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Gothic Revival Wall Decorations

Gothic Revival Style

The Gothic Revival movement (also called Victorian Gothic or Neo-Gothic) emerged in Britain in the 1740s, and reached its height in the late-19th century. Gothic Revival furniture's characteristics include such decorative flourishes as pointed arches, floral details, finials, heraldic motifs and linenfold carving.

The movement was rooted in religious and social conservatism. Gothic Revival's proponents, who included Charles Barry and A.W.N. Pugin, the architects of London’s Houses of Parliament (designed in 1840), believed that the art and architecture of the Middle Ages were authentically spiritual and inherently moral.

In the United States, the Gothic Revival movement shaped both public buildings and private houses. Numerous American schools were built in the early-19th century in a style now called Collegiate Gothic. Many builders and craftsmen were inspired by Andrew Jackson Downing’s widely read 1850 book Architecture for Country Houses, which posited that a family’s home should exemplify their values — and that the Gothic Revival style was particularly well-suited to scholars and clergymen. Furniture with detailing that mirrored that of Gothic Revival buildings appeared in the same period. Such pieces typically feature dark, intricately carved wood, and upholstery in velvet or leather.

Much like the castles or cathedrals that inspired them, Gothic Revival chairs, bookcases and beds make a bold design statement. And while you probably don’t have to cross a moat or raise a portcullis to get through your front door, a Gothic Revival piece will declare that your home is indeed your castle.

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Style: Gothic Revival
Antique French Oak Gothic Revival Panel
Located in Denton, TX
French oak hand carved Gothic revival panel. There are three available. Each panel is 1" deep by 8.5" wide by 13" high.
Category

19th Century French Antique Gothic Revival Wall Decorations

Materials

Oak

Antique Fine Handcarved Oak Gothic Revival Wall Shrine / Chapel for Statuette
Located in Lisse, NL
Rare and good condition, Gothic-art shrine for standing or wall-hanging. This handsome and decorative, Gothic wall shrine is completely hand-crafted out of solid oak and it will look awesome, no matter where you decide to mount or place her. It must have taken its creator quite a few days to first draw this intricate design on paper and then hand carve the entire piece out of solid oak. The Gothic Style elements are deeply handcarved in both doors and they make this shrine highly decorative and an absolute joy to own and look at. This cabinet chapel (or chapel cabinet) comes with its brass lock in perfect working order and also with its original gothic style key. The handgrip is in fact a Gothic trefoil symbol (for the trinity). What also makes this piece extra attractive is the Gothic church window-like frame behind the doors. It is among the finest we have seen to date and on top of that this antique also has a beautiful and rich patina. By the way, the bronze Mary statuette is not included in our price. Finally, thanks to the hook in the back, mounting this antique chapel...
Category

Early 20th Century French Gothic Revival Wall Decorations

Materials

Brass

Antique Silver-Plated Decorative Plate Jesus Christ signed by VERNON Frederic
By Frédéric-Charles Victor de Vernon
Located in Casteren, Noord-Brabant
Beautiful antique plaque with an image of Jesus Christ with a child. The plaque is beautifully decorated, with fine details and nice engraving. The plaque is signed 'Vernon' and dated 1905. Frédéric-Charles Victor de Vernon (17 November 1858, in Paris – 28 October 1912 in Paris), was a sculptor and engraver of French medals. He was educated at the École des beaux-arts where his teachers were Jules Cavelier, Jules-Clément Chaplain, and Émile Tasset. In 1881, he won second great Prix de Rome and in 1887 the first grand prix of Rome, after which he spent three years at the villa Médicis. In 1900, he designed the official medals for the 1900 Summer Olympics held in Paris. These medals are unique in being the only Olympic medals...
Category

Early 1900s French Antique Gothic Revival Wall Decorations

Materials

Silver Plate, Copper

Antique Hand Carved Gothic Revival Wall Bracket or Shelf for a Saint Statue
Located in Lisse, NL
Good size and great looking Gothic Revival bracket for displaying a statuette. This Gothic console for wall mounting dates from the early 1900s and it has the most timeless design a...
Category

Early 1900s European Antique Gothic Revival Wall Decorations

Materials

Metal

Set of 18 Gothic Architectural Prints ( Scotland ) After Robert Billings. 1848
Located in St Annes, Lancashire
Glorious set of 18 prints of Gothic Architecture in Scotland Steel engravings. After R.W. Billings Published by William Blackwood & Sons, Edinburgh. Dated 1848 Unframed.
Category

1840s Scottish Antique Gothic Revival Wall Decorations

Materials

Paper

Gothic Revival Quatrefoil Design Umbrella & Stick Stand w. Hand Painted Irises
Located in Lisse, NL
A fine work of Gothic Art depicting iris flowers, associated with the Passion of Christ and the Resurrection. This Gothic quatrefoil design umbrella stand is another one of our rece...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Wrought Iron, Zinc

Antique & Rare Pair of Church Brackets for Saint Statues with Angel Sculptures
Located in Lisse, NL
All handcrafted and matching pair of colorful & meaningful church wall brackets / shelfs. If you are a private collector of ecclesiastical art or if you are looking for the perfect ...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Wrought Iron

Antique Gothic Revival Hand Carved Oak Wall Cabinet with Green Cathedral Glass
Located in Lisse, NL
Unique and striking Gothic Revival wall cabinet with perfect working lock and key. This handcrafted and probably unique Gothic Revival wall cabinet from the late 1800s is another one of our magnificent recent finds. The size, the quality in the large amount of hand-carved Gothic details, the patina and the excellent condition make this another perfect purchase for collectors of this ancient and highly decorative style. The overal design, including the Gothic church window in the door, is right up there with the best we have seen to date. However, what makes this Gothic work of beauty really stand out for us, is the combination of the patina of the light tiger oak and the perfect condition, green cathedral glass panel in the door. That combination truly is a joy to look at. The door, by the way, still opens and shuts tight perfectly and it comes with a perfect working lock and key. Have you also noticed the original, gilt bronze lock plate? That is a work of art in its own right. The clean inside of this cabinet comes with two removable, solid oak shelves and the inside of the door is veneered with a wonderful bird's eye maple. On the back of this unique and antique Gothic cabinet...
Category

Late 19th Century European Antique Gothic Revival Wall Decorations

Materials

Metal, Bronze, Brass

Fine Gothic Painting / 11th Station Crucifixion, Jesus is Nailed to the Cross
Located in Lisse, NL
Another stunning, hand painted, oil on canvas, work of religious art. This antique oil painting was first hand painted on canvas and later glued to a zinc backplate which is one wa...
Category

Early 19th Century European Antique Gothic Revival Wall Decorations

Materials

Zinc, Iron

Vintage Intricate Cast Cement Wall Bracket Plinth - a Pair
Located in west palm beach, FL
Epic vintage pair of wall brackets cast in cement featuring the face of a mythical creature. Gorgeously patinated due to age ready to elevate any exterior or interior space that need...
Category

Early 20th Century Gothic Revival Wall Decorations

Materials

Concrete

Antique Gothic Revival Top Quality Hand Carved & Gilt Wooden Church Wall Bracket
Located in Lisse, NL
Deeply carved, extra large size, Gothic Revival corbel, bracket with a stunning patina. Finding unique antiques that have just that little bit more than your average is what we alwa...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Wood, Pine

Antique Pair of Hand Carved Gothic Wall Brackets / Corbels for Saint Statues etc
Located in Lisse, NL
Matching and large pair of Gothic church wall brackets / display shelfs. If you are a private collector of Gothic antiques or if you are looking for the perfect pair of Gothic Revival wall brackets for your church or monastery then this stunning pair could be perfect for you. These early 1900s antiques are all handcrafted out of solid oak with some solid pine on the back and bottom. They are in very good condition and they are strong and heavy so that they can hold larger sculptures as well. That actually is what they were made for as you can also see from the two large, strong and thick metal, integrated hooks in their backs. They are ideal for displaying Saint statues or any other type of religious art but with stylish candle holders on top they will look marvelous also. The hand carved, church window like carvings all around could not be more Gothic in style and this unique Gothic pair...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Iron

Antique and Quality Hand Carved Solid Oak Gothic Church Wall Bracket or Shelf
Located in Lisse, NL
Wonderful and perfectly hand carved, pure Gothic Revival, church wall bracket. This all handcrafted, Gothic Revival wall bracket has the most wonderful shape and a striking patina. ...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Metal

Antique Painting of Holy Mary & Child after Nicolo Barabino in Oak Gothic Frame
Located in Lisse, NL
Symbolic and meaningful work of religious art with original label on the back. Framed oil on wooden panel, Madonna and child, after Italian Nicolo Barabino (1833-1891). The original...
Category

1890s Italian Antique Gothic Revival Wall Decorations

Materials

Oak, Paint, Wood

Pair of White Metal and Gilded Bronze Relief Plaques with 17c Figures
Located in Cheltenham, GB
A pair of white metal and gilded bronze relief male and female figures in 17c costumes applied to an embossed decorative panel in ebonized frames. Little nicks and rubbings on the fr...
Category

Late 19th Century German Antique Gothic Revival Wall Decorations

Materials

Brass, Bronze

Late 19th Century Bronze Crucifix Corpus Christi in Carved Walnut Frame
Located in Casteren, Noord-Brabant
A beautiful bronze figure of Jesus Christ, a Corpus Christi. It hangs on a walnut cross, the frame is also made of walnut, with fine carvings. This piece dates from circa 1890. It i...
Category

Late 19th Century French Antique Gothic Revival Wall Decorations

Materials

Bronze

Antique Gilt Wooden Gothic Art Hand Carved Gargoyle Wall Bracket Shelf / Corbel
Located in Lisse, NL
Stunning and amazingly hand carved, Gothic gargoyle bracket. If you are a collector of rare and striking Gothic antiques then this bracket could be the perfect addition to your collection. This all handcrafted and marvellously hand carved antique wall bracket in the form of a squated and winged gargoyle with a grotesque head is one of the best works of Gothic art we have ever seen. Its perfect posture and the top quality carved details of its creepy head, its lion's tail, its claw feet and its deeply carved wings are some of the elements that make this antique truly extraordinary. The beautifully carved edge on the shelf has the most amazing shape and combined with the ancient patina of its entirely gilt surface, this Gothic Revival bracket is an absolute joy to look at. This finest quality antique can be the perfect base or display for a statuette, a small clock, a vase, etc. However, because of its uniqueness, its top quality workmanship and its extreme decorative appeal, this wall bracket certainly does not need anything on top. Thanks to the brass hooks on the back this fascinating gargoyle shelf...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Gold Leaf

Antique and Quality Hand Carved Oak Gothic Church Wall Bracket or Shelf / Table
Located in Lisse, NL
Wonderful and superbly hand carved, 19th century Gothic Revival bracket / side table. This all handcrafted, Gothic Revival wall bracket has the ideal size and shape to be used as ...
Category

Late 19th Century Dutch Antique Gothic Revival Wall Decorations

Materials

Wood, Oak

Raffaello's Madonna Della Seggiola Bronze & Marble Wall Plaque & Holy Water Font
Located in Lisse, NL
Meaningful and great quality antique, relic bronze and marble wall plaque with holy water font, after the famous painting of Raffaello. This antique work of religious art from the...
Category

Late 19th Century Italian Antique Gothic Revival Wall Decorations

Materials

Marble, Bronze

Original Antique Architectural Print by John Ruskin, circa 1880, Venice
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Window from Ca Foscari, Venice Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circa 1880 On wove ...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

English or Continental Gothic Revival Rubbing of Knight and Lady
Located in Lomita, CA
A Gothic Revival style engraved brass rubbing, English or Continental, from the 19th Century. This is a beautiful piece with two figures who are dressed in elaborate clothing reserve...
Category

Late 19th Century Antique Gothic Revival Wall Decorations

Materials

Silk

Antique Small Wall Cabinet Gothic Revival Hand-Carved Oak Painted Twist Church
Located in Ijzendijke, NL
Antique Wooden Carved Hand Painted Neo-Gothic Small Wall Cabinet France 19th Century Pediment Twisted Medicine Cabinet Gothic Revival Truly a beautiful rare and stunning antique hanging cabinet. Late antique 19th-century French gothic style hand carved solid oak one-door small wall cabinet. With a romantic hand painted door with flowers, and inside a nice layout. Twisted columns and is topped by gothic-like spires. And lots of more decorative details! In good authentic antique condition, with some normal traces of use and wear. Please see pictures and video, they are part of the description. This breathtaking antique showpiece...
Category

Late 19th Century French Antique Gothic Revival Wall Decorations

Materials

Oak

Original Antique Architectural Print by John Ruskin, circa 1880, 'Lisieux'
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Pierced ornaments from Lisieux, Bayeux, Verona and Padua. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Publi...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Two Gothic Angels in Giltwood Tabernacle Frames After Fra Angelico
Located in Hanover, MA
Two lovely 19th century paintings on board of Fra Angelico's angels from The Linaioli Tabernacle, 1433, where, when the tabernacle doors are open, can be seen in the arch surrounding...
Category

Early 20th Century Italian Gothic Revival Wall Decorations

Materials

Giltwood

Original Antique Architectural Print by John Ruskin, circa 1880, 'Florence'
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Tracery from the Campanile of Giotto, at Florence. Steel engraving after the original drawing by John Ruskin. Published, circa 1880 ...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Selection of eight restored 19th C Neo-Gothic Stained-Glass Windows
Located in Leuven , BE
The Color Experience: Stained-glass windows “Color is a power which directly influences the soul” (Wassili Kandinsky, Moskou 1866 – Neuilly-sur-Seine, 1944) “Color! What a deep and mysterious language, the language of dreams!” (« La couleur ! Quelle langue profonde et mystérieuse, le langage des rêves », Paul Gauguin, Paris, 1848-Fatu-Hiva, 1903) ‘Color and feeling’, ‘color and meaning’, these are concepts that have gone together since time immemorial. Artists and craftsmen have a special bond with color. After all, it is a means of expression that can have a real reinforcing effect. Especially linking color with light offers unlimited possibilities. Glaziers and glass painters have tried to master both these ‘instruments’ for centuries. The set of beautifully restored neo-Gothic windows in our collection are enough reason for us to let these works of art figure in a broader story. As a bonus, we would like to introduce you to the contemporary stained-glass artist and stained-glass restorer, Daniël Theys. whose workshop is in Sint-Pieters-Rode (Belgium). He talked to us about the materials and techniques he used for the restoration of our set of neo-Gothic stained-glass windows. A fascinating look at the tricks of the trade from a specialist! A bird’s eye view of the history of the European stained-glass window. Although the Romans already used translucent glass plates to cover wall openings, the stained-glass window reached its peak in Europe between 1150 and 1500. A period also known as the era of the cathedrals. At that time, stained-glass windows became more than just a way to let in the light, and to keep the space closed off. From now on, their functionality was also found in their didactic value. The biblical and saints’ stories that adorned the stained-glass windows became a kind of poor man’s bible. They brought, as it were, the knowledge of the holy scriptures in an understandable, pictorial way. At the same time, the colored light provided additional symbolism. The invading light was interpreted as a manifestation of God. It is also no coincidence that the main altar was bathed in light. It was the place where the most important sacrament was celebrated, that of the Eucharist. How were these magical colors obtained? Well, during the 12th and 13th centuries, metal oxides gave color to the glass. Copper, for example, produced different colors in the various stages of oxidation. The metal could color the glass light blue, green and even red. It should be noted that from the 13th century onwards, clear glass, which was cheaper and at the same time allowed more light into the buildings, was used more often. A century later, in the years 1400 to 1500, glass painters frequently painted onto the glass with a ‘stain’ of silver chloride or sulfide. The painted piece of glass was heat-treated in a furnace. The heating process ensured that the silver ions migrated into the glass and became suspended within the glass network. The stain gave colors ranging from a pale yellow to a rather deep red. This new technique allowed glaziers to get more than one color on a single glass fragment. The shades produced by painting in silver chloride were well suited for depicting golden crowns, scepters and other gilded objects and ornaments. But the most important advantage of the technique was the fact that the glass painter could now make transitions from yellow tones to white without having to apply separations with lead strips! This also improved the legibility of the pictured scene. You can imagine that the labor-intensive process of the production of stained-glass windows was a very costly affair and therefore it was often patrons who donated them to a church or a chapel. The benefactors were usually eager to propagate their social status and were moved by concern for their salvation. In the 16th century, stained-glass windows also began to appear in secular buildings such as town halls, the homes of the wealthy and commercial premises such as inns. It is striking that during this period the use of lead strips that border many parts of the image was further reduced in favor of real painting on stained glass. This was due to an increasing love of detail. For example, one wanted realistically painted portrait heads. Working with enamel paints was cumbersome. Each newly applied color had to be burned into the glass before another color or overpainting could be applied. It was not only the coloring of the glass that was complicated, the process of obtaining flat glass plates required many steps as well. The glazier blew a glass bulb with a blowpipe and then cut it open. Finally, each half of the sphere was turned around so fast that it became a disc. In later periods, the glazier blew out his glass bulb into a cylinder. Once the cylinder had cooled, its closed ends were removed, and the long sides were cut open. The pieces of glass obtained were then heated and flattened. During the 16th century, there was a division of labor between the stained-glass designer, the glazier, and the glass painter. It happened as well that the stained-glass artist used prints as models for his stained-glass windows. Whoever drew the design, the glazier always needed a model on the right scale, the so-called cartoon. On the cartoon, the lead strips were clearly marked, and the use of colors was indicated. Contracts at the time show that the price of stained-glass windows was calculated per square foot. The price per square foot included the labor and material costs. The price of the cartoon was not included. In the 17th century, the work of glass painters remained important. At the same time, there was a growing popularity of stained-glass windows with heraldic themes. In the Low Countries there were several high-quality glass painters active. During the 18th century, glass painting went downhill in our regions. The French occupation of the Southern Netherlands resulted in the destruction and sale of religious stained-glass windows. It was only around the middle of the 19th century that the young Belgian state experienced a revival of stained glass. The renewed interest in the Middle Ages, the so-called ‘gothic revival’, caused a wave of restoration of old stained-glass windows of churches and orders for neo-gothic stained-glass windows. The Sint-Lucas art schools in Belgium played an important role in this. Industrial developments in the glass and steel industries naturally had an important hand in the popularity of stained-glass windows. Stained-glass had a wide range of uses; think of stained glasses in winter gardens, domes, windows, and doors of large mansions. Significant glazier’ studios arose in several larger Belgian cities. In Brussels, for example, you had the workshops of Capronnier and Colpaert, in Bruges the studios of Coucke and Dobbelaere, in Ghent the companies of Ganton-Defoin or Ladon. During the 19th century, glaziers followed the style developments in the visual arts. For example, the number of windows in Art Nouveau and Art Deco style is large. The restored stained-glass windows with male and female saints that we offer for sale, come from a building in Laeken, near Brussels. They probably decorated the space of a church, chapel, convent, or Catholic school. In the results of the interview with glass restorer Daniël Theys, you will learn more about the particularities of these splendid windows. Chatting and browsing in the workshop of Daniël Theys The Belgian Glass restorer and glass blower, Daniël Theys (), made a career switch at a later age and has been active in the profession since 1987. He is an important player in the field of stained-glass window art in Belgium. Moreover, he is the only one in the country who still masters the technique of glass etching. Daniël Theys receives many commissions from small parish churches to restore old stained-glass windows to their former glory. He made a name for himself in that niche and that is how Spectandum brought the set of 19th century stained glass windows to his workshop for reconstruction. They were delivered in old numbered wooden crates and Daniel had to start puzzling. Numbered wooden crates with sections of the stained-glass windows Normally a glazier starts working from a drawing with a scale of 1:1 (full size drawing), but in this case each piece had to be cataloged and photographed. The smaller pieces were grouped on the light box and photographed in their entirety. Then Daniël made a drawing of the remaining pieces that he had puzzled together with great care. Smaller pieces identified and grouped on the light box The restauration guidelines of the Agency for Monuments and Landscapes are not always the same as those of a restorer. For this reconstruction, Daniël primarily considered the purpose of the stained-glass windows. It had to be an aesthetic and salable set of stained-glass windows, so the choice of filling the gaps with neutral glass or epoxy was not really an option. Theys left well-executed previous restorations untouched. The windows may have been repaired three or four times in the past. Piece of a cloak with glass shards from different periods (restorations) Another problem Daniel faced during the restoration was the fact that some small parts of the old grisaille had been eaten away by microorganisms. The defect – caused by moisture – can be seen from the discoloration of the grisaille. The black-brown color is turned red. This fragment shows well how the brown grisaille has turned red due to the attack of micro-organisms The stained-glass windows of the 19th century are made of ‘in the mass-colored’ glass. This means that the colors were added to the liquid glass during its production process. This type of glass differs from glass colored with enamel paint, which became popular from the interwar period. The latter process involves applying enamel paint (this is a glass powder with a metal oxide to which a medium has been added) to the colorless glass. When firing the glass with the enamel paint, the powder fuses with the glass. The colors of email painted glass are less intense and less brilliant than those of ‘in the mass-colored glass’. Jars with colored powder for the enamel paints For the restoration Daniël only worked with mouth-blown glass, both with ‘in the mass-colored glass’ and with ‘verre plaqué’. This is blown glass composed of several layers of different shades. Over the years, Theys built up a large stock of old blown glass. Colored blown glass always has sliding shades. For example, a red piece of glass can have a color transition from bright red to light orange. These differences in shades are the result of the different thicknesses of the piece of glass. It allows the glazier to use a wide variety of shades. The purple-red foliage with light blue accents was obtained by etching away parts of a piece ‘verre plaqué’. A small part of the lower glass layer is exposed. The windows were completely re-leaded by the restorer because there was virtually no ‘lead net’ preserved. In general, lead strips only have a limited lifespan because of oxidation processes. Daniël removed the old lead remnants and placed new lead profiles. Then he applied putty between the glass fragments and the lead strips to seal the lead. A window must be made watertight. The current condition of the windows is excellent. Decorative glass part with original lead remnants New lead strip The set of stained-glass windows we present today, originally consisted of windows of 5 to 6 m high. After all, they originally adorned a neo-gothic church. Since the original dimensions are not suitable for private buildings, it was decided to only restore the figurative representation. The original spire of one of the windows Thanks to a suspension eye, the window can be hung. There is also the possibility to place the window in an upright position. Thanks to the craftsmanship of the Theys-Studio, we can once again enjoy the brilliance of color! Looking for the missing link The set of 19th-century stained-glass windows came into the possession of Spectandum without a clear provenance. The renowned Leuven antiques dealer, Cornelius Engelen, recalls that the windows came from a church in Laeken. There is no solid starting point for a search for the provenance. Based on the style of the stained-glass windows – most probably the late 19th century -, their religious iconography, and their original shape (pointed arch windows) and dimensions (5 to 6 cm high), we can assume that they were once displayed in a (neo-)gothic cult building. On the one hand, the stained-glass windows may have been removed after storm damage or other calamities, on the other they may have been taken away during a renovation or a demolition of a church. The Church of Our Lady in Laeken is the most famous church building in that municipality that could qualify. In the early 1920s, the central windows of the transept were badly damaged by a hurricane. Today, glass fragments of these windows (dating from 1893-1894) with the names of the sixteen missing saints and an arch infill of the western window are officially known. It would be interesting to find out if our set of eight saints once were part of the transept of Our Lady in Laeken. Research in the records of the church administrators could provide clarification. Knowing that most neo-gothic stained-glass windows from the Church of Our Lady come from the Jules Dobbelaere’s glass studio in Bruges, it is useful to consult that company’s archive as well. It is kept in the KADOC (Documentation and research center for religion, culture and; in Leuven. Of course, the sizes and shape of the stone window openings of the transept can also provide an indication. If we stylistically compare the grisailles of the set of stained-glass windows with the work of Jules Dobbelaere, we do see some relationship. Especially with a stained-glass window in the chapel of Our Lady of the Saint Anthony Church in Aalst. Another line of research that we could follow, is that of the iconography of the series. One of the saints depicted is Saint Roch. There once was a Saint-Roch church in Laeken with 19th-century stained-glass windows from the Brussels studio of Jean-Baptiste Capronnier. The company archive of the glaziers François and Jean-Baptiste Capronnier is owned by the Flemish government and can be consulted in the above-mentioned KADOC. We already searched the sales catalog of 1892, in which Capronnier’s drawings and cartoons are described one by one. The saints that are represented in our set of windows, does not correspond with the names of the saints mentioned for the church of St. Roch in Laeken. Building on this argument, it can be concluded that the eight saints were not destined for this house of worship. In the absence of lavishly illustrated monographs on the various glazier-companies in Belgium, the execution of a comparative study of the stained-glass windows is time-consuming and complex. Although a limited number of old photos of stained-glass windows can still be found in the database ‘Balat’ of the KIK-IRPA (), this remains far too limited to get a good picture of the output of the various companies. 19th C, Saint, Neo-Gothic Stained-Glass Window with Saint Martin, Belgium, 163 x 73 cm Most people know Saint Martin (Szombathely, ca. 316 – Candes, 397) as the Roman Tribune who cut his cloak in two with his sword and gave one half to a beggar. The artist of the stained-glass window has opted for a different, less common iconographic representation here. Saint Martin is presented as a bishop with a miter and staff. According to a legend, Martin was lured to the city of Tours with a trick to consecrate him as a bishop. He refused the ecclesiastical office and hid in a barn with some geese. The birds betrayed him with their twittering. In the end Martin received his episcopal consecration. The goose at the feet of the saint clearly refers to this event. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Angela, Belgium, 163 x 73 cm Angela de Merici was an Italian woman who taught young women religion, health care, and household skills. She founded the monastic community of the Ursulines. They played an important social role as founders of schools and orphanages. Saint Angela died in Brescia in 1540. It should therefore come as no surprise that the saint on the stained-glass-window is depicted with a girl by her side. 19th C, Saint, Neo-Gothic Stained-Glass Window with Charles Borromeo, Belgium, 163 x 73 cm Charles Borromeo (Milan, 1538-1584) grew up in a noble family. He was already made Cardinal and Archbishop of Milan at the age of 24. With his writings he contributed to the implementation of the Church reforms determined at the Council of Trent. Among other things, he released a new catechism. With his book on the design of church buildings, “Instructiones Fabriacae et Supellectilis Ecclesiasticae”, he left a mark on Baroque church construction. At the outbreak of the plague in his diocese in 1576, he devoted himself to the care of those affected. Hence, people sometimes pray to him when they have been hit by a serious illness. 19th C, Saint, Neo-Gothic Stained-Glass Window with St. Roch, Belgium, 163 x 73 cm Saint Roch (Montpellier, 1295? /1350? -1327? /1380?) was born with a port-wine stain in the shape of a cross on his left hip. It was interpreted as a sign from God. After the dead of his parents, he gave his money to the poor and went on to live the life of pilgrim. He cared for plague sufferers and healed some of them by making a sign of the cross. He is especially invoked as protector against the plague. 19th C, Neo-Gothic Stained-Glass Window with St. Bernard of Clairvaux, Belgium, 163 x 73 cm Bernard of Clairvaux (Fontaines, 1090-Clairvaux, 1153) decided to become a monk at the age of 21. In 1112 he entered in the monastery of Cîtaux. He was soon commissioned by the abbot to find a new monastery in Clairvaux. Because of his intellectual capacities and eloquence, he was consulted by various ecclesiastical and secular leaders. He ensured the expansion of the Cistercian order throughout Europe. As a Doctor of the Church, he wrote many tracts and sermons and established a new rule for the Templars. Above all, he was concerned with the discipline of the clergy. Therefore, he wrote a spiritual manual for the priests and bishops. Saint Bernard can be seen as a true mystic. He envisioned the union of the human soul with God as the most important goal in life. According to a legend, Bernard once had a vision in which the Blessed Virgin appeared to him and strengthened him with her mother’s milk. In the arts, the saint is mainly depicted with an abbot’s staff and a book with the Cistercian rule. His vision was also often portrayed. 19th C, Neo-Gothic Stained-Glass Window with St. John Berchmans, Belgium, 163 x 73 cm The Belgian Jan Berchmans (Diest, 1599-Rome, 1621) was the eldest of five children. When his mother became seriously ill, he initially took care of her, but at the age of nine he was housed with the town’s priest. After a few years he moved to Mechelen to become the servant of a canon. It also gave him the opportunity to begin his studies in the seminary for priests. He eventually joined the Jesuits of Mechelen. He got their permission to study philosophy in Rome. In the Eternal City, he visited working-class neighbourhoods to teach the children about God. He died of an illness at the age of 22. Saint Jan Berchmans is the patron saint of school children and students. 19th C, Neo-Gothic Stained-Glass Window with Saint Clare...
Category

19th Century Belgian Antique Gothic Revival Wall Decorations

Materials

Art Glass, Stained Glass

Gothic Revival Fireplace with its Hood and Carved Salamander, Witch and Ermine
Located in Beuzevillette, FR
Exceptional oak neo-Gothic fireplace and hood. The uprights sides of the fireplace are composed of two columns with capitals foliage patterns, all surmounted by a reserve on which is carved an ermine (heraldic symbol). The lintot of the hearth features a mascaron representing a witch's face carved in high relief with on each side a pattern of parchments. The sculpture on the panelled hood represents a salamander. The salamander is a mythical animal capable of living in fire and extinguishing it. It is a symbol used especially in alchemy and heraldry, it is also the emblem of the King of France François 1er...
Category

Late 19th Century French Antique Gothic Revival Wall Decorations

Materials

Oak

Antique Hand Carved Gothic Revival Church Wall Bracket / Saint Statue Console
Located in Lisse, NL
Good size, partially gilt and great looking Gothic Revival bracket for displaying a Saint statue. This Gothic console for wall mounting da...
Category

Late 19th Century French Antique Gothic Revival Wall Decorations

Materials

Metal

Antique Icon like Gilt Bronze Mary and Child Jesus Plaque over a Holy Water Font
Located in Lisse, NL
Meaningful and perfectly hand-crafted antique church relic. This religious work of art dates from the earliest years of the 20th century and you could not wish for a better condition antique. This finest of holy water font plaques could not be in better condition, but that is also because it was all handcrafted out of the best materials only. Even the hand sawn, square nuts on the back are gilt. And the cross-like hook with the French Gothic fleur-de-lis ends with the ring on top (for easy mounting this gem to your wall) is another detail that shows us that no expense was spared when this antique was hand-crafted all those years ago. Whenever we find religious antiques of this quality and excellent condition, they usually were made for and used in either a church or a monastery (also, because that is where the budget was for the best quality pieces). The quality and the finish of this church relic really is among the best we have ever seen, but the quality of and the details in the sereen Mother Mary...
Category

Early 20th Century French Gothic Revival Wall Decorations

Materials

Bronze

Rare Set of 4 Antique Miniature Saint Paintings, 3 in Brass Gothic Frames 1890
Located in Lisse, NL
Beautifully hand painted set of 4 Mary & Jesus paintings on porcelain plaques. If you were to spend the rest of your week looking for antique Gothic ph...
Category

19th Century European Antique Gothic Revival Wall Decorations

Materials

Brass, Enamel

19th Century French Gothic Sacrament Cabinet
Located in Dallas, TX
19th Century French Gothic Sacrament cabinet was artfully sculpted from solid oak and fruitwood to create a remarkable religious artifact designed to be appreciated throughout the ages! The trapezoidal form of the casework is in keeping with the Gothic style, which historians concur originated in the Cathedral of St. Denis during the middle of the 12th century. Boldly molded crown follows the complex contours and overlooks the case below which features a single door flanked by cornerposts that feature pilasters facing front as well as the sides, with recessed arched panels topped with recessed circular frames above filled with carved rosettes highlighted in gold. The arched recesses facing the front are also filled with carved floral and wheat motifs also highlighted in gold, representing the Bread of Life. The door panel, however, steals the show, with a gloriously carved relief work depicting both wheat and fully laden grapevines adding the significance of the Blood of Christ...
Category

Mid-19th Century French Antique Gothic Revival Wall Decorations

Materials

Fruitwood, Oak

Antique Gothic Display Plaque with Swords & Double-Headed Eagle
Located in Dallas, TX
Antique Gothic display plaque with Swords & Double-Headed Eagle is an ideal choice to accessorize the masculine decor! The panel was rendered in...
Category

Mid-20th Century French Gothic Revival Wall Decorations

Materials

Steel

Largest Antique & Top Quality Hand Carved Gothic Revival Barometer & Thermometer
Located in Lisse, NL
Exceptional and unique, 3 feet tall, Gothic Revival wall barometer, circa 1890. This unique antique from the second half of the 19th century, in our view, is the dream of anyone with a Gothic (inspired) interior. This design could not be more Gothic and to have found a barometer of this size and with this many Gothic details, again, felt like a blessing. And even though we had to pay-up to be able to acquire it, when you find an antique that is this rare and good then you should always try to buy it. This monumental and solid nutwood antique barometer is entirely hand carved and, as you can see in our photos, the workmanship is second to none. This work of Gothic wall art is perfectly symmetrical and we love the fact that only the large church pilars are carved in a different pattern. This rare design feature, to us, shows the creative nature of its designer. We also love the many Gothic church spires on top and the way this entire 'composition' is superbly balanced. There also is small 'ledge' underneath the barometer and thermometer, possibly for displaying some small sculptures. The only downside would be that the inside of the barometer/thermometer is not squeaky clean. Maybe it is easy to open the front of the barometer, but we have no experience with that. Have you also noticed the amazingly detailed Gothic leafs at the top of both the large pilars? They too display the amazing workmanship of a seasoned craftsman. Besides the enormous height and width, what also makes this rare barometer truly impressive is its depth, because this almost gives you the idea of looking at a magnificent barometer through 3D glasses. All these top quality and impressive details together make this Gothic barometer...
Category

19th Century French Antique Gothic Revival Wall Decorations

Materials

Metal, Brass

Mid Century Wooden Tiles, Hand Painted Checkerboard Design, Gold Accents, Italy
Located in Bedford Hills, NY
Beautiful hand painted wooden tiles with checkerboard pattern, 14 tiles in total, 2 red, 6 black and 6 gold. Great as a wall installation or a small space paneling, made in Italy.
Category

1950s Italian Vintage Gothic Revival Wall Decorations

Materials

Wood, Paint

Extra Large Antique and Great Quality Bronze Corpus of Christ w. Amazing Patina
Located in Lisse, NL
One of a kind, large and beautifully handcrafted, work of religious art. An antique bronze crucifix corpus of this size is a rare find and to have been given the opportunity to purchase one of such beautiful quality and details more than made our day. The striking anatomy and the unique patina of this large wall sculpture of our Lord Jesus are truly marvelous and we could see this antique go...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Bronze

Original Antique Architectural Print by John Ruskin, circa 1880
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Published circa 1880. On wove quality paper. Unframed.
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Antique Gothic Nutwood Wall Bracket with Museum Quality Carved Servant Sculpture
Located in Lisse, NL
Finest quality hand carved and mint condition Gothic Art wall console. This practical size, antique sculptural church (or monastery) wall bracket could not be in better condition. ...
Category

Early 20th Century French Gothic Revival Wall Decorations

Materials

Brass

Late 19th Century Great Quality Needlework Mary and Child Jesus Religious Banner
Located in Lisse, NL
Handcrafted "Our Lady of the Sacred Heart, pray for us" banner. It must have taken a highly skilled seamstress an enormous amount of time to create this impressive religious banner....
Category

19th Century Dutch Antique Gothic Revival Wall Decorations

Materials

Linen, Silk, Velvet, Oak

Original Antique Architectural Print by John Ruskin, circa 1880, 'Venice'
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Balcony in the Campo St. Benedetto, Venice Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circa 1880...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Original Antique Architectural Print by John Ruskin, circa 1880 'St. Lo'
Located in St Annes, Lancashire
Wonderful gothic architectural print. Cathedral of St. Lo Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published circa 1850 On wove quality pape...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Original Antique Architectural Print by John Ruskin circa 1880 'Salisbury'
Located in St Annes, Lancashire
Wonderful gothic architectural print. Cathedral of Salisbury and Rouen Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published circa 1880 On wove...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Antique Large Hand Carved Oak Gothic Art Panel, Depicting Christ and 12 Apostles
Located in Lisse, NL
Stunning and unique 'sermon on the mount' wall plaque with Jesus and the apostles carved in high relief. This large size work of religious art dep...
Category

Early 19th Century Dutch Antique Gothic Revival Wall Decorations

Materials

Oak

Bronze Gothic Wall Plaque by S. Norga Depicting Mother Mary in Cinquefoil Halo
Located in Lisse, NL
Unique antique bronze wall plaque by Belgian sculptor Sylvain Norga. This Gothic Revival work of religious art dates from the Art Deco era and it is a little bit of a rare specimen. For some reason, Sylvain Norga almost always created bronze wall plaques of Christ. In some cases he created bronze plaques with both Jesus and Mary in them, but the ones with only Mary are very hard to find. We find it extra special that this stunning and practical size Mother Mary sculpture...
Category

Early 20th Century Belgian Gothic Revival Wall Decorations

Materials

Bronze

Original Antique Architectural Print by John Ruskin, circa 1880, 'Lucca'
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Arch from The Facade of The Church of San Michele at Lucca Steel engraving by R.P. Cuff after the original drawing by John Ruskin Publi...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Antique Gothic Revival Stained and Glass Window Hanger Panel with Young Christ
Located in Lisse, NL
One of a kind, 19th century leaded and stained glass panel. This incredibly well made glass window frame depicting a beautifully hand painted angel is another one of our recent grea...
Category

Late 19th Century European Antique Gothic Revival Wall Decorations

Materials

Lead

Antique Large Oak Panel Depicting Teachings of Jesus, Christ Sermon on the Mount
Located in Lisse, NL
Gothic Revival 'sermon on the mount' wall plaque with Jesus teaching. This large size work of religious art depicts Jesus and He is surrounded b...
Category

Early 19th Century Dutch Antique Gothic Revival Wall Decorations

Materials

Oak

Pair of Male Portraits "Gothic Revival" Oil on Canvas from the 1800s
Located in Cesena, FC
Pair of male portraits "gothic revival" Male portrait "Man with hat" oil on canvas 154 x 85 cm in pendant with male portrait "Man with sword and armo...
Category

1850s Italian Antique Gothic Revival Wall Decorations

Materials

Canvas

Original Antique Architectural Print by John Ruskin, circa 1880, 'Ferrara'
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Portions of an arcade on The South Side of the Cathedral of Ferrara Steel engraving by R.P. Cuff after the original drawing by John Ruskin...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Original Antique Architectural Print by John Ruskin circa 1880, 'Abbeville'
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Fragments from Abbeville, Lucca, Venice and Pisa Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circ...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Large & Impressive Antique Bronze Corpus of Christ w. Amazing Details and Patina
Located in Lisse, NL
Stunning and beautifully handcrafted, work of religious art. Large bronze crucifixes are a rare find and to have been given the opportunity to purchase one of such beautiful quality and details made us grateful. The well portrait anatomy and the perfect patination of this large Christ sculpture are truly marvelous and we could see this antique go to both private collectors/worshippers and to a church or monastery. Mounted on the wall this rare size corpus will make a lasting impression, also from further away. So if you are looking for a unique and aesthetically pleasing Christ sculpture to grace your house of worship or home shrine then this meaningful Christian relic...
Category

Late 19th Century German Antique Gothic Revival Wall Decorations

Materials

Bronze

Original Antique Architectural Print by John Ruskin, circa 1880, 'St. Lo'
Located in St Annes, Lancashire
Wonderful Gothic architectural print. Ornaments from St. Lo, Rouen and Venice Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circa 1880 ...
Category

1880s English Antique Gothic Revival Wall Decorations

Materials

Paper

Masterly Carved Gothic Revival Oak Wall Barometer & Thermometer/ Weather Station
Located in Lisse, NL
Beautifully hand carved and partially gilt vintage barometer. This rare Gothic barometer has the most striking design and a beautiful patina. All han...
Category

Early 20th Century Dutch Gothic Revival Wall Decorations

Materials

Metal

Large & Impressive, Bronze Corpus of Christ Crucifix, Amazing Details and Patina
Located in Lisse, NL
Stunning and beautifully handcrafted, work of religious art, by sculptor Jef Lambeaux. Large bronze crucifixes are a rare find and to have been given the opportunity to purchase one of such beautiful quality and details more than made our day. The striking anatomy and the unique patina of this large Christ sculpture are truly marvelous and we could see this antique go...
Category

Late 19th Century Belgian Antique Gothic Revival Wall Decorations

Materials

Bronze

Rare & Large Antique Gothic Cathedral / Church Etching Signed Albany Edmond 1915
Located in Lisse, NL
Rare size and original Gothic interior etching of York Cathedral by Albany E. Howard, (1872-1936). This large size and incredibly elaborate work of Gothic art is made and signed by ...
Category

Early 20th Century English Gothic Revival Wall Decorations

Materials

Paper, Oak, Glass

Antique Carved Set of Marble Gothic Altar Panels w Christ and Disciples & Angels
Located in Lisse, NL
Stunning and all hand carved Gothic Revival from the late 1800s depicting a biblical scene" The Supper at Emmaus ". This unique and large set of three altar panels...
Category

19th Century Italian Antique Gothic Revival Wall Decorations

Materials

Marble, Carrara Marble

Hand Embroidered Gothic Revival, Bleeding & Babies Feeding Pelican Christ Symbol
Located in Lisse, NL
Also from the collection of unique, handcrafted religious artefacts. This rare and meaningful symbol in Christianity was all handcrafted in the mid-20th century. The perfectly embro...
Category

Mid-20th Century European Gothic Revival Wall Decorations

Materials

Copper

Antique Pair of Brass & Bronze Gothic Wall Picture Frames with Saint Sculptures
Located in Lisse, NL
For the collectors of rare and ready to use Gothic antiques. These beautiful and all handcrafted Gothic Revival picture frames with Biblical texts in Latin are an absolute joy to ow...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Brass, Bronze

13 Antique Stations Of The Cross, Gilt Lithographs on Zinc Panels in Oak Frames
Located in Lisse, NL
A set of 13 beautifully handcrafted 'way of the cross' works of religious art. These rare church stations were handcrafted around 1890-1910 by Julius Klinkhardt of Leipzig (since 18...
Category

Early 20th Century European Gothic Revival Wall Decorations

Materials

Zinc

Gothic Revival wall decorations for sale on 1stDibs.

Find a broad range of unique Gothic Revival wall decorations for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage wall decorations created in this style to your space, the works available on 1stDibs include wall decorations, more furniture and collectibles, building and garden elements and other home furnishings, frequently crafted with wood, metal and other materials. If you’re shopping for used Gothic Revival wall decorations made in a specific country, there are Europe, United Kingdom, and England pieces for sale on 1stDibs. While there are many designers and brands associated with original wall decorations, popular names associated with this style include John Ruskin, Jeremy Hush, Charles Bevan, and Frédéric-Charles Victor de Vernon. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for wall decorations differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $30 and tops out at $105,616 while the average work can sell for $1,718.

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