Berlin - Paintings

Antique Rococo Oil Painting, around 1800, Royal Dance in the Garden Oil on canvas. Canvas relined. Stretcher renewed. Dimensions are without fra...

Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Romantic landscape view, oil on canvas. 19th century. Dimensions including frame 76.5cm x 100cm Dimensions without frame 55.5cm x 79cm.

18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

Acrylic paint and ink on canvas, 2016. Ready to hang. It comes directly from the studio of the artist. Height: 63.19 in ( 160,5 cm ), Width: 47.24 in ( 120 cm ), Depth: 1.56 in ( 4 c...

Acrylic ink and paint on canvas, 2024. Signed, titled and dated on the back. Ready to hang. The artwork comes directly from the artist's studio. Height: 53 in ( 134,5cm), Width: 4...

Large, enticing and very decorative painting. Oil on canvas. Monogrammed lower left. G.A. Portrait of a pretty lady. Beautiful painting in impressionist style. Frame partially damaged. Dimensions about: With frame 84.5 cm x 97 cm Without frame 55.5 cm x 68 cm The veiled lady.

"I'll Call You in the Midnight" captures a moment of silence and inner focus. A woman slowly brushes her hair, savoring the rare time spent alone. In her gestures, there is a sense o...

Large, enticing and very decorative painting. Oil on canvas. Signed lower left. G. Koch. (Georg Koch) Motive of a lively horse market. Beautiful paintin...

Pink Painting (Figure No.1) is a unique oil on cotton canvas painting by German contemporary artist Doris Marten, dimensions are 150 cm x 110 cm (59.1 × 43.3 in). The artwork is sig...

SOUND AND VISION – You called me mellow yellow is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 135 × 135 cm (53.1 × 53.1 in). Every p...

Guglielmo de Giorgio, busy street in Paris, France. Decorative oil painting. Dimensions WITHOUT frame in cm 50 x 60 Dimensions WITH frame in cm 6...

Flowers Still Life by Otto Beyer. Painting, oil on canvas. Dimensions without frame. Frame has minor damage in places.

Pair of antique paintings, oil on canvas, portraits. Around 1850. Portrait of a well-known artist and his wife. Dimensions are per painting...

Very decorative, 17th century, old master painting, oil on canvas, King Alexander Magnus, the great. Illustration of two children, putti, with wreaths of flowers on a board (or maus...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Ornate, decorative oil painting. Illustration of Marie Potonie (born Sievers). Marie was the daughter of the royal Prussian court painter Johannes Sievers. Extremely fine painting....

Jürgen Reichert - Maler Freischaffender Künstler, Farbflächenmalerei, lebt und arbeitet in Berlin. o.T. 2015 Eitempera auf Leinwand 120 x 120 cm Jürg...

Caeser Bimmerman, oil painting, 1885, snowy winter landscape with deer and birds. Hunting scene. The romantic forest landscape in winter is a recu...

Many layers of oil were applied in horizontal streaks over a few months. In the process video the non-linearity of how the layers are applied can be seen. At times a recent layer wil...

Karl Kasimir Otto Ritter von Thoren (born July 21, 1828 in Vienna, died July 15, 1889 in Paris). Dimensions without frame. Austrian officer and painter. Thoren was the son of Colonel Franz Kasimir Ritter von Thoren and his wife Konstanze Maria (née Lachmann). He became an officer in 1846 and was involved in the Hungarian campaign in 1848. He then spent a long time in Venice, where he was employed as an adjutant to the military and civil governor Ludwig Gorzkowski. After turning to painting in 1857, he studied in Brussels and Paris for several years. In the mid-1860s he was commissioned to create a portrait of the Emperor Franz Josef in Vienna. After painting the death...

Yesterday I Was A Rock, Today I Am A Stone, (Sitting On The Ground) Gestural movements were used to capture and reflect the flowers mentioned in the title. Initially created as a ...

"Nothing superfluous." The painting is inspired by spring, when everything is just beginning to awaken, like man and his awakening, when everything superfluous is cut off.

SOUND AND VISION – Budgies is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39.4 in). Every piece is 30 cm in dia...

It Is Significant For Us To Have Met Each Other When We Did Gestural movements were used to capture and reflect the details and emotions of the flowers which were given to the artist by the person mentioned in the title. They were given for an exhibition opening a few months prior, and had since died...

Painting, 19th century, women portrait, oil on canvas. Dimensions with frame 63cm x 77.5cm

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

Painting, 19th Century, Portrait of an African Boy, signed, oil on canvas. Dimensions with frame 65cm x 73cm

"Fjord Idyll by Carl Bergfeld" fjord landscape: This painting, masterfully created by Carl Bergfeld and signed in the bottom right corner, celebrates the majestic beauty of a fjordl...

Jean-Baptiste Robie (1821 Brussels - 1910 ibid.). Still life with meadow flowers. Oil on wood, 24.5 x 18.5 cm (inside measurement), 37 x 31 cm (frame), signed and dated (difficult to...

FPE Edition No. 12 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed and...

"Walk in the autumn forest by A. or O. Hamel". Düsseldorf, Germany. Dimension without frame: 106 cm x 82 cm). Frame slightly damaged in places. Major damage to the upper left corner...

A portrait of a woman who holds your gaze with quiet intensity. Her eyes suggest a secret knowledge, something unspoken yet deeply felt. Through bold color contrasts, abstract forms,...

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...

Acrylic ink and paint on canvas, 2024. Signed, titled and dated on the back. Ready to hang. The artwork comes directly from the artist's studio. Height: 53 in ( 134,5cm), Width: 4...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Peter Paul Rubens (After) - Helena (Helene) Fourment with her Son Francis (Frans) Very decorative Painting. Oil on canvas. Unsigned. Dimensions include the frame. The painting and...

Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina in the dressing room, 1924. Pastel on painting cardboard, 65 x 45 cm, 77,5 x 59,5 (frame), signed lower left "Stohner" and dated "[19]24". Behind glass in gold stucco frame of the time. - Painting cardboard slightly warped, in the lower area minimally stained, frame with age patina and traces of abrasion. - The Naturalness of Artificiality - We see a ballerina putting on her right ballet shoe while the left one is still lying on the floor in front of her. It is precisely the casualness of the scene that gives it its intimacy: the blonde young woman is completely absorbed in the activity of getting ready for the dance, oblivious to us, while we are positioned right in front of her in the dressing room, inaccessible to the audience, watching her dress. Even though she does not yet perform a dance step, there is a graceful elegance in the action shown that seems quite natural in contrast to the rehearsed art form of dance. The young woman is not presenting herself to an audience in a perfectly formed movement, but is performing an everyday action, unaware that she is being watched. Concentrated, almost devotional, she pulls the ballet slipper over the verses, not noticing that one of the straps of the tutu has slipped off her shoulder, reinforcing the erotic moment of the scene. Inspired by Edgar Degas, Karl Stohner has painted the scene in strong pastel tones. The dominant blues and turquoises give the scene a magical, mysterious quality and, like the pink of the stockings and ballet slippers, are borrowed from Degas's dancers. Degas's colors, however, are cooler tempered, which is particularly evident in the light impasto applied incarnate. This is where the vividness of Auguste Renoir comes into play, making the dancer seem entirely flesh and blood. Karl Stohner, who has studied the pastels of Degas and Renoir intensively, combines the two artists here to create his own pictorial language. He has laid out the background in broad layers of strokes, ranging in color from white to turquoise to dark blue. The result is a dynamic, pattern-like structure that contrasts with the woman's calm, inward-looking posture. The fund anticipates the dynamics of the choreography of the dance for which the ballerina is preparing. At the same time, the broad pastel line in the background is an adequate means of painting to depict the soft, flowing elegance of the dancer. About the artist Against the wishes of his wealthy parents, Karl Stohner decided to become a painter. His talent was discovered by the director of the Mannheim Art Gallery, Fritz Wichert, who supported him from then on, including financing study trips to Paris. There he discovered the art of Degas, Cézanne and Renoir, which inspired his work. GERMAN VERSION Karl Stohner (1894 Mannheim - 1957 Paris), Ballerina im Ankleideraum, 1924. Pastell auf Malkarton, 65 x 45 cm, 77,5 x 59,5 (Rahmen), unten links mit „Stohner“ signiert und auf „[19]24“ datiert. Hinter Glas im Goldstuckrahmen der Zeit. - Malkarton leicht verzogen, im unteren Bereich minimal fleckig, Rahmen mit Alterspatina und Abriebspuren - Die Natürlichkeit der Kunstform - Wir sehen eine Ballerina, die sich den rechten Ballettschuh anzieht, während der linke noch vor ihr auf dem Boden liegt. Gerade aus der Beiläufigkeit der Szenerie speist sich ihre Intimität: Die blonde...

Huge and very decorative castle painting. Antique oil painting. Probably 18th century. "Kings from all over the world in Bethlehem". Christian scene. Canvas relined. Big, heavy fr...

A beach from the german baltic sea, around Prerow. Oil on linen. Painted with a lot of paint, applied with brush and palette knife. The edges of canvas are colored in a brownish oc...

Antique oil painting, mountain landscape. 20th century, signed. Dimensions with frame.

Oil painting, 19th century, river and mountain landscape. Oil on canvas. Illegibly signed. Frame damaged. Free shipping only without frame. 76 cm x 94.5 cm without frame.

High Alpine Landscape, Alps. Oil Painting by Otto Werner Henning von Kameke. Kameke was already a captain when he switched to art in 1860, went to Rome a...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Decorative antique oil painting. Dutch harbor view in winter. Dimensions with frame in cm 69 x 98

The painting, created using the fluid acrylic on canvas technique, conveys the dynamic and natural harmony of nature, reminiscent of the play of waves on the seashore and the pattern...

Large, enticing and very decorative painting. Oil on canvas. Signed Imre Goth 1931. 1931. Motif of an elgant, young girl with her doll. Beautiful painting in impressionist style. ...

"Loading" is a reflection on the moment when a miracle begins to take form. The painting features pink hydrangeas, symbolizing the gentle, almost imperceptible unfolding of something...

Acrylic ink and paint on canvas, 2016. Signed, dated and titled verso. Ready to hang. It comes directly from the studio of the artist. Height: 35.43 in ( 90 cm ), Width: 51.18 in ( ...

Eugen Felix Prosper Bracht, 1917, Harvesting with a hay wagon and team of oxen. Large and decorative painting by the world-renowned artist Eugen Bracht. Fro...

Decorative antique painting, oil on canvas, 19th century. Walking the dog, castle view. Dimensions with frame: 65.5 cm x 74 cm

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 33.15 in ( 84,2 cm ), Width 25.2 in ( 64 cm ), Depth 1.38 in ( 3,5 cm ) Claudia Fauth was born 1962 in Berlin. Lives and works as a singer, songwriter, visual and acoustic artist. Worked many years as an art dealer. Realizes extensive art projects around the world including the natural environment and make the unknown experienceable. She understands herself as a Quantum Philosopher. She is known for her abstract works, she often works with elements of sacred geometry. Her works are in public collections in Austria, Belgium, Canada, England, Germany, Italy, France, Japan, Mexico, Switzerland, Poland, Spain and the US. Selection of exhibitions: ° 2014 Von der Avantgarde zur Moderne, Berlin The Original Miami Beach Antique Show, Miami ° 2015 Biennale, Venice Expansion und Konzentration, Berlin It‘s Liquid international art show, Venice Future Memories - The Contemporary Sence Of Awarness, Venice ° 2016 Ein Sommertreffen, Berlin Berliner Liste, Berlin Galerie Zandi, Berlin ART EXPLOSION, Berlin ° 2017 Enter Art Foundation, Berlin Art Up ! Lille Friends space - Freunde von Freunden, Berlin DAILY RUSH, MOCAD, Detroit ° 2018 Art Collectors Are Talking About It, Berlin Random Impression, Berlin Women perspectives, Museum Barberini, Potsdam ° 2019 SILENT PERCEPTIONS, Kunsthalle Hamburg Von Improvisation zur Konstruktion, Berlin Amsterdam International Art Fair Platonicsolids in space, 'Labor C', ETH Zurich. ° 2020 -2021 Combray Gallery...

Heinz Roder (1895-1965), Low Mountain Landscape with Rocks, oil on painting cardboard, 30 x 40 cm (visual size), 40 x 50 cm (frame), signed and dated "[19]34" at lower right. In a de...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Ready to hang. The artwork comes directly from the artist's studio. Dimensions: Height 31.5 in ( 113,2 cm ), W...

Cheerful winter landscape with children playing and sledding. Signed lower left. Age-related condition. Dimensions with frame: 48 cm x 58.5 c...

OTTO PIPPEL, Painting, Oil on canvas, Winter Morning in the Wetterstein Mountains, Zugspitze (Alps) Beautiful, large painting by the internationally known artist Otto Pippel. Snow...

"On the Wave of My Soul" is a painting about memories and faith in dreams. While creating it, I revisited my childhood — those moments when the future seemed endlessly bright, filled...