Asia - Art

Dhiraj Chowdhury - Untitled - 14 x 10 inches (unframed size) ink on Paper ( Unframed & Door Delivered ) Style of the Artist : He steadfastly believes that art has to be closely associated with life – with humanity, with humanism. And he comes through with this concept in his works – which are sometimes heart – reading, sometimes violent, brutal even chaotic, but always cogent, modern, and somehow loaded with both wisdom and hope. About the Artist and his work : Born : 1936, West Benagal, India...

Tushar Kanti Das Roy - Musician - 120 x 72 x 48 inches Iron Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craft at K...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Sandesh Khule - Untitled-133 Acrylic on Canvas, 36 x 60 inches, 2019 ABOUT ARTIST Painting has a spiritual dimension in its purest sense. He searched of infinity, enlightenment & aw...

Sudipta Kundu - Ganesha Acrylic on Canvas, 36 x 24 inches , rolled and shipped . For framed delivery contact us for the additional costs From Kolkata, West Bengal, INDIA. Paintings...

Shuvaprasanna Bhattacharya - The Golden Flute - 12 x 12 inches (unframed size) Oil, Acrylic and Charcoal on canvas Inclusive of shipment in a roll form. ...

Asit Poddar - Euroscape - 1 - 8.5 x 8 inches (unframed size) Mixed Media on Canvas. Style : It is not enough to say that Asit Poddar is a multifaceted and greatly talented artist. Not only a gifted watercolorist, Poddar is also experienced and very well established in the fields of filmmaking, animation, photography, publishing, graphic designing and printmaking. For this artist, firsthand experience was a great source of inspiration. To look into the past - both recent and distant - is a creative process. It is this continuous flow of the past and the present that reflects richly in his paintings. In his works, you can see what he saw in his extensive travels to South Asian and European countries. You can feel the silence he felt on the mountains and revel in the world he sees through his mind's eye. His fluid lines and watercolor fills capture everything that Poddar takes in, from the vast expanse of high ominous peaks and deep dark gorges in black and white to the city of Varanasi and the river Ganges in vivid color. Human figures are missing in the paintings, but it seems like this is part of the artist's effort in his intent to leave a strong imprint in the mind of the viewer. About the Artist & his works : Education : 1980-82 : International Animation and Photography Institute, Japan 1972-77 : Government Art College, Kolkata. Selected Solo Exhibitions : 2011 : 'Mindscapes', Galerie Serafin, Vienna 2010 : 'Euroscapes', Jehangir Art Gallery, Mumbai 2008 : Kanishka Art Gallery, Kolkata 2007 : Educatorio della Provvidenza, Turin, Italy ; Cymroza Art Gallery, Mumbai & Chitrakoot Art Gallery, Kolkata. 2006 : Penzenau Castel, Mereno, Italy & Right Lines Art Gallery, Bangalore 2005 : Habiart, Indian Habitat Centre, New Delhi & Hacienda Gallery, Mumbai 2004 : House of Lords, London, UK & Artworld, Chennai 2003 : Hacienda Art Gallery, Mumbai ; Castella Monte, Italy & Cymroza Art Gallery, Mumbai 2002 : Chitrakoot Art Gallery, Kolkata & Right Lines Art Gallery, Bangalore 2001 : Chitrakala Parisath, Bangalore ; Habitat Centre, Delhi & Artists Centre, Mumbai 2000 : Genesis Art Gallery, Kolkata 1999 : Gallerie La-Ruche, Tokyo, Japan 1997 : Kunjeon Art Gallery, South Korea 1996 : Koga Art Museum, Ibaraki, Japan & Kunjeon Art Gallery, South Korea 1994 : Birla Academy of Art and Culture, Kolkata. Selected Group Exhibitions : 2010 : 'Canvas, Paper, Bronze', Academy of Fine Arts, Kolkata. Asit Poddar has had many solo exhibitions and group shows to his credit in India, South Korea, Japan and Taiwan. He has also handled graphic assignments for many art publications, including books on Rabindranath Tagore and Ganesh Pyne...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

"Up Side Down" Bronze Sculpture 24 x 4 x 4 inch Edition 3/8 by Huang Yulong Up Side Down 2018 Bronze sculpture 24" × 4" × 4" in 60 × 10 × 10 cm Edition ...

K. Laxma Goud Intaglio on Paper 6.5 x 10.5 inches 16.5 x 26.7 cm ( Unframed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, w...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper *please note this artwork can be made up to 99" x 44" - HUGE! It can also be printed at any ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 45 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

C. Bhagyanath - Untitled - 36 x 36 inches (unframed size) Oil on Canvas ( UNFRAMED ALL IN DELIVERED PRICE ) Born in 1968 in Tellicherry, Kerela, C. Bhagyanath received his Bachelor’s degree in Fine Arts (painting) from the College of Fine Arts, Triavandrum, in 1992. Following this, the artist went on to study at the Sarojini Naidu School of Performing Arts, Fine Arts and Communication in Hyderabad, where he received his Master’s degree in the same subject in 2006. Some of the solo exhibitions in which Bhagyanath’s works have been exhibited include 'Ventriloquism' at Kashi Art Gallery, Kochi, in 2010-2011; 'In Limbo' at Project 88, Mumbai, in 2009; exhibitions at Kashi Art Gallery, Kochi, in 2006; and Kannur in 2004. He has also taken part in several group exhibitions, some of which include 'A. SYCO' at the Viewing Room, Mumbai; 'The Way We Are' at Mon Art Gallery, Kolkata; 'Evidentia' at Gallery Sumukha, Chennai and Bangalore; 'Re-claim/Re-cite/Re-cycle' at Bose Pacia, Kolkata; 'Recycled' at Travancore Palace, New Delhi; 'Metamorphosis: Change and Continuity in Indian Art' at Phyllis Weston-Annie Boiling Gallery, USA; 'The Big Picture' at Welcomart Gallery; Gallery and 'Pastiche' at Chaitanya Art Gallery, Kochi. Bhagyanath was awarded the State Lalit Kala Akademi Award, Kerala, in 2002. The artist lives and works in Kerala. Born : 1968 Tellicherry Kerala Education : 2006, Master of Fine Arts (Painting), Sarojini Naidu School of Performing Arts, Fine Arts and Communication, Central University Hyderabad 1992, Bachelor of Fine Arts (Painting), College of Fine Arts, Trivandrum Exhibitions : 2010-11 'Ventriloquism', Kashi Art Seleceted Solo Exhibitions : 2010-11 'Ventriloquism', Kashi Art Gallery, Kochi 2009 'In Limbo', Project 88, Mumbai 2006 Kashi Art Gallery, Kochi 2004 Kannur 1996 Calicut 1995 Tellicherry Seleceted Group Exhibitions : 2010 'A. SYCO', The Viewing Room, Mumbai 2010 'The Way We Are', Mon Art Gallery, Kolkata 2010 'Evidentia', Gallery Sumukha, Chennai and Bangalore 2009 'Re-claim/ Re-cite/ Re-cycle', Bose Pacia, Kolkata 2009 'Recycled', Travancore Palace, New Delhi 2009 'Metamorphosis: Change and Continuity of Indian Art', Phyllis Weston- Annie Boiling Gallery, USA 2009 'The Big Picture', Welcomart Gallery; Gallery Sumukha, Bangalore 2009 'Pastiche', Chaitanya Art Gallery, Kochi 2008 'Trends and Trivia: An Indian Story', Visual Arts Center, Hong Kong 2008 'Millenium Turks', Trident Hilton, Gurgaon 2007 'Urban Similes: Transforming Cities', Project 88, Mumbai 2007 'Chronicles of Unspoken', Travancore Art Galley, New Delhi 2006 'Mapping the South', Vinyasa Premier Art Gallery, New Delhi; Mumbai; Bangalore; Chennai and Dubai 2006 Eka Art Gallery, Kochi 2006 Open Eyed Dreams, Durbar Hall Art Center, Kochi 2006 Open Eyed Dreams, Auto Hangar, Mumbai 2004 Dravidya Art Gallery, Kochi 2003 'Remembering Bhupen', Kashi Art Gallery, Kochi Participations : 2010 'Harvest 2010', Arushi Arts...

I paint the lotus flower early in the morning when the sun has not yet risen and is still covered with mist. Lotus is a pure flower with a very gentle, ethereal fragrance, it is a sy...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7" *please note this artwork can be printed at any size so long as the ratio remain...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio rema...

Compelling set of 5 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 5 works come from a series of 25 works, Edition 4/7. The full Edition is available on our 1stDibs store. Editions 1 and 2 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, Etching on Archival paper, dated 2022, signed and titled under each piece in pencil 17" x 70" (depending on hanging layout), without framing, comprising 5 etchings. Sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio. Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed down. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...

About the Artwork Peach blossom is the most beautiful and popular flower in the North of Vietnam, loved by many people and displayed during Tet. Peach tree is considered the quin...

Mountain Path is a 2020 landscape work by Maki Kuchida. This is a much sought-after landscape work by Maki, demonstrating her delicate painting skills with so much details in one work - the nature environment, trees with various forms and shapes, flowers, the river and the colorful coyotes as if all inside a mirage of the mountain. The mountain path leads you into a stage where the sky and the earth merge into one universe, the realm of the soul. Maki combines the Japanese landscape painting technique with the Chinese one thus her landscape work is unique in its own way. Coyotes are mascots that appear very often in Maki's landscape paintings. The painted size of the work is approx. 54 x 38cm, while the framed size is approx. 74x58cm. It is framed with archival grade mount. There will be a certificate of authenticity issued with your acquisition. Maki's paintings may seem deceptively simple at first but indeed the colors and texture are achieved through a labor-intensive and time-consuming process as painting on silk for one color requires at least 8 layers of pigments. Maki paints using mineral pigments on...

Sandesh Khule - Untitled-123 - 11 x 11 x 11 inches Diameter (unframed size) Acrylic on Canvas. ABOUT ARTIST : Painting has a spiritual dimension in i...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 65" x 44" unframed (165.1cm x 112cm) 2019 Edition 2/10 *Should you wish the photograph to...

TAKANO Aya
Today is bath day (2009)
Ballpoint pen and watercolor on paper
Signed and dated
Sheet: 29.8 × 21.0 cm (11¾ × 8¼ in.)
...

Shyamal Mukherjee - Bawa Biwi - 12 x 12 inches (unframed size) Acrylic on Canvas, 2021 (Set of 2) About the Artist : Mukherjee was born in 1961, and spent all of his college ...

Running, 150x130 cm, oil on canvas

Shipra Bhattacharya - She, Acrylic & Oil on Canvas 12 x 12 inches (unframed size) ( Unframed & Delivered ) Style : Shipra , is a leading contemporary mid career artist of India. Sh...

Bilasendu Sil - Untitled - 15 x 11 inches (unframed size) Acrylic on Paper ( ALL IN DOOR DELIVERED FRAMED )

Aloke Sardar - Untitled - 60 x 54 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. About the Artist and his work : Born : Aloke Sardar is a self taught full time painter. He was born in Kolkata, 1959. Two Men Show : 2003 - JEHANGIR ART GALLERY (6th – 12th Oct), Mumbai. 1997 - NEHRU CENTRE, (Sep 24th – 30th ), Mumbai 1997 - NEHRU CENTRE, (Jan 24th – 30th ), Mumbai Solo Shows : 1997 - ACADEMY OF FINE ARTS (APRIL 18 th – 24 th),Kolkata. 1994 - EXHIBITION IN PARIS ( MAY) 1987 - ACADEMY OF FINE ARTS (11 th - 20 th OCT), Kolkata Group Shows : 2013 - EMAMI CHISEL ART GALLERY Kolkata (19th August- 13th September) EMAMI CHISEL ART GALLERY Kolkata 2012 - ACADEMY OF FINE ARTS Kolkata. 2008 - KANVAS ART GALLERY (31st Jan –16th Feb), Kolkata 2007 - SAMOKAL ART GALLEY,(6th – 20th Dec.), Kolkata ; GALLERY KOLKATA-A brush with Durga (18th – 31st Oct) Kolkata ; GANDHARA ART GALLERY (3rd -10th Sep), Kolkata ; ASHUTOSH BIRT CENETARY HALL-Journey Begins(25th Aug-1st Sep) Kol ; CHITRAKOOT ART GALLERY(3rd – 12th Sep) ; ARTLINE (23rd Sep-7th Oct),Kolkata ; GALLERY WITH DIFFERENCE(23rd – 30th Oct)Kolkata. 2006 - CYMROZA ART GALLERY (31st may-10th June), Mumbai ; ANNUAL EXHIBITION OF BIRLA ACADEMY, Kolkata. 2003 - Painter’s 80 LALIT KALA AKADEMY (Jan 5th – 11th ), New Delhi. 2002 - Painter’s 80 ACADEMY OF FINE ARTS , (Sep 11th – 18th ). 2001 - Painter’s 80- BIRLA ACADEMY , (Sep 25th – 7th Oct). 2000 - Biswa Banga , ACADEMY OF FINE ARTS,(Dec 29th – 9th Jan) 1999 - MAGIX INDIA ART GALLERY, (Sep), Kolkata 1998 - APARNA KAUR ART GALLERY, New Delhi. 1996 - RABINDRA BHAWAN, New Delhi. 1994 - 3 aces, ACADEMY OF FINE ARTS,(April 5th – 11th ), Kolkata. 1993 - YOUNG FACES, ORGANISED BY BIRLA ACADEMY. 1992 - Invitee Artist by FRENCHISE DE CALCUTTA . 1990 - Calcutta Through The Eyes Of Painters’ by BIRLA ACADEMY. 1989 - “CONTEMPORARY IMAGES” by ROTARY CLUB OF CALCUTTA. 1987 - BIRLA ACADEMY OF ART AND CULTURE ,Kolkata 1985 - KALA MELA ORGANISED BY TRITYO PROVA, Kolkata 1981 - BIRLA ACADEMY OF ART AND CULTURE (JULY 7 th -19 th ), Kolkata. Award : From the “ Royal Photography...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Japanese Kumiko Stars Installation Wood L 77 x W 52 x H 18 in This table is conceived as a dialogue between geometry and craftsmanship, where everyday utility becomes a stage for ...

Sossusvlei Dune Coffee Table Wood H 60 x W 48 x D 16 in This table is conceived as a sculptural dialogue between nature and design, where rugged earth forms meet refined utility. T...

Wooden Upholstery Chaise Wood H 46 x W 41 x D 22 in This chair is conceived as a sculptural meditation on geometry and comfort, where design transforms into art. Its curved ergono...

Hillscape 2023 Copper and Bronze W 24 x H 16.5 x D 5 in This hillscape is envisioned as a poetic fusion of geology and architecture, where natural terrain becomes a stage for human...

Inner Eye-I Concrete H 9 x W 8 x D 6 in 2021 This artwork is conceived as a surreal meditation on perception, where the human brain becomes a vessel of vision. Its sculptural form ...

Shikhara Handblown Glass Totem Glass H 114 x D 36 in The Shikhara Standing Totem draws Its structural inspiration directly from the proportions derived from Indian temples. Beyon...

Atin Basak - Durga - 30 x 24 inches ( Unframed Size ) Tempera on Board The work will be shipped unframed . Inclusive of shipment in roll form. Style : Atin Basak says that his rece...

Womb of Creation Textile (Pashmina), Wooden Loom Frame H 48 x W 48 x D 1 in This artwork is conceived as a symbolic vessel of rhythm and vitality, where textile and light converge t...

The Cushions Glass H 17 x W 17 x D 9.5 in & H 15 x W 15 x D 7 in H 43.1 x W 43.1 x D 24.1 cm & H 38.1 x W 38.1 x D 17.7 cm Set of 2 works At first glance, they resembl...

Small Coconut 1 Brass H 11 x W 9 x D 5.5 in This artwork is conceived as a symbolic meditation on nature’s abundance, where the humble coconut is elevated into a golden icon. Its p...

Rekhaganita Cabinet Basalt (Indian quartzite) and solid wood unit. Features Marquetry, Tarkashi, and bold geometric graphics on two shutters. Wood H 72 × W 36 x D 18 in This cabin...

Clementine Chan is famous Hong Kong artist and illustrator. Born in Hong Kong, Clementine graduated from the Chinese University of Hong Kong major in Journalism. She studied past...

Prokash Karmakar – Untitled – 13 x 10 inches (unframed size) Mixed Media on paper Inclusive of shipment in roll form. Style : Legendary master artist Lt. Prokash Karma...

Peg Table Versatile accent table featuring Koftgiri-crafted elements of the f ive nature forces. Combines a stone top and concrete base with Bidriand Lo...

Constellations (Wall Installation) 2026 Concrete 14 in 35.5 cm (Dia) (Set of 6 works) This artwork is conceived as a meditation on order and multiplicity, where repetition bec...

Old Story Wood and Paint 30 x 36 in 76.2 x 91.4 cm This artwork is conceived as a reflection on memory and cultural continuity, where printed media becomes a vessel of history...

Spring :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location:...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 26" x 39" unframed (66cm x 100cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Emotional Color Change 14 (Abstract painting) Acrylic on canvas - Unframed. Kyong Lee's series combines colour and language to visually represent the e...

Suhas Roy - To Jarna with Love Marker on Paper , 11 x 9.6 inches , 2012 ( Unframed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a series of work where he sees an ethereal mystic godlike and innocent spirit in every woman he meets. Style : He is one of the biggest and the most enduring names in the genre of Indian modern art. Often dubbed the father of female figurative forms. Radha Series and the Christ Series in soft pastel on paper and intense Oil on canvas paintings .Consequently, his recent body of works, "Drops of Silence", executed in oil, pastels and pen-and-ink etchings on backdrops in watercolours, are all studies of "mysterious slightly surreal nude women floating in a void". Roy's forte is Radhika - dark, enigmatic, beautiful Indian women with the slightest smile and ethereal in its quality . About the Artist & his work : Born : 1936, Bangladesh. Education : 1953-58 : Diploma in Painting, Indian College of Art and Draughtsmanship, Calcutta. 1956-66 : Studied graphic art under the guidance of S.W. Hayter, Atelier 17 and mural art at cole Superior Des Beaux Art, Paris. Exhibitions : His works have been exhibited all over the world through exhibitions like the Asian Graphic Prints Traveling Exhibition, USA, the Tokyo Print Biennale, Japan, Contemporary Indian Art...

Small Coconut Bunch Brass H 17.5 x H 17.5 x D 15 in In his second solo exhibition, Jenjum Gadi delves deeper into the themes of memory, material, and tradition, reinterpreting th...

Centre Table Concrete (Cast) H 23.6 x W 29.2 x D 21.2 in This artwork is conceived as a fusion of architecture and utility, where a table becomes a miniature cityscape. Its circ...

Recast - Bench Concrete (Cast) H 31 x W 104 x D 19 in This artwork is conceived as a dialogue between architecture and utility, where a bench becomes a sculptural cityscape. Its...

Agrasen Ki Baoli (Stepwell Series) Concrete H 8.2 x W 17.3 x D 2.2 in 2021 Hidden amidst modern high-rises, Agrasen Ki Baoli stands still in time as a testament to beauty, power, ...

The Vertical Bazaar Textile H 77 x W 24 x D 24 in The Vertical Bazaar is a functional sculpture that draws from India’s historic networks of trade, craft, and exchange. Composed of...

Flower - Fruit - Fight 2025 Brass H 75 x W 31 x D 27 in In Indian mythology and culture, Banana is often considered as sacred. While both the flower and the fruit symbolises growt...

The Embodied Durga Brass H 44 x W 40 x D 22 in H 111.7 x W 101.6 x D 55.8 cm Base H 18 x L 30 x B 30 in H 45.72 x L 76.2 x B 76.2 cm 2025 Back in West Bengal, ‘Durga’ is not...

The Red Opulence Textile W 168 x H 36 x D 36 in This artwork is conceived as a meditation on abundance and fluidity, where form and color embody richness. Suspended in space, its u...

Ripples of Calmness Glass, wire, fishing line W 60 x H 36 x D 36 in 2026 This artwork is conceived as a meditation on serenity, where form and color embody the essence of tranquili...

I want to break free Bronze H 15 x W 9 x D 5 in This artwork is conceived as a meditation on liberation, where architectural form becomes a metaphor for human struggle. Cast in bron...