Aspen

Michael Zobel 18K yellow gold, oxidized sterling silver with both white and colored diamonds, c. 2001. These hand crafted earrings by the world famous designer, Michael Zobel are bot...

Italian Leather woven baskets characterized by a geometric weave. Perfect for creating dynamic yet decorative surfaces.

Garavelli Rinascimento earrings, from their renaissance collection, crafted in in both yellow and white gold. They are 1.75 inches long, and possessing 118 brilliant cut diamonds. Th...

Michael Zobel has an international following for his very unusual pieces of jewelry that he calls "small works of art". His pieces are sought after and in many major jewelry collecti...

Large and robust and also unusual hoop style earrings measuring 1.75 inches in diameter. The earrings are marked in the interior 14K Italy. There is also a maker's name that is diffi...

28 natural seed pearls strung on wire and interspersed with 4 old cut diamonds milgrained in bezels. Just over 3 inches in length, this Edwardian pin has approximately .30 cts of dia...

Antique Necklace hand made in 18K yellow gold with a serpent and heart motif, the heart and serpent have fancy cut red garnets and the serpent's eyes and nose are rose cut diamonds. This necklace is in fine condition, 16.25 inches long with the hanging section of the serpent and heart is 1.5 inches. The weight is 30.6 grams. Please note: Our model in the photographs has a medium to large necklace size and hand size. This antique necklace bears no marks. We have performed an acid test to confirm its gold purity as being 18K (.750). When in the late 1830's Prince Albert of Saxe-Coburg and Gotha (in Germany) proposed to his cousin Queen Victoria with a ring in the form of a snake, he soon became Prince Consort and Victorians soon came to consider serpent motif jewels to be symbols of eternal love. And, when Albert died in 1860, Victoria, as if to demonstrate her eternal commitment, entered a period of mourning and formal remembrance that lasted for the rest of her life, thereby publicly showing her love decades after Albert's death. Our 18K yellow gold serpent necklace...

18K yellow gold large and bold ring centering a deep red/orange (oxblood) natural coral bead measuring 15.5 in diameter. The coral is even in color. Underneath the stone, there is a ...

Large and Exquisite Etruscan Revival pale pink hand carved conch shell cameo of Medusa, American, 1875. Set in 14K yellow gold with an acid finish or "bloom" so that the gold color ...

Antique enamel brooch, 18K, Renaissance Revival, c. 1880. Slightly more than 1 inch in diameter, this brooch has French import marks both on th...

Antique gold painting under rock crystal, these finely painted dogs brimming with personality was made circa 1890. In both yellow and rose gold, notice the dog bone on the other si...

Angela Cummings 18K earrings. These remarkable 18K yellow gold, amethyst bezel set in very light blue natural chalcedony, these unusual earrings are by Angela Cummings. They are sli...

Antique 18K and silver and natural pearl ring. The pearl measures 4.83 mm., and is natural, as opposed to cultured and very slightly out of round. The floral motif also has 14 be...

It is such a delight when we discover a small but scintillating treasure! This is an antique hardstone cameo with a naturalistic shape in the form of a halo of rose cut diamonds surr...

18K white gold centering an estimated 40 cts. of fine "robin's egg" blue turquoise surrounded by 50 white brilliant cut prong set diamonds. The diamonds are estimated to weigh 5.19 ...

Amethyst, diamond and platinum earrings. The two amethysts weigh an estimated 7.6 cts. The stones are high cabochon cut, a deep velvety purple color with a hint of red undertones. 16...

Vintage diamond eternity bands with milgrained edges, they are marked 18K, 750%, white and back in yellow 18K gold in the back in the back of the rings. The rings have been acid tes...

Antique cufflinks yellow gold with European cut white diamonds weighing totally .40 cts., and bright vivid blue unheated sapphires weighing .45 cts. These distinctive cufflinks are...

Fancy cut white diamonds are border with fine natural sapphires and rubies. A spectacular long brooch with fine well matched and well cut stones. The 34 diamonds weigh an estimated 3.40 cts. They are F/G color (colorless to near colorless) and VS1 to VVS2 (very very slightly included to very slightly included). These white diamonds are set off with fine natural sapphires and rubies. The 26 natural bright blue sapphires weigh an estimated 1.45 cts. They display a pure, clean even blue color. The 26 natural vivid red rubies (probably from Burma), weigh an estimated 1.45 cts. Totally there are 6.3 cts. of fine gemstones. Well made and in excellent condition, this vintage double clip brooch...

Amethyst, diamond and 18K yellow gold defines this well made ring. The 30 diamonds are round brilliant cut, well matched, and near colorless (H), and very slightly included (VS1). Th...

White Gold contemporary ring centering a natural fine amethyst estimated to weigh 2.0 cts. This stone is a vibrant and lively purple with no undertones. It is prong set in finely m...

Diamond and natural sapphire contemporary bracelet. This well made white gold bracelet possesses 10 fine natural vivid blue oval sapphires. These stones exhibit a clear blue color ...

Michael Zobel 18K yellow gold, oxidized sterling silver with both white and colored diamonds, c. 2001. These hand-crafted earrings by the world famous designer, Michael Zobel are bo...

Ancient Denarius, Coin of Quintus Caecilius Metellus Pius, mounted in a 22K hand hammered, hand crafted large and stately gold ring by Fairchild & Co. The authentic Roman Denarius, ...

Contemporary jewelry artist Michael Zobel has hand crafted a highly unusual ring centering an approximately 47 ct. natural cabochon cut aquamarine bezel set in 18K yellow gold accent...

Antique filigree diamond 18K white gold ring. The center European cut diamond weighs an estimated .65 cts. It is near colorless (H/I) and very slightly included (VS). This fine di...

Angela Cummings, a major designer for Tiffany & Co. has made a fine pair of 18K and natural turquoise tassel drop earrings. These earrings are mad...

Antique upper arm bangle of ebony with diamonds bezel set. Describing a perfect circle and having an internal diameter of 2-5/16th inches, this very unu...

18K yellow gold earrings with a total of 20 round brilliant cut diamonds bezel set on these square cube like earrings. The diamonds range from white (near colorless) to fancy yellows...

Vintage sautoir, earlier to mid twentieth century composed of frosted rock crystal, moonstone, fancy cut onyx and diamonds. This long necklace suspends an approximately 3.5 inch pend...

18th century micromosaic plaque of a dog looking right. The sparse but interesting vegetation in the foreground, the light blue background set with horizontal oblong or square tesserae, each tessera comprising one color, and a low ground line are all hallmarks of 18th century micromosaics. Also, the gaps between the tesserae are not filled in and there is limited color range and little modelling. For more information on 18th century micromosaics, see: The Gilbert Collection Micromosaics. Jeanette Hanisee Gabriel. Philip Wilson Publishers. Set on copper, the diameter is 2.75 inches. One could make a strong argument that this micromosaic was probably Giacomo Raffaelli; however to be conservative we would say it is possible. The image of a seated dog (a large mastiff) on grass, gazing into the distance was a popular motif during this time period; and, as many art historians have thought this motif possibly may have originated with Giacomo Raffaelli, who had seen this dog in a wall painting in an ancient ruin in Italy. Giacomo Raffaelli (1753-1836) is one the most important artists of micromosaics, his signed pieces are almost nowhere to be found - unless in museums and important collections of the world. We know of nine that exist in the world. Two in the Hermitage, two in the renowned Gilbert Collection, one in the British Museum, three held by different companies in the trade, and one held by Pierre/Famille ( for sale on this platform). Raffaelli was considered the finest mosaicist in Rome. Indeed, when Napoleon I wanted to sponsor a mosaic version of The Last Supper, in roughly 1810, he chose Raffaelli, this too added much to his fame. This micromosaic plaque is in fine condition. We have one of the largest collections of micromosaics offered for sale. If our reader is searching for a particular motif, we would be happy to list it here for your consideration. From very large wall hangings...

22k gold earrings with intricate detailing. These contemporary earrings feature a bold design with a central deep purple cabochon stone. The gold is crafted into an ornate pattern wi...

Antique micromosaic 18K gold brooch bearing French hallmarks. The brooch was made in France and the micromosaic is probably Italian. The motif is unusual of a watermelon seller. T...

Natural pink diamond band with 36 well matched natural pink diamonds set in 18K. The estimated weight of these finely matched and well cut ...

Angela Cummings, a major designer for Tiffany & Co., has designed these very wearable earrings in 18K yellow gold. These earrings are 1.25 inche...

Art Deco back to back cufflinks. Ghiso, the famous French house made these back to back 18K cufflinks, circa 1925. Onyx panels are bordered with 30 rose cut diamonds set in platinu...

18K yellow gold applied on oxidized sterling silver, this large and quite unusual ring is by the accomplished goldsmith Harold O'Conner, whose work is very collected today. Marked o...

18K textured gold hippo brooch with diamond eyes. The hippo measures 1.75 inches across. The diamonds are round brilliant cut stones estimated to be ...

Yellow and blue sapphires set in 18K yellow gold in a very inventive ring by the jewelry designer Salavetti - known for their use of fine materials. The pave set natural golden (yell...

18th Century micromosaic plaque of a bluebird, Rome, c. 1785, attributed to Giacomo Raffaelli (1753-1836). A micromosaic plaque of a blue bird perched on a flowering tree branch, 2.25 inches in diameter. The ground line is parallel and low. The foreground green grass with a brown rock in the front. The background is a creme color with parallel lines of square tesserae. The bird has both square and oblong tesserae as does the foreground. The border of a decorative pattern with three colors with a red circle or dot in a white square on blue. Like most plaque done at this time, it is backed with copper. There is a black substance or adhesive which, centuries ago, could have been applied to adhere this plaque on a box or in a frame. We have chosen to keep this as it came to us, and in an effort to be careful, we have made no effort to remove it. We have dated this piece as being the last quarter of the 18th century, and attributed to the master mosaicist Giacomo Raffaelli. This micromosaic has all of the established 18th century characteristics of micromosaics executed by Giacomo Raffaelli: 1. Each tesserae possesses one color. 2. The tesserae are either oblong or square. 3. The background is parallel horizontal rows of square tesserae, and 4. The addition of an identical border or millefiori around the edge. For more detailed information, see page 32 of "The Gilbert Collection Micromosaics by Jeanette H. Gabriel. Philip Wilson Publishers. Raffaelli is known for his very realistic depictions of birds. His naturalism and use of colors is among the finest of mosaicists at this time. Raffaelli became one of the most feted mosaicists in all of Rome. Indeed when Napoleon I wanted to sponsor a mosaic version of the Last Supper in roughly 1810 he chose Raffaelli. This selection itself added to the already high reputation of Raffaelli. This micromosaic is in very good condition and probably executed by one of the greatest of mosaicists ever and, who is thought by art historians to be the first creator of modern mosaics in the late 18th century. We have one of the largest collections of micromosaics offered for sale. If our reader is searching for a particular motif, we would be happy to list it here for your consideration. From very large wall hangings...

This 18K white gold pendant pave set with white diamonds accented with enamel depicts a cute jockey and even cuter stallion trying ever so hard to win! This pendant, which can also ...

Contemporary jewelry artist Michael Zobel has hand crafted a highly unusual ring centering an approximately 47 ct. natural cabochon cut aquamarine bezel set in 22K yellow gold accent...

Fancy cut white diamonds are border with fine natural sapphires and rubies. A spectacular long brooch with fine well matched and well cut stones. The 34 diamonds weigh an estimated 3...

22k gold earrings with intricate detailing. These contemporary earrings feature a bold design with a central deep purple cabochon stone. The gold is crafted into an ornate pattern wi...

Antique cufflinks yellow gold with European cut white diamonds weighing totally .40 cts., and bright vivid blue unheated sapphires weighing .45 cts. These distinctive cufflinks are in fine condition, and are just under .75 inches long. They weigh 11.2 grams. The scroll design is very organic in design and the deep hand engraving is superb. Cufflinks are generally worn by men - except in the 19th century when they were also worn by women. For a jeweled decoration, cufflinks have always been a popular accessory. Cufflinks have a fair amount of complexity in terms of criteria for selection. Here are a quick dozen reasons from which men pick 1 or 2 as the reasons for favoring a pair of cufflinks. -overall size, -weight, -type of gemstone -how the cufflink looks against solid color background presented by the cuff, and -the personality offered by the motif of the cufflink -the distance or "throw" of a cufflink...

Fine Pearl Necklace possessing both fine white pearls and black pearls. These pearls range in size from 2.5 mm. to 3.0 mm. One can wear this lovely necklace slightly twisted or more ...

BassamFellows High Back Lounge Chair: People who live in glass houses should have furniture that looks beautiful from every angle. This belief motivated Craig Bassam to design the Wo...

Jaeger LeCoultre Art Deco clock measuring 8 5/8th by 7 1/8th inches, this is likely a one and only example of an Art Deco clock in polished stainless steel, with faceted pyramidal tr...

Antique enamel brooch, 18K, Renaissance Revival, c. 1880. Slightly more than 1 inch in diameter, this brooch has French import marks both on the ...

Antique cross early 19th Century cross of approximately 30 cts. natural bright lemon yellow Citrines. The larger oval cut stones have fancy pavilion facets which reflect the light we...

Cufflinks with Essex Crystals, these cufflinks are of finely painted dogs on mother of pearl and placed under Rock Crystal, these cufflinks are platinum with platinum dog bone eleme...

Jaeger LeCoultre Art Deco clock measuring 8 5/8th by 7 1/8th inches, this is likely a one and only example of an Art Deco clock in polished stainless steel, with faceted pyramidal triangular onyx alternating with vivid red (not orange), triangular hard stone. The circular center of the clock consists of polished and faceted onyx. The clock itself sits on a smooth onyx plinth...

Pearl necklace possessing both fine white pearls and black pearls. These pearls range in size from 2.5 mm. to 3.0 mm. One can wear this lovely necklace slightly twisted or more so depending on the long and length one would like to achieve. Either way, this necklace is very feminine and versatile as the white gold clasp possessing matching white and black pearls...

Pomellato 67 Sterling Silver & Marcasite vintage necklace terminating with a horn of plenty. A horn is worn as a sign of wealth, especially in Italy, whe...

18K ring centering fine oxblood coral from the Mediterranean. This long oval stone is surrounded with fine white brilliant cut diamonds all hand set in 18K. The ring bears no mark...

Italian 1960's Modern Pair of Sculptural Walnut Wood with Custom Shades

18th Century micromosaic plaque of a Goldfinch, Rome, c. 1785, attributed to Giacomo Raffaelli (1753-1836). A micromosaic plaque of a goldfinch, looking left, perched on a red flowering tree branch, two inches in diameter. The ground line is parallel and low. The foreground is of different colors of grass and fallen berries and leaves. The background is a light blue with parallel lines of square tesserae. The goldfinch has both square and oblong tesserae as does the foreground. The border of a decorative pattern in white in black circles and further with a rim of yellow oblong tesserae create a colorful frame for this well executed micromosaic which is backed with copper. There is a pinstem and "c" clasp (this type of clasp is seen both in the 18th and 19th centuries), both are not gold. This assembly could have been put on at the time of purchase or slightly later so the plaque could be worn as a brooch. We have dated this piece as being at the end of the 18th century and attributed to Giacomo Raffaelli. This micromosaic has all of the established 18th century characteristics of micromosaics executed by Giacomo Raffaelli: 1. Each tesserae possesses one color. 2. The tesserae are either oblong or square. 3. The background is parallel horizontal rows of square tesserae, and 4. The addition of an identical border or millefiori around the edge. See page 32 of "The Gilbert Collection Micromosaics by Jeanette H. Gabriel. Philip Wilson Publishers. Giacomo Raffaelli (1753-1836) is one the most important artists of micromosaics, his signed pieces are almost nowhere to be found - unless in museums and important collections of the world. We know of nine that exist in the world. Two in the Hermitage, two in the renowned Gilbert Collection, one in the British Museum, three held by different companies in the trade, and one held by Pierre/Famille ( for sale on this platform). Raffaelli was considered the finest mosaicist in Rome. Indeed, when Napoleon I wanted to sponsor a mosaic version of The Last Supper, in roughly 1810, he chose Raffaelli, this too added much to his fame. A very similar plaque, also attributed to Raffaelli, can be seen in the above referenced book on page 56. This plaque is part of The Gilbert Collection. The permanent collection is on view at the Victoria & Albert Museum in London. Raffaelli is known for his very realistic depictions of birds - especially the Goldfinch. While his naturalism is among the finest of mosaicists at this time, Raffaelli chose to display his extraordinary talent featuring the goldfinch in many of his works. Raffaelli was probably aware of the significance of the goldfinch to the Catholic Church. Afterall, it is one of the most poignant stories in the Passion of Christ. On the road to Golgotha, Christ was forced to carry the cross upon which he would be crucified. He was also made to wear a brutal crown of thorns. It was said that a simple Goldfinch, having alighted on the Savior's shoulder, flew to his head and plucked a thorn that had been making Christ bleed; whereupon this blood was transferred to the finch, which to this day, still wears it. This is but one example as to how mosaics permitted the Church to teach important lessons or parables. Why was this not done by traditional art forms such as paintings? Why was this done instead by mosaics? From its initial conception at approximately 319 AD, the Church sought to locate St. Peter's Basilica at the site of the apostle's martyrdom. On its face such a decision would seem rational, if not appropriate. St. Peter however was executed in a marshy area on a side of the Tiber in the already quite humid city of Rome. Housed in the early St. Peters with its exposure for so many centuries of very high humidity most of the Basilica's artwork was beyond the help of the rudimentary preservation and restoration of the period. By about 1750 to which the "new" St. Peters dates it had therefore lost many oil and watercolor paintings as well as wood, bone, and tortoise sculptures, frames and other artifacts. What could the Church do? Enter the "new" age of Roman micromosaics in which tiny pieces of colored stone or glass when set with grout would prove to be impervious to the debilitating effects of humidity. By the early 1700's the Church would begin the process of establishing a school of instruction in mosaics. It would sponsor research and experimentation in developing especially glass tesserae and would encourage students to select damaged oils, paintings or watercolors as appropriate subjects for duplicative efforts in micromosaics. Gifted instructors and successful students both frequently had their work promulgated by the Church. And it was from this pool of recently praised practitioners that fame, and special commissions paralleled each other. By about 1780 one mosaicist in particular separated himself from most all the others. Giacomo Raffaelli became one of the most feted mosaicists in all of Rome. Indeed when Napoleon I wanted to sponsor a mosaic version of the Last Supper in roughly 1810 he chose Raffaelli. This selection itself added to the already high reputation of Raffaelli. This micromosaic is in very good condition and probably executed by one of the greatest of mosaicists of all time, and done on a work of art symbolically significant to the early Catholic Church. We have one of the largest collections of micromosaics offered for sale. If our reader is searching for a particular motif, we would be happy to list it here for your consideration. From very large wall hangings...

David Webb white enamel, 18K, platinum "Tire" Ring, signed and accompanied by a Certificate of Authenticity from David Webb. According to their records, this ring has approximately...

Oval diamond ring in 18k gold. The center stone, an oval cut diamond, weighs 0.66 carats. It is estimated to be J/K (near colorless to a slight tint) and very slightly included (VS1)...

Contemporary cufflinks crafted in 18k gold, originating from France in 1990. These cufflinks feature a unique horseshoe design with red enamel accents, creating a striking visual con...