Berlin - Paintings

Pilgrim No. 37 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed and com...

In this delicate composition, the ethereal elegance of ballet is conveyed through the image of pointe shoes against a soft pink background. Pointe shoes, symbols of grace and dedica...

This painting captures the viewer's attention at first glance: a refined bird with a striking crest is depicted with a deep appreciation for detail and a delicate sense of color. The...

This vibrant and expressive painting features a small exotic bird perched on a moss-covered branch. Its plumage delights the eye with a rich palette: bold red accents blend harmoniou...

"Leave Me Alone" is a manifesto of inner freedom and the beauty of personal emotions. Painted in vivid, lively colors, the work captures the richness of feelings that arise when one ...

The picture is made on canvas, in three-dimensional style. I used light green acrylic, in different shades, which symbolizes the birth of a new life. I also added a golden color as a...

"Peonies" is a vibrant and expressive painting that captures the beauty and delicacy of blooming peonies. Created with bold, sweeping brushstrokes and a vivid palette, this artwork b...

The painting "Frida" explores the depths of the human soul through the image of the renowned Mexican artist. Inspired by Frida Kahlo's unique personality, this piece conveys her com...

Red Hot Chili Peppers No. 48 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold un...

SOUND AND VISION – You called me mellow yellow (9 pieces, B) is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39....

Conrad Kiesel (1846-1921), The gift of flowers. Oil on wood, 43 x 35 cm, 69 x 61 cm (frame), signed at lower left "Conrad Kiesel pxt [pinxit]", about 1900. In a magnificent gilt stuc...

"Eternal Spring in the Garden of My Soul" is an ode to inner renewal and endless life energy. The painting features geraniums — a symbol of resilience and beauty — set against a shim...

Assemblage No.03 is an abstract piece by contemporary German artist Doris Marten, part of her Sound and Vision series. Oil on vinyl mounted on Alu-Dibond, diameter: 60 cm (23.6 in). ...

The painting "The Sea is near me" captures a fleeting moment of silence and freedom, when the sea seems to dissolve into the air around you. Gentle vibrations of color evoke the feel...

Pierre Louis De La Rive (1753 Geneva - 1817 Geneva). Two countrywomen with a donkey. Oil on canvas, mounted, 27 x 20 cm (visible size), 37 x 31 (frame), monogrammed "P.R." at lower right. About the artwork De La Rive has taken the typical scenes of Dutch landscape genre paintings...

Carl Bertold, Nordic Fjord Landscape in Sunlight, oil on canvas Dimensions without frame 81 x 120 cm Dimensions with frame 94.5 x 134.5 cm

The painting depicts large clematis flowers against a light wall with a tiled texture. The flowers are rendered in rich shades of purple, with delicate yellow and white centers, whic...

Patterns 150.0 x 100.0 x 1.0, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Patterns (2010) The collection reveals patterns that we select and follow, either consciously or subconsciously, in our life. patterns which may affect significant aspects of our life." About the Artist: "Leila Rezvani...

This painting captures the fleeting beauty of tulips. The delicate flowers, embraced by the young woman, symbolize the transient nature of life’s most exquisite moments. Their soft p...

Acrylic ink and paint on canvas, 2024. Signed, titled and dated on the back. Ready to hang. The artwork comes directly from the artist's studio. Height: 53 in ( 134,5cm), Width: 4...

"Whisper of Spring" portrays the serene beauty of a young woman with her auburn hair and scarf gently flowing in the breeze. This movement, captured through rich, textured brushstrok...

Budgie Edition No. 30 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed ...

After completing each layer the artist asks “Am I satisfied?” Anything less than a yes, means that the piece is to be fully surrendered, and allowed to be destroyed and overwhelm...

Antique painting, fisherman on the coast, oil on canvas. Frame damaged in places. Dimensions with frame.

Antique, decorative oil painting, 18th century. Christian scene. Canvas relined. With a beautiful wooden frame. Dimensions without frame.

‘Teppiche' Acrylic and Eggtempera on Canvas, 115 x 85 cm, 2016 Fides Becker The leading theme of the artist’s interventions is the staging of temporality, transience, and change. ...

Antique, oval still life, with fruits and lobster. Oil painting. Signed lower right. Dimensions are without frame. The painting and the frame have m...

Friedrich August Seitz (1902 Staffort - 1944 Belgrade). Half-length portrait of an elderly man with a beard. Oil on canvas, 42 x 34 cm (visible seize), 58 x 50 cm (frame), signed and...

This captivating painting portrays a young ballerina, delicately adjusting her pointe shoes. Dressed in a ballet tutu, she exudes grace and discipline. Th...

A clash between purple and green; the two colours go back and fourth, eventually purple is completely overcome, leaving only green. About the series: Watery paint is layered over ...

Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without f...

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Antique painting, oil on canvas. Capsized ship on a stormy sea. Canvas has been professionally relined. Dimensions including frame. Including certificate of authenticity.

Landscape painting, harvest field with windmill and mountains. Dimensions without frame. Frame damaged. Free shipping only without frame.

Painting, 19th century, oil on canvas, "Young woman with flower basket" Signed, F.Bach. Dimensions with frame 52cm x 72.5cm

Decorative antique oil painting. Atmospheric seascape in the moonlight. Dimensions without frame in cm 79 x 96 Dimensions with frame in cm 84 x 101

Warm Evening with Tea" is a painting permeated with soft light and the aroma of a summer garden. Lush flowers in a vase seem to whisper stories of quiet evenings, and a cup of tea s...

The painting evokes a quiet, cozy atmosphere, where a young woman enjoys the peace of a home evening in the company of her beloved cat. Her gaze, turned to the side, seems to catch i...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Decorative painting, oil on canvas. Oriental market scene. Illegible signed. Dimensions without frame. Frame partially damaged.

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (...

In this painting, a girl is portrayed deep in thought, contemplating the nature of love, creating an atmosphere of tenderness and gentle introspection. Her dreamy gaze reflects her i...

The painting “Flora” depicts a young woman in a serene and contemplative state with her eyes closed, symbolizing inner peace and connection with nature. Inspired by the Roman goddess...

The painting depicts a young woman immersed in sleep. Her peaceful face reflects tranquility and serenity. In the background, an ornamental representation of the sun can be seen, sym...

This painting embodies the dynamics and natural grace of a horse, symbolizing the strength, freedom and pristine beauty of the animal world. The animal's gaze attracts attention - it...

Layers Object No. 17 is a unique ink drawings on Alu-Dibond painting by contemporary artist Doris Marten, dimensions are 35 × 217 cm (13.8 × 85.4 in). The artwork is signed, sold unf...

Around the World No. 22E is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unfram...

The painting embodies a deep connection between humanity and nature. The woman seems to personify the iris, highlighting that humans are part of nature and that the beauty of the nat...

Blue-grey and dark-green wash over various swirled forms, that have since been reduced to lines and drips. :: Painting :: Abstract :: This piece comes with an official certificate of...

Evening Tea" is a painting permeated with soft light and the aroma of a summer garden. Lush flowers in a vase seem to whisper stories of quiet evenings, and a cup of tea standing ne...

We can offer free shipping sending the artwork rollled in a tube to your address. For other shipping options please contact with us. Joan Saló (Igualada, 1983) is an artist who liv...

Sheets of colour, folding over each other. Cyan turquoise with purple, covered by lime yellow. This is part of the artist’s ongoing practice, where he intuitively paints for a few...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Sunny forest landscape, c. 1900. Oil on canvas, marouflaged on wood, 37 cm x 48 cm (inside dimensions), 42.5 cm x 53.5 cm (frame), sig...

Acrylic paint on canvas, 2021. Signed, titled and dated on the back. Framed. It comes directly from the studio of the artist. Height: 25.2 in ( 64 cm ), Width: 29.06 in ( 73,8 cm ),...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...

Decorative oil painting. View of the most famous Berlin streets. Unter den Linden and Friedrichstr. The painting shows a very busy scene (after the r...

Yellow Arc Over Purple Rain / An Overwhelming Sense Of Calm Sheets of colour, folding over each other. Purple over turquoise, yellow over purple. This is part of the artist’s o...