Regency Wall Decorations

Gorgeous Regency style oil painting of a trio of cute cherubs The cherubs are surrounded by the vivid and bright floral garland Such a beautiful work of art this will add light and e...

A truly monumental vintage tropical oil on canvas depicting two brilliantly colored macaws nestled among lush botanical foliage. Measuring an impressive 62 inches wide, this striking...

Elevate your wall decor with this opulent Vintage Regency carved wood gilt bracket, a statement piece radiating classical sophistication. Featuring an exquisitely hand-carved design of lush foliage, hunting motifs, and a central bird figure, this gilded wall shelf...

A fabulous pair of vintage Regency wall brackets. Chic hand carved laurels with a silvery gold finish. Acquired from a Palm Beach estate.

France antique Roman marble urnes neoclassical print on paper in black and white, circa 1850 This fine and elegant antique print is under glass and has a contemporary black lacquere...

This is a 19th century Regency papier-mâché chinoiserie tray. In addition to the lovely pen-work, it has mother of pearl inlay. It is not marked. Lite and general wear.

Elevate your dining experience with this exquisite Antique mahogany and parcel gilt Plate Holder. crafted with meticulous attention to detail, this plate holder adds a touch of class...

A large and rare early C19th carved heraldic panel of the Prince of Wales’s feathers, consists of 3 white ostrich feathers encircled by a gold coronet with fleur-de-lys, with a ribbo...

Classic antique hand-colored botanical engraving depicting a flowering branch with vibrant blue blossoms, specifically featuring the details of the plant's anatomical parts at the bo...

This vintage Regency floral still life painting on canvas captures timeless beauty with its intricate brushwork and classic composition, adding a touch of elegance and refinement to ...

Striking monumental vintage tropical painting featuring a pair of toucans perched amongst lush oversized foliage in dreamy shades of teal, aqua, lavender, coral, and soft green. A tr...

Enhance your collection with these vintage Regency profile portraits on paper. Featuring finely detailed profiles that capture the grace and refinement of the Regency era, these port...

Artist unknown (19th century) Portrait of Robert Burns Oil on canvas Measures: 29 3/4 x 24 5/8 inches. Handsome and in very good conditions.

Antique 19C American School portrait oil Painting of a Boy & His Dog. It is painted on canvas and later laid down on board.

The Road 1825: ‘Commercial Traveller’ — A Large Hand-Coloured Aquatint After Owen Bailey; published in London, Circa 1825–1830 A particularly large and imposing hand-coloured aquatint depicting a trotting horse — named in the lower margin as ‘Commercial Traveller’ — shown in full action drawing a two-wheeled gig at speed along an open road. The horse, a powerful bay or dark chestnut rendered with muscular authority, is caught at the moment of extended trot: near foreleg advanced, haunches driving, the ground thrown up in a small cloud of dust at the hooves. The gentleman driver, dressed in a dark coat and low-crowned hat, sits upright in the gig holding the reins with composed ease, a small terrier or spaniel seated beside him on the box — an appealing detail that gives the composition unusual intimacy. To the left of the road stands a simple stone or wooden milestone, a quietly functional element that anchors the composition geographically and suggests the turnpike road context of the scene. The background opens to a spacious, rolling landscape with a glint of water or estuary in the middle distance and a broadly rendered sky of cumulus cloud. The composition is typical of the ambitious large-format trotting horse print as produced for the English sporting market of the 1820s and 1830s: a wide horizontal format, the horse dominating the picture plane, the landscape ground kept low and unencumbered to emphasise speed and energy. The hand-colouring is applied with care and consistency: the horse’s warm brown coat is modelled with subtlety, the gig’s dark ironwork contrasting with the pale covered seat, and the sky washed in the greys and ochres characteristic of period aquatints in good preservation. The lower margin carries the title ‘THE ROAD 1825’ in spaced capitals, with the subtitle ‘Commercial Traveller’ in italic script below. The plate is signed ‘Owen Bailey, London’ in the lower margin. Dimensions 30¼ inches (76.8 cm) high, 38 inches (96.5 cm) wide, 1¼ inches (3.2 cm) deep, framed. Provenance Private American collection. Condition: Good with with Truguard UV glass to protect from light damage. Historical Context Owen Bailey was a London-based sporting artist active in the second and third decades of the nineteenth century, working in the tradition of F.C. Turner, James Pollard, and Henry Alken. His paintings of trotting horses and driving subjects were reproduced as large-format hand-coloured aquatints published for the broad sporting print market. The ‘Road’ series — of which ‘The Road 1825’ is a representative title — celebrated the open turnpike road as a theatre for the display of horses’ speed and quality, and reflected the intense popular interest in trotting and fast driving that characterised the Regency sporting world. The 1820s were the peak period for the English trotting and fast-driving print. Publishers catering to the sporting and aspiring middle-class market produced large-format plates that were sold individually or in matched pairs for display in dining rooms, libraries, and halls. The format of a single named horse in harness, shown at speed with a stone milestone or country background, became a near-standard formula, and prints of this type were produced in considerable numbers. The finest examples — of which this is one — combine genuine artistic quality with a social documentary interest in the fashions of dress, vehicle design, and road culture of the Regency period. Selected Bibliography Egerton, Judy. British Sporting and Animal Paintings, 1655–1867: The Paul Mellon Collection. London: Tate Gallery / Yale Center for British Art, 1978. Nevill, Ralph. Old English Sporting Prints...

Gorgeous vintage original oil portrait. A beautiful composition of a young girl. Signed by the artist Farnsworth. Acquired from a Florida estate.

A Rare Set of Four Regency Putti Stipple Engravings Published by Rudolph Ackermann, Repository of Arts, 101 Strand, London Engraved by Anthony Cardon after designs by Richard Cosway ...

Bring the sun-drenched charm of a Mediterranean orchard to your table with this delightful set of four vintage hand-painted ceramic plates. Rendered in the rustic tradition of Italia...

We are delighted to offer for sale this lovely Portrait of the Infanta Margarita Teresa Juan Bautista Martínez del Mazo (Queen of Spain) A very sweet ...

A compelling portrait by Portland artist Sally Haley. Handmade gilt wooden frame with textile, made by the artist. Haley has works in the Portland Art museum collection and was repre...

This rare set of four reverse glass mezzotints representing Britain's victories includes: "Britannia's Triumph on the Restoration of Peace"- L...

Striking vintage sculptural wall plate featuring a hand-painted tiger rendered in rich, dimensional glaze. Crafted in terracotta and finished with a glossy, pooled glaze, this piece ...

Jan Kip (Dutch, 1652/53-1722) Pair of Cue Perspectives of English Country House Estate Bookplate Engravings. Kip was a fine engraver and known for his work "Britannia Illustatra" fir...

triking vintage sculptural wall plate featuring a hand-painted lion rendered in rich, dimensional glaze. Crafted in terracotta and finished with a glossy, pooled glaze, this piece sh...

Add a touch of timeless refinement to your collection with this original 19th-century oil portrait, capturing a poised young gentleman in the height of Regency-era fashion. Dressed i...

A Regency Period Gilt & Polychrome Papier-Mâché Tray By Henry Clay of Covent Garden The large shaped and lacquered tray depicting a hunting scene, within a border of gilt Taillandie...

Charming early 19th century fine quality British oil on board; small painting with a lot going on; subject matter. rural scene of two young boys frolicking on white horseback down by...

A richly colored and highly decorative floral still life executed in the manner of the celebrated Florentine painter Bartolomeo Bimbi, whose grand botanical compositions remain among...

This set of four hand colored copper plate engravings are illustrations by early 19th century naturalist J. H. Jacob first published in Italy in 1812, and are referred to as "Jacob's...

An elegant hand painted toleware landscape. Features colorful hand painted scenes set within cameos. A black background with gold foliate and beaded design. Framed within a Regency s...

Watercolor Portrait of a Fashionable Woman Wearing a Turban by Henry Edridge, A.R.A. (London 1769–1821) signed and dated 'H. Edridge / 1818' (lower left) pencil and watercolor heightened with white, on paper Executed in 1818, this highly finished drawing stands as a prime example of Henry Edridge's late, celebrated portrait style. It perfectly captures the sartorial elegance of the late British Regency period. By the turn of the nineteenth century, Edridge had established a highly lucrative London practice. He was patronized heavily by the royal family and prominent members of high society. His distinctive technique combined meticulously detailed graphite work in the face with broad, fluid watercolor washes to delineate drapery and background textures. A wealthy, unidentified gentlewoman is seated upon a classical, heavily carved Regency chaise...

The Eastern Imperial Eagle, from the Description de l'Égypte Jules-César Savigny & Bouquet Snr. (Engraver), Plate 12, Published 1809-1813 This magnificent and historically important stipple engraving is a primary document from one of the most ambitious scholarly projects ever undertaken: the Description de l'Égypte. The print is a superb example of Neoclassical scientific illustration, depicting the majestic Eastern Imperial Eagle (Aquila heliaca...

Sigmedclifton thomas 1808 sporting painting gray horse and dog

Madame Pauline Knip Engraving of A Pigeon, c, Colombar Maitsou, From Les pigeons par Madame Knip, née Pauline de Courcelles ; le texte par C.J. Themminck, Paris 1809-1811. A remar...

Madame Pauline Knip Engraving of A Pigeon, Colombar Wallia, Femelle (Columba Abyssinica, femina), From Les pigeons par Madame Knip, née Pauline de Courcelles ; le texte par C.J. Them...

A carved wood and parcel gilt over-door. The richly carved eagle, with outstretched wings, grasps the turned and reeded column in its talons. Bespoke sizing, design adaptations and f...

Madame Pauline Knip Engraving of A Green Pigeon, Colombe Vlouvlou, From Les pigeons par Madame Knip, née Pauline de Courcelles ; le texte par C.J. Themminck, Paris 1809-1811. A r...

Hand carved Gold Leaf framed signed Vintage Regency Figurative Acrylic Painting on Canvas, Spanish Girl with Black Hair wearing a Summer Hat, black Eyes, holding her gray Cat...

A large hand written land indenture document England, 1810, framed. The beautifully hand written document mounted on board with a red velvet border and ...

Fine Regency tray showing the four corners of the British Empire and a large central scene, illustrating many symbolic undertones.

A warmly composed vintage still life painting featuring a lush arrangement of red hibiscus blossoms gathered in a rounded amber glass vase. The artist employs a soft, painterly techn...

Antique Colored Lithograph Print "3D" Framed Hall of Levens & Trophy Room Art by Joseph Nash - a Pair. Listing includes hand colored lithograph print of "Earl Of Leicester In The...

After George Engleheart (British, 1750–1829), Portrait of Mrs. Mills, Gouache miniature. Brass plaque affixed to frame reads "MRS. MILLS" and "GEORGE ENGLEHEART" Dimensions: Sight: ...

Painted in the early 19th century, this couple most likely came from means, as portraits were not an inexpensive proposition back then. They are dressed conservatively, but beyond th...

Early 19th century English portrait of a gentleman in gilt frame. Circle of Sir Henry Raeburn. Very Stately, Handsome.

John Ogilby (Scottish, 1600-1676). - Circa 1675 This map is part of his Britannica publication and is #83. "The road map was first popularised by John Ogilby (1600-1676), Scotsm...

Hand painted early 19th century miniature under glass. Finely painted details on this lovely lady. In a brass oval frame, with floral embroidery surround. Painting measures 2.5 in x...

Wimbledon-Furniture Wimbledon-Furniture is delighted to offer for sale this stunning oil painting portrait, signed to the bottom left Robert 5th Earl of Buckinghamshire 1814 and printed to the back “prepared by Roberson & Miller 51 Long Acre London” the painting is the circle of Sir William Beechey Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very attractive portrait of Robert seated at his desk in rather stately looking attire. The frame is the original gilt wood and quite an expensive piece on its own The condition is very good, it is over 200 years old so there will be touch ups and restorations that have occurred, there is no damage to note that I can see or feel Dimensions Height:- 112.5cm Width:- 92cm Depth:- 7cm This painting as mentioned is the circle of Sir William Beechey Sir William Beechey RA (12 December 1753 – 28 January 1839) was a leading English portraitist during the golden age of British painting. Early life Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton. The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was: "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross." Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John...

Early 19th century signed by Samuel Aiken 1811 Exceptional sporting scene

A charming set of eight C19th colored natural history prints by James Heath. Depicting various exotic animals, birds and insects along with plants they are simply framed on white car...

Very beautiful mirror, Regency style, a transitional style between the Louis XIV and Louis XV styles. One recognizes this style with its numerous volutes, shells and leaves. A very d...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisite Watercolor and Silk Stumpwork style Embroidery picture The Industrious Cottage Wife 1803 Char...

Henry Thomson R.A. (English, 1773-1843) A fancy picture “Cottage Children", circa 1810. See the rendition by Thomson’s contemporary at the Academy Wi...

A very fine likeness of handsome nobleman Sir George Douglas, inscribed on the reverse "Engelheart fecit 1824 London." The painting is contained in a beautifully cast bronze doré frame with the sitter's name engraved...

Antique set of three early 19th century watercolors of Austrian military uniforms depicted in a stark landscape in a matter of fact technique with han...

These two works commemorate the great English pastime of gentlemen hunt parties and social gatherings surrounding the land and its produce to those who own it. This very nice pair of...

Ego (Egerton) – “A Sore Throat, ‘Egad, it’s worse & worse’” Original satirical engraving – London, 1827 Published by Thomas McLean, engraved by H. Pyall A superb early English satir...

George Bryant Campion Four Pencil Drawings of Royal Navy Ships on Dobbs Cards Circa 1830 This framed set of four pencil drawings of Royal Navy ships is by George Bryant Campion (Bri...

A very finely carved statuary marble relief wall plaque of a woman and child in the classical style dating from the early 20th century. Beautifully detailed, this antique marble plaque...

Immerse in the artistic beauty of Jan De Ruth's "Bathers" Lithograph, a limited edition piece signed and numbered by the artist. This exquisite lithograph portrays a tranquil scene, ...