Organic Material Paintings
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Material: Organic Material
Large Multi-Colored Abtract Painting "Color In Space" by John Link
By John Link
Located in Greensboro, NC
A large acrylic and alkyd colorfield painting by Late artist John Link (1942-2021) titled" Color in Space", 2007
Framed in the artist's chosen wooden frame, the title describes the ...
Category
Early 2000s North American Post-Modern Organic Material Paintings
Materials
Resin, Acrylic, Wood
Single French 1950’s abstract acrylic panel
Located in Debenham, Suffolk
Single french 1950's abstract acrylic panel.
Screen is made from browns, oranges, yellows and greens with gold leaf in places. It has been photographed with front light, front light...
Category
Mid-20th Century French Mid-Century Modern Organic Material Paintings
Materials
Gold Leaf
Pair of large French 1950’s acrylic abstract panels gold leaf
Located in Debenham, Suffolk
Pair of large french 1950’s acrylic and resin abstract panels gold leaf circa 1950.
Screens are made from browns, oranges, yellows and greens with gold leaf in places.
They have be...
Category
Mid-20th Century French Mid-Century Modern Organic Material Paintings
Materials
Gold Leaf
Large Red and Blue Abstract Painting "Temporary Ephedrine" by John Link
By John Link
Located in Greensboro, NC
Dynamic layered blue & red abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled "Temporary Ephedrine", is one of several large Link pieces available exemplifying his technique of richly layering tones of acrylic paint using an alkyd spirit resin. Link detailed this process:
“The medium is indeed "acrylic" but not what most people mean by acrylic - which is waterborne acrylic. Instead this is acrylic resin dissolved in turps, with a dash of alkyd resin thrown in to stabilize it so the next layers of paint do not re-dissolve it. Thus it does not muddle up like repeated layers of watercolor can. This stuff does not yellow either, like oil, and a glass of it looks like a glass of water, it is that clear, thus preserving the intensity of the pigment. Also, because it is clear when wet, there is no "pastel effect" like you get with waterborne acrylic, where you must let a glaze dry before you see what you have. It is WYSIWYG to the core."
Link (1942 - 2021) was born in Oklahoma City, began his career in Illinois, headed the art dept at Virginia Tech...
Category
Early 2000s North American Post-Modern Organic Material Paintings
Materials
Resin, Acrylic
Aurel Fritz Basedow "Fleeting Thought" Artwork, Color Pigments Silk, Resin, Wood
Located in New York, NY
Painted by Aurel Fritz Basedow. Wood, color pigments silk and resin.
Category
21st Century and Contemporary Italian Organic Material Paintings
Materials
Resin, Wood, Paint
Colorado by Mauro Oliveira
Located in Los Angeles, CA
Colorado by Mauro Oliveira, signed. Markers, acrylic paint covered with resin on wood frame.
Height: 20 inches / Width: 20 inches / Depth: 0.75 inches
1 in stock in Los Angeles
Order...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Resin, Acrylic, Wood
Rubber City 2 by Mauro Oliveira
Located in Los Angeles, CA
Rubber City 2 by Mauro Oliveira, signed. Erasers, acrylic paint covered with resin on wood frame
Height: 20 inches / Width: 20 inches / Depth: 0.75 inch
1 in stock in Los Angeles
Ord...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Resin, Acrylic, Wood
Rubber City 1 by Mauro Oliveira
Located in Los Angeles, CA
Rubber city 1 by Mauro Oliveira, signed. Erasers, acrylic paint covered with resin on wood frame
Height: 18 inches / Width: 18 inches / Depth: 0.75 inches
1 in stock in Los Angeles
O...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Resin, Acrylic, Wood
Super Silver Oscar by Mauro Oliveira
Located in Los Angeles, CA
Super silver oscar by Mauro Oliveira, signed. Acrylic paint with automobile vinyl tapes, covered with resin on wood frame.
Measures: Height: 81.5 inches / width: 34.5 inches / depth:...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Resin, Acrylic, Wood
Ocean Scene Paintings by Colombian Artist Alejandra Lopez Florez
Located in Miami, FL
Ocean Scene Paintings by Colombian Artist Alejandra Lopez Florez
Offered for sale is an individual work by the Colombian artist Alejandra Lopez F...
Category
21st Century and Contemporary Organic Material Paintings
Materials
Canvas, Epoxy Resin
Huge Blue, Yellow & Lavender Abstract Acrylic Painting on Canvas by John Link
By John Link
Located in Greensboro, NC
Dynamic blue, yellow & Lavender abstract acrylic painting on canvas by the Late Midwestern Artist John Link. This work, entitled "Vickie's Cut", is one of se...
Category
Late 20th Century North American Modern Organic Material Paintings
Materials
Resin, Acrylic
Lorraine Stelzer Turquoise Acrylic Resin Psychedelic Art Wall Sculpture Panel
By Lorraine Stelzer
Located in Atlanta, GA
Californian artist Lorraine Stelzer created this mesmerizing psychedelic art composition in 1969. This mid-century modern dimensional wall sculpture pa...
Category
1960s American Mid-Century Modern Vintage Organic Material Paintings
Materials
Resin, Acrylic
Large Italian Gilt wood Frames
Located in Douglas Manor, NY
1-128 large Italian frames with elaborate cast detailing.
Overall size 40 x 34 x 1"
Inside rabbit 30 x 24"
Category
1940s Italian Vintage Organic Material Paintings
Materials
Resin, Hardwood
Extra Large Abstract Painting by Contemporary USA Artist Arlene Carr
Located in West Hartford, CT
Abstract original signed painting by American contemporary artist Arlene Carr. Signed at lower right. Displayed in a modern white frame. This is an extra large piece measuring 65 inc...
Category
2010s American Mid-Century Modern Organic Material Paintings
Materials
Canvas, Wood, Resin
Signed Franz von Stuck Chromolithograph of Six Maidens Dancing in a Meadow
Located in Nova Scotia, NS
What a unique and beautiful Valentine's Day gift for that special someone!
This ethereal watercolor print by Franz von Stuck consists of six maidens d...
Category
Early 20th Century German Art Nouveau Organic Material Paintings
Materials
Natural Fiber, Organic Material, Wood, Hardwood, Paint, Paper
Rare Set of 4 Antique Miniature Saint Paintings, 3 in Brass Gothic Frames 1890
Located in Lisse, NL
Beautifully hand painted set of 4 Mary & Jesus paintings on porcelain plaques.
If you were to spend the rest of your week looking for antique Gothic ph...
Category
19th Century European Gothic Revival Antique Organic Material Paintings
Materials
Brass, Enamel
Richard Hirsch Encaustic Painting of Nothing #72, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Large Abstract Resin Painting by Noted Artist Anita Weschler
By Anita Weschler
Located in New York, NY
Large and impressive abstract art work by noted artist Anita Weschler. This piece is from her series of resin pieces done in the mid 20th C., it is in v...
Category
Mid-20th Century American Mid-Century Modern Organic Material Paintings
Materials
Resin
Richard Hirsch Encaustic Painting of Nothing #73, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Large Green, Pink, & White Abstract Acrylic Painting on Canvas by John Link
By John Link
Located in Greensboro, NC
Large Vibrant Green, Pink, & White Abstract Acrylic and Alkyd Resin Painting on Canvas by John Link titled "Precession" 2007.
Painting on canvas by the La...
Category
Early 2000s North American Modern Organic Material Paintings
Materials
Canvas, Resin, Acrylic
Richard Hirsch Encaustic Painting of Nothing #76, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #79, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Large Pink, Green, Blue Abstract Acrylic & Resin Painting on Canvas by John Link
By John Link
Located in Greensboro, NC
Thickly layered blue, pink & green abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled ...
Category
Late 20th Century American Modern Organic Material Paintings
Materials
Resin, Acrylic
Richard Hirsch Encaustic Painting of Nothing #75, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #70, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #28, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #77, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #53, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #62, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #52, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #55, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #26, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #78, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #63, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #50, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #61, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #54, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #40, 2014
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #44, 2015
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #60, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Large Abstract and Contemporary Textured Painting by Sophia Paleotheodoros
Located in Southampton, NJ
A stunning large and original Contemporary textured painting by Sophia Paleotheodoros in blue, white, burnish gold, yellow, red, black.
Sophia ...
Category
21st Century and Contemporary Canadian Organic Material Paintings
Materials
Canvas, Resin, Acrylic
Juliet Holland Signed 1988-92 “Blue Encrustation #2” Mixed Media Wall Assemblage
Located in Indianapolis, IN
A 1988-92 mixed media wall assemblage titled Blue Encrustation #2 by the American artist Juliet Holland (1937-2017). Holland used a palimpsest of paint, resin, and wood to create thi...
Category
Late 20th Century American Organic Modern Organic Material Paintings
Materials
Resin, Wood, Paint
Juliet Holland Signed 1989 “Dolmen Diptych III” Mixed Media Wall Assemblage
Located in Indianapolis, IN
A 1989 mixed media wall assemblage titled Dolmen Diptych III by American artist Juliet Holland (1937-2017). Composed of paint, resin, and canvas affixed upon wood, the wall piece dep...
Category
1980s American Organic Modern Vintage Organic Material Paintings
Materials
Resin, Wood, Paint
Markus Linnenbrink Drill Painting, "How Many Holes" 2003 'Signed'
By Markus Linnenbrink
Located in New York, NY
Beautiful and complex Drill Painting, "HOW MANY HOLES", by Markus Linnenbrink, American 2003 (signed, titled and dated on verso with gallery label). This is a...
Category
Early 2000s American Modern Organic Material Paintings
Materials
Metal
Original Artwork by Michael Mew ‘Making New Friends’, Mixed Media 2008
Located in Richmond, Surrey
Original Artwork by Michael Mew ‘Making New Friends’, mixed media 2008
Title: Making New Friends
Date: 2008
Medium: Paint, mixed media, collage resin ...
Category
20th Century American Modern Organic Material Paintings
Materials
Resin, Paint
Richard Hirsch Encaustic Painting of Nothing #9, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #9 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2013
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #3L, 2013
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #3L is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Lovely Set of 3 French Romantic Antique Paintings on Polymer
Located in Hopewell, NJ
Lovely set of 3 French romantic antique paintings on polymer, matted in plush orange velvet and fancy giltwood frames. Subjects are 18th century romantic rendezvous including shepherd and shpherdesss signed Geffie; lady and Gentleman of the court signed Pemia, and an oval miniature...
Category
Early 1900s French Antique Organic Material Paintings
Materials
Resin
Richard Hirsch Encaustic Painting of Nothing #14M, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #14M is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Pain...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #13M, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #13M is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Pain...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #29, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #29 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Contemporary Modern Spanish Painting Darío Urzay, 2010
Located in Madrid, ES
”Phaistos”, 2010
Darío Urzay
Pigment, resin and varnish on board.
Dario Urzay (Bilbao, 1958) is a Spanish artist whose works show that art should operate in an open world, not lim...
Category
2010s Spanish Modern Organic Material Paintings
Materials
Resin
Richard Hirsch Encaustic Painting of Nothing #19, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #19 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #5, 2010
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #5 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #15, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #15 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Organic Material Paintings
Materials
Clay, Organic Material
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