Neoclassical Prints

Nicely framed in gold with matting. Two images darker than others but all came together and work together.

Extra large Roman marble vase on a porphyry pedestal printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte bla...

Extra large Roman marble vase on a porphyry pedestal printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte bla...

Victorian Beetle Prints Set of Four – Scarab & Stag Beetle Plates, 1893 Description: This decorative set of four natural history beetle plates originates from the influential Ge...

Museum Style Beetle Specimen Plates, Victorian Entomology Prints, Set of 8 Description: This striking decorative set of eight beetle plates originates from the celebrated German ent...

Wonderful image of Hebe Fine steel engraving. Published by Fisher. Dated 1833 Unframed.

Presented is a charming, signed print of "Stockbridge Main Street at Christmas," by Norman Rockwell. The Christmastime panorama depicts the busy snow-covered town center at dusk with...

A fantastic set of twenty 19th century framed etchings of Roman and Greek emperors, statesmen, and philosophers including Julius Caesar, Augustus Caesar, Cicero, Marcus Brutus...

Extra large Roman vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, umber highlights, and matte black details. Light brown mat...

Decorative Antique Beetle Prints, European Coleoptera Chromolithographs, 1893 These striking natural history beetle plates originate from the celebrat...

Presented is an original, pencil-signed etched portrait of Abraham Lincoln by Jacques Reich. Reich completed the portrait in 1901. Reich was Hungarian-born portrait etcher, active ma...

Beautiful work Akropolis Damalia hand coloured Chromolithograph in massive golden profiled frame.

Created as part of John James Audubon's "The Birds of North America," the single greatest work on ornithology ever produced, this fabulous print of "The Little Owl, Strix Acadica" is presented in a magnificent Renaissance Revival frame. Audubon traveled extensively throughout the United States recording every then known species of bird in 435 plates, each in their true-to-life scale. From the very rare Havell edition...

These are a pair of engraving, in color. They are representing, monuments of the city of Paris. They have been done durong the 19th century in France.

Large Roman marble vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, pompeian red and blue highlights and details. Light brown ma...

1915 Neo-Classic silhouette print titled "Where Terpsichore Dwells" by Boris Major in its original frame. The print features two silhouetted figures dancing, symbolizing Terpsichore,...

Late 19th century black-and-white nautical etching by Otis S. Weber. Panoramic coastal landscape / seascape with a silhouetted windmill and sailboats in the horizon. Signed in plate ...

Engraving by Herbert Lespinasse, wtih it's in Gilt wood. Herbert Lespinasse was the only American deported to the Buchenwald concentration camp dur...

Walt Disney, "Mickey's Trailer, 1938". Celluloid (xenographic line, ink-enhanced hand painted). Stamped The Walt Disney Company. Numbered 52/500. 29.5 x 49 cm. Movie "Mickey's Trailer," was the second short film, out of 100, that was produced 1938. An icon film. Published by Disney Art Editions in 1994. A certificate of authenticity executed by The Walt Disney Company accompanies the lot. Provenance: Animation Art Gallery/Amsterdam, acquired in 1995. An original production-used animation cel...

Large Roman marble vase printed on a hand press on 100% cotton engraving paper. Completely handpainted with a cream wash, pompeian red and blue highlights and details. Light brown ma...

Opulent set of four framed and matted Etruscan vase engravings after Giovanni Passeri (Italian) by Sir William Hamilton illustrated in the Picturea Etruscor in Vaculis. The set inclu...

Late 19th century black and white etching titled "A Wayside Conversation" by Ernest Christian Rost. Landscape showing a figure on a horse speakin...

Antique View of Porte Dauphine, Château de Fontainebleau, Baltard, 1803 Depicting one of the ceremonial entrances to Napoleon’s residence at Fontainebleau. This finely engraved architectural view depicts the Porte Dauphine at the Château de Fontainebleau, one of France’s most historically significant royal and imperial residences. Created by the French architect and engraver Louis-Pierre Baltard and published in Paris in 1803, the print originates from the important Napoleonic-era work Paris et ses Monuments, mesurés, dessinés et gravés, a publication dedicated to documenting France’s architectural heritage with precision and artistic refinement. The composition presents a richly detailed perspective of the monumental gateway, with its triumphal arch, sculptural ornamentation, and flanking architectural elements rendered in meticulous copperplate engraving. The scene combines architectural clarity with atmospheric depth: the finely etched masonry, decorative reliefs, and wrought iron fencing contrast beautifully with the dramatic sky and receding perspective beyond the arch. Small figures animate the foreground, adding scale and a sense of daily life, while the strong use of light and shadow enhances the monumentality of the structure. Fontainebleau played a central role during the reign of Napoleon Bonaparte, who used the château as one of his principal residences. The Porte Dauphine served as one of the ceremonial entrances to the palace complex, making this view both architecturally and historically significant. As such, the engraving captures not only a physical structure but also a symbolic threshold into one of the key sites of imperial power during the First Empire. Baltard’s engravings are highly regarded for their technical precision and elegant execution. The crisp lines and tonal richness characteristic of early 19th-century copperplate engraving are clearly visible here, offering both decorative appeal and scholarly value. This piece is particularly well-suited for collectors of architectural views, French history, or Napoleonic-era material, as well as for interior designers seeking refined, classical imagery. Condition: Good antique condition with light age-related toning, scattered foxing, and minor discoloration to the margins. The impression remains strong with clear, well-defined lines. Plate mark visible. Framing tips: This print would display beautifully in a dark walnut or black frame with a wide ivory mat, emphasizing the depth of the engraving and creating a sophisticated, gallery-quality presentation suitable for a study, hallway, or formal interior. Note: This is an original antique engraving and not a reproduction. It is offered unframed. Frame shown for presentation purposes only. Technique: Copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keywords: antique architectural engraving Fontainebleau, Porte Dauphine print, Baltard engraving 1803, Napoleonic era architecture, Château de Fontainebleau view, French classical architecture print...

A rare extra-large reproduction print, printed on engraving paper with an antique star press and watercolored by hand representing an antique capital. The capital's from a collection...

Stipple and etching, printed in dark brown ink with hand-coloring.  Likely the original late 18th century frame and thus the print is in excellent condition. Print made by Francesco Bartolozzi...

Audubon Lithograph of 3 Tropical Birds. Large scale and beautifully framed too. Add some Coastal Chic to your Design Project.

A framed lithograph of a thoroughbred horse by Richard Newton Jr. This piece is housed in a wood frame and depicts a thoroughbred horse with a deep chestnut brown coat and a white blaze down his nose. The horse looks forward with its eyes fixed on the viewer. He has a brown bridle with gold accents. This piece is not under glass and has been professionally framed. The back includes a hanging wire. This piece was sourced from the estate of an Oklahoma horse breeder. His home was filled with the most amazing antique saddles, sculptures, show trophies, and saddle blankets. Richard Newton Jr. (1874-1951) was a famous equestrian artist known for his horse and jockey paintings...

Amaina Print "Midnight Moon", blue color signed and titled Blue Color USA

"Porta nel Vestibolo dell'antica Università dei Lanaioli - Studio al Vero del Capitello" A rare extra-large reproduction print, printed on engraving paper with an antique star press and watercolored by hand representing an antique capital...

Attributed to William Griggs, circa 1880, this pair of lithographs in hand-painted black frames depict a set of Neoclassical Wedgwood amphora vases. Both prints are on cream paper, a...

Original 1970's etching by Listed artist Al Kaufman , framed in glass and oak with COA signed an numbered Sandalwood title.

18th Century style Pierre Bouillon neoclassical engraving Prints of Roman & Greek Friezes. Beautifully framed. Additional information: ...

The Temple of Hercules Is the only surviving sacred structure in ancient Rome that was made of Greek marble. Located in on the eastern bank of Tiber, it is one of the oldest extant buildings in the city. Giovanni Piranesi memorialized this structure in his famed monumental etchings. This large black and white print...

Graves graduated Cum Laude from the Maryland Art Institute in 1972, where he studied anatomy and painting with Joseph Sheppard and Frank Russell, then pursued etching and history pa...

Classical Blueprints: Piranesi Engraving of the Exeter Pedestal and Antiquities Etching and Engraving on Paper, Circa 1778 This large-scale copperplate engraving by Giovanni Battist...

An elegant and most decorative pair of French mid 19th century Neo-Classical st. Prints of Bacchus and Mercury. Each wonderfully detailed print is by Jean-Baptiste-Raphael-Urbain Mas...

Three gorgeous early 19th century architectural prints by Louis-Pierre Baltard de la Fresque (1764 — 1846).

Three gorgeous early 19th century architectural prints by Louis-Pierre Baltard de la Fresque (1764-1846).

Set of Three Neoclassical Hand Colored Etchings, after Marco Colani, Rome, Italy. Colani lived in the late 18th Century, and we believe these to be printed in the 19th Century. Nicel...

Peter F. Rothermel (American, 1817-1895) A steel engraving depicting the United States Senate and Henry Clay’s Compromise of 1850. Published in Philadelphia in 1855 by John M. Butl...

Napoleonic Architectural Engravings Set, Baltard Paris Monuments Plates, 1803 This striking set of eight early 19th-century architectural engravings originates from the rare French publication Paris et ses Monuments, mesurés, dessinés et gravés, created by architect and engraver Louis-Pierre Baltard and published in Paris in 1803 during the early Napoleonic period. Baltard’s monumental publication was dedicated to Napoleon Bonaparte and aimed to systematically document the architectural treasures of Paris and its surrounding monuments through precise measurement, architectural drawing, and finely executed copperplate engravings. Today the work is regarded as one of the earliest comprehensive visual surveys of Parisian architecture produced during the Napoleonic era. The present group forms a visually balanced and highly decorative set illustrating several aspects of classical and Renaissance architecture. The engravings include façade elevations, architectural plans, ornamental studies, sculptural fragments, and atmospheric architectural views. Together they present a remarkable overview of architectural design, structural composition, and decorative detail typical of the scholarly architectural publications produced in France at the beginning of the nineteenth century. One of the most notable plates in the group shows the measured plan of the Château d’Écouen, one of the most important Renaissance châteaux in France. Built in the sixteenth century for the powerful Montmorency family, the château later became an important national monument and today houses the Musée National de la Renaissance. The engraved plan carefully illustrates the château’s symmetrical layout around its central courtyard together with the surrounding terraces, landscaped grounds, and tree-lined avenues. Other plates depict grand classical façades, monumental arches, richly carved capitals, sculptural ornaments, and picturesque architectural views set within wooded landscapes. Baltard’s engravings are admired for their combination of architectural precision and refined artistic engraving. Crisp linework defines the structural forms, while delicate shading creates depth in the sculptural and landscape elements. Architectural engravings from Paris et ses Monuments have become increasingly desirable among collectors, architects, and interior designers. Their refined balance between scholarly architectural documentation and decorative visual appeal makes them particularly suitable for elegant interiors such as libraries, studies, galleries, or sophisticated European-style homes. Displayed together as a gallery wall, the engravings create a striking architectural ensemble reflecting the intellectual spirit and artistic ambition of the Napoleonic period. The original antique engravings are offered unframed, giving flexibility to select frames that best suit the intended interior. Condition report: Very good condition for early nineteenth-century engravings. Printed on laid paper with wide margins. Light age toning and occasional small spots consistent with age. The engraved impressions remain sharp and clear. Framing tips: These engravings display beautifully as a coordinated wall set. Dark walnut or black frames with generous ivory or warm off-white mats create a refined museum-style presentation. For a more contemporary interior, thin black gallery frames with wide mats highlight the elegant linework and architectural detail. Technique: Copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keywords: napoleonic architectural engravings, baltard paris monuments 1803, antique french architecture prints...

Bring the allure of the English countryside into your home with this remarkable pair of antique equestrian prints. These hand-colored engravi...

This 1864 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait of Lincoln. This is the second issue of ...

A framed architectural engraving of a wall in Pompeii titled "In Casa Pseudourbana Di Pompei piano superiore Parete corta dell'antistuf...

This striking pair of vintage prints offers a sophisticated homage to the world-renowned frescoes of ancient Pompeii. Each work captures the iconic "Pompeian Red" and obsidian black ...

Elegant and ancient color print reproducing the bridge on the river near Florence, a river lying in the countryside of Tuscany, Italy. The title, that reproduce this meaning is "Il p...

Elegant and ancient color print reproducing the bridge on the Dora, a river lying in the city of Turin and coming into the Po, the most important river in Italy. The title, that repr...

French Renaissance Relief Sculptures – Château d’Écouen Engravings, 1803 Description: This refined set of three early nineteenth-century engravings illustrates sculptural reliefs from the chapel of the historic Château d’Écouen. The prints originate from the rare architectural publication Paris et ses Monuments, mesurés, dessinés et gravés, produced by the French architect and engraver Louis-Pierre Baltard and published in Paris in 1803 during the Napoleonic era. Baltard’s monumental work was dedicated to Napoleon Bonaparte and aimed to document important monuments around Paris with precise measured drawings and carefully executed engravings. The engravings record sculptural elements from the elaborate master altar of the château chapel. Each plate focuses on a different group of figures rendered as classical relief sculpture...

Pair of Floral Engravings — France, 1920s Description: This is a refined pair of French engravings, created in France during the 1920s, depi...

These six intaglio illustrations come from "Storia naturale degli uccelli" ("Natural History of Birds), a book written by the Italian ornithologist Francesco Saverio Manetti (1723-17...

Antique View of Château de Fontainebleau, Napoleon Era Landscape Engraving, 1803 A panoramic view of Fontainebleau, capturing the grandeur of Napoleon’s residence within a refined l...

Antique Decorative Ceiling Designs, Fontainebleau Gallery, Baltard, 1803 – Pair This elegant pair of architectural engravings presents richly detailed ceiling designs from the Châte...

A detailed three-dimensional lithograph titled "In a Yankee State of Mind" by celebrated pop artist Charles Fazzino, known for his exuberant cityscapes and sculptural layering techni...

Dramatic pair of framed etchings by Giovanni Battista Piranesi (Italian 1720-1778). The prints depict classical urns in the neoclassical Greco-Roman taste. The engravings are mounted in substantial black lacquered wood frames with a site measurement of 17 inches wide by 22.5 inches high. The first urn is a krater type supported by a Griffin pedestal...

French Neoclassical Architecture Engravings Set, Château d’Écouen, 1803 Description: This elegant set of three early 19th-century architectural engravings originates from the rare French publication Paris et ses Monuments, mesurés, dessinés et gravés, created by architect and engraver Louis-Pierre Baltard and published in Paris in 1803 during the Napoleonic era. Baltard’s monumental work was dedicated to Napoleon Bonaparte and represents one of the earliest systematic visual surveys of Parisian monuments and important historic architecture in the region. The engravings document architectural elements of the historic Château d’Écouen, one of the most important Renaissance châteaux in France. Built in the sixteenth century for the powerful Montmorency family, the château became a celebrated architectural landmark and today houses the Musée National de la Renaissance. Baltard’s publication sought to record such monuments with scientific precision through measured drawings and carefully executed copperplate engravings. The present group illustrates three different architectural studies connected to the château. One plate depicts a refined classical façade featuring Corinthian columns, sculptural niches, and richly ornamented entablatures typical of French Renaissance architecture interpreted through a neoclassical lens. Another engraving presents an evocative study of sculptural fragments and decorative architectural elements, arranged in a picturesque composition that highlights carved capitals, ornamental friezes, and architectural stonework. The third plate shows a highly detailed elevation of the master altar from the château chapel, revealing the elaborate sculptural program and architectural framing that characterized ceremonial interiors of the period. Baltard’s engravings are notable for their crisp architectural linework and balanced compositions. Fine copperplate engraving allows intricate decorative details to be rendered with remarkable clarity, while subtle cross-hatching creates depth and tonal richness. Together the three plates form a visually balanced architectural ensemble combining structural design, decorative ornament, and historical documentation. Architectural engravings from Paris et ses Monuments*are increasingly sought after by collectors, architects, and interior designers. Their refined neoclassical aesthetic and graphic clarity make them particularly appealing for sophisticated interiors such as libraries, studies, galleries, or contemporary spaces seeking a strong architectural accent. The original antique engravings are offered unframed, allowing flexibility to select frames that best suit the intended interior. Condition report: Very good condition for early nineteenth-century engravings. Printed on laid paper with wide margins. Light age toning and occasional small spotting consistent with age. The engraved impressions remain sharp and well preserved. Framing tips: These engravings display beautifully as a coordinated wall set. Dark walnut or black frames with generous ivory mats create a classic museum-style presentation that highlights the crisp architectural linework. For contemporary interiors, thin black gallery frames with wide mats offer a refined and modern look. Technique: Copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keywords: antique architectural engravings, baltard paris monuments 1803, chateau d'ecouen engravings, french neoclassical architecture prints...

A set of three 19th century Geramia Discanno hand coloured lithographs, captured from the walls of Pompeii. The frescoes are believed to be prints from a book published in 1890 by on...

Pair of framed neoclassical engravings, after works painted by Jean Jacques François Le Barbier (1738 - 1826) and engraved by Jean-Jacques Avril (1744-1831), dated 1789 for the paint...

Wonderful offset print of an African American woman. 1970's style. Dedicated and Autographed by the artist Arthur Coppedge. Curbside to NYC/Philly $400

Attributed to William Griggs, circa 1880, this pair of lithographs in hand-painted black frames depict a set of Neoclassical Wedgwood amphora vases. Both prints are on cream paper, a...

A set of hand colored prints with gilt highlights of neoclassic urns. Elaborate Egyptian Revival frames with a bronze finish over wood. Blac...