Gold Paintings

This is a Dutch Old Master oil on canvas, measuring 130 inches tall by 119 wide (~10.8 Feet x 10 Feet). Known as a behangsel or large-scale room decoration commissioned for Dutch or ...

An antique 19th Century Russian Orthodox hand-painted egg tempera & gilded icon of Saint Pelagia and Saint James, circa 1860. This very fine antique Russian icon is painted in the a...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

A vintage floral still-life painting from France, early to mid 20th century, layered in thin brushstrokes of oil paint onto a wood board. The blue vase overflows with happy blossoms ...

This Mid-19th‑century French school oil on canvas depicts a young woman in an intimate half‑length pose, tenderly feeding a small bird. Painted in the sentimental genre tradition ass...

Fantastic pair of 19th century Japanese late Edo/early Meiji period six-panel screens titled The seven sages of the bamboo grove. The Kano school screens...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Contemporary South Asian traditional style gouache painting with gilt highlights - featuring the legendary lovers Dhola and Maru riding a camel from the celebrated Rajasthani folk ba...

Framed signed Daude Vintage Mid-Century Oil Painting Cityscape French Girl with Black Hair Brown Eyes Green Coat. Circa 1960’s oil painting on canvas depicting a young girl with jet ...

Egyptian (Mid-Century) print of people serving a pharaoh with hieroglyphs and vases with tops resembling animal heads in gold and red trim frame

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

One of our finest hand painted Tibetan Thangkas from Nepal. This extraordinary Thangka depicts 108 Buddhas with consorts in celestial court witnessing Amitabha's achievement of nirva...

Prague painting, Old Town Square, gold leaf. 1970-1980 COLOR White, brown, gray, orange MATERIALS Glass, wood, g...

Early 19th century oil painting Signed "M. Isaacs" Dated "1918" Beautiful painting depicts a canal in Venice, Italy Two small restorations (shown in photo) Fine gold leaf frame

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

Ishizaki Koyo (1884-1947) Wagtail & Chrysanthemum Early 20th century Folding screen in two-panels. Ink, pigments and gofun on gold leaf. Sign: Koyo Seal: Koyo This ...

French Louis XVI (18/19th Cent) portrait oil painting of young woman wearing a blue dress holding a pink ribbon with flowers in her hair in a gold carved frame (style of NATTIER)

An exquisite example of this artist's traditional take on still-life realism, and a masterpiece in its own rite. This floral painting represents the artist's awe for botanical and floral scenes as well as his or her adept knowledge of tactile painting. With broad sweeping strokes and high texture, the artist paints a portrait of a small circular Ombre deep blue vase, filled with creamy white ranunculus or buttercups with berry color centers, green eucalyptus and small accents of white hydrangea. Oil on canvas. Framed roughly in a small wood frame, with gilt painted accent inside. How we would display: A botanical painting will forever bring a certain feeling of femininity and softness to a room. This piece would be wonderful displayed in a space with too many harsh lines. Alternatively, we suggest hanging this as part of a grouping of other floral portraits on a large wall to add interest. Another favorite of ours for art is to display pieces on their own in a bedroom. Such as a guestroom or child's room. Hung just above a nightstand (we currently love the idea of using a bombe chest), and just above a table lamp, (perhaps a lamp with a Caprani...

Charming pair of small maritime paintings, oils on panel attributed to the French School of the late 19th or early 20th century. The first composition depicts a three-masted ship fl...

Vintage Asian Japanese style picture in a gold frame of a peacock standing on a branch having flowers with coligraphy and signed in a gold frame

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable...

A finely painted early 19th century Russian Orthodox icon, Saint Nicholas of Myra, circa 1820. This traditional Russian icon is finely painted with egg tempera paint and gesso on a l...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable artwork for modern interiors, collectors, boutique hotels, and lovers of Japanese aesthetics. [Size] 73 x 53 x 5 cm [Materials] Silk for the outside layer, wooden frame for the under layer, and gold leaf [Story behind the work] This is the second version of "Cranes: Kintsugi," created from the same kimono using a different section of the textile. Each artwork is handmade, and no two pieces are identical. The frame for this work is made of paulownia wood taken from antique Kiritansu, which are traditional chests of drawers for kimonos. I use antique kiritansu that can no longer be used as furniture to create the basis and frames for my works. It adds an even more authentic atmosphere of the traditional wabi-sabi spirit. Can you feel it? The piece uses the concept of kintsugi. It unites the pieces of antique kimono back together with golden leaf to give it a second wind as an artwork. [Period and Story] The kimono used in this piece was originally crafted during the late Showa period, around the 1960s to 1980s. [Explanation and meaning of pattern and colors] The Japanese saying goes, "A crane lives a thousand years, a tortoise lives ten thousand years," making cranes a symbol of longevity. Cranes are also known for staying with the same partner for their entire lives, which is why they are often used at weddings and other celebrations to symbolize marital bliss and the desire for harmony between husband and wife. On this particular piece, cranes are flying through snow woven on the fabric, as if they are overcoming all disasters to get to their beloved ones. The color scarlet, or deeply dyed red, used for most of the cranes here, has long been associated with the meaning of warding off evil. It is believed to possess the power to repel malevolent forces and invite good fortune. During the Heian period, from 794 to 1185, scarlet was reserved for sacred buildings and ceremonial objects that held great significance. Ordinary people were prohibited from wearing scarlet red kimonos, which made it a highly special color. [Characteristics of the fabric] Cranes, going up and down, are generously decorated by kimpaku here. Kimpaku refers to gold leaf or foil in Japanese. Gold leaf is a traditional material used in various aspects of Japanese culture, including art, crafts, and even in culinary applications. In traditional Japanese art, gold leaf is often applied to religious objects, sculptures, paintings, and lacquerware to create a luxurious and decorative effect. The use of gold leaf in art dates back centuries and is associated with a sense of wealth, prestige, and the divine. Traditional kimpaku technique is used here to make an accent decoration in the middle. [About the frame] This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature. Paulownia wood is known as the lightest wood in Japan, praised for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. Paulownia wood is closely linked to kimono culture. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

A refined 19th-century Japanese six-panel Byōbu folding screen depicting a richly composed autumn garden in full bloom. The composition is dominated by chrysanthemums in a wide varie...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

Japanese Four Panel Screen: Early Spring Into Summer, Meiji period (1868 -1912) painting of plum in bloom with red camellias on the right and peony and thistle on the left. A clutc...

With a banana leaf palm on the left, at water's edge with geese. Perhaps a scene from the southern islands. Mineral pigments on mulberry paper with gold leaf and a silk brocade border.

Immerse your space in the vibrant energy of mid-century modernism with this striking original oil painting. This figurative portrait utilizes a bold Cubist approach, featuring fragme...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

Edo period (18th century) painting of a flowing array of various types of chrysanthemums painted on beautifully faceted heavy gold leaf and behind afinely painted fence. Petals of th...

Kano School painting, in mineral pigments and gold leaf on mulberry paper with a silk brocade border. Artist seal reads: Hokkyo Unsen.

Early Kano School painting of pine trees overlooking two beautifully painted cranes and floral design in a natural setting by water’s edge. Mineral pig...

This large Italian Baroque oil on canvas, dating from the late 17th century represents an exceptionally vivid battle scene with the unusual subject of a brigand ambush on a stagecoac...

This evocative original oil painting, dated 1966, is the work of celebrated American artist Channing Hare. Known for his surrealist-leaning society portraits and unique florals, Hare...

Rare extra-large (cm 59 x 85) antique watercolour of capital from a collection of architectural details of Florence monuments painted in Italy in the middle of 19th Century. Black ma...

Refined and unique oil painting on canvas, housed in a wooden frame carved with scrolls and gilded with pure gold leaf. The painting depicts the portrait of a young girl belonging to...

Rare extra large (cm 59 x 85) antique watercolor representing a coat of arms and coming from a collection of architectural details of Florence monuments painted in Italy in the mid-1...

A Wonderful 19th Century Painting Oil On Canvas Unsigned In The Manner Of Vittorio Matteo Corcos, Purchase From A Gallery And Believed To Be Authentic. Actual Painting Dimensions Ar...

Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...

American Victorian landscape painting of autumn scene with a forest of trees surrounding a stream between a path in a gold carved frame (signed ?)

Large Fine Art Oil Painting by F. Wagner dated 1/72 Gilt Wood Frame with Acanthus Scroll decoration. Title is yellow Roses in vintage Vase, a classic Floral Still Life Painting in th...

Art nouveau painting of beautiful maiden and mischievous angels. An allegory of Spring. Watercolor painting by Alessandro Rontini (Italian born 1854). In beautiful custom floral deco...

Flowers & Birds of Spring and Autumn Unknown artist. Japan. Meiji period, circa 1900. A pair of six-fold screens. Ink, color, gofun and gold leaf on paper. Signed: Gaga S...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, ...

A striking Chinoiserie painting depicting Asian women playing music and dancing among pagodas, rendered in vibrant tones of green, burnt orange, brown, and gold. The composition is s...

Diane Lyon Signed Oil On Canvas Depicting A Moody, Atmospheric Outdoor Scene Featuring A Group Of Dark, Silhouetted Trees On A Rolling Landscape Or Ridge. A dramatic cloudy sky with...

English gold framed oil painting of 3 jockeys on horses in a crowd of people at race track. (mid-20th Cent.)

A rare pair of antique Japanese Karashishi paintings in a landscape of rocks and peony flowers on gold leaf ground in fine handmade frames, Edo period, early 18th century. The Karash...

18th century French school, portrait of an aristocrat woman circa 1760 - 1770, oil on canvas set into a Louis XVI style frame (the frame is a 19th century production ; it is gilt wit...

19th Century Oil Painting on Canvas by Langlois. Children looking a Rabbit in Cage. "The Cuddly Rabbit" Mark William Langlois (United Kingdom, 1848-1924) Alsklingskaninen ) The Cud...

Sun rising over cresting waves through tropical trees. Mineral pigments on mulberry paper with gold dust and brocade.

Japanese six-panel screen: Late winter into early spring, Rimpa style painting of a garden scene with doves on a bamboo fence. Flowers in bloom including ...

This is a charming painting of a cherub with an arm extending forward, perhaps hold out a bouquet of flowers. The painting dates to the mid-18th century and is probably cut from a larger painting. The putti is well-framed in a French a gold leafed neoclassical-style. Considering the quality of this painting, and although not signed, the painting was most probably painted by a recognized Italian 18th century artist.

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable...

This oll painting of atrawberries captures the timeless beauty of a classic still life. Meticulously detailed, the rich reds of the strawberries stand out against their natural backd...

Symbolizing the Sun, gold is often used in shrines and temples in Japan. Gold has been extensively recognized to represent wealth, while bamboo is said to bring good luck due to its ability to regenerate in the forest. A beautiful composition of the two together...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

18th Century Portrait Miniature Attributed to Christian Friedrich Zincke (1683 - 1767) A young girl, possibly a relative to Charlote Tilson, Lady Deane (b 1918), half length, her ha...

This is a classic Italian late 17th century floral still life. Although the painting is not signed, it has all of the hallmarks of being created by a master painter. The painting and...