to see the painting of Raphael and Michelangelo from life and where he was first a pupil and then a collaborator of Perin del Vaga...

Oil On Copper, 17th Century ELEGANT OIL ON COPPER REPRESENTING THE VIRGIN MARY SPANISH SCHOOL OF THE 17TH CENTURY VERY WELL PRESERVED CONDITION GILT WOOD FR...

Our enamel plaque on copper after the French enamelier, Edouard Bernard Debat-Ponsan (1847-1913) depicts Truth Emerging from the Well, Vérité sortant du puits. Plaque measures approx...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

17th/18th century Flemish old master painting of Saint Jerome in a landscape with objects. Oil on copper. Framed. Light inscription on reverse. Sight: 9 x 7in. Overall: 14 x 12in. Co...

More information coming soon… This unsigned oil painting depicts an Alpine village scene. Interestingly, the scene has been depicted on a copper sheet, rather than the more traditi...

This significant oil painting on copper represents a notable example of the North American School in the late 18th century. The artwork captures the essence of the time, marked by cr...

Painted canvas figuring a horse with a brown bai coat, detached from the gilt background represented in profile. The ending of its legs, its mane, tale and eyes are black. Linen ...

Antique 1850 Mexican colonial style oil on copper religious painting.

A high quality and most beautiful Dutch early 19th century faux painted Burl Wood and ebonized Fruitwood Oil on Copper painting. This wonderful rectangular still-life painting is fra...

Dipinto Fiammingo del 1600 a olio su rame raffigurante uno scorcio di paesaggio con figure, una scena di genere con una moltitudine di personaggi affollati in una strada con delle ar...

Venezia, San Giorgio Maggiore, veduta della laguna veneta con gondola e imbarcazioni e la basilica sullo sfondo. Il dipinto è una miniatura su rame dipinta a olio da Amedeo Giunti, p...

By van Olsen or Von Olsen. Probably, 19th or 20th century 1-11-18-8-5 Condition: Overall condition frames have some ware. Size frame 23 x 23 x 3cm Period: 20th century.

Knud HørupEnamel on Copper, c. 1960sMid-Century Abstract Expressionism Rare and Large-Scale Work This rare and unusually large enamel on copper painting by Danish artist Knud Hørup ...

French Victorian miniature watercolor on paper portrait of lady with blue dress and white flowers in copper oval case

Ecce Homo by Frans Franken the Younger (Antwerp, 1581-1642) Flemish, late 16th-early 17th century oil on copper Measures: H 7 in; W 8 in Ecce Homo, "behold the man," are the Latin words used by Pontius Pilate...

Old Master Baroque Painting on Copper, Circle of Rubens, 17th Century “Sabine Women”, 17th Century Flemish Baroque Oil on Copper, Attributed to the Circle of Peter Paul Rubens A superb 17th-Century Baroque oil painting on copper, attributed to the Circle of Sir Peter Paul Rubens...

Giltwood Framed Limoges Enamel after François Boucher 'The Bird Catchers' France, Circa 1880s Framed in an elaborate hand carved pierced and giltwood t...

Vintage Painted Copper Metal Relief Art By A Gilles 26”x20 ” Japanese Sakura. Circa Mid to Late 20th Century. Measurements: 26" H x 20" W x 1" D.

Elegant oil painting on tinned copper, set in a contemporary carved and gilded wooden frame. The painting depicts a seascape: on the left are rocks on which stands a naval tower, whi...

A well made sculptural assemblage of brass and copper sheet with a lacquered finish combined with a painting of the Bay bridge made by unknowed talentuous artist in the 1960s. Mea...

19th Century Still Life on Copper – Flemish School Tradition Oil on copper, 15.3 × 20.3 cm A finely executed 19th century still life, painted in the manner of the Flemish Baroque ma...

Ancient Italian painting from the late 19th century. Framework oil on copper depicting a religious subject Expulsion of merchants from the temple with good pictorial quality. Paintin...

Important Artist William Fuller Curtis This is an original and beautiful 25 inch by 45 inch hand painted and hand incised wood framed work of art -and containing a wonderful hand hammered copper repousse panel of the iconic Bethlehem Shephard Boy Flute...

Simple & elegant hand painted enamel on copper of a French cottage by a pond with dock. Petite in size, work of art is 3.5 x 5. Totality is 10.5 x 9.5 framed. In excellent antique co...

A 17th Century baroque religious painting of a sideview of Jesus Christ Salvator Mundi or Saviour of the World in sfumato. Saint Savior of the World, a title given to Christ on the C...

Enamel on copper artwork 1950s Striking Female Backside Nude Enamel Art on Copper bold blue green color unsigned attributed style of Studio Del Campo ...

An Allegorical Belle Époque Limoges Enamel Painting Plaque of a Semi-Nude Bacchante. The convex baked enamel copper plaque finely painted depicting a scantily clad young female Maen...

Théophile Soyer (French, 1853-1940) Madonna enamel on copper monogram lower right: “TS" A convex copper plaque with enamel paint in original bronze frame. plaque 6 ¼ inches wide ...