Georgian Prints

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

Glorious set of 12 prints of English country houses and gardens Fine copper-plate engravings Published C.1790 Unframed. The measurement given is the paper size of one print. ...

Wonderful set of 12 botanical prints. A beautiful colour of off-white/cream to the paper. Dated 1791 Originally from " Flora Londinensis " published by William Curtis Copper-pla...

Glorious set of 15 prints of London buildings Steel engravings. Published by Tallis, circa 1840 Unframed.

Wonderful set of 8 botanical prints. A beautiful colour of off-white/cream to the paper. Dated 1791 Originally from " Flora Londinensis " published by William Curtis Copper-plat...

From Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes two after Pridea...

GEORGE EDWARDS (Naturalist, ornithologist and artist 1694-1773) - 'A Natural History of Uncommon Birds' (Published in several volumes between 1743 and 1764) - Antique pair of mid 18t...

Glorious set of 12 prints of English country houses or stalely homes. Chromo-lithographs After the original drawings by Alexander Francis Lydon Published by Mackenzie C.1880 Unfr...

"Floral Masterpiece": Large Vintage Botanical Lithograph after Joseph Nigg, Printed by Mourlot, 1947 A magnificent and large-scale botanical lithograph, beautifully reproducing a pa...

An antique English hand colored framed print titled "Billiards" Gentlemen playing billiard scene. Designed and etched by E.F. Lambert, published by Thomas Mc Lean, 1827,Haymarket, Lo...

Johann Seligmann Bird Print, Le Colibri rouge & Le petit Colibri brun, Tab LXIII Circa 1770 The Johann Seligmann engravings of two birds on a branch- Le Colibri rouge & Le petit Co...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Framed engravings of various Lords, Dukes etc. One duplicate. Framed under glass.

Wonderful set of 8 cactus prints. Lithographs after drawings by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed.

Glorious set of 10 prints of British castles Chromo-lithographs After the original drawings by Alexander Francis Lydon Published by Mackenzie C.1880 Unframed. The measurement gi...

Hand colored prints of horses from "L'art de monter a cheval: ou description du manége moderne, dans sa perfection" by Baron D'Eisenberg, Published in 1747. Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet and can be sold as pairs. The following subjects are depicted: 1. L'Andaloux, Le Cheval d'Espagne, Plate I; 2. Le Barbe, Le Cheval Barbe, Plate II, 3. L'Allemand, Le Cheval d'Allemagne, Plate III; 4. L'Arabe, Le Cheval Arabe...

These are exceptionally RARE color engraved prints done after originals by artist Henry William Bunbury (1750-1811) and engraved by Francesco Bartol...

Great set of sea battles Copper-plate engravings. Published by J.Stratford, London. Dated 1803 Unframed. Free shipping.

A view of the floating Chinese House at Ranelagh Gardens with a masquerade, the Rotunda in the background, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754....

These are a set of FOUR digitally remastered prints of Parrots, hand coloured framed prints, originally from Circa 1800s. Prints of this style we...

This is a delightful round framed print of a Pineapple study originally from a hand coloured early 19th Century French botanical illustration. Prints of this style were originally p...

Wonderful oval stipple engraving after James Gillray Showing the meeting of Colonel Gardiner with his daughters before the Battle of Prestonpans. Set against the background of sterl...

Johann Seligmann Bird Print, Le Pivert Mouchese des Indes, Tab LXXVII, Circa 1770 The Johann Seligmann engravings of Le Pivert Mouchese des IndesTax LXXXVII is mounted in a decoupa...

Glorious set of 8 prints of mainly Scottish Castles. 2 from the English borders. Copper-plate engravings mainly after drawings by Moses Griffiths. ...

Rare Antique Botanical Prints by James Sowerby (1757–1822): A Timeless Tribute to British Flora Step into the enchanting world of 18th-century botanical artistry with our exceptiona...

Sea shell pair of engravings, from Index Testarum Conchyliorum by Niccolo Gualtieri, Engraved by Antonio Pazzi & Giuseppe Menabuoni, 1742. Pair of framed hand colored sea shell...

Great images of corals Copper-plate engravings Drawn and engraved by A.Bell Published C.1790 Unframed. Free shipping.

Great images of monkeys Copper-plate engraving Published C.1790 Unframed.

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...

An inside View of the Rotundo in Ranelagh Gardens, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754. Hand colored engraving, in original ebonized frame with...

Early 19th Century Botanical Engraving by John Curtis – Hand Coloured Natural History Plate An original early 19th-century hand-coloured botanical engraving from the celebrated natural history publications of John Curtis (1791–1862), one of Britain’s most respected botanical and entomological illustrators. This beautifully detailed plate illustrates a flowering plant in scientific profile, showing bloom structure, leaves, buds, and root system with precision typical of early Victorian natural history illustration. Curtis’s work bridges science and art — created for study, yet prized today for its elegance and balance. These engravings formed part of the golden age of British botanical publishing, when artists collaborated with engravers and colourists to produce plates that were both accurate and visually refined. Each impression was printed from an engraved plate and then carefully coloured by hand, meaning no two examples are ever exactly identical. The composition has the clarity collectors seek: • Central botanical specimen • Naturalistic colour palette • Fine line engraving • Period scientific titling This makes it ideal as a single framed piece or as part of a gallery wall of antique botanical studies. About John Curtis John Curtis was a leading figure in British natural history illustration. He is best known for British Entomology and botanical works that combined taxonomic accuracy with graceful composition. His engravings are held in major museum collections and remain highly collectable in the decorative arts market. Period Early 19th century, circa 1820–1840. Technique Copperplate engraving with original hand colouring on laid paper. Condition Good antique condition consistent with age. Light toning and minor handling marks may be present, as expected with early 19th-century works on paper. Please see the images. Why Collect Curtis Botanical Prints...

Framed copperplate engravings of sea shells, Niccolo` Gualtieri (editor). Giuseppe Menabuoni (1708-after 1745) (after). Plates 30 and 31 from Index testarum conchyliorum quae adservantur in museo Nicolai Gualtieri...

A fine late18th century coloured copper mezzotint engraving printed on original handmade wove paper, after the original painting by George Morland. The bottom far left margin referen...

Presenting a lovely 19C Aquatint Engraving of the Quay at Waterford in Waterford city in Ireland. This engraving has been hand embellished with aquatint color(s) and is from Ireland circa 1820-40. It features a scene of the Quay or Port of Waterford from circa 1820. We are basing this upon the attire of the figures in the engraving and the tall ships. It features Reginald’s Tower (still located at the Waterford Quay to this day). Georgian Quay buildings, a number of moored tall ships and row boats, barrels, horses and carts, women and British soldiers. The engraving was professionally reframed and matted in Dallas in the 1980’s and the rear of the frame says that it was “Museum Mounted and Matted”. The frame has a lovely Grecian pattern around the front. If you are Irish...

"Ichthyological Masterpieces": Pair of Marcus Bloch Hand-Colored Fish Engravings Circa 1780 A fine pair of 18th-century hand-colored copperplate engravings by the renowned German ic...

Antique engraving of a Tucano Mangiapepe, by Saverio Manetti Circa 1776 A fine hand colored engraving of a Tuscan Magpie by the Italian artist Saverio Manetti. Manetti drew his work predominantly from real specimens. The work was one of the largest ornithology undertakings to that point in time. Dimensions: 25 inches high x 22 inches wide x 1 1/4 inches deep. (frame); (63.5cm high x 55.88cm). 18 x 14 in. (sheet) Reference: Wikipedia Manetti was born in Brozzi to Giovanni Bernardo and Maria Teresa Nesiscolt of Prague. His early studies were in Florence and later at Pisa where he studied botany under Pier Antonio Micheli. He graduated in medicine in 1745 and worked in Florence. In 1758 he joined the National Medical College where he studied anatomy under Antonio Cocchi (1695–1758), conducting the autopsy of Cocchi. Manetti was Professor of Botany of the "Società Botanica Fiorentina", a member of the German Academy of Sciences Leopoldina, a Fellow of the Royal Society, learned societies in Göttingen and Montpellier, an Accademico dell'Istituto di Bologna and he maintained scientific contacts with the Swedish botanist Carl Linnaeus and with the main scientific circles of the second half of the 18th century. He was supervisor of the Orto Botanico di Firenze in Florence from 1749 to 1782 succeeding to Giovanni Targioni Tozzetti and Secretary of the Accademia dei Georgofili. With remarkable organizational effort, he secured the publication of Storia naturale degli uccelli, Natural History of the birds, a monumental work in five volumes illustrated with 600 hand-coloured engravings based on watercolor paintings. The book was commissioned by Maria Luisa, Grand duchess of Tuscany and the first volume was dedicated to Grand Duke Pietro Leopoldo. The third volume was dedicated to Ferdinando di Brobone and the fourth to Giorgio Nassau Clavering. The engravings were made by Tuscan abbot and engraver Lorenzo Lorenzi and Violante Vanni who had studied under British engraver Robert Strange...

Set of Three Hand Colored Copper Wheel Engraved Floral Prints by John Hill c1756. One print signed in the plate, "I Hill." Published in England and hand colored. From an edition of 6...

Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet. L'Andaloux, Le Cheval d'Espagne, Plate I; Le Barbe, Le Che...

Francois Nicholas Martinet bird engraving, circa 1770. The framed Francois Martinet engraving is from Buffon's Historie Naturelle des Oiseaux displa...

PRESENTING A FABULOUS AND RARE Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton. Set of 6 VERY RARE AND VALUABLE engraved prints of Dublin, Ireland scenes. These were printed by ‘Cahill Printers Ltd.’ circa 1880-1900. ‘Cahill Printers Ltd’ have been in existence since 1866 and acquired the rights to print these copies of the original watercolors by James Malton (1761 – 1803). Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton These scenes are: (in order): Rotunda & New Rooms, Great Court Yard Dublin Castle...

George Brookshaw print of two varieties of raspberries, one yellow and one red. Plate IV, from Natural History Art, Botanical, Fruit, Brookshaw, Po...

Wonderful set of 12 orchid prints. Lithographs after drawings mainly by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed. Free shipping

Wonderful pair of botanical prints Lithographs after drawings by W.Herbert Original hand color Published by S.Curtis. Dated 1826 Unframed. Free shipping

18th century George III set of six mezzotints depicting Lucretia, circa 1780, ‘Domestic Happiness’, ‘The Elopement’, ‘The Virtuous Parent’, ‘Dressing for Masquerade’, ‘The Tavern Door’, ‘The Fair Penitent’. Engraved by John Raphael Smith, (1751 – 1812) and painted by George Morland, (1763 – 1804). Engraved by John Raphael Smith, (1751 – 1812) was a British painter and mezzotinter, son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. Smith became a London publisher from 1781, including among his clients the radical writer and artist William Blake. A prolific mentor of apprentices, he shared plates with at least thirty other London printers. In this group was J. M. W. Turner, Charles H. Hodges, William Ward, Thomas Girtin...

Early 19th Century Botanical Engraving by John Curtis – Hand Coloured Natural History Plate An original early 19th-century hand-coloured botanical engraving from the celebrated natural history publications of John Curtis (1791–1862), one of Britain’s most respected botanical and entomological illustrators. This beautifully detailed plate illustrates a flowering plant in scientific profile, showing bloom structure, leaves, buds, and root system with precision typical of early Victorian natural history illustration. Curtis’s work bridges science and art — created for study, yet prized today for its elegance and balance. These engravings formed part of the golden age of British botanical publishing, when artists collaborated with engravers and colourists to produce plates that were both accurate and visually refined. Each impression was printed from an engraved plate and then carefully coloured by hand, meaning no two examples are ever exactly identical. The composition has the clarity collectors seek: • Central botanical specimen • Naturalistic colour palette • Fine line engraving • Period scientific titling This makes it ideal as a single framed piece or as part of a gallery wall of antique botanical studies. About John Curtis John Curtis was a leading figure in British natural history illustration. He is best known for British Entomology and botanical works that combined taxonomic accuracy with graceful composition. His engravings are held in major museum collections and remain highly collectible in the decorative arts market. Period Early 19th century, circa 1820–1840. Technique Copperplate engraving with original hand colouring on laid paper. Condition Good antique condition consistent with age. Light toning and minor handling marks may be present, as expected with early 19th-century works on paper. Please see the images. Why Collect Curtis Botanical Prints...

Circa 1810 Georgian English Hussan Officer in Full Military Attire Beautiful print purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Wonderful set of 9 botanical prints Lithographs after drawings by William Fitch Original hand color Published by S.Curtis. Dated 1837 Unframed. Free shipping

Selby's Illustrations of British Ornithology (London: 1841-1846). Likely a later restrike printing (20th c.,) hand-colored prints, embossed with plate marks, includes: "Eider Duck, M...

These are a set of TWO digitally remastered framed coloured prints of two different Toucans, dating originally from the very early 19th Century late Georgian period, Circa 1809. Th...

Thomas Rowladson Satirical Billiards Escene Framed Engraving Print An antique English hand colored framed print titled "Billiards" by Thomas Rowlandson, Gentlemen playing billiard s...

Wonderful pair of botanical prints Lithographs after drawings by Curtis Original hand color Published by S.Curtis. Dated 1826 Unframed. Free shipping

These are a set of TWO digitally remastered framed coloured prints of two different Toucans, dating originally from the very early 19th Century late Georgian period, Circa 1809. Th...

James Gillray (after) — “Punch Cures the Tisick, the Cholic, and the Gout” Satirical caricature from the period – Pirated American edition published by McCleary, 32 Nassau Street, Ne...

Brisk Cathartic Hand-colored etching — Original period edition Published by Hannah Humphrey, London, January 28, 1804 27 St. James’s Street A superb satirical print by the great Bri...

Wonderful pair of cactus prints. Lithographs Original hand color Published by S.Curtis. Dated 1826 Unframed.

A fine late18th century coloured copper mezzotint engraving printed on original handmade wove paper, after the original painting by George Morland. The bottom left margin references ...

An Address of Thanks from the Faculty to the Right Honble, Mr. Influenzy for his Kind Visit to this Country Original hand-coloured etching by James Gillray, published in London on 1...

Giovanni Battista Piranesi (Italian, 1720–1778) Engraving of an Urn Rome, circa 1768–1778 Etching on paper Dimensions: 35 × 29 1/8 × 1 1/2 in. Executed and published in Rome during...

Great images by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after drawings by Rowlandson. Published by Ackermann, dated 1819-1820 Some foxing to some of th...