Australia - Art

Takashi Murakami Multicolor Double Face: Black, 2020 Silkscreen in colors on wove paper Sheet size: 50 x 60 cm Frame size: 61 x 71 x 4 cm Ed. 32/100 Hand signed, numbered, and dated ...

Imitjala Curley was born in 1953 in Pukatja (Ernabella) in the APY Lands of South Australia. She grew up around Ernabella Mission, which operated as a sheep station until the Presbyt...

'1. 2. Catagramma astarte 3. 4. Haematera pyramus' Late 19th century colour lithograph of butterflies.

'1. Cynthia juliana 2. Anartia amalthea 3. Junonia orthosia' Late 19th century colour lithograph of butterflies.

'Metamorpha dido' Late 19th century colour lithograph of butterflies.

'1. Devanica tricolor 2. Erasmia pulchella 3. Amesia sanguiflua' Late 19th century colour lithograph of butterflies.

'1. 2. Delias eucharis 3. Delias philyra' Late 19th century colour lithograph of butterflies.

Yoshitomo Nara Dream Time Offset print on paper Sheet size 51.5 × 36.4 cm

Warlimpirrnga Tjapaltjarri was the son of Papalya Nangala and Waku Tjungurrayi, an old man who had three wives (Papalya and two of her siste...

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 37.7 x 27.6 cm Published by Maeght Editeur, Paris Reference: 924802-1976 FREE SHIPPING

PGB Slurp (Abstract Painting) Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challe...

Salvador Dalí L'Alchimiste (The Alchemist) , 1975 Etching and aquatint with stencil hand-colouring, on Arches paper, with full margins. It was published under two contracts; one in 1...

GPB Slurp (Abstract Painting) Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challe...

'Indiani in viaggio' / 'Diligenza Messicana' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, published in Venice,...

'Villagio indiano nell' Isola Quadra-Voncuver / Interno di Una capanna di Vakosei' (Indian Village on Quadra Island, Vancouver / Interior of a Vakosei hut) Italian lithograph, c184...

'Mode degl' Indiani in Mechoacan' / 'Idoli del Messico'' Italian lithograph, c1841. Originally from 'Galleria universale di tutti i popoli del mondo' by Giuseppe Antonelli, publishe...

Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challenge the perception of the viewer.

'Kostume I (Altertum und Mittelalter)' (Costume – Antiquity and Middle Ages) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Salvador Dalí­ L’Apothéose from La Vida es Sueno, 1971 Etching and Aquatint Numbered 104/250 lower left Hand signed lower right Image size: 33 x 26 cm Sheet size: 66.5 x 50.5 cm Re...

Salvador Dalí "Le Decameron" suite (Portfolio 10 prints) A set of ten drypoints with color engraving The English text and engravings are enclosed in a green slipcase with cover. Ea...

English hawk moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Katsushika Hokusai (Japanese, 1760–1849) Poem by Bunya no Asayasu (Fumiya no Asayasu), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) 「百人一首うはか...

Ronnie Tjampitjinpa was born around 1943 at Tjiturrunya, about 100km west of the Kintore ranges in Western Australia. Following an extended drought in the 1950s, Ronnie's family move...

Maureen Baker lives in Warakurna, an Indigenous community nestled in the Rawlinson Ranges, approximately 330km west of Uluru. Maureen is a creative and...

'Flamsteed' Copper-line engraving by Joseph Baker after T Gibson. 1790. John Flamsteed FRS (1646 - 1719) was an English astronomer and the first Astronomer Royal. He catalogued ov...

Yayoi Kusama (Japanese, b. 1939) glazed ceramic plate. Titled 'Red Flower'. Signed and dated 2002. Marked and numbered 209/300 to verso. Measures 22.7 cm diameter.

'German Wolf Trap' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports'. Sam...

Salvador Dalí­ The Emerald Table from Alchimie des Philosophes, 1976 Lithograph and drypoint on parchment Hand signed and Edition 179 / 225 Sheet size 77 x 56 cm Printer: Art Lithog...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

Michel Delacroix Roofs in Paris in the Snow, 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris str...

Title "The Golden Pavilion" 金阁 Date 1933; (posthumous edition, likely 1950's/60's). Publisher Yoshida Family Studio Image Size 9 5/8 x 14 3/4 Impression Very Fine. Sk...

Salvador Dali (1904-1989) Levi, from Twelve Tribes of Israel, 1973 Etching in colors on Rives BFK paper Sheet size: 65 x 50 cm Ed. SA 141/195 Signed and numbered in pencil along the ...

Salvador Dalí­ Le Jument de Compère Pierre from Dalí's Le Décameron, 1972 Drypoint etching with color on paper Hand signed Dalí lower right Numbered...

Joan Miró -- Lithograph I, Plate IV, 1972 Color Lithograph Publisher: Ediciones Poligrafa, S.A., Barcelona Catalogue: Mourlot 866 Size: 42.5 × 60 cm Unsigned FREE SHIPPING

Artist Commentary: Limited edition lenticular LED wall art held in a rectangular frame. Created with constantly fluctuating patterns and colour palettes. ...

Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...

Norman Rockwell Artist's Daughter Encore Edition prints, approved by Norman Rockwell Numbered AP lower left with blindstamp. Gold embossed signature lower right Image size: 68.5 x 5...

Salvador Dali (1904-1989) Zebulun, from Twelve Tribes of Israel, 1973 Etching in colors on Rives BFK paper Sheet size: 65 x 50 cm Ed. SA 32/195 Signed and numbered in pencil along th...

Pablo Picasso (After) Bouquet of Peace Flowers, Circa 1970 Lithograph on Arches Paper Signed in plate Size: 24.5 x 19.5 in. Printed by S.P.A.D.E.M. Paris, Embossed in the lower righ...

KYNE & Nonchelee Untitled (Pink) Silkscreen Hand-signed by artist, Signed by Noncheleee lower left, signed and numbered by KYNE lower right Edition 32 / 100 Image size: 52 x 42 cm F...

Joan Miró Untitled from Derriere le Miroir, 1961 Original lithograph. Unsigned Size 37.7 x 27.6 cm Published by Maeght Editeur, Paris Reference: 924802-1970 FREE SHIPPING

Salvador Dali Rembrandt - Portrait du peintre par lui-même Original Lithograph, 1974 Image Size: 52 x 43 cm Sheet size: 84 x 63 cm Hand signed lower right Numbered lower left 294 / 3...

'Church of St Helena, Bethlehem', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...

Tinted lithograph with white highlights, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt. Printed at A Ducote's Lithographic Establishmen...

'Catching the Badger' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports...

Marc Chagall The House in My Village, 1960 Lithograph Hand signed lower righter Edition 16/40 lower left Frame size 56 x 42.5 x 3 cm Image size 32 × 25.5 cm Frame included Referenc...

'Ubersichtskarte Des Mondes' (Overview Map of the Moon) German chromolithograph, circa 1895. 245mm by 305mm (sheet). Central vertical fold as issued.

Salvador Dali Hommage to Leonardo da Vinci, 1975 Hand signed lower right Numbered 288/450 Sheet size 76 x 56 cm Printed by Ateliers Rigal, Paris Published by Transworld Art, New York...

Jeff Koons -- Cracked Egg (Red) Aluminium multiple with red glaze, 2008 From the edition of 1,000 Published by the Los Angeles County Museum of Art, Los Angeles, as an invitation f...

Salvador Dali Mais o belle Dionee, from L'Art d'Aimer suite, 1979 Woodcut in colours on wove, Hand signed lower right Edition 230 /250 Sheet size 74 x 54 cm Image size: 57 x 44 cm ...

Salvador Dali Hommage à Mercure, 1973 Hand signed lower right Numbered 10 / 150 lower left. Printed by Ateliers Rigal, Paris. Published by Joseph Foret, Paris. Reference Michler...

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

'Chow and Dandie (Dinmont) Puppy' Cecil Aldin dog lithograph, 1935. Cecil Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, a...

Salvador Dali Velasquez The Surrender Of Breda, 1974 Original Lithograph Sheet size: 73 x 76 cm Hand signed lower right Numbered lower left 102 / 350. Reference: Albert Field, “Offic...

MARC CHAGALL -- The Festival, from L'Odyssée, 1975 Lithograph in colours Unsigned Edition H.C. XVII / XX published by Mourlot, Paris Literature Mourl...

Antoni TAPIES 24 sur 17, 1976 Lithographic Edition 56/75 lower left Signed lower right Sheet 76 X 55.5 cm Literature: Galfetti 624

'Huhner' (Chickens German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

Pierre-Auguste Renoir Portrait De Berthe Morisot, 1892 etching (Printed during his lifetime in 1892) signed in plate lower left Image size: 10.5 x 9.5 cm Frame size: 42 x 33 x 2 cm R...