Australia - Art

'Augenkrankheiten' (Eye Diseases) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

'Hunde I' (Dogs) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Salvador Dalí­ Neptune, from the series Les Chevaux Daliniens, 1970 Lithographs with embossing Image size: Sheet size: 65 x 50 cm Numbered 44/250 lower left Hand signed lower right P...

'Einsiedlerkrebse' (Hermit crabs) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

'Hunde II' (Dogs) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Salvador Dalí Dawn at Port Lligat (Venus with drawers), 1970 Lithograph Hand-signed lower right Edition 126/250 Sheet size: 90 x 61 cm Image size: 75.5 x 56 cm Published by Courtlei...

KAWS x Star Wars Boba Fett, 2013 Size: 26 x 12 x 10 cm Edition of 500 Printed with the artist's name and dated 2013 on the underside Produced by Medicom Toy and OriginalFake, Tokyo C...

KAWS x Peanuts Joe Snoopy Vinyl Figure, 2011 The KAWS x Peanuts Joe Snoopy Vinyl Figure stands about 21 cm tall, and the mostly white Joe Snoopy is donning a yellow t-shirt with "JOE...

Salvador Dali "Nobility of Time" from "The Sculpture Collection" Conceived in 1977, first cast in 1984 Bronze and green patina Edition: 194/350 Inscribed "Dali" Dimensions: 60 x 38...

Pierre-Auguste Renoir Pierre-Auguste Renoir -- Sur la plage, à Berneval/Baigneuse assise, circa 1897 Soft-ground etching printed in black on cream wove paper Full margins, from the ...

Subject : Ancient Greek vase-painting depicting dionysiac groups. Technique : Copper-line engraving with original hand-colouring Background information : From the scarce Florence...

Nick Thomm - ONYX - Dusk (XL SIZE 36" x 48"). Limited Edition #15 of 25. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW - Unopene...

Yoshitomo Nara Harmless Kitty Offset print on paper Sheet size 51.5 × 36.4 cm

Stewart - Prince Charles Edward. Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of de...

Tom Wesselmann Bedroom Blonde, 1987 Transfer-printed glazed porcelain plaque in colours, accompanied by the original certificate of authenticity, Size 34.5 x 44.5 x 3.5 cm Signed, t...

KAWS x Disney Pinocchio & Jiminy Cricket, 2010 Pinocchio size: 26 x 12.7 x 11.4 cm Jiminy Cricket size: 5.7 x 2.5 x 2.5 cm Edition of 500 Stamped to the underside of the feet Produc...

Salvador Dalí­ Pegasus from The Mythology suite, 1960-1964 Etching and engraving with color aquatint. Hand Signed lower right Numbered 28/150 Image size: 52 x 61 cm Sheet size: 55...

George Rodrigue Carnival Time (White) - Blue Dog, 1997 Silkscreen Hand signed left Numbered 36/120 lower right Sheet size: 81 x 56 cm Year and artist name stamped and the barcode on...

'Seedling tuberous Rooted Begonias' Antique English flower botanical chromolithograph.

'St Jean D'Acre', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s produc...

Salvador Dalí­ Kronos from Mythologie, 1960-1964 Hand signed lower right Edition 25/150 Image size: 60.5* 49 cm Sheet size: 76.3 x 57 cm Published by Pierre Argillet, Paris. Refere...

Kawase Hasui Morning in Hirano, Lake Yamanaka (山中湖平野の朝), 1936 Color woodblock print Oban Sheet: 31 × 42 cm Image: 28.7 × 40 cm First edition seal: 'D' seal Published by Watanabe Shoz...

Carolanne Ken was born in 1971 and resides in Kaltjiti, formerly Fregon, located in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. Carloanne went to school in Kaltjiti as a y...

Salvador Dali Dionysus, 1967 Colour etching and aquatint Hand signed lower right Numbered 52/300 lower left Sheet size: 76 x 56 cm Image size 36 x 48 cm. Reference Michler/Löpsinger ...

'Exacum and Ixoras' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

'Keramik' (Ceramics) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Yoshitomo Nara Lollipop Offset print on paper Sheet size 51.5 × 36.4 cm

'La Brebis' Copper-line engraving, circa 1765 From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris. 24c...

'Cannas' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

'Rent Day' Engraving by Abraham Raimbach (1776-1843) after Sir David Wilkie RA (1785-1841). Circa 1820. 'Second Plate' printed under engraver's name. Wilkie was an important Scot...

Yayoi Kusama Pumpkin ( yellow ) Print on cotton towel Size 92.5 x 33 x 2.5 cm Framed with the black aluminum frame and the UV protect acrylic glass published by シンワ繊維株式会社

René LALIQUE Vase "Archers" Frosted clear glass with gray patina, France, des. 1921 Etched R. Lalique France M p. 415, no. 893

Michel Delacroix Passerelle des Halles in Summer from the Four Seasons Suite of Memories of Paris Silkscreen Hand-signed lower right Numbered AP 38/50 lower left Image size 35 x 35 c...

Andy Warhol Cow , 1971 Silkscreen on wallpaper, unsigned Cow with a soft pink background, surrounded by a purple ground. Left margin in the same soft pink reading "Andy Warhol" and...

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

Pro Hart Australian village Oil on board, 1968 Hand signed lower right, dated lower left Painting size 66 X 71CM Frame size: 70.5 X 75 CM

The Clan Lamond Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

PABLO PICASSO (Spanish, 1881-1973) Petit visage barbu (A.R. 557) Verso impressed "Madoura Plein Feu" and "Empreinte Originale de Picasso" Hand-numbered "J139A 9/100" Size 17.2 X 17...

Joan Miro La Mélodie Acide, 1980 The complete portfolio of 14 Lithographs In Original Slip Case Hand Numbered. 184 / 1500 Plate signed Published by Ediciones Poligrafa Reference: M. 1212-1225 Acquire a unique and valuable piece of surrealist art with Joan Miró’s Melodie Acide...

'Indian-Persian - Indo-Persian - Indisch-Persisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Raci...

'Spotted Dead Nettle' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor o...

Yoshitomo Nara No Fun! from "In the Floating World", 1999 Fuji Xerox copy on wove paper Edition 23 of 50 Image size 41.5 × 30 cm Frame size 57.5 x 45 x 3 cm Signed, dated and numbere...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

SALVADOR DALÍ Bullfight #4., 1965 Color lithograph Hand signed and numbered 190/300 in pencil, lower margin Sheet size: 64 x 52.5 cm Published by Sydney Z. Lucas, Paris, with the ink...

'Alpenpflanzen' (Alpine Plants) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Salvador Dali Space Elephant from Memories of Surrealism, 1971 Lithograph with etching in colors on Arches paper Hand signed lower right Numbered F 16/175 Reference Field 71-15 D

'Aizoon Canariense - Purslane-leaved Aizoon' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by ...

'Winter Heath' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeh...

Pablo Picasso Hommage à René Char, 1969 Color lithograph on Arches wove paper by Henri Deschamps, Paris Signed in the plate Image size: 63.6 x 44.7 cm Sheet size: 75.7 x 52 cm Prin...

'Coral Bank in the Red Sea' Antique English late 19th century chromolithograph. Sheet 18cm by 26cm, image 12cm by 20cm.

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)