Australia - Art

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Salvador Dali Tancreds Oath from Marquis de Sade Suite, 1969 Lithograph Edition 110/160 Hand signed lower right Image size: 53 X 42.5 cm Sheet size: 65 x 50 cm Published by Shorewo...

Peter Max Heart on Blends, 2006 Mixed-media with acrylic painting and color lithography on paper. A unique work Hand signed in acrylic low right. Image size 23 x 18 cm Frame size ...

Kaws x Disney Pinocchio & Jiminy Cricket, 2010 Pinocchio size: 26 x 12.7 x 11.4 cm. Jiminy Cricket size: 5.7 x 2.5 x 2.5 cm. Stamped Signature to the underside of the feet. Produced ...

Bleed # 202009 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

Salvador Dali Outside The Bull Ring: The Fruit Seller from Carmen, 1970 Lithography Hand signed lower right Edition LXIII/CXXV Sheet size: 65 x 50 cm Image size: 53.5 x 43 cm Printe...

Salvador Dalí­ L’Apothéose from La Vida es Sueno, 1971 Etching and Aquatint Numbered 104/250 lower left Hand signed lower right Image size: 33 x 26 cm Sheet size: 66.5 x 50.5 cm Re...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Katsushika Hokusai Shūnen (Memorial Anniversary) from the series Hyaku monogatari (100 Ghost Stories) Circa 1831-1832 A chūban tate-e woodblock print Signed Saki no Hokusai hitsu, ...

Foundational Series Studio Archive: No. 221 The Work "Studio Archive: No. 221" is a compelling study of introspection and the architectural weight of the solitary figure. As part o...

Salvador Dali A plate, from Les Songes drolatiques de Pantagruel, 1973 Lithograph on Japanese paper Hand signed lower right Numbered 204/250 Sheet size 76 x 56cm Printed by Graphol...

Bleed # 202332 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 1/3...

Bleed # 202198 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Salvador Dalí­ L'Ange de l'Alchimie (The Angel of Alchemy) from Alchimie des Philosophes, 1976 Drypoint and lithograph on parchment Hand signed and Edition 179 / 225 Sheet size 77 x...

BLEED # 202042 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request - 4 week turnaround. Backed with extruded polystyrene, co...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Bernard Buffet Lescamillo, 1962 Lithograph Hand signed lower right, Numbered 102/180 Image size: 65 x 50.5 cm Sheet size: 76 x 56 cm Reference : Buisson, no.56.62

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spac...

Intersect # 201803 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangin...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 36 x 48 in. $ 1,600 30 x 40 in. $ 1,350 The beauty of ...

Salvador Dalí­ Terpsichore, from Les Muses, 1971 Etching Hand signed lower right Numbered: 136 / 145 Image size: 40.5 x 32.5 cm Sheet size: 65.5 x 50.5 cm Publisher: Les Heures Clai...

Salvador Dalí "Le Decameron" suite (Portfolio 10 prints) A set of ten drypoints with color engraving The English text and engravings are enclosed in a green slipcase with cover. Ea...

Salvador Dalí­ The unicorn laser disintegrates the horns of cosmic rhinoceros from Conquest of the Cosmos II, 1975 Lithographic in colors with drypoint on BFK Rives. Hand signed lo...

Salvador Dali The 1914-1918 War (Guerre de 1914-18) from the "Secret Poems by Apollinaire" suite, 1967 Hand-colored drypoint etching on Dali blind stamp Japon paper Signed lower r...

Salvador Dali Rembrandt - Portrait du peintre par lui-même Original Lithograph, 1974 Image Size: 52 x 43 cm Sheet size: 84 x 63 cm Hand signed lower right Numbered lower left 294 / 3...

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 60 x 48 in. $ 3,100 48 x 36 in. $ 2,200 40 x 30 in. $ 1...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

Salvador Dali A plate, from Les Songes drolatiques de Pantagruel, 1973 Lithograph on Japanese paper Hand signed lower right Numbered 22/250 Sheet size 76 x 56cm Printed by Grapholi...

Artist Commentary: Limited lenticular LED wall art held in a rectangular frame. Created with constantly fluctuating patterns and color palettes. Lenticula...

Salvador Dalí Le Printemps, from Hommage à Albrecht Dürer, Suite Mythologique Nouvelle, 1971 Engraving with drypoint and pochoir Hand signed lower right Numbered 80 / 150 Sheet size ...

Victor Vasarely Tokyo, 1982 Hand signed lower right Edition: 99/250 in pencil Image size: 65 x 65 cm Sheet size: 79.5 x 75.8 cm

Salvador Dali Damis' Dilemma from The Marquis de Sade, 1969 Hand-signed lower right Numbered XVVI/XC Image Size: 53 x 42 cm Sheet Size: 65 x 50 cm Publisher: Shorewood Publishers, In...

Salvador Dalí The Immaculate Conception, 1979 Original lithograph on Japon paper Hand signed lower right Edition I VI/C Image size 58.5 x 41...

Jeff Koons -- Cracked Egg (Red) Aluminium multiple with red glaze, 2008 From the edition of 1,000 Published by the Los Angeles County Museum of Art, Los Angeles, as an invitation f...

Paul Guiramand Rencontre des cavaliers, 1983 Lithograph Hand signed low right Edition EA Image 64 x 44.2 cm Sheet 73 x 56 cm Unframed

Pablo Picasso Untitled from Le Cocu Magnifique, 1966 Etching with aquatint Hand signed lower right Numbered 12 / 30 mage size: 22.5 × 32.5 cm Frame size: 50.5 x 58 x 2 cm Published ...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

The Old Road: Elegy for the English Elm I Etching by Robin Tanner (1904-1988), signed by the artist in pencil. Very good, strong impression with excellent contrast. From the editio...

Salvador Dali Jude from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm Publis...

Salvador Dali Hommage to Leonardo da Vinci, 1975 Hand signed lower right Numbered 288/450 Sheet size 76 x 56 cm Printed by Ateliers Rigal, Paris Published by Transworld Art, New York...

Joan Miró Original Lithographie II, 1981 Color Lithograph Size: 32 x 25 cm Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972 Publisher: Maeght Editeur, Paris, France Verso...

Salvador Dalí­ Untitled from Les Songes Drolatiques de Pantagruel, 1973 Lithograph with color backgrounds on japon paper Hand signed lower right Numbered 22/250 lower left Image siz...

Michel Delacroix Arrivee du Tour de France sur le Champs Elysees, 1990 Original lithograph Hand signed in pencil lower right Numbered XIX/CC lower left Sheet size: 78.5 x 91.5 cm P...

Bernard Buffet La statue de la liberté, 1986 Hand signed lower right Edition 98/150 Image size: 65 x 57.5 cm Sheet size: 76 x 57.5 cm Reference B BUFFET 2 ref 471

David Shrigley -- Please Remove Your Brain From My Jar, 2023 70 x 50 cm It is created from the unique work: Untitled (Please Remove Your Brain From My Jar) (2020) Printed on 200g Mun...

Artist Commentary: Limited edition lenticular LED wall art held in a rectangular frame. Created with constantly fluctuating patterns and colour palettes. ...

Salvador Dalí­ Aquarius from Signs of the Zodiac, 1967 Lithograph Hand signed lower right Numbered 144/250 lower left Image size: 64 x 48 cm Sheet size: 73 x 52 cm Printed by Mourl...

Joan Miró Terres de grand feu, 1956 Lithograph Image size 68 x 51 cm Sheet size 76 x 55 cm Hand signed lower right Edition HC lower left Published by Maeght Éditeur, Paris. Literatur...

Salvador Dali The Watcher from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 cm...

Utagawa Hiroshige II The Beach at Takanawa from Toto sanjurokkei 東都三十六景 (Thirty-six Views of the Eastern Capital), 1862 Woodblock Oban Signed Hiroshige ga and published by Sagamiya ...

'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration' Copper-line engraving. C1770. 380mm by 420mm (platemark) 460mm by 560mm (sheet) From Roubo's 'L'Art du Menui...

Marc Chagall The Death of Dorcon, from Chagall's Daphnis and Chloé suite, 1961 Sheet size: 42 x 64 cm Unsigned From the book edition of 250 (there is also a signed and numbered edit...

Marc Chagall Title: SACRIFICES MADE TO THE NYMPHS from Daphnis and Chloe Original Lithograph on Arches wove paper Printed by Mourlot, published by Tériade, Paris Edition ...

Marc Chagall Der Engel (The Angel), 1960 Lithograph Hand Signed lower right Numbered 13/100 Image size: 32x26.5 cm Frame size: 76 x 63.5 x 5 cm Printed by Mourlot, Paris. Publishe...

Georges Braque Si je mourais là-bas (If I Died There) (Vallier 181), 1962 Wood engraving printed in blue, on Japon paper Hand signed lower right Edition IV / X lower left Printed by...

Jordy Kerwick Oil pastel on paper Sheet Size 42 × 29 cm Hand-signed at the lower right of the paper. Frame Included

Joan Miró Le gourou déployé, 1971 Colour lithograph Hand signed lower right Edition HC lower left Sheet size 119.5 x 77.2 cm Printed and published by Maeght, Paris Reference: Maeght...

Mr Brainwash Love Is The Answer - MC2 (Pink), 2012 Screenprint on BFK Rives wove paper, 2012 Hand signed in pencil, dated in red crayon and signed with the artist's inky fingerprint...

Joan Miro FEMME II/VI, from the Femmes Portfolio, 1965 Edition: 50; 10 HC Image size: 27 x 16 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght, Paris Ref...