Japanese Paintings

This piece is a fragment of an old Japanese painting, cut out and mounted in a frame. It is thought to have originally been part of a folding screen or hanging scroll, and depicts a ...

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...

Rare Japanese Taisho period Bijin-ga style painting of a beautiful woman in period kimono holding a fan, circa 1920. Bijin-ga is a Japanese term used to describe paintings or pict...

Fantastic pair of 19th century Japanese late Edo/early Meiji period six-panel screens titled The seven sages of the bamboo grove. The Kano school screens...

Serene Japanese Showa period two-panel folding byobu screen depicting a large spring blossoming prunus tree or plum tree. Beautifully painted with ink and natural color pigments on m...

Deer under maples Late Taisho period, circa 1925-1930 Pair of two-panel screens. Ink and pigment on silk. Signature: Goho Seal: Goho A pair of two-fold Japanese silk screens...

Subtil and refined construction for this Japanese Style laquer. Full of peace and action as well Measure: 15" X 15’’ with the frame.

Antique Japanese Blockprint Painting Japan Edo or Meiji. A very nice blockprint. Additional information: Type: Paintings, Scrolls & Prints Region of Origin: Japan Country of Manufa...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable...

Early 20th century Kacho-ga Japanese painting on silk. Bird & branch depiction - foraging birds expertly rendered, likely Chestnut-cheeked Starlings. Symbolic of community, harmony, ...

Pair of framed vintage Japanese woodblock prints by artist Sanzo Wada (1883–1967) from his series "Occupations of Shōwa Japan in Pictures" (Shōwa shokugyō絵尽). Wood block #1: Titled...

This is a slightly different Buddhist painting believed to have been created by a Japanese temple monk during the Edo period (late 17th to 19th century). Rendered in ink on paper, th...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, ...

Kano Naonobu (1607-1650) Plum Tree and Birds Six-fold Japanese Screen. Ink and slight color on paper. In this evocative ink work spread over a six-panel folding screen, we see the consummation of the elegance and refinement of the Edo Kano school. This 17th century screen is a rare surviving example of a large-scale bird and flower painting by Kano Naonobu, the younger brother of Kano Tanyu...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, ...

This is an genuine painting, of a woman, with green and orange colors. It has been made in Japan, during the XX Century. It is signed.

Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...

A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...

Japanese Four Panel Screen: Early Spring Into Summer, Meiji period (1868 -1912) painting of plum in bloom with red camellias on the right and peony and thistle on the left. A clutc...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, ...

Sophisticated and fascinating original painting by Japanese artist Yoshio Minomura having abstract composition with hieroglyphic like scribbles. Minomura gained his diploma from t...

With a banana leaf palm on the left, at water's edge with geese. Perhaps a scene from the southern islands. Mineral pigments on mulberry paper with gold leaf and a silk brocade border.

Meiji period (1868-1912) ink painting of plum branches in bloom against a full moon with calligraphy. The calligraphy is a poem about winter. Signature reads: Matsuura Ryosai, Dated:...

Ink on gold leaf with a silk brocade border. Signature reads: Nakajima Raishou (1796-1872). Student of Maruyama Okyo (one of Japan's most famous artists).

Heron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...

Exuding serene elegance, this vintage Japanese woodblock print features a captivating depiction of a gracefully seated woman rendered in a striking palette of deep black and vibrant ...

Hand-painted Japanese silk scroll entitled 'Early Spring' depicting a cavalryman in intricately detailed armor returning home on his horse with his private infantry support by his si...

Kano School painting, in mineral pigments and gold leaf on mulberry paper with a silk brocade border. Artist seal reads: Hokkyo Unsen.

Edo period (18th century) painting of a flowing array of various types of chrysanthemums painted on beautifully faceted heavy gold leaf and behind afinely painted fence. Petals of th...

The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...

A Japanese hanging scroll or Kakejiku, circa 1890, depicting bamboo grass and a rabbit, framed by top and bottom ribbons of brocade silk. In ...

Iwase Hirotaka (1808-1877) Koi and Water Plants Hanging scroll, ink, color, gold wash and gold flecks on silk Inscription: Hirotaka Seal: Ille...

Japanese six-panel screen: Late winter into early spring, Rimpa style painting of a garden scene with doves on a bamboo fence. Flowers in bloom including ...

19th century Japanese framed hand painted on Silk.

This is a lacquerware craftsman's workbench believed to have been actually used in Fukushima Prefecture and other areas in the Tohoku region between 1945 and 1960. This box-shaped st...

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

Flowers & Birds of Spring and Autumn Unknown artist. Japan. Meiji period, circa 1900. A pair of six-fold screens. Ink, color, gofun and gold leaf on paper. Signed: Gaga S...

Tano Zenyu framed Japanese painting, most likely titled Shukujitsu (祝日), meaning “Holiday” or “Festive Day,” presenting an evocative and contemplative figural composition with a sere...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

This is a vintage Torii Gate landscape painting. A Japanese School watercolour, dating to the mid 20th century, circa 1960. Inviting Japanese school watercolour, steeped in Japanese...

Antique Japanese Woodblock – Utagawa Toyokuni l – 1816 (Honjo, Edo Period 1786-1865 Edo), Diptych, Actors Bandô Mitsugorô (R) and Ichikawa Danjûrô (L) Date: Japanese, Edo period Pro...

A rare pair of antique Japanese Karashishi paintings in a landscape of rocks and peony flowers on gold leaf ground in fine handmade frames, Edo period, early 18th century. The Karash...

2nd Half of the 18th century Scroll Painting on Silk by Maruyama Okyo now Framed, Japanese. Pine in Snow. Signed along lower left & with artist's seal in red. Acquired in 1967 in Nik...

This delicate Japanese painting on paper captures a bright yellow bird perched among flowering branches in full bloom. Executed in watercolor with expressive brushwork and fluid ink ...

Japanese two-panel screen: Peony, Wisteria, cherry and bamboo on soft silver, Meiji period (1868-1912) painting of a garden in spring. Painted in mineral pigments on oxidized silver ...

Edo period (c. 1800) screen, beautifully painted with excellent details. Kano School painting at its best. An exuberant Audobon landscape being observed by a cat and her kitten. A...

Beautiful white chrysanthemums are emphasized by heavy gold on a soft floral landscape, while gold clouds create a striking and dream-like floral scene. Gold leaf and gofun with min...

A striking example of postwar Japanese abstraction, this vintage silk painting presents a meditative composition of luminous color fields rendered in richly layered pigments. Horizon...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable artwork for modern interiors, collectors, boutique hotels, and lovers of Japanese aesthetics. [Size] 73 x 53 x 5 cm [Materials] Silk for the outside layer, wooden frame for the under layer, and gold leaf [Story behind the work] This is the second version of "Cranes: Kintsugi," created from the same kimono using a different section of the textile. Each artwork is handmade, and no two pieces are identical. The frame for this work is made of paulownia wood taken from antique Kiritansu, which are traditional chests of drawers for kimonos. I use antique kiritansu that can no longer be used as furniture to create the basis and frames for my works. It adds an even more authentic atmosphere of the traditional wabi-sabi spirit. Can you feel it? The piece uses the concept of kintsugi. It unites the pieces of antique kimono back together with golden leaf to give it a second wind as an artwork. [Period and Story] The kimono used in this piece was originally crafted during the late Showa period, around the 1960s to 1980s. [Explanation and meaning of pattern and colors] The Japanese saying goes, "A crane lives a thousand years, a tortoise lives ten thousand years," making cranes a symbol of longevity. Cranes are also known for staying with the same partner for their entire lives, which is why they are often used at weddings and other celebrations to symbolize marital bliss and the desire for harmony between husband and wife. On this particular piece, cranes are flying through snow woven on the fabric, as if they are overcoming all disasters to get to their beloved ones. The color scarlet, or deeply dyed red, used for most of the cranes here, has long been associated with the meaning of warding off evil. It is believed to possess the power to repel malevolent forces and invite good fortune. During the Heian period, from 794 to 1185, scarlet was reserved for sacred buildings and ceremonial objects that held great significance. Ordinary people were prohibited from wearing scarlet red kimonos, which made it a highly special color. [Characteristics of the fabric] Cranes, going up and down, are generously decorated by kimpaku here. Kimpaku refers to gold leaf or foil in Japanese. Gold leaf is a traditional material used in various aspects of Japanese culture, including art, crafts, and even in culinary applications. In traditional Japanese art, gold leaf is often applied to religious objects, sculptures, paintings, and lacquerware to create a luxurious and decorative effect. The use of gold leaf in art dates back centuries and is associated with a sense of wealth, prestige, and the divine. Traditional kimpaku technique is used here to make an accent decoration in the middle. [About the frame] This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature. Paulownia wood is known as the lightest wood in Japan, praised for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. Paulownia wood is closely linked to kimono culture. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

Vintage Asian Japanese style picture in a gold frame of a peacock standing on a branch having flowers with coligraphy and signed in a gold frame

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage kimono fabrics. Sustainable artwork for modern interiors, ...

Kano School painting depicting an interior with finery such as a lacquer table, silk textiles, and other paintings. The fusuma doors appear to be a famous...

A delightful Japanese six panel painted paper screen featuring the beloved figure Hotei, Edo Period, early 19th century. Hotei, called Budai in China, and known as the Laughing Buddha or Fat Buddha in the West, is considered to be an emanation of Maitreya, the Buddha of the Future. In Japan, he also holds a special place as one of the Seven Lucky Gods, being the god of fortune, and protector of children. He is always portrayed as a mirthful and corpulent man, dressed in loose robes that show off his round belly. He carries a sack with him, said to be filled with treasure. As the protector of children, he is often portrayed with them playing on or around him, as he is here. The children portrayed in this screen are dressed in Chinese style clothing...

Mori Tetsuzan (1775-1841) Pheasants and Cherry Blossoms Two-fold Japanese screen. Ink, color, gofun, gold and silver on paper. A two-fold Japanese bir...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

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Ishizaki Koyo (1884-1947) Wagtail & Chrysanthemum Early 20th century Folding screen in two-panels. Ink, pigments and gofun on gold leaf. Sign: Koyo Seal: Koyo This ...