Charles II Wall Decorations

Fantastic and rare Charles II mid-17th century stumpwork wool and silk picture. Illustrating stories from The Book of Esther, including the Ki...

Royal House Antiques Royal House Antiques is delighted to offer for sale this super rare and highly collectable suite of twelve original Copper plate engravings dating to 1643 by Ioachimus Sandrart after the original by Joachim Von Sandrart the Elder depicting the months of the year These are a suite that will never come up for sale again, dating to 1643 they are 381 years old, the copper engraving print outlines clearly visible, each piece signed to the bottom left Ioachimus Sandart Pinxit and to the bottom right what looks like I Suijderhoef jculjit These are a highly coveted and important suite of mid 17th century prints, they wouldn’t look out of place in the finest library or museums The condition is perfect, they are mounted with full margins, on museum board with golf leaf slips and hand made 22ct gold leaf side edges Dimensions each Height:- 53.5cm Width:- 43.5cm Depth:- 2cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the Teutsche Academie,[1] published between 1675 and 1680. Sandrart was born in Frankfurt am Main, but the family originated from Mons.[2][3] According to his dictionary of art called the Teutsche Academie, he learned to read and write from the son of Theodor de Bry, Johann Theodoor de Brie and his associate Matthäus Merian, but at age 15 was so eager to learn more of the art of engraving, that he walked from Frankfurt to Prague to become a pupil of Aegidius Sadeler of the Sadeler family. Sadeler in turn urged him to paint, whereupon he travelled to Utrecht in 1625 to become a pupil of Gerrit van Honthorst, and through him he met Rubens when he brought a visit to Honthorst in 1627, to recruit him for collaboration on part of his Marie de' Medici cycle. Honthorst took Sandrart along with him when he travelled to London. There he worked with Honthorst and spent time making copies of Holbein portraits for the portrait gallery of Henry Howard, 22nd Earl of Arundel. Making all of those copies only served to arouse more curiosity in the young adventurer, and in 1627 Sandrart booked a passage on a ship from London to Venice, where he was welcomed by Jan Lis (whose Bentvueghels bent name was "Pan"), and Nicolas Régnier.[4] He then set out for Bologna, where he was met by his uncle on his mother's side Michael le Blond, a celebrated engraver. With him, he crossed the mountains to Florence, and from there on to Rome, where they met Pieter van Laer (whose bent name was "Bamboccio"). After a few years he undertook a tour of Italy, traveling to Naples, where he drew studies of Mount Vesuvius, believed to be the entrance to the Elysian fields described by Virgil. From there he traveled to Malta and beyond, searching for literary sights to see and paint, and wherever he went he paid his way by selling portraits. Only when he was done traveling did he finally return to Frankfurt, where he married Johanna de Milkau in 1637. Afraid of political unrest and plague, he moved to Amsterdam with his wife in 1637. In Amsterdam he worked as a painter of genre works, and portraits. He won a very good following as a painter, winning a lucrative commission for a large commemorative piece for the state visit by Maria of Medici in 1638, which hangs in the Rijksmuseum. This piece was commissioned by the Bicker Company of the Amsterdam schutterij, and shows the members posing around a bust of Maria of Medici, with a poem by Joost van den Vondel hanging below it. The state visit was a big deal for Amsterdam, as it meant the first formal recognition of the Dutch Republic of the seven provinces by France. However, Maria herself was fleeing Richelieu at the time and never returned to France. This piece cemented his reputation as a leading painter, and in 1645 Sandrart decided to cash in and go home when he received an inheritance in Stockau, outside Ingolstadt, he sold his things and moved there. He received 3000 guilders for 2 books of his Italian drawings, that according to Houbraken were resold in his lifetime for 4555 guilders. Though he rebuilt the old homestead...

17th-century Black and White Engravings of Architectural Fountains for Formal Gardens, Georg Andreas Bockler, A pair, Circa 1664 The framed blac...

An exceptional and fine 17th Century English Needlework Panel. The long panel worked in richly coloured threads and subdivided into 5 narrative figural panels framed in an applied bo...

A fine example of an English Charles II silk needlework picture framed under glass with figures and animals in its border, and foliate decoration throu...

Charles II Antique Stumpwork Embroidery Picture of Noah's Ark. The embroidery is very finely worked in silks and chenille threads on a sil...

We are delighted to offer for sale this stunning and very rare Royal coat of arms hand carved in solid oak dating to 1660 A truly sublime piece, I absolutely love every bit of it,...

We are delighted to offer this stunning and very rare Charles II English Royal coat of arms hand carved in solid wood, 1660-1685. A truly sublime piece, I have never seen an armor...

Making & Meaning_ Holbein's Ambassadors By Foister, Susan; Roy, Ashok; Wyld, Martin Great table book, hardcover. London: National Gallery of Art, 2001. Paperback Quarto. Paperback...

Period mid-late 17th century of an Elderly Aristocratic Woman in a conical hat, known today as a witch hat. In a lace head shawl and either pinching her cap...

We are delighted to offer for sale this stunning and very rare Charles II English Royal coat of arms hand carved in solid wood, 1660-1685. A truly sublime piece, I have never seen...

An early 19th century oil on canvas in original gilded frame titled ‘A Stag Hunt’ after the original by Philip Wouwermans, painted circa 1665, in the Nationa...

Possibly Catherine of Braganza set in a period late 17th century giltwood frame.  

A large oil painting by Dutch artist Gerard van Edema, (c. 1652-1700), depicting an evening landscape, Italianate style, featuring a vista with trees, three figures and a dog standin...