Sandstone Paintings

Huile sur toile représentation de Jésus Christ d'époque XVIIème de dimension 54 cm par 42 cm.

Jean-Marie Daneïs Still Life Oil Painting, “Mûres et Poires” (Blackberries and Pears) Late 20th century This intimate still life in oils, titled Mûres et Poires (Blackberries and Pe...

This is a hand spun, hand woven and hand painted cotton cloth for which an entire village takes part in its creation. Women of the Korhoga Tribe spin the cotton, while the men weave ...

Beautiful Woman with colorful head wrap and jewelry very popular style in the mid 20th century. Strong features and vibrant colors make this painting that pop of visual interest.

Raymond MAUCHAMPS (XX-XXI) composition aux deux visages oil on panel.

A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-2023). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999 Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame. Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976). Artist's Biography (Courtesy of Art Gallery NSW) After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists. During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney. Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...

A framed original African midcentury oil on board painting, Democratic Republic of Congo, signed bottom right Atamb(?), (19)60, depicting abstract dancing figures, in a fiolated pati...

The famous painter, Marcel Gotène (Icon of the contemporary Bantu art) combines surrealistic impressions with modern tapisserie elements. Born in 1935 in Yaba, Republic of Kongo, di...

Vintage African Kuba textile, suitable for a modern wall panel, on a long table or to make pillows. Handwoven and hand-dyed raffia fabric - An IDEA: ...

Conical leather and straw tribal Fulani hat, Mali West Africa Folk Art organic fiber hat with leather applications that comes from the Fulani people in West Africa. It is typically worn by the Wodaabe, a nomadic cattle-herder subgroup of the Fulani. The organic straw is covered in leather straps both at the brim and top and with decorative leather elements in the middle. At the very top of the hat there is a knob which is covered in leather. At the base of the hat there is a chinstrap. The hats were featured on dancers in the 2018 music video "All the Stars" by the artist Kendrick Lamar...

This painted mask was created by the Yoruba People of western Nigeria, and was worn during a tradition known as Gelede. A blend of ritual and artistic spectacle, Gelede pays homage to the women of their Community, understood to possess spiritual powers capable of the benefit or the destruction of society. The Gelede masquerade is an opportunity to honor or condemn behaviors within the Community, through dance, art, satire, and poetry. Worn by veiled dancers, Gelede masks...

Mid-20th century Tribal Zulu women's woven red cotton hat, Isicholo, from South Africa. The unusual spiral weave on this cotton Isicholo makes this a beautiful and rare example of t...